The Little Red Yellow Black Book is an accessible and highly illustrated pocket-sized guide. It's an invaluable introduction to Australia's rich Aboriginal and Torres Strait Islander histories and culture. It takes a non-chronological approach and is written from an Indigenous viewpoint. The themes that emerge are the importance of identity, and adaptation and continuity. If you want to read stories the media don't tell you, mini-essays on famous as well as everyday individuals and organisations will provide insights into a range of Australian Indigenous experiences.maps, b&w photographs, colour photographsindigenous history, culture, art, sport, health, education, employment, reconciliation, resistance, governance

Set of three A3 size photocopies of a drawing held by the Public Records Office Victoria of the Ballarat ESCo Tramway Depot, dated 2/8/1912. Drawn at a scale of 1/16" = 1', shows building layout, track layout, overall dimensions, a proposed extension to hold eleven trailers, a front elevation showing pits, extension (drawn at 1/8" = 1'). On the current tracks, shows the individual track capacities - 26 trams. Drawings copied by Alan Bradley for archives and research.trams, tramways, ballarat, esco, depot, drawings

A death mask is a plaster or wax mould made of a human face shortly after death (around 30 minutes after the execution). The intention was to capture the likeness of the individual and maintain their facial expression and features before these became distorted in death. They differ from their counterparts the life masks which were made to preserve the likeness of an individual while alive. Death masks were often replicated and sold to various institutions and private buyers. Death masks were created for a variety of reasons. Organisations like museums and scientific institutes collected these masks to support the study of phrenology. Phrenology is the study of the conformation of a skull in an effort to understand the mental faculties and traits of an individual. This was undertaken in a period in which it was argued that the shape of a head could provide detailed knowledge into personality. In addition, death masks were also created to aid effigy making, as tools for sculpture and as objects of veneration. Death masks were often placed on display as objects of curiosity. Edward “Ned” Kelly was convicted of murder on the 29th of October 1880 and executed by hanging on the 11th of November that same year. In the 1800s it was common practice for authorities to make a death mask of an executed criminal. In Kelly’s case, there were multiple copies made of his death mask, one of which is in the collection of the Burke Museum. Copies of the official death Mask (attributed to Maximilian Kreitmayer) have been made by artists including Max Meldrum (1875-1955). It depicts the head, neck and partial right shoulder of Ned Kelly. Whilst generally considered to be a ‘pseudoscience’ today, phrenology and the study of the reception and use of artefacts like Ned Kelly’s death mask, can provide valuable insight into a past era’s views of personality and the human body. This mask presents a unique three-dimensional depiction of Ned Kelly shortly after his execution which is unlike any other depiction of him. It can provide vital information as to the use of death masks in Victoria and their popularity in the 1800s. These masks were mostly done of criminals and used for exhibition purposes alongside phrenological study. Phrenologist AS Hamilton used Kreitmayer’s replication of the mask (displayed in Kreitmayer’s Bourke Street waxworks the day after Kelly’s death) to report a detailed phrenological analysis on Ned Kelly and concluded from his research that the deceased had an “enormous self-esteem”. Portraits of living people represent the way they themselves and/or the artists wished themselves to be remembered. The death mask contrasts this and therefore, creates a likeness of a person in their entirety and not just an ideal representation. Therefore, the study of such artefacts and their history of use and disuse can provide interesting information valuable to understanding the past. Colour rectangular photograph printed on gloss photographic paper.Obverse: Reverse: AGFA kelly album, ned kelly, death mask, kreitmayer, old melbourne gaol, phrenology, craneology, 1800s, pseudoscience, burke musuem, max meldrum

This metal ink jug or can, was used to dispense portions of ink to individual inkwells contained on the top of each pupil's desk. The jug is not unlike a small indoor watering can. The ink would be supplied to schools in large glass or stoneware bottles, and these would have been too unwieldy and difficult to use to pour ink into the small inkwells. Therefore it was decanted into the metal ink jugs and then poured into the inkwells. After a child was deemed old enough to progress from just using slate and board, he/she would have been supplied with a pen shaft made of wood and with a very basic metal nib. The ink jug would be used to fill up the individual inkwells. This operation would have been conducted by the teacher him/herself, or by an older pupil under the close eye of the teacher.Ink jug, metal, black, with long spout & metal handleNone.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ink, jug

This metal ink jug or can, was used to dispense portions of ink to individual inkwells contained on the top of each pupil's desk. The jug is not unlike a small indoor watering can. The ink would be supplied to schools in large glass or stoneware bottles, and these would have been too unwieldy and difficult to use to pour ink into the small inkwells. Therefore it was decanted into the metal ink jugs and then poured into the inkwells.After a child was deemed old enough to progress from just using slate and board, he/she would have been supplied with a pen shaft made of wood and with a very basic metal nib. The ink jug would be used to fill up the individual inkwells. This operation would have been conducted by the teacher him/herself, or by an older pupil under the close eye of the teacher.Ink jug metal black with long spout & metal handle.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ink, jug

