Showing 4040 items
matching 1878-1885
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Port Melbourne Historical & Preservation Society
Artwork, other - Engraving, James Thomson, Port Melbourne Town Hall, 1885
Purchased on E-Bay from Jane Nicholas, who says the editor of the "Ïllustrated Handbook" states that the illustrations are taken from the "Sketcher" and the "Ïllustrated Australian News"."Port Melbourne Town Hall" - an imaginative engraving of the building which bears little resemblance, from the "Ïllustrated handbook of Victoria, Australia" prepared for the Colonial and Indian Exhibition in London. A page removed by the vendor.built environment - civic, port melbourne town hall -
Coal Creek Community Park & Museum
Bottle, glass, c. 1885
150 years of experience and commitment. Norwegians have been producing and exporting cod liver oil for more than 1000 years. But it was not before 1645 it was reported that cod liver oil could be used to prevent and cure disease. At the end of the 18th century the first scientific article was published to support this. In the middle of the 19th century, the pharmacist Peter Möller observed that people along the west coast of Norway consuming cod liver oil regularly were rarely ill. He dedicated himself to finding out how this healthy liquid could be produced with better taste and pureness at a lower price. He developed a method of using steam to extract the oil from fresh cod livers. Based on this technological advance, the company Peter Möller was founded in 1854 in Lofoten on Norway’s arctic coast, where you find pure, cold, clean seas and high quality raw material. Peter Joachim Möller (1793-1869) At first Möller’s Cod Liver Oil was believed to be a good source of vitamin D and A, and the health benefits were associated with these vitamins. Peter Möller believed, however, that there were other significant benefits from fatty acids and other ingredients in the cod liver oil – both known and unknown. Peter Möller was dedicated to understanding more about these benefits. His dedication and commitment is clear in Möller's vision to improve people’s health by delivering the highest quality omega 3 products. Timeline 1793 Peter Möller is born in Røros, Norway 26 April. 1819 Peter Möller travels to Christiania (Oslo) and is employed by the pharmacist Frantz Peckel at the Svane chemist. He is employed on condition that he passes his pharmaceutical exam within one year. 1822 Graduated as a pharmacist with a unanimous first grade and with the award of the Professor's special satisfaction. 1842 Together with professors A. Holst and Chr. Boeck, Peter Möller participates in the commission which develops the first Norwegian Pharmacopoeia. 1853 Peter announces his method to cod liver oil works along the coast. He equips cod liver oil factories with new equipment in Lofoten, Ålesund and Kristiansund. The facility outside Ålesund is the most important for testing the method. 1854 The Peter Möller company is established as production has started at the three factories. Sales are lower than anticipated even though the quality is considerably better with the new method. The consumers of cod liver oil had been used to the fact that “good medicine must taste bad” and would not believe that the new and better quality was as healthy. Therefore, the following years are used to introduce consumers to the product, and also to convert more producers to the new method. 1869 Peter Möller dies. There are 70 cod liver oil steamers which use his steam rendering method, and 5000 barrels are produced every year. Möller’s company increases the quality by better routines for quality controls. 1870 Severin A Heyerdal, Möller’s son-in-law, assumes the leadership of the firm after Peter's death. He continues the work by improving the quality of the cod liver oil. The goal was to make it as pure and unaltered as in the liver. At this time, Möller had already started selling its product in the USA. In 1870, WH Schieffelin & Co. ("The oldest drughouse in America") was engaged by Peter Möller in the USA. 1881 Frantz Peckel Möller assumes the leadership of the Peter Möller company. He saw it as his duty to further the work on cod liver oil, and through a combination of solid scientific education and an eminent sense of the great mercantile possibilities, he made Möller’s cod liver oil the number one in the world market. 1914 The first world war leads to Möller’s bottled cod liver oil being shut out of the export market. However, domestic sales are good. 1924 The subsidiary Møystad Möller & Co. is established for bulk exports and the Association of Medicinal Cod liver oil Exporters is established in Bergen in 1925. 