Roll of film taken by Eltham Shire Council officers of roads and houses in the Eltham East area in December 1980. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions. Typically part of the Beard street group, a private street scheme that developed the road infrastructure commencing in February 1982.35mm colour positive transparency Mount - Kodak Kodachrome Cardeltham, housing estate, infrastructure, roads, shalbury avenue

The Strategy Against Right-Wing Attacks (S.A.R.A) kit was produced by wimmin from around Australia following the 1980 National Wimmin's Conference, Darwin, NT. It includes a fantastic set of papers from a forum on the state of feminism in Australia discussing right-wing attacks on women's organisations, and highlights success stories for attacking back. The kit was meant to be added to through a national network of SARA contacts in each state.women's liberation movement, lesbian feminism, darwin

The coat along with matching hat and dress ensemble was made in 1980 at the Deniliquin TAFE 'Garment Assembly' course which was 2 years in duration. Mrs Sayer was always crafty but not great at other subjects. Coat is lined with a petticoat which Mrs Sayer wore in 1958. The seal fur collar was purchased by Mrs Sayer's mother at the shop 'Manly Corso' in Sydney, after WW1 with money from her father.Light brown wool coat with seal fur collar attached. Lined with red fabric from the petticoat of a taffeta and lace dress that was worn by Mrs Sayer in 1958. Wooden buttons down coat and on sleeves. Coat has been handmade and has no label.coat, wool, fur, fashion

Key's to the City and Mayor's Key are medieval traditions meant to confer trust and honor; it grows from the medieval walled city whose gates were guarded during the day and locked at night. The key symbolizes the freedom of the recipient to enter and leave the city at will, as a trusted friend of city residents. This key has the symbol of the poppet head which was used widely during the 1980's to symbolise the City of Bendigo.Heavy oversized skeleton key with blue and yellow ribbon attached to bow. Barrel has the word 'Bendigo' on one side and 'Mayor's Key' on the other. Bit has an image of a poppet head on both sides.Bendigo / Mayor's Keycity of greater bendigo ceremonial item

Issued at the time of a fare increase that was to apply from 3-8-1980. Gives information on the fares to apply for each section, section savers, concessions including Metro cards, city sections, day trippers and where they could be purchased from. On page 2 has general information for passengers, timetables, vintage tram trips (Princes Bridge to Hawthorn) and carriage of shopping jeaps etc. and MMTB Contact details.Yields information about Melbourne tram fares and tickets.Foolscap sheet, printed both sides on pink paper, titled "Information Guide for Passengers", issued by the MMTBtramways, trams, fares, tickets, fare increase

Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter

Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter

Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter

Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter

Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter

Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter

Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter

In 1935 the Catholic Deaf met as Australian Deaf and Dumb Association Victorian Branch. Bro P J O’Farrell was the president; The John Pierce Centre (Prahran) opened unofficially in March 1980 and in August 1980 it was officially opened and blessed.Significant as a newsletter for the Deaf Community.White A4 Binder containing various newsletters of the John Pierce Centre Including: Newsletter of Catholic Association of Deaf and Hearing Impaired People (Victoria) Vol 8 Issue 3, 4 1988, Vol 8 Issue 5 1989; Vol 9 Issue 7 1989; Vol 11 Issue 9 1990; Vol 12 Issue 10, 11 1990; Vol 13 Issue 12 1990, 21.5cmHx1 4.5cmW, 24 pages; Newsletter Catholic Deaf Community of Victoria May, August, October, December 1991, April, July, September, December 1992 (2 copies), 29.5cmHx21cmW, 12 pages; June 1994, 29.5cmHx21cmW, 8 pages; Newsletter for and by Deaf Community of Victoria September 2006 (4 copies), July 2007, March 2008, 29.5cmHx21cmW, 12 pages; Newsletter July 2008, December 2008, March 2009, December 2010, 29.5cmHx21cmW, 12 pages

