Showing 7033 items
matching 1970
-
National Vietnam Veterans Museum (NVVM)
Poster - Poster, Information Board, 7RAR History and Operations
Three sections of Poster, Information Board on laminated paper, describing the history and operations of 7RAR April 1967 - April 1968 and February 1970 - March 1971internet address of information7 rar, poster, information board, story board -
Melbourne Tram Museum
Photograph - Black & White Photograph/s, late 1960's
Black and white photograph - Conductress - cap badge 3732 standing in front of a large map of Melbourne - Late 1960s and this uniform flowed into the early 1970'strams, tramways, personnel, uniforms, conductresses -
Bendigo Historical Society Inc.
Document - MUSIC ADVANCEMENT SOCIETY BENDIGO,PRESENTS ''THE KING'S SINGERS''
Document, Program, Music Advancement Society Bendigo,''The King's Singers'', Musica Viva Australia. Program notes supplied by ''The King's Singers''.C 1970'sprogram, theatre, music, music advancement society bendigo, presents ''the king's singers''. -
Bendigo Historical Society Inc.
Newspaper - NEWSPAPER CLIPPINGS A DONEY PHOTOGRAPHS LACEWORK ON BENDIGO'S ICONIC BUILDINGS BEFORE & AFTER 1970, 02/071970
Supplement to Bendigo Advertiser Wednesday July 2, 1970. Newspaper Clipping A. Doney Photographs and article Lace Work Iconic Buildings of Bendigo Before & After.bendigo, buildings, heritage buildings -
Hume City Civic Collection
Blouse, c.1970's
The blouse made from a man-made fibre which resembled linen and trimmed with crochet motifs and edging was fashionable during the early 1970's. They were often worn with batik printed skirts.A cream linen blouse with three pin tucks and a crochet band on either side of the centre front opening. There is a shell pattern crochet border around the square neckline and across the hem of the short sleeves and around the bottom of the blouse. There are two darts in the back. there are five brown buttons down the centre front."Made in the/PHILIPPINES/..."1970s, clothing and dress, george evans collection -
Rutherglen Historical Society
Booklet, Rutherglen Official Handbook, 1970
Official handbook of Rutherglen Scotland, 1970 edition. Presented to a relative of the donor when John F. MacKay, a member of the Town Council of the Royal Burgh of Rutherglen in Scotland, was visiting his son in Australia.48 page booklet with colour illustration on cover, featuring the coat of arms of the Royal Burgh of Rutherglen, Pages inside include numerous black and white photographs of Rutherglen Scotland and introduction to the town. Also included are numerous advertisements for local businesses.rutherglen scotland, royal burgh of rutherglen, john mackay -
Port Melbourne Historical & Preservation Society
Book, Clive SANSOM, Acting Rhymes Introductory Book, c.1970
'Produced in Great Britain for use there and in the Commonwealth, the book contains poems & rhymes that young children could sing, say and act out. It was used at Nott Street Primary School in the mid 1970's.Small blue covered book with Title & Author in beige. The picture panel shows a soldier, sailor, clown & Policemaneducation - primary schools, nott street primary school -
Ballarat Tramway Museum
Administrative record - SEC Tramcar record - tram 20, State Electricity Commission of Victoria (SECV), 1936 to 1970
Lists the work carried out by the SEC on tram No. 20. Includes notes on the tram itself, body, brake gear, electrical, and truck. The tram was demolished in an accident in Victoria St during September 1970.Demonstrates the SECV practice of maintaining records for the work on the tramcars in Ballarat.Foolscap ruled sheet with stamp tram car number and work category, typed or handwritten entries.tramways, tramcars, ballarat, sec, tramcar maintenance, records, tram 20 -
Glen Eira Historical Society
Album - Album page, Kambrook Road, Circa 1972
This page of photographs is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. First 2 images: milkbar and residence corner Kambrook and Balaclava Roads ie south west corner - building named Airdrie 3rd image: https://vhd.heritagecouncil.vic.gov.au/places/43737 - re 26 Kambrook Road and 345 Balaclava Road corner building ie south east corner: A prominently situated two-storeyed complex of late Victorian buildings consisting of "Wybar's Buildings" occupying the Balaclava Road/ Kambrook Road corner and the "Caulfield Bakery" facing Kambrook Road, separated by a driveway from a single storeyed shop. The main building has a comer splay and balustraded parapet with curved pediments, the words "Wybar's Buildings 1887" having been obliterated but "Caulfield Bakery 1887" with the characteristic wheatsheaf surviving in raised cement work. The walls are stuccoed and richly ornamented with bracketed cornices and keystones with masks extending to the Bakery. The main building is further distinguished by the Masonic symbol of the mason's dividers in the pediment whilst the upper level of the bakery is in overpainted brickwork. The single storeyed shop incorporates the bracketed cornice and consoles characteristic of the main buildings and is in other respects a utilitarian structure. 