1925/26 The green bottles are introduced. Medicinal cod liver oil exports remain almost constant, while total Norwegian cod liver oil exports increase. 1938 The factory on the Løren grounds in Oslo, Norway is built. The factory is in the same place today. Peter Möller’s Pharmaceutical Laboratorium A/S is also established to separate out the scientific business. Investment is made in a new facility for refining and bottling veterinary cod liver oil, and increased production of industrial cod liver oil. 1940 The outbreak of the 2nd world war sees exports fall dramatically, while cod liver oil’s significance as a dietary supplement receives increased attention. Domestic sales increase strongly. 1945 After the war, medicinal cod liver oil retains its high status as an important dietary supplement in the “rebuilding" of the country. Cod liver oil becomes an ”emergency product in ravaged areas where the supply situation is difficult. Competition from other countries such as the USA, England and Iceland increases, and Norway no longer dominates the market. 1983 Möller’s cod liver oil in capsule form is launched and palatable cod liver oil is launched. 1990 Peter Möller A/S merges with Orkla Borregaard A/S (now ORKLA) 2005 Peter Möller merges with CollettPharma. The new company is called MöllerCollett. 2007 Merger between MöllerCollet and DanskDroge. The new company is called Axellus. Oval in section with a thin neck, mauve tinted clear glass bottle with text embossed on side.On side : 'P.MOLLER', 'OL JECOR', 'GADOR VER', 'CHRISTIANIA'.cod liver oil, norway, peter moller, christiana, oslo -
Port Melbourne Historical & Preservation Society
Financial record - Invoice, Borough of Port Melbourne, 16 Apr 1885
Borough of Port Melbourne Reserves Account Docketlocal government - borough of port melbourne, j heenan, n francis, r knight, j warren, j mitchell, henry norval edwards, michael tarver quinn -
Bendigo Historical Society Inc.
Book - HUTCHINSON'S AUSTRALIAN ALMANAC - 1885, 1885
Booklet : Containing astronomical ephemeris, educational register for Victoria, notable events for the year, astronomical tables. Covers missing. 26th year of publication. The name 'George Samuel Harris' handwritten in ink on pages 48, 100 and 114. Also 'Alexander Campbell' on page 64.Published by M. L. Hutchinson, 15 Collins St West, Melb.victoria, history, almanac, hutchinson, almanac, victoria, school register, astronomical tables, george samuel harris, alexander campbell -
Bendigo Historical Society Inc.
Document - JOHN GREEN APPRECIATION CERTIFICATE, 1885
Certificate of Appreciation from the Council of the Borough of Eaglehawk to J Green Esq upon his retirement from the Mayoral Chair mounted on card and printed in black, red, blue and gold. Bordered with handpainted floral decorations, a mine scene, and topped with an eagle.person, individual, john green -
Yarra Ranges Regional Museum
Map, District of Yering, 1 Dec 1885
Canvas backed paper map of District of Yering, Country of Evelyn, showing proposed waterworks for township of Lilydale. Signed by Hodgson & Smith, water supply engineers. Proposed waterworks for the township of Lilydale. Signed by Hodgson & Smith, water supply engineers. Proposed water main shown with of reservoir etc. Canvas backed paper map of District of Yering, Country of Evelyn, showing proposed waterworks for township of Lilydale. Signed by Hodgson & Smith, water supply engineers. Proposed waterworks for the township of Lilydale. Signed by Hodgson & Smith, water supply engineers. Proposed water main shown with of reservoir etc. evelyn, lilydale, waterworks and irrigation -
Benalla Art Gallery
Painting, UNKNOWN, Untitled, 1885
Born: Dorchester, Dorset, England 1856; Arrived: Melbourne, Victoria, Australia 1869; Lived and worked: Spain, England, France 1883-1885; Died: Kallista, Victoria, Australia 1931ImpressionismGift of Wooleen Pty. Ltd., 1980Seaside Landscape with small figures playing and trees, water, grass, flowers and buildings in the distance. Unframed.Recto: Signed and dated "Tom Roberts / 1888" in mauve oil in l.r.c of composition; Not titledpainting, landscape, trees, figures, buildings, colonial, children, flowers -
Benalla Art Gallery
Painting, Eugene VON GUERARD, The fall of the Veliono near Terni with the view up the Valley of the River Nera, 1885
