Published for 150 years of Melbourne Trinity Lutheran Church, 1853-2003, not only as a source of reference and awareness about its own background but also as an incentive and motivation for continued active engagement of a large membershipCharcoal grey to beige at the top, of a hard cardboard cover book. Cover depicts Melbourne 1887 and title in black text. Back cover depicts "The Sower" window donated in 2004. 2 copiesPresented to Tatura & District historical Society In. with the compliments of Trinity Lutheran Church of Melbourne.luthern church, melbourne, mees hd, steiniger d, steiniger h, rechner p, camps, tatura, ww2, lutheran church, books, history, local

SoftcoverInscription inside front cover: "To John and Patricia, old and good friends, with warmest good wishes, Denis Warner". Several cards inserted inside. Reference to the Australian National Gallery in card from Penleigh, Robyn, Ben, Amy & Rupert.walsh st library

This photo is part of a larger collection donated by Eric Boardman. There are 6 references to O'Shea in Margaret & Trevor Dunn's Directory of Residents in the former Shire of Bulla (1850s-1920s; three of these are for Cornelius O'Shea listed in the 1891 rate books as a state school teacher, in the 1919 voters' roll as teacher and in the 1929 voters' roll as of independent means. Other references are to Joseph Michael O'Shea, Annie Agnes O'Shea and Agnes Mary O'Shea.A family group in a garden setting. There are 5 females and 2 males, with the older male and female centrally seated. A sepia photo mounted on a grey board.On the front in lead pencil in the upper LH corner of the mount board "(School teacher)"; "Eric Boardman" in red pencil on the centre back & "O'Shea family" in upper LH corner of the back of the mount board.teachers, o'shea, cornelius, matson & frazer, boardman, eric, george evans collection

“Queenscliff (three black and white boat/ship themed set), is a depiction of a trio of sailing vessels, and a typical example of Tim Ryan’s process and style / It illustrates three images from separate editions of National Geographic – a much-loved and constantly revisited source of inspiration / Tim has reduced his subject matter to minimal line, managing to capture the form and character of the scene and the people within with delicacy and sensitivity / As is also a common trait, Tim has discarded the idea of a using a title describing the actual scenes in favour of one that holds much greater personal significance / Queenscliff is the site of his family holiday home, hence a place evoking decades of memories connected with water, horizon and water-based activity and interaction.Tim Ryan has worked within the Studio Art Program at Araluen for almost a decade / Araluen is based in the north eastern suburbs of Melbourne (Nillumbik region), that provides accommodation and day services for adults with an intellectual disability / Creating and sharing artwork is one way Araluen participants express their thoughts, personalities and abilities. The art program allows them to develop a sense of achievement and access society as equal and valued participants / Tim puts a great deal of effort into selecting his subject and arranging his page / He immerses himself in the image, studying it thoroughly and sometimes tracing over it with his finger before commencing / He focuses on the different elements and relationships that inspire, bringing out the lines, colours and shapes most fitted for translation into the picture / Favourite references are photo-laden books and magazines covering topics as broad as nature, history, archaeology, exotic foreign lands and all forms of transport.Three black and white drawings of boats/ships in Queenscliff made using watercolor, ink, fine liner, pencil and acrylic on paper. All drawings are black and white in colour with one drawing rendering a boat in warm red/orange and yellow colours. None shown, catalogue label on backdrawings / black & white / ink / boats / ships / queenscliff / araluen / ryan / disability

Alan Marshall was an author of more than fifteen books, and lived much of his life in Eltham. He became a central figure in the area's arts community of writers, artists, sculptors, film makers, actors and musicians. He is shown stroking a book to his heart, perched on a crutch, which references his disability (contracted polio when he was young), and his status as one of Australia's most successful and loved authors. His most famous book, 'I Can Jump Puddles' is based on his life story and the obstacles he faced as a child in trying to overcome his disability. Marcus Skipper submitted the idea for the work to the first 'Art in Public Places' Awards in 1990. The selectors at the time recommended that the work would be more suitably placed near the Eltham Library. It was commissioned and installed for the new Eltham Library, which was designed by Greg Burgess in 1994. It was partially funded by the then Shire of Eltham's Art Development Fund (Eltham Arts Council) and the rest donated by the artist Marcus Skipper. This work has significance for its reference to two well known names associated with Eltham and its history. The sculpture is a realistic statue of the famous Australian author Alan Marshall who wrote "I Can Jump Puddles". He lived and worked in the Shire. The artist Marcus Skipper represents a highly recognised family of artists associated with Monsalvat. The sculpture 'Alan marshall' has been classified as of regional significance by the National Trust of Australia. A realistic depiction (almost life size) of Alan Marshall cast in bronze with green patination. Dressed in a jumper and slacks, Marshall is shown perched on a crutch, holding a book to his heart, gesturing to his audience to come and listen to his words. alan marshall, bronze, skipper, i can jump puddles, eltham library, novalist, ekphrasis2017, figure, public art