4th image: https://vhd.heritagecouncil.vic.gov.au/places/42415 (on 24/01/2021) - 196 Kambrook Road An imposing late Victorian poly-chrome brick asymmetrical villa with corner verandah and projecting west facing wing with faceted window bay to the facade. Body bricks are red and relieved by cream and black brick banding and by cream bricks to the bracketed eaves. The fretted barge with king post treatment and timber posted verandah are unique in the Municipality and unusual in the metropolitan area and demonstrate an understated appreciation of the emerging Queen Anne mode.345 Balaclava and 26 Kambrook Roads HO91 - City of Glen Eira https://vhd.heritagecouncil.vic.gov.au/places/43737 (on 24/01/2021) "Wybar's Buildings" at the corner of Balaclava Road and Kambrook Road are important as a prominent late Victorian commercial development incorporating a variety of activities including a bakery and possibly a coffee palace, the latter understood to be unique within the municipality, but characteristic of the period. It is a rare complex of its type in Caulfield and is important also as evocative evidence of the late Victorian Land Boom and the creation of a small now defunct commercial centre at this location by the George Wybrow. 196 Kambrook Road HO122 - City of Glen Eira https://vhd.heritagecouncil.vic.gov.au/places/42415 "Glencoe" is situated at no. 196 Kambrook Road, Caulfield North and was built for the boot manufacturer, Robert Bruce Mair, in 1888. It is of historic and aesthetic significance. It is historically significant (Criterion A) as the home of an inner suburban industrialist, notable a boot manufacturer, demonstrating the attraction of Caulfield as a residential location for the manufacturers of the metropolis during the late Victorian Boom period. It is aesthetically significant (Criterion E) as a very early example of a Queen Anne influenced late Victorian villa, comparing at the State level with ''Woodlands'' (1888), North Essendon, generally acknowledged to be one of Australia's earliest houses to fully exploit this emerging style. The ornamental timberwork is especially expressive of the new architectural fashion and compares with the house at 33 Clarence Street, Elsternwick (1888-89).Page 105 of Photograph Album with two photographs of a milk bar and attached residence, one older photograph of Wybar's Building and another photograph of a house on Kambrook Road (all are landscape).Handwritten: 196 KAMBROOK ROAD / 1970 - GAFFNEY MRS S.M. [under bottom right photo] / 100 [bottom left]trevor hart, kambrook road, victorian style, caulfield north, parapets, wybar's buildings 1887, caulfield bakery 1887, architectural features, painted bricks, balaclava road, george wybrow, shops, milk bars, airdrie, polychrome bricks, verandahs, queen anne architectural style, houses, glencoe, robert mair -
Clunes Museum
Photograph, INTERKNIT
PHOTOGRAPHS .1 AND .2 RANGE OF KNITWEAR .3 FLATBED JACQUARD KNITTING .4 TOKYO AGENT AND GOODS ON DISPLAY.1 AND .2 UNTIL MID 1970'S CO. MANUFACTURED MENS SOCKS, THEN SPORTS AND JACQUARD JUMPERS ADDED TO RANGEtokyo export japan, interknit -
Churchill Island Heritage Farm
Clothing - Blouse, 1970s
This bed jacket was, as the enclosed note stated, “probably hand made in Asia” and has been identified as Chinese 20th century by the Lace Group Embroiderers Guild. The insertions at the wrist are very fine handmade Irish crochet with the treble fans and Clones knots visible. The embroidery on the reminder of the jacket has also been executed by hand. Being white work is quite unusual for Chinese embroidery as it is traditionally colourful or monochromatic such as red work or blue as in the willow pattern. Perhaps this was made with the Western market in mind.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess womenChinese 20th C Hand crocheted insertions. Hand embroidery. White blouse/bed jacket.Packaged with note "Light bed jacket. Probably hand made in Asia c 1970 judging by size tag '14'"amess lace collection, lace, churchill island, frances, janet, jane, amess, embroidery, cotton, chinese, hand, crotcheted -
Warrnambool and District Historical Society Inc.
