A faded, badly damaged black miniature leatherette antique hardcover book, The Book of Common Prayer. The Church of England together with The Psalter or Psalms of David. On the front cover and the spine is stamped in gold lettering - Common Prayer. At the bottom of the spine is printed in gold: London. Underneath the title on the front are five tiny crowns in a line. At the back there are Forms of Prayer, The Form and Manner and other prayers. The pages have gilt edges. 355Pp but some are missing at the end. On the right front end paper is a bookplate from St Hilda's Sunday School , Macclesfield with the award to Ada ? 1904.non-fictionA miniature, antique, The Book of Common Prayer, and administration of the sacraments, and other rites and ceremonies of the church, according to the use of The Church of England: together with the Psalter or Psalms of David. Prayer books help us find the words when we are in a crisis and do not know what to say, as well as for daily and Sunday worship in the English language.religious books, hymn books, prayer books

Small brown cloth-bound hardcover with decorative black embossed design on front cover. Title in gold coloured lettering on spine along with black embossed design. Cover very worn particularly at extremities., cloth torn front edge of spine. Front & rear hinges partially detached. Binding generally firm with a couple of loose spots. Pages generally clean & intact. Minor foxing throughout. 448pp. Fair condition.non-fictionThe Illustrated National Pronouncing Dictionary of the English Language.english language, dictionary

Index, bib, notes, p.632.non-fictionOne country, two languages, and a sequence of great artists in every generation. From the Gaelic bards to the Belfast Agreement, Irish writers have drawn equally on two traditions to heal the rifts of their land." "A celebration of the enduring Irish classics, this book by one of their most eloquent and adept readers offers an unusually brilliant and accessible survey of the greatest works since 1600 in Gaelic and English. Together, they have shaped one of the world's most original literary cultures.english literature - irish authors, irish literature - history and criticism

Ill, bib, ports, p.107.non-fictionGaeilge Ghriandóite: A go Z a hAon/ Sunburnt Gaelic from A to Z, Edition One, records selected findings of four Australians about the neglected history of the Irish language and Gaelic culture in this country. Gaeilge Ghriandóite/ Sunburnt Gaelic means the Irish language as it is spoken and written in Australia, as it comes to grips with a new environment. It is written throughout in Irish and is the first, and only, such book about the topic. Readers will find that over the past two centuries there have been dramatic breaks in continuity but also common threads. Triggered by positive responses from both experts and general readers alike to talks and papers all four had given on the topic, at a meeting in August 2019 the authors decided that the time was ripe to present to the public some fruits of their collaboration. The book's 108 pages present historical and contemporary facts about Irish-language culture in Australia in short entries, arranged in alphabetical order, with over 60 illustrations. This format makes it easy to find information and suits the present stage of research and publication on the topic. Also the alphabetical listing provides a flexible format for future editions. The book includes two short overview pieces and the first detailed bibliography on the topic.australia - irish language, australia - irish culture

Index, bib,notes, maps, plates, ill, p.258.non-fictionIreland, more than any other country in Europe, has retained its mythological heritage, which lives today in the oral tradition of folk tales, in literature, in place-names and language, in ceremonies and monuments. Mountains and loughs are the homes of gods and goddesses, of saints and monsters, and pattern, beauty and cyclical logic are revealed in their stories. Michael Dames, whose previous works have won him a wide and enthusiastic following, has walked through each.1. spirituality, 2. irish myths.

Index, ill, p.338.non-fictionA history of literature in the Irish language from the 5th century to the 20th century.irish literature - history and criticism, ireland - literary tradition.

Index, bib., tables, maps, plates. p.320.non-fictionBased on meticulously-kept diaries, this book represents a compelling narrative of a man passionate about all things Gaelic - hurling, Gaelic football, language, religion, politics, dance and the celebration of St Patrick's Day.australia - hstory 1788-1900, convicts - australia

Index, bib., ill, map, p.215.non-fictionThis book is about songs, stories, poems, prayers and accents - as well as events and monuments - of those whose original language was Irish. A first ever history of the Irish language and Gaelic culture in Victoria.victoria - social life and customs., irish- victoria - history.