The story of 90 years of wool classing between father & son begins in 1936, when a young boy by the name of Stanley James Hucker walked through the doors of the Gordon Technical School in Geelong. Born in 1921, Stanley was 15 years of age when he began his 3-year course in Wool Classing. 30 years later, Stanley’s second son Denis completed the same 3-year wool classing course. Beginning in 1966, Denis attended the same Gordon Technical School and walked the same halls as his father before him. Stanley finished his course in 1938. He went back to the family farm in Lake Bolac for a brief period before enrolling in the Second World War. At the completion of the war, Stanley returned home and married before gaining a soldier settler allotment, north of Willaura. This enabled Stan to use his wool classing knowledge. He ran between 1,500 and 2,000 sheep for many years, while his wool classer stencil also allowed him to go out and class at various sheds around the area. He held his stencil from 1938 until he retired at the age of 60 in 1981. On retirement, his second son Denis was working in the district, managing a local property while also leasing land himself. Upon his father’s retirement, Denis had the opportunity to lease his father’s farm, an opportunity he could not refuse. Denis had finished his wool classing course at the Gordon Technical School in 1968, graduating dux of his class. He began working with a local contractor and started classing wool in his team. Denis gained a great deal of experience working as part of this team in big sheds of up to 8 stands servicing between 10 & 20,000 sheep. It was not all smooth sailing for Denis however, and he soon learnt an important lesson. Class wool the way you’re taught, don’t listen to the owner standing over your shoulder. At a clip of Corriedales near Casterton, Denis was pushing too many fleeces into the line of fine wool. This resulted in a notice from the Australian Wool Exchange (AWEX) “mixing counts too much, submit three clips for inspection”. Denis was able to submit 3 clips with no further complaints, however, this proved a valuable lesson he would never forget over his long career classing wool. In the early 1980s, when Denis was leasing two properties including his father’s, things were going well until drought struck. February 1983 was the date of the Ash Wednesday bushfires, and saw Melbourne have three days over 40 °C for only the second time on record. This period saw Denis give away farming, turning towards contracting work instead. After the difficult times of the early 1980s, the next two decades were a good time for the sheep industry. 15 micron wool was selling for prices between 4 to 5,000 cents per kilo, double what you’d expect for the same wool in 2022. In 1995 a single bale of wool sold for a million dollars. This was a good time for Denis too. His contracting work saw him employing local shearers and shed staff. His team was involved with the shearing and classing of more than 130,000 sheep. After 20 years of contracting, it was time for Denis to transition into the next phase of his life. He gave up independent contracting, preferring instead to return to being a member of someone else’s team. In 2018, having completed 50 years of wool classing, it was time to call it a day and retire completely. At the annual Gordon Wool School Old Students Association dinner held in 2018, Denis was presented with his 50 years as a registered wool classer stencil awarded by the Australian Wool Exchange (AWEX). This is a rare honour achieved by few. As of February 2020, a total of 430 wool classers had achieved this 50-year milestone. For Denis however, his proudest achievement is achieving 90 years of wool classing with his father. The National Wool Museum is proud to share the collection of objects gained from 90 years in the wool classing industry by Stanley and Denis. This ranges from Stanley’s first stencil and Wool Sample book, started when he first attended the Gordon in 1936. The collection concludes 90 years later with Denis’ 50 years of wool classing Stencil. The collection contains many more objects, all telling the story of these 90 years, and the hard work invested by this dedicated father and son duo.Large black bound book with ribbon for fastening containing 12 double-sided blue pages. Pages have several samples of shorn wool mounted and annotated to include information such as specific breeding, shearing faults, and geographical area. The book concludes with four pages without wool samples. Two of these pages relate to plans for a shearing shed and other industry related structures. The final two-pages relate to the anatomy of a sheep. Wool sample books were constructed by Wool Classing students at the Gordon Technical School as examples of what to look for when classing wool. The students were tasked with constructing these books with samples they retrieved themselves from several different farms and animals. The book would serve as a reference point for the wool classers throughout their years in the field, it was always on hand to refresh knowledge. This book was constructed by Stanley Hucker over his schooling at the Gordon between 1936 and 1938Front Cover. Handwritten, White Ink "Stanley Hucker / Samples"90 years wool classing between father & son, wool classing, gordon technical school

The donor, Brian Licence, assembled this Wool Sample Book while studying at the Gordon Institute from 1960-62. Brian studied Wool Classing and worked for a decade in this profession before moving to Melbourne which required him to change careers. The National Wool Museum accepted a donation from Brian in 2022 of several mementoes relating to his career in the wool industry. This wool sample book joins a collection of 8 others within the museum’s collection, with the oldest dating to 1870 at the time of writing in 2022. Large black bound book with ribbon for fastening containing 12 double-sided blue pages. Pages have several samples of shorn wool mounted and annotated to include information such as specific breeding, shearing faults, and geographical area. The book concludes with four pages without wool samples. Two of these pages relate to plans for a shearing shed and other industry related structures. The final two-pages relate to the anatomy of a sheep. Wool sample books were constructed by Wool Classing students at the Gordon Technical School as examples of what to look for when classing wool. The students were tasked with constructing these books with samples they retrieved themselves from several different farms and animals. The book would serve as a reference point for the wool classers throughout their years in the field, it was always on hand to refresh knowledge. This book was constructed by Brian Licence over his schooling at the Gordon between 1960 and 1962. Front Cover. Handwritten, White Ink "Wool Sample / Book. 1961”wool classing, gordon technical college, brian licence