Domestic object - Pencil, 19th Century
This pencil was found in 1946 by Mr Jim Pelling when an old wall was being pulled down in Warrnambool. This type of pen would have been used in the 19th century and apparently produced good legible writing and the lead point never wore out. No information is available on Jim Pelling or the location of the wall.Although this pencil has no known provenance it is of considerable interest because of its finding in an old wall in Warrnambool and because of its antiquarian value. It is a good example of a writing tool of the past and the ivory handle is of particular interest. This is a pencil with a handle made of ivory with a sharpened point of metallic lead screwed on the end of it. The end of the handle has an ornamental column shape. The lead at the end is slightly bent. Accompanying the pencil is an extract from a 1946 Warrnambool Standard detailing the finding of the pencil and some handwriting from a later date. The newspaper extract is pasted on to a piece of cardboard (a piece of a Rice Bubbles packet).In blue handwriting: ‘Extract from 1946 Warrnambool Standard’ and ‘Given to Warrnambool Historical Society by Mr J. Pelling 1970’jim pelling, metallic lead pencil, warrnambool history -
Kew Historical Society Inc
Photograph - Alma Figuerola in her Studio, D'Estaville, The Age, c.1965
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Alma Figuerola in her Studio, D'Estaville, Barry Street, Kew. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola -- melbourne artists -
Kew Historical Society Inc
Photograph - Alma Figuerola at the front door of D'Estaville, The Age, c.1965
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Alma Figuerola standing in the portico of D'Estaville, Barry Street, Kew. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola -- melbourne artists -
Puffing Billy Railway
Carriage Sign - Puffing Billy Museum Advertising, 1970's
Carriage Sign - Puffing Billy Museum Advertising This board was used to advertise the Menzies Creek Museum after it opened in 1970. This particular sign was displayed inside, on the end of the Puffing Billy NBH type carriages. Historic - Puffing Billy Railway - Carriage Sign - Puffing Billy Museum Advertising fitted to NBH carriages.Carriage Sign - Puffing Billy Museum Advertising metal signVisit the Puffing Billy Steam Museum you can see - Steam Locomotives - Working Exhibits - Early Rolling Stock - Souvenirs available the museum is located at Menzies Creek & opens every Sunday 11am to 5pmpuffing billy, puffing billy museum, carriage sign -
Hume City Civic Collection
Hat, c 1970
A girls straw hat known also as a boater worn as part of the uniform at Our Lady of Mt. Carmel Catholic school in Sunbury in the 1970's. The petersham ribbon is in the school colours of brown, green and gold.A girl's straw boater with petersham ribbon in school coloursour lady of mount carmel primary school, hats, clothing, schools, sunbury, george evans collection -
Kew Historical Society Inc
Architectural Moulding, Fragment of plaster and cement cornice from Southesk [Ordsall], 1870-80
'Ordsall', renamed 'Southesk' in the 20th century was built for John Halfey in or before 1865. The house was rebuilt in the 1870s to designs by architect Michael Hennessy. In 1882 the house was redecorated by the firm of Cullis Hill & Co., who hired the artists 'Mr Vandenbrandt' and 'Signor Rizzi" to paint the ceilings of the ballroom and the drawingroom. The artistic triumph was described in detail in The Argus, 30 October, 1882. In 1947, Southesk was purchased by the Kew City Council. For 23 years it was used as a meeting place for community groups. The house was then demolished in 1970 to make way for a new Town Hall.Rare, and possible unique fragment of a plaster cornice from one of the most architecturally distinctive houses in Kew, demolished 1970.Section of plaster cornice removed from Southesk on the corner of Charles Street and Cotham Road, Kew, when it was demolished in 1970 by the City of Kew. The cornice has a narrow layer of previously coloured plaster which is now overlaid with a grey distemper. The foundation of the cornice is moulded cement. Remnant flowers moulded in the central band of the cornice include a rose and a sunflower. The plaster decoration was probably located in the entrance hall, dining room or ballroom, all of which were created in the 1870s by Michael Hennessy and decorated by the firm of art decorators, Cullis Hill & Co in 1882.Nilordsall, south esk, cullis hill, plasterwork, cornices, victorian interiors -