Index, p.355.non-fictionTerence Brown traces the development of modern Ireland through a juxtaposition of key topics - nationalism, industrialisation, religion, language revival and censorship with an assessment of the major literary and artistic advances achieved during the same era.ireland - social life and customs, ireland - politics and government

non-fictionLudwig Leichhardt (1813 -1848) is known as one of the most individualistic of Australian explorers. This is the first substantial account of his life and work, based on his diaries, logs and field books. Leichhardt's accomplishments have been uncarefully handled by many researchers and much hearsay and supposition has marred the record of the explorer's life. Not assisting in these efforts is the fact that his journals and logbooks were all written in the Gothic form of the German language and have been largely indecipherable and, in places, open to misinterpretation. With the publication of this volume, the story has been set straight. Using unprecedented access to Leichhardt's writings, including his personal correspondence, the author throws new light upon the scandals and defamations which historians - many with vested interests - have heaped upon him. It also includes Leichhardt’s observations of Aboriginal culture round Durundur Station; references to meetings with groups by 1844-1845 expedition to Port Essington; predominantly friendly relations with tribes; instruction in bush foods and medicines; Koko-Pera attack; appendix includes table of Tribal areas traversed 1844-5.ludwig leichhardt 1813 - 1848, exploration australia, australia -- discovery and exploration, leichhardt biography

Ill, p.95.non-fictionCollection of essays and speeches lauding the achievements of Leninvladimir illich lenin 1870-1924, soviet union - politics and government

Ill, maps, p.373.non-fictionEarly history of N.T. and explorations; Detailed account of intercepting Macassan proas around coast of Arnhem Land whilst author was Sub-Collector of Customs for 14 years; Names of proas and masters, Malay camps & smoke houses along coast & nearby islands; Natives employed by Malays in trepang fishing and collecting tortoiseshell, relationships between Malays and Aborigines; influences (physical & cultural); Habit of exchanging children between tribes (Roper R. & Normanton) for the purpose of learning each others language & customs; Description of native camps at Fort Dundas (1895) shelters, finding of bark water bags, types of canoes used; Platform burial at Daly R.; Sacred burial site on Maria Island; Geographical features, vegetation, climate etc., general ecology, depredations & murders by natives; Cannibalism practiced by Fitzmaurice River tribes. northern australia - description and travel, ethnography

Ill, p.153.fictionA fictional account of the siege of Sevastopol during the Crimean warcrimean war, sevastopol - siege

Ill, p.64.non-fictionA description of folk art in post revolutionary Chinafolk art - china, folk literature - china

A brown coloured booklet with black writing. At the top left hand side reads: Department of the Army Pamphlet. Top right side reads No. 20-611. In the middle of the bookleet reads Vietnamese Phrase Book. At the bottom of the booklet reads Headquarters, Department of the Armjy - July 1962vietnamese language -- conversation and phrase books, english language -- conversation and phrase books -- vietnamese

A brown coloured booklet with black writing. At the top left hand side reads: Department of the Army Pamphlet. Top right side reads No. 20-611. In the middle of the bookleet reads Vietnamese Phrase Book. At the bottom of the booklet reads Headquarters, Department of the Armjy - July 1962vietnamese language -- conversation and phrase books, english language -- conversation and phrase books -- vietnamese

This book is written in Vietnamesevietnam war, 1961-1975, armoured vehicles, military - vietnam, language: vietnamese

This book is written in Vietnamese.veterans - vietnam, languages - vietnamese

This book is written in Vietnamese.language: vietnamese, vietnam

This book in written in Vietnamese.veterans - vietnam, languages: vietnamese

This book is written in English and Vietnamese.guerrillas - vietnam - cu chi, language: vietnamese, cu chi, saigon, ho chi minh city, us army

This book is written in both English and Vietnameseguerrillas - vietnam - cu chi, language: vietnamese, saigon, ho chi minh city, north gia dinh

This book is written in both English and Vietnamese.veterans - vietnamese, languages: vietnamese, vietcong

These captivating pieces are part of a series called "FOOD / FLESH / FAME," a collaborative effort between Melbourne-based Thai artists Bundit Puangthong and Vipoo Srivilasa. Drawing from Buddhist teachings, the series explores the three elements of attachment: Food (consumption), Flesh (sex), and Fame (power). Although these elements are known to cause suffering, they remain persistently alluring, a paradox that the artists intend to explore further in the future. In creating these pieces, Vipoo Srivilasa initiated the process by sculpting three figures with bare surfaces. Bundit Puangthong then added his artistic touch by painting each sculpture. The artists' conceptual visions harmonized perfectly, especially considering their shared commitment to Buddhist principles, which frequently inspire their respective artistic practices. After Bundit completed his painting, Vipoo enlivened the pieces by adding eyes to the figures. He also embellished the works with pom-poms, lending them a softness that makes them appear both approachable and innocent, despite the weightiness of their themes. Each sculpture embodies a specific teaching from Buddhism: "FOOD" depicts a durian, the king of fruits, painted by Bundit Puangthong. He notes, "Despite its pungent aroma, many people still love to eat it."Donated the by the artists