.1) This is a Australian military issue towel. .2) This was obtained in Vietnam origin unknown, “KB 138” is a washing No allocated to individuals to have washing done in the town of Baria near the Australian Base Nui Dat. Washing was taken to Baria in bulk from a unit and when it came back it did not necessarily mean you got yours back. Peter Ball collection, refer Cat No 4704..1) Bath towel, green cotton with sewn edging all around, white tag in one corner with faint details. .2) Bath towel, green cotton, ends of towel are patterned with frayed ends, texta pen numbering & lettering on..1) On white tag faint,”........Beach SA 1969”, on the other side, “(arrow up)”, in black pen, “PB” .2) In faint black texta pen, “KB 138”, in one corner in texta, “PB”.towels, bath, accessory

The photograph is taken at an annual Ithacan picnic, c1940s. Several of the individuals in the photograph are wearing the medallion badges which were given to all attendees on arrival at the picnic. L-R: Dionysus Lecatsas, ----- , -----, Andreas Paizis, Georgia Raftopoulos, Katerina Lucas (Spot Cafe), -----, Athanasis Raftopoulos (Klapatzoura). The annual picnic organized by the Ithacan Philanthropic Society continues to be a popular event on the club's social calendar.A mounted sepia photograph of a group standing in a picnic ground. There are six men dressed in suits and two smartly dressed ladies. There is a small shed in the background in an open playing field.

This crochet chart was designed by the twentieth century crochet pattern designer, Mary Card, for the Victorian Centenary in 1934. It was published in the Australian Home Beautiful magazine on November 1934. The chart was published in four sections, with instructions for working it as a complete piece. Mary Card lived in Olinda and published books of her patterns and individual patterns in Australia, American and English magazines from 1909 until the 1930s.Giant paper crochet chart of Mary Cards Victorian Centenary cloth design, featuring Australian animals, ships, buildings and horseman. Chart has FLORENCE / MCNABB 1944 written in pen ar thje bottom. Over the orignial pattern which was printed with VICTORIAN / CENTENARY 1934. Chart is in 4 pieces, each attached to Cardboard. Written on with ink: 12-4-44 On back : No 1, No 2 , No 3, No 4 mary card, centenaries, crochet patterns

Banner comprising individual signed panels with embroidered signatures surrounding a central rectangle with "From St Andrew's Branch Church to Settlement House" and the Latin motto of Labor Omnia Vincit (Work Conquers All) and a representation of a badge. Photo was in a collection of St Cuthbert's Presbyterian Church Ballarat photographs, but the title of the group (Senior Girls Missionary Union) has connections with the Baptist Church as well.B & W photographst. andrew's church, ballarat, settlement house, senior girls' missionary union, presbyterian, st. cuthbert's

Voting registers, or electoral rolls, are a census of those who were eligible to vote. They are valuable because a country-wide census was not taken until 1911. Early electoral rolls give an individual’s name, residence, status of property occupation/ownership, and the rate value of the property. Electoral rolls are arranged by electoral district and subdistrict. Electoral rolls were published by each state during election years...Supplemental Electoral Roll for the Commonwealth Division of Australia Electoral Roll, State Assembly District of Bendigo, and Supplementary Roll of Electors for the Subdivision of Bendigo, 1943 (made up to May 1943). Includes Name, Address, Occupation and gender. Assembled and bound with string.Stamp of owner Harold Curnowelectoral rolls, voting in bendigo

Voting registers, or electoral rolls, are a census of those who were eligible to vote. They are valuable because a country-wide census was not taken until 1911. Early electoral rolls give an individual’s name, residence, status of property occupation/ownership, and the rate value of the property. Electoral rolls are arranged by electoral district and subdistrict. Electoral rolls were published by each state during election years. Supplemental Electoral Roll for the Commonwealth Division of Australia Electoral Roll, State Assembly District of Bendigo, and Supplementary Roll of Electors for the Subdivision of Bendigo, 1943 (made up to July1943). Includes Name, Address, Occupation and gender. Assembled and bound with string.Stamp of owner Harold Curnowelectoral rolls, voting in bendigo

Voting registers, or electoral rolls, are a census of those who were eligible to vote. They are valuable because a country-wide census was not taken until 1911. Early electoral rolls give an individual’s name, residence, status of property occupation/ownership, and the rate value of the property. Electoral rolls are arranged by electoral district and subdistrict. Electoral rolls were published by each state during election years.. Supplemental Electoral Roll for the Commonwealth Division of Australia Electoral Roll, State Assembly District of Bendigo, and Supplementary Roll of Electors for the Subdivision of Bendigo, 1944 (made up to July 1944). Includes Name, Address, Occupation and gender. Assembled and bound with staples, pink cover.Stamp of owner Harold Curnowelectoral rolls, voting in bendigo