Doris Mercy Willmott was born in May 1896 in Stamford Hill, London, the eldest of three daughters of Albert and Minnie Willmott. The family lived in various parts of north London until the beginning of the First World War, when they moved to Redhill in Surrey. It was in Redhill that Doris met her future husband, Frederick John (Jack) Bennett. Jack had met Eric Mercy, a cousin of Minnie’s, in the Australian Imperial Force (AIF) and visited the Wilmotts with him whilst on leave from France. Although Jack Bennett returned to Melbourne in March 1919, he and Doris continued to correspond and they were engaged in March 1923. She came to Melbourne on her own, and was married in the Congregational Church in Canterbury on 23 December 1923. By 1931 Doris and Jack and their three sons - John Willmott, Winfield Robert Curtis and Peter Reginald Dane - moved to 21 Tooronga Road, Hawthorn but moved back to his father’s home, Therapia, 2 (now 6) Hepburn Street, Auburn, shortly before his father’s death. In 1937, the Bennett family moved back to the United Kingdom, spending the war years in Uxbridge and Torquay. The family returned to Melbourne in October 1946, after the deaths of Doris’ parents. The family lived at 12 Stanhope Grove, Camberwell and 51 The Ridge, Canterbury before Jack died in February 1952. After this Doris moved to 12 Stanley Grove, Canterbury, her home until c. 1970 when she moved to 25 Corhampton Road, North Balwyn. She died in May 1980 in Princeton Nursing Home, 3 Bellett Street, Camberwell. (Adapted from notes provided by Sue Barnett, the donor).The collection of evening clothes owned and worn by Doris Mercy Bennett, of which this item is one, date from the 1930s and may have been purchased in Australia or in the United Kingdom. Each of the items, apart from the evening dress, which has a few minor tears in the lace, is of fine quality and evidences Doris Bennett’s love of glamour and style. While the evening dress and the mantilla are of the same fabric, the two capes might have been worn with the dress as alternative fashion accessories. None of the items has a maker’s mark, however each displays evidence of fine dressmaking skills. It is however probable that the two fitted capes were commercially made.Black silk chiffon or georgette fitted evening cape,let entirely covered in silver metal rectangles and black sequins. The cape gives the appearance of being joined at the front, however it is made in one piece. The cape has open scalloped sections bordering the lower band of silver metal rectangles. The cape was owned and worn by Doris Mercy Bennett (nee Willmott) [1896-1980], and donated to the Society by her grandaughter. evening wear, capelets, doris bennett (nee wilmott), women's clothing

Instruction or information document consisting of two folded A5 sheets, printed on yellow paper within a plastic Metropolitan Transit plastic folder with the logo. Provides information for conductors for trams running along various city streets, bus routes, v/line services (metro services), which tram for various destinations, hospitals and particular locations eg consulates and hotels. Noted as 4th edition - information for conductors. Possibly late 1980's Notes Upfield trains is closed on Sunday and after 7pm.trams, tramways, conductors, information, tram routes, metropolitan transit

Newsletter - duplicated - 6 sheets - mostly printed on both sides, front and rear are yellow sheets stapled in top left hand corner. Published by the "Tram & Bus Travellers Association Newsletter", c/- Environment Centre. 419 Lonsdale St., Melbourne. Was the first issue, June 1980. Details the purposes or objectives of the Association, a political lobby group, MMTB financial situation, cutting of maintenance, the transport study (the Lonie report), tramway emergency vehicles and members of the study group. Has a membership application form on the rear.trams, tramways, mmtb, lonie report, finances, public transport

Document - 12 A4 pages, stapled in the top left hand corner, photocopied - titled "Tram Operational Training - Revised Tram Driver Training - 120 Hours". Gives the basis of the training undertaken by the PTC or The Met, Hawthorn Depot, Depots, what to be done on each day, knowledge of rules, trainers notes, tram test procedures, sample questions, practical tests for A class fault finding, test criteria. Last page is tram test score sheet. Document not dated, mid 1980's?trams, tramways, the met, drivers, driver training, instructions, ptc, a class

