Colour photograph of the Sandhurst Trustees building, View Street, includes façade to the National Bank buildingEstelle Hewston

Three items 1 Christmas Card 1 Information Booklet for National Servicemen 1 Invitationnational service, christmas, information booklet for national servicemen

Wooden framed written information of significance about the Ballot Marbles (national service call up)national service ballot, framed display

Collection of personal National Service and report papers - 1970 - Robert Prentice. Contained in yellow envelopepersonal papers

Medallion, National Square Dance Club 1950’s Earls Court. Belonged to May Hallstawell

Available for purchase from Mitcham Newsagency, Whitehorse Road, MitchamColoured postcard showing Linum Street, Laburnum - one of three National Trust streets in the arealinum st., laburnum

Flinders Park information guide. Produced by National Tennis Centre 1988. Materials: Paper, Inktennis

The Story of the National Tennis Centre. Published by Tennis Australia c.1988 Materials: Paper, Inktennis

Flinders Park information guide. Produced by National Tennis Centre 1988. Materials: Paper, Inktennis

Flinders Park information guide. Produced by National Tennis Centre 1988. Materials: Paper, Inktennis

National Trust Data Forms and Photos for the Eaglehawk Court House and Mechanics Institutes, July 1977history, national trust bendigo collection, eaglehawk court house, eaglehawk mechanics institute, eaglehawk post office, eaglehawk town hall, bendigo

Rabbit Photo envelope containing 35mm negatives of the National Folk Festival. 24 negatives in strips.entertainment, music, national folk festival, peter ellis collection, 35mm negatives, national folk festival negtives

This work is from a series centred around the Chinese proverb “to hold a book in one’s hand is to hold a house of gold” in which the artist positions himself within sites of colonial power. Set within the National Wool Museum gallery, the artist references the pose of an exhausted shearer after a long day of arduous labour. However he is reclining while reading The Fire Stick by Wulla Merrii, a novel set against the 1891 Queensland Shearer’s Strike, questioning cultural stereotypes and how they pertain to concepts of work and leisure. Dressed in sub fusc, his official uniform as an Oxford scholar, Thompson is a defiant intellectual challenging past and continued misperceptions of First Nations people, while embracing both the intersections of his identity and his ancestral heritage. Dr Christian Thompson AO is a Bidjara man of the Kunja Nation with Irish and Chinese heritage. His practice spans across video, photography, sculpture, textiles, performance and sound, evolving through a process of auto – ethnography. While employing various modes of research, he connects his own experience to larger social, political, cultural meanings and understandings. His doctoral research and art practice has had a critical impact on International and Australian art, making global history as one of the first Australian Indigenous students at Oxford University. In 2018 he was made an Officer of the Order of Australia for distinguished services to the visual arts and as a role model to young indigenous artists in the Queen’s Birthday honours list.Framed photograph showing a man dressed in an academic gown, laying on their back holding a book. The setting is a reconstructed shearing shed, inside the galleries of the National Wool Museum.dr christian thompson, first nations, artwork, photography, oxford, heritage, national wool museum

One of fifty one photographs originally in a photo album found in the National Wool Museum’s office. The album was water damaged and the images were removed for conservation. The images follow the process of wool. Beginning in a sheep paddock and finishing as a folded fabric. It includes all the steps in between in this process, including shearing, transporting, selling, washing and the many different steps in the process of turning a single thread of wool into fabric.Black and white image showing a man in a coat and hat classing wool at a table, with two other workers in background.AUSTRALIAN NATIONAL PUBLICITY / ASSOCIATION / FLINDERS STREET RAILWAY BUILDING, / MELBOURNE AUSTRALIA / W64 / W64. Wool-classer with table of / classed wool and boy delivering / to bin in background.wool industry, working life, women, boonoke station, farming, sheep farming, agriculture, sheep stations, transport, wool processing, shearing, textile industry, wool

Black box containing a Matrix Braille writing machine, with a 24mm-wide paper spool attached to the feeding mechanism. Corner of box is hinged and lifts up to reveal keyboard. Top half of box lifts to reveal Braille writer which is bolted to a wooden base that can be lifted out. The base is secured with a metal latch. Machine has black Bakelite keys with rubber pads beneath make this a "silent" machine; wooden case has black leather-like covering, hinged lid, metal clasps, and leather handle on the side. "Model G, Matrix, Coventry Gauge & Tool Company, Ltd., No. 1183, For The Royal National Institute for the Blind, London W.I." is stamped on the front,Black vinyl-covered case containing black metal writer and paper spool"Model G, Matrix, Coventry Gauge & Tool Company, Ltd., No. 1183, For The Royal National Institute for the Blind, London W.I." is stamped on the front.braille equipment, royal national institute for the blind