Voting registers, or electoral rolls, are a census of those who were eligible to vote. They are valuable because a country-wide census was not taken until 1911. Early electoral rolls give an individual name, residence, status of property occupation/ownership, and the rate value of the property. Electoral rolls are arranged by electoral district and subdistrict. Electoral rolls were published by each state during election years... Supplemental Electoral Roll for the Commonwealth Division of Australia Electoral Roll, State Assembly District of Bendigo, and Supplementary Roll of Electors for the Subdivision of Bendigo, 1947. Includes Name, Address, Occupation and gender. Assembled and bound with staples, grey/brown cover.Stamp of owner Harold Curnowelectoral rolls, voting in bendigo

Voting registers, or electoral rolls, are a census of those who were eligible to vote. They are valuable because a country-wide census was not taken until 1911. Early electoral rolls give an individual name, residence, status of property occupation/ownership, and the rate value of the property. Electoral rolls are arranged by electoral district and subdistrict. Electoral rolls were published by each state during election years. Supplemental Electoral Roll for the Commonwealth Division of Australia Electoral Roll, State Assembly District of Bendigo, and Supplementary Roll of Electors for the Subdivision of Bendigo, 1948. Includes Name, Address, Occupation and gender. Assembled and bound with staples, faded green cover.Harold Curnow on front coverelectoral rolls, voting in bendigo

Voting registers, or electoral rolls, are a census of those who were eligible to vote. They are valuable because a country-wide census was not taken until 1911. Early electoral rolls give an individual name, residence, status of property occupation/ownership, and the rate value of the property. Electoral rolls are arranged by electoral district and subdistrict. Electoral rolls were published by each state during election years..Electoral Roll for the Commonwealth Division of Bendigo, State Assembly District of Bendigo, and State Electoral Province of Bendigo for 1948 (made up to November 1951). Includes Name, Address, Occupation and gender. Assembled and bound with string, no cover.electoral rolls, voting in bendigo

This is one of a series of 17 black and white undated photographic proofs donated to the Kew Historical Society in 2013 by the Queenscliffe Historical Museum. The series includes images of individuals, tea rooms, ferries, motor launches, ocean liners and tugs. The subject of the photograph is a Hicks Bros ferry, which from circa 1921 operated a ferry service from Princess Walk (Melbourne) to Studley Park.Faded black and white photographic positive proof of a worker or employee standing on an engine as it is being lifted towards a Hicks Bros launch (tourist ferry) which is docked in an unidentified location. The undated photographic positive was probably taken in the 1950s.melbourne, motor launches, ferries, hicks bros, boat engines

This is one of a series of 17 black and white undated photographic proofs donated to the Kew Historical Society in 2013 by the Queenscliffe Historical Museum. The series includes images of individuals, tea rooms, ferries, motor launches, ocean liners and tugs. The subject of the photograph is a Hicks Bros ferry, which from circa 1921 operated a ferry service from Princess Walk (Melbourne) to Studley Park.Very faded and degraded photograph of a group of men walking down pathways on the bank of a river in Melbourne. The location may be the Hawthorn Tea Rooms. The undated photographic positive was probably taken in the 1950s.melbourne, tourism

This is one of a series of 17 black and white undated photographic proofs donated to the Kew Historical Society in 2013 by the Queenscliffe Historical Museum. The series includes images of individuals, tea rooms, ferries, motor launches, ocean liners and tugs. The subject of the photograph is a Hicks Bros ferry, which from circa 1921 operated a ferry service from Princess Walk (Melbourne) to Studley Park.Faded black and white photographic positive proof of a men attempting to install an engine in a Hicks Bros launch (tourist ferry). The undated photographic positive was probably taken in the 1950s.melbourne, motor launches, ferries, hicks bros, boat engines

This is one of a series of 17 black and white undated photographic proofs donated to the Kew Historical Society in 2013 by the Queenscliffe Historical Museum. The series includes images of individuals, tea rooms, ferries, motor launches, ocean liners and tugs. The subject of the photograph is a Hicks Bros ferry, which from circa 1921 operated a ferry service from Princess Walk (Melbourne) to Studley Park.Faded black and white photographic positive proof of a men attempting to install an engine in a Hicks Bros launch (tourist ferry). The undated photographic positive was probably taken in the 1950s.melbourne, motor launches, ferries, hicks bros, boat engines