Melbourne Tram Museum
Photograph - Scrapped Melbourne T class trams 179 and 182, Bob Lilburn, 1965 & 1970
Two photos of scrapped former Melbourne T class trams 1 - T179, photographed at Dean (north of Ballarat), 14/3/1965 2 - T182, at Wangaratta on wooden support stands, 9/1/1970Yields information about two scrapped T class trams.Set of two black and white photographs of scrapped former Melbourne T class tramsDetails written on the rear with information labels along with photographer's R Lilburn name.tramways, t class, tram 179, tram 182, scrapped trams, melbourne -
Vision Australia
Photograph - Image, V.B.T.T.A. The Black & White Trophy, 1970-1975
A brown wooden award with a gold coloured plate above a wreath inscribed "V.B.T.T.A. Presented by St Andrews Badminton Club Glen Waverley 1970". At the base of the award a smaller gold coloured plate is engraved 'The Black & White Trophy'. Multiple small silver shields with the names of individuals and the year that they won the award are located either side of the larger plate, with four shields having no inscription. The smaller shields are engraved with the following: 1970 P. Sittlington, 1971 P. Goebel, 1972 L. Poore, 1973 B. Sitlington, 1974 P. Sitlington, 1975 P. Sitlington. A brown wooden award with a gold coloured plate above a wreath with 10 mini shieldsassociation for the blind, swish, awards, p sitlington, p goebel, l poore, bryan sitlington -
Ballarat Tramway Museum
Slide - 35mm slide/s, Travis Jeffrey, late 1960's or early 1970's
Agfa plastic mount (blue base, white cover) with a photo of Bendigo 24 at the Eaglehawk terminus, with the Eaglehawk Town Hall / Post Office in the background. Tram has the destination of Quarry Hill and roof advertisements for SEC "Everything's under control in my all electric kitchen" and one for Mamouney's Furniture Company. Photo taken late 1960's early 1970's."BES 32" in penciltramways, trams, bendigo, eaglehawk, tram 24 -
Ballarat Tramway Museum
Slide - 35mm slide/s, Travis Jeffrey, late 1960's or early 1970's
Agfa plastic mount (blue base, white cover) with a photo of Bendigo Nos. 2 and 17 at the area of Depot Junction, swapping crews. No. 2 showing Eaglehawk and No. 17, Depot. Note differences in the destination blinds or rolls, white on black, or the later form, black on white. Photo taken late 1960's early 1970's from the window of another tram."BES 42" in penciltramways, trams, bendigo, crews, depot junction, tram 2, tram 17 -
Mont De Lancey
Domestic object - Dressmaking Folding Ruler, Mrs G.I. McCabe, 1950 - 1970
Mrs G. I. McCabe invented the ruler around 1930 in Sydney NSW and founded several branches of the McCabe academy of Dressmaking based on its use in Australia and London.A light coloured 'McCabe Faultless System of Cutting', dressmaker's folding, wood and metal ruler, Australia, 1950 - 1970. One side has six proportions for cutting bodices, the back has measurements for cutting coat and blouse sleeves only, as well as 12 inches markings. Copyright patented details are stamped onto the back side in black, as well as all measurements. 'McCabe Faultless System of Cutting' as well as many detailed measurements for dressmaking. 'Copyright Patented No 6783 54637' is stamped on the back. 'Patented Com No 6783 N.Z No 54637' is tam[ed on the front top.dressmaking equipment, sewing equipment, measuring instrument, measuring rulers -
Ballarat Tramway Museum
Document - Letter/s, Alf Twentyman, 3/06/1970 12:00:00 AM
Handwritten letter from Alf E. Twentyman to John F. T. Grimwade on quarto plain paper dated 3 June 1970 concerning the colours of the cable trams and the routes they ran in the company days, along with additional notes about when the M&MTB took over. Also notes that the John Keating is about to publish his book on the cable tram system.trams, tramways, melbourne, cable trams, mmtb -
Melbourne Tram Museum
Photograph - Set of 3 Black & White Photograph/s, Melbourne & Metropolitan Tramways Board (MMTB), 1970's?