Born: Vienna, Austria 1811; Arrived: Melbourne, Victoria, Australia 1852; Died: London, Middlesex England 1901RomanticismLedger Gift, 1984Rural valley and mountain landscape with two figures walking down a track beside a waterfall towards a river. Gold brushed gesso decorative edged timber frame.Recto: Signed and dated "Eug.V.Guérard / D. 85" in red oil in l.r.c of composition; Not titledpainting, landscape, river, cliff, mountain, figures, buildings, waterfall, sky, clouds -
City of Ballarat
Artwork, other - Public Artwork, Carlo Benzoni, The Flight From Pompeii, Circa 1885
The Flight from Pompeii was designed by Professor Carlo Benzoni and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens.The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database.White marble statue of a male, female and baby (family) in flight.The Flight From Pompeii by Charles Summersflight, pompeii, benzoni, summers -
City of Ballarat
Public Artwork, Ruth by Charles F. Summers, Circa 1885
Ruth was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens. The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. the artwork is of historic and aesthetic significance to the people of BallaratWhite marble statue, Ruth is in a seated position with a loosely draped dress.Ruthruth -
City of Ballarat
Artwork, other - Public Artwork, Rebekah by Charles Summers, Circa 1885
Rebekah was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens.The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. White marble statue of a woman standing with left arm raised to her head and draped in cloth to form a robe tied at the front.Rebekah -
City of Ballarat
Artwork, other - Public Artwork, Modesty by Charles Francis Summers, Circa 1885
Modesty was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens. The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. The artwork is of historic and aesthetic significance to the people of BallaratWhite marble statue, Modesty standing with right arm folded over chest, robed and with veil over face.Modestymodesty -
City of Ballarat
Artwork, other - Public Artwork, Charles F. Summers, Susannah, Circa 1885
Susannah designed and carved by Charles Francis Summers and accompanies four statues in the Statuary Pavilion in the Ballarat Botanical Gardens. The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database.The artwork is of historic and aesthetic significance to the people of Ballarat White marble statue, female seated with cloth draped over lower body.Susannahsusannah, summers -
University of Melbourne, Burnley Campus Archives
Document, City of Richmond. Business Paper, 1885-1886
Statements od accounts, report of rates, etc. Refer to paper catalogue -
University of Melbourne, Burnley Campus Archives
Document, Land Reservations, 1885-1916
Extracts from Victorian Government Gazette on land reservation for Burnley Gardensland resercvations, burnley gardens -
Uniting Church Archives - Synod of Victoria
Bible, Holy Bible, 1885
Embossed black leather bible with gold lettering on spine. The bible has 2 embossed gold labels on the front end paper. On spine: "Holy Bible". End paper: "PRESENTED TO THE REV. N. BENNETT AT THE CLOSE OF HIS YEAR OF OFFICE AS PRESIDENT OF VICTORIA AND TASMANIA WESLEYAN CONFERENCE JANUARY 1889. JAMES W. CRISP President. E. WATSON NYE Secretary." "PRESENTED TO THE BUCKLEY PARK METHODIST CHURCH BY Mrs A.H. Mitchell DUAGHTER OF THE ABOVE FEBRUARY 18TH. 1928."bennett, natheniel, rev., crisp, james w., rev., nye, edward wason, rev., wesleyan methodist conference -
Uniting Church Archives - Synod of Victoria
Bible, Holy Bible, 1885
Dark burgundy coloured leather bible with gilt page edges. The bible has been mended with black tape. There is printed sheet pasted inside the front cover of the bible. "PRESENTED TO THE Rev. Henry Worrall ON THE OCCASION OF HIS ORDINATION TO THE CHRISTIAN MINISTRY IN CONNECTION WITH THE Australasian Wesleyan Methodist Church AT THE New South Wales and Queensland Conference at Stanmore Sydney Febr. 4th 1886"worral, henry, rev., wesleyan methodist conference -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Administrative Record - Ledger, Minute Book, 8 January 1885
Entries are hand written in ink, book is filled to capacity, leather bound with heavy cardboard cover, some loose pages that have been inserted or glued.A minute book containing meeting minutes of Loyal Mitchell Lodge of Manchester Unity Independent Order of Oddfellows (MUIOOF) meetings.minute book -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, J Phillips, December 1885
Detailed information on back of photograph regarding gold amountsBlack and white photograph showing the exhibits to be sent to the colonial and Indian Exhibition London by the Long Tunnel Company Many men in the photograph in front of weatherboard building Mechanics Institute Walhalla VictoriaSee Walhalla Memorialbusinesses, hotels, township -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1885 c
Shows sand between timber piers at Entrance site, vegetation on Bullock Island, vegetation on hummocks is very sparse.Sepia toned photograph of New Works area prior to opening Lakes Entrance VictoriaGovernment Works at new Lakes Entranceboats and boating, dredging, houseboat -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Brooks Photographic Union, 1885 cm
Written under photograph ' Preparing to dredge and move sand from between wooden walls. Taken from Western side of Entrance looking towards Town Club Hotel, Homes Guest House Bakers shop other side of LakesBlack and white photograph of boat loads of sight Seers moored at New Works Jetty during the construction of the man made entrance at Lakes Entrance Victoriagovernment, waterways, engineering -
Stawell Historical Society Inc
Memorabilia - Realia, 1885-1889
Pocket Eastman Kodak Camera & Photo Equipmentstawell -
Clunes Museum
Document - INSURANCE POLICY, 1885
THE SWAINSON FAMILY LIVED IN HILL STREET, CLUNES.QUEEN INSURANCE - FIRE POLICYlocal history, swainson family -
Clunes Museum
Document - INDENTED DOCUMENT, 1885
THE INDENTURE REFERRING TO THE NAGS HEAD HOTEL, CLUNES. DRAWN UP IN 1855AN INDENTURE DRAWN UP BETWEEN ROBERT SALKELD LICENSED PUBLICAN AND CHRISTOPHER BASSETT, MINER.NILlocal history, agreement, nags head hotel -
National Wool Museum
Textile - Quilt, Harry Walter Hewitt Wilton, 1885 - 1915
The quilt, alternatively known as a wagga due to its improvised nature of creation, was made by Harry Walter Hewitt Wilton (great grandfather of donor), b.1872, d.1950. Harry joined the Essex Regiment and served in the British Military in India, as well as seeing action in the Boer War. Married wife Mary Elizabeth in India in 1895, she was a seamstress. Harry was injured during a battle and made this quilt as part of his rehabilitation. Quilt was made using woolen army singlets. Harry and Mary moved to Victoria, near Orbost, in 1914. Patchwork style quilt with coloured pieces of dyed woolen singlets stitched together over a backing. Features feather stitching between pieces and around border edges. Size of a double bed.wagga, harry walter hewitt wilton -
Whitehorse Historical Society Inc.
Document, Johann August Schwerkolt, 18/01/1885
Copy of form of declaration to say that there is no impediment or lawful objection why he should not marry Maria Oppel.schwerkolt, johann august, schwerkolt, maria catherina wilhelmine, oppel, maria catherina wilhelmine -
Whitehorse Historical Society Inc.
Photograph, Carl Benno Schwerkolt, C.1885
Black and white photo of Carl Benno Schwerkolt c1885 - son of August and Pauline. Grandfather of Rosalie Whalen.schwerkolt, carl benno, whalen, rosalie -
Unions Ballarat
FILE MISSING. Correspondence, deeds, printed regulations of the Council re the Trades Hall Building. (Includes one issue of the Ballarat Star, 29 May 1885 with advertisement of the 1885 annual meeting.) FILE MISSING, 26 May 1885-3 November 1914
The Ballarat Trades and Labour Council was formed in May 1882 and known as the Eight Hours Anniversary Committee. The Ballarat Regional Trades and Labour Council has been in existence from 1883 to the present day.The documents are a core historical source of information about the history of the BTLC building. The building is part of the rich history of unionism within the region.Paper in one folder.ballarat star, correspondence, deeds, regulations, meetings, ballarat trades and labour council, unions, btlc, eight hours anniversary committee, ballarat trades hall -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard, 1885 c
Photo mounted on card. This Tanjil was the first one. Original archived in a safe place because of its fragile condition.Sepia photograph showing painting depicting view of P S Tanjil on fire at Bairnsdale Wharf. People on wharf watching fire, rowing boat on fire, Tanjil at opposite bank, huts above. Bairnsdale Victoriaships and shipping, jetties, retail trade, fences, bridges -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1885 c
Black and white photograph showing S S Tambo, trail trip 1882 on Tambo River shows large crowd on boat, bunting flying from mast, two small row boats either side. Thick bush on far bank. Post and rail fence going into the water lower right hand corner. Camp oven or boiler and camp fire lower left hand corner. Tambo Upper Victoriaships and shipping, ocean