The Disability Resources Centre Inc. (DRC) is a membership-driven organisation managed & staffed by people with disabilities. They provide individual advocacy for adults with disability. They also work on systemic issues and conduct and support campaigns, which aim to provide long-term benefits for many people. From time to time, they hold public forums to discover the issues that matter most to people with disabilities. Membership of the DRC is free.Significant as a record of the year's events for1990 of the Disability Resources Centre29cmHx21cmW, 34 pagesdisability resources centre

A female hand operates a switchboard, connecting outside callers to internal lines. The switchboard has a series of buttons with printed labels and some with Braille underneath them. On the operator's forefinger is a silver metal rod, probably used to depress the switches. To the bottom right of the image are both buttons with individual numbers as well as a rotary dial. In the background, her arm rests on the bench as she listens to the handset.Digital image of female using a switchboardemployment

To encourage the development of audio books, a series of awards were established by the National Library of Australia in 1988, and sponsored by TDK from 1991 until their demise in 2000. Open to both commercial and non-commercial publishers, it aimed to recognise the quality achievements by individuals and publishing houses and to promote the inclusion of audio books into the mainstream market. After the conclusion, Vision Australia Foundation decided to continue the awards in-house.1 digital image of poster produced to celebrate winning multiple awardsVision Australia Library 2002 Awards Winners Braille Book of the Year: Rose Boys by Peter Rose Adult Audio Book of the Year: Corfu by Robert Dessaix Adult Narrator of the Year: Paul English for Corfu Civica Young Adult Audio Book of the Year: Willow Tree and Olive by Irini Savvides Civica Young Adult Narrator of the Year: Melissa Eccleston for Willow Tree and Olive Vision Australia Library Producing books in alternative formats since1894vision australia foundation, awards

To encourage the development of audio books, a series of awards were established by the National Library of Australia in 1988, and sponsored by TDK from 1991 until their demise in 2000. Open to both commercial and non-commercial publishers, it aimed to recognise the quality achievements by individuals and publishing houses and to promote the inclusion of audio books into the mainstream market. After the conclusion, Vision Australia Foundation decided to continue the awards in-house.1 digital image of poster created to celebrate award winnersVision Australia Library 2000 Awards Night Presentation Dinner held at Hotel Sofitel, The Carillon Room Braille Book of the Year: Happy Families by Susan Varga Sanderson Young Adult Narrator of the Year: Stuart Halusz for The Ivory Trail Sanderson Young Adult Audio Book of the Year: joint winners The View from Ararat by Brian Caswell & The Ivory Trail by Victor Kelleher Narrator of the Year: Helen Morse for Happy Families Audio Book of the Year: Happy Families by Susan Vargavision australia foundation, awards

To encourage the development of audio books, a series of awards were established by the National Library of Australia in 1988, and sponsored by TDK from 1991 until their demise in 2000. Open to both commercial and non-commercial publishers, it aimed to recognise the quality achievements by individuals and publishing houses and to promote the inclusion of audio books into the mainstream market. After the conclusion, Vision Australia Foundation decided to continue the awards in-house.1 digital imageVision Australia Library Awards 2001 2001 Braille Book of the Year: The Shark Net by Robert Drewe 2001 Sanderson Young Adult Narrator of the Year: David Tredinnick for Max 2001 Sanderson Young Adult Audio Book of the Year: Whistle Man by Brian Ridden 2001 Adult Narrator of the Year: Deidre Rubenstein and James Wright for The Architect 2001 Adult Audio Book of the Year: Conditions of Faith by Alex Millervision australia foundation

Produced by General Electric (GE) for American Printing House for the Blind in Kentucky, this player has dials to control tone, volume, speed, side and buttons to record, rewind, forward, play, pause and stop tape. Handling both 2 and 4 track tapes, these players were targeted towards the vision impaired, as it allowed greater freedom to adjust recording styles to suit individual listeners. Plastic rectangular brown audio player with buttons for navigational controls, a handle and black vinyl carry pouch.audio equipment, assistive devices

This photograph depicts the winners of trophies for the eight men hose and ladder and Y coupling events in Ballarat, March 1892. The individuals represented are from let to right J..Keane. / R.Spencer / R. Clements / G.Davis / F.Lloyd (captain) / H.Duncan /G.Weetman / R.Ballantyne, all wearing dress uniforms and holding nozzles and trophies. The clock pictured is this photograph is currently on display in the Falck Street of Shops display in the Burke Museum.Sepia rectangular photograph printed on matte photographic paper and mounted on boardObverse: Beechworth Fire Brigade / Winners of trophies for eight men hose and ladder and y coupling events / Ballarat, March 10th, 1892 / J..Keane. / R.Spencer / G.Davis . F.Lloyd (captain) / H.Duncan / G.Weetman / R.Ballantyneburke museum, fire brigade, sepia, photograph, emergency services, trophy, ballarat