Between 1951 and 1959 National Servicemen from Albury and NE Victoria trained as Centurion crewmen for 8/13 VMR The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.Reproduction photograph of four National Servicemen at Puckapunyal training as Centurion drivers prior to being posted to 8/13 Victorian Mounted Rifles,1956. They are ;Ttroopers Noel Strauss, Kerry McLure, colin hore and Jim Black.

1990 Letter from National Trust to CEO, City of Bendigo - re inclusion of St John's church (Cnr McKenzie & Forest Sts) on National Trust Register. Page 2 is a four line Citation describing the church (ref to W C Vahland).Ian Wightchurch, history, st. johns uniting church, w. c. vahland. mckenzie street, forest street. st johns church. st john's uniting church.

Typed letter from the Secretary (Mrs. B. Hayes) of the Kangaroo Flat Pre-School Kindergarten to the Secretary (C/O Mrs. Adams), National Trust (Bendigo Branch) asking if there was someone who would speak on the work of the National Trust in Bendigo and district.document, memo, kangaroo flat pre-school kindergarten, letter to the secretary of the national trust (bendigo branch), kangaroo flat pre-school kindergarten, mrs b hayes, mrs adams

Colour photo of Graham McDonald, Pete Ellis and Rob Willis standing in front of microphones at the CD launch at the National Folk Festival in Canberra. Written on the back: Graham McDonald Pete Ellis Rob Willis CD launch at National Folk Festival Canberra.photo, group, male, peter ellis collection, graham mcdonald, pete ellis, rob willis, national folk festival canberra

Two Documents. Leaflet from the Australian Dept. of Arts, Heritage and Environment describing the National Estate Grants Programme, and a four page typed photocopy headed 'National Estate Grants Programme Guidelines - November 1983. Issued by the Ministry for Planning and Environment, Victoria.Dept. of Arts Heritage and Environment, Canberradocument, dept. of arts, heritage and environment, national estate, grants

Black and White Photograph of a group of "Guests of the "Hanro" Girls and Boys. Photograph taken "In commemoration of the Swiss National Day, Aug 1st, 1927". "Favaloro's Cafe, Bendigo" Includes seventeen young women in National Costume plus twenty-two other guests.Percival Pinder, Flashlight. Bendigophoto, group, swiss national day, hanro staff, swiss workers

Sixth reading Book, formerly fifth book. For the use of schools. New edition revised. Printed and published under the direction of the Commissioners of National Education Ireland.Fad Fair conditioned purple cloth-bound hardcover book, embossed decoration to front & back covers. Title embossed on front, 'National Education Commissioners Ireland embossed within oval shape on back. Cover worn & stained, loss of colour, tear to upper spine. Previous repair/reinforcement to hinges. Page edges stained & discoloured. Pages 45-50 torn upper spine. 494 pp.Front flyleaf, 'Elizabeth Poulter/5th Class, Nov. 2th, 1874', handwritten cursive, /'Elizabeth', handwritten in pencil.reading text.

The Buff-banded Rail is located on mainland Australia. It can also be found in south-east Asia, New Guinea and New Zealand. These birds are often seen individually or in pairs walking through the dense reeds and vegetations of wetlands or crops. This rail has a slow walk and often flicks its tail, which is raised, as they move. They are omnivore scavengers who feed on a large variety of invertebrates, fruit, seeds and vegetables. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This specimen is in a standing position on a wooden platform. The Buff-Branded Rail has a pale grey/yellow eyebrow over the black glass eyes and a pale yellow bill. It also has an orange and brown coloured band on its breast. This bird is multicoloured with streaks of chestnut brown, black, white and a faint orange-brown. This specimen has a paper tag tied to its right leg and a grey/back label on the wooden platform.Platform: "Banded Landrail" Paper tag: "National Museum Victoria. Banded Landrail Hypotoenidia w8 427 Philippensis (L)"taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, landrail, buff-banded rail