Series of three photos showing pyramid or rerailing plates and how they were used. Appears to be photographed at Preston Works shops during the 1970's. .1 - Fabricated plate with an angle welded to it, showing how it was positioned relative to a derailed wheel. .2 - Photo shows a pyramid plate placed relative to a wheel and axle set. .3 - ditto relative to an fabricated angle plate.trams, tramways, derailments, accidents, preston workshops, recovery -
Melbourne Tram Museum
Document - Instruction, Melbourne & Metropolitan Tramways Board (MMTB), "Line Breakers GE and EE type - Electrical Mechanics Procedure", May. 1970
Instruction - 2 pages - duplicated foolscap sheets - headed "MMTB Engineering Department - Workshops and Running Shed Branch" - titled "Line Breakers GE and EE type - Electrical Mechanics Procedure" Details electrical work to be done on the rostered day in for GE and EE type line breakers, maintenance, checks, adjustments, safety, testing and closing the boxes. Dated May 1970.trams, tramways, depot, safety, workshops, electrical equipment, instructions, procedures, controllers -
Melbourne Tram Museum
Document - Instruction, Melbourne & Metropolitan Tramways Board (MMTB), "Safety Precautions in Workshop", May. 1970
Instruction - 7 pages - duplicated foolscap sheets - headed "MMTB Engineering Department - Workshops and Running Shed Branch" - titled "Safety Precautions in Workshop" Details driving of tramcars in depot, procedures, in yards, tradesmen and safety procedures, controllers, pitmen, jacking of tram bodies, safety rules, safety equipment, general safety precautions, cleaning of depot. Dated May 1970.trams, tramways, depot, safety, workshops, pitmen, instructions, procedures -
Ballarat Tramway Museum
Photograph - Digital image, John Ward, 22/03/1970 12:00:00 AM
Digital image of Bendigo tram 7 outward bound to Golden Square at corner of High and Laurel St Bendigo, with the United Kingdom Hotel in the background with a Carlton Draught sign. Photo by John Ward 22 March 1970. Slide title "00755 220370 SEC single truck tram 7 in High St at Robert St Golden Square Bendigo Vic"trams, tramways, bendigo, high st, golden square, tram 7 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Dave Macartney, late 1970's
Black and white photograph of SEC tram No. 33, operated by BTM, in Wendouree Parade, just to the north of Depot Junction, late 1970's . Tram has Eureka and SEC roof ads on side of tram, and is showing destination of Sturt St. West, indicating possibly soon after recommissioning in 1977. Small copy added 10/10/2019. Image updated.trams, tramways, ballarat, btps, wendouree parade , tram 33 -
Melbourne Tram Museum
Sign, Selex Decal, "MMTB" logo, 1970's
MMTB logo or decal for the use on the sides of tramcars, glued transfer adhered to a sheet of gloss paper on one side and plain on the other with the transfer instructions made by Selex Decal in the 1970's, with alignment marks on the rear. Has the Selex Decal logos on the rear and the number "107642827" along the bottom edge. Refer to MMTB Drawing R10-135 for a drawing. Three copies heldtrams, tramways, mmtb, signs, logos, preston workshops -
Melbourne Tram Museum
Ephemera - Ticket/s, Melbourne & Metropolitan Tramways Board MMTB or VicRail or Ministry of Transport, "Restricted Weekday Ticket", late 1970's?
Set of two Restricted Weekday Ticket or Voucher, joined in the middle by a perforation. Nos. A201726 and 727, printed in red on manila coloured card. Was available for a single journey on any MMTB tram and bus and allowed a ticket to be obtained at any station for a single VicRail, metro journey. Part of a longer strip of tickets. Late 1970's given the use of the name VicRail.trams, tramways, mmtb, tickets, city section, melbourne, vicrail