This is the second volume of the history of the Shire of Heytesbury, written by Jack Fletcher. It covers the years 1921 to 1988. Hard cover book with dust cover, Photograph of bulldozer and ball and chain in Simpson Heytesbury Historical Park on front cover. Second book of 2 written by author of History of Heytebury District. First book is The Infiltrators, 1840-1920. See 44, 45. Both books SIGNIFICANT in the local history of the area and the events and people that formed this history. 648 pages. Index to surnames of people referred to in this history. Some black and white photographs. With reference to Cobden, Simpson, Simpson, Port Campbell, Industry, Health, Education, Sport, Churches. A hardcover tan leather book with gold lettering on the cover. Dustcover with photograph of Heytesbury Project Historical Park, Simpson. Contents and Index pages, black and white photographs, map of Heytesbury shire inside front cover. 648 pages.heytesbury shire - history, local government

Gwen McWilliam is well known as an authority on the history of Boroondara and the author of a large number of books and pamphlets about the City. She was awarded the medal of the Order of Australia in 2001 ‘for service to the community of Hawthorn and district, particularly through the research, documentation and publication of its history.’ This map from her collection was donated to the Kew Historical SocietyPlan of Heidelberg, annotated with details about the occupancy pre and post European settlement. The plan also contains geological references. The plan is included and analysed in volume 2 of the Heidelberg Conservation Study (1985). The original plan was published created in 1982. Printed annotationscity of heidelberg, yarra valley, historic plans -- heidelberg

583 p., <16> leaves of plates (2 folded) : ill., maps, 1 port. non-fictionFacsimile of journals of the voyages from England to Port Jackson and Norfolk Island and return by Governors Phillip and King, and Lieut. Ball 1787-1792, including maps, charts, drawings and tables. Reproduced from a copy held in the State Library of South Australia originally published in 1793.norfolk isalnd - history, port jackson, hunter, john (1737-1821)

Articles include the production of Christmas cards for purchase, a visit by the Chief Secretary Hon. A. Rylah who advised that the Free Library Scheme was for municipal councils and that instead a State Library Council (which was being formed) would be a better source of relief, offers of help to contact potential overseas suppliers for electronic and braille equipment, the organisation of the Reservoir auxiliary, establishment of a Machines Committee to look at mechanized forms of Braille production and the possibility of entering into talking book production, improvements to heating, cooking and lighting, needing to use discretion when hiring hall due to an unfortunate incident, donations of Perkins Braillers, brailling of Decimal conversion charts, agreement in prinicipal to a National Braille Reference Library in Canberra, and purchase of Perkins and Stainsby Braillers to improve output of Braille books.32 pages of text with drawingsbraille library of victoria, corporation records

Female holds a cassette tape whilst looking at a sheet of paper in her other hand. The tape has been pulled from a cardboard box which has a reference number (eg: C90), a title and the sequential number (Side 5) listed on the front side of the box. Multiple boxes are nestled on wooden shelves, each with a black band that is attached below the box to assist in pulling them on and off the shelves. Books on cassettes were physically bulky and were stored separately for easy retrieval and return when borrowers were done. When a tape was dispatched, the requisite number of cassettes were removed and placed into mailing pouches for dispatch. Upon return, the cassettes were placed in individual boxes, that allowed staff to retrieve selected parts of a book if needed or incomplete books were returned. Underneath the image is written "Up to date talking book cassette library". Digital image of woman holding a cassette taperoyal blind society of new south wales, talking books

A small faded black hardcover Holy Bible and References printed in gold lettering on the front cover and Holy Bible printed on the spine. It has an embossed patterned on both covers and broken brass hinges on the right side. The pages have gilt edges. 768p. The print is extremely tiny, suggesting that it was used with a magnifying glass when read. It contains the Old and New Testament.non-fictionA Holy Bible containing the Old and New Testaments: Appointed to be read in churches.religious books, bibles

Widows beside trading tables of books and magazines at Legacy House. It was the annual fete run by the Widows Club as a fundraising event. Beryl Billings on left in black, Irene Noll serving at the table in grey jacket. It is believed the date is 17 November 1988 due to the reference number 881117.A record of the type of activities Legacy provided as a social outlet for widows. Colour photo of a trading table of books at Legacy house.Stamped on back Picture credit and copyright to "Keesing Photographic, 18 Winton St Burwood." Photo reference number: 881117-8 written in blue pen.widows, fundraising, fete

Documents the minutes of the Victorian Seamen's Mission from Thursday 8th of October 1925 to the 4th of July 1934. The minutes are a record of all members of the Victorian Seafarers' Mission during this time, as well as a record of the decisions and accounts of the committee.This is a formal record of proceedings within the Victorian Seafarers' Mission between 1925 to 1934. Entries in the book make reference to events which took place at the Mission, individual members and other parties, such as the Ladies Harbour Lights Guild.book, minutes, 1925-1934, victoria, mission-to-seafarers, victorian seamen's mission, minutes books