A special luncheon was held for World War 1 widows as a lead up to "Legacy Week". Legatees dressed up as moustached waiters to add a bit of humour to the day. Due to its success it was held for a number of years. In 1994 the author Patsy Adam-Smith was a personality of the year helping to promote Legacy. She attended the lunch and in one photo is with Legatee Eddie Jowett and widow Mollie Thiele (red jacket). Legatee Eddie Jowett led the Legatees in singing to the widows. There was also a pianist and a female singer attending. Two legatees reading a song sheet are George Standish and Maurie Lockwood. Legatee Lucky Luscombe can be seen in a false moustache posing for the camera. Also a photo of the hard work being done in the kitchen. Audrey the kitchen lady is obscured at far right. It appears to be Joan Miller with her back to the camera, and Sue Sargent (a widow who helped a lot in the kitchens) is on the right hand