Newspaper cutting from the West Australian" Perth, 27-12-1980 from their Across the Nation section, titled "A bumpy ride for Art on Wheels", reporting on various artist decorated trams in Melbourne, the tram numbers, the artists. Includes a photo of Mirka Mora standing at the driver's door of tram 243. Also notes an application for a Restaurant tram. Written by David Hummerston in Melbourne. Cuttings has the Aust. Press Cuttings Agency source sheet pasted to the top left hand corner along with the paper name and date stamp.trams, tramways, transporting art, decorated trams, restaurant tram, tram 243

Colour postcard divided back, vertical format, - Biscay Greetings, looking east along Bourke St from Queen St at dusk. Card has title "Bourke St Mall at Twilight". Has in the view a number of Z class trams in green, including an A class tram. C1984? Also has signs for Myer, Hoyts and Parliament House. Back has space for name and address, stamp and a message and details of the postcard. Produced by Biscay Greetings, possibly mid 1980's. Card No. BG355. Two copies held.trams, tramways, bourke st, mall, z class, a class, parliament

Fold out pamphlet - 10 sections, titled ""See Melbourne by Tram" providing a detailed tram map of Melbourne, key tourist locations marked on map. Notes that Travelcard Zone 1 can be purchased for all locations. Published by the MMTB early 1980's. Trading name used on pamphlet is "METRA". On inside has sketches and advertisements for some tourist locations and restaurants. Notes which routes were replaced by buses on Sundays. Second copy added 13/1/2017 from Donation of John Prideaux.trams, tramways, map, mmtb, metra

Both these ribbons have been produced to celebrate anniversaries of two Warrnambool State Schools. Allansford State School celebrated its 125th Anniversary in 1981. This school was opened in 1855 as a National School and is still operating. It has the distinction of being State School No. 3 in Victoria. Warrnambool State School celebrated its centenary in 1976. It opened in 1876 following the closure of the four Common Schools in Warrnambool This school is still operating.These ribbons are school souvenirs and may have been intended as book marks..1 Green cloth ribbon with gold printing. The edges at both ends are serrated. There are some scroll patterns on the sides. .2 Gold coloured ribbon with brown printing and serrated edges at both ends..1 ALLLANSFORD STATE SCHOOL NO 3 125th ANNIVERSARY 1855 -1980 1856- 1981 .2 Warrnambool Primary School No. 1743 Centenary Year 1976warrnambool schools

A booklet of poems penned by unknown Legatees up until 1984. This booklet was probably produced as a fund raiser for Legacy. One Legatee frequently published in the Bulletin was 'LJ' - which is Legatee Leigh Johns.One of the many ways in which Legacy raised funds and it captured the poems written by Legatees.Bound book of poems with yellow cover and white pages. Legacy logo, 'Poems, The original works of legatees up to mid 1980, Published by the Comradeship Committee of Melbourne Legacy. $1.50'. All printed in black ink.fundraising, comradeship, poems

Set of 3 Pakon white plastic mount slides of a visit to the TMSV Bylands, late 1970's, prior to the start of electric tram operations. Photos by Roy Mitchell. .1 - X1 467 on display with a W2 behind. Tram has destination of "Glenhtly Depot" .2 - Horse tram - Zoo - No. 263 with Rebekah standing alongside. .3 - Ballarat 42 on blocks, possibly soon after delivery given its position on the site..1 - "circa 1980's (photo taken) by Roy Mitchell .2 - "1983 tram - unknown adult and Rebekah" .3 - "Tram 1983 by Roy Mitchell"trams, tramways, tmsv, bylands, x1 class, tram 467

A greeting card printed in 1980, illustration by J. Lowe.Greensborough Primary school was established in 1878.A sepia toned stiffened card folded in the centre with a sketch of the Greensborough Primary School on front.The number 21 in red marker pen on the back.greensborough primary school, j lowe

Handed to donor by mother Vera McDowell in 1980'sA round ecru tatted doiley of flower shaped centre, middle ring of swirls and outer ring of flower shapes.handcrafts, tatting

Camdale thought to have gone to QLD 1980'sColour photograph of fishing boat Camdale reg no W6Y in Cunninghame Arm, Lakes Entrance, Victoriafishing industry, ships and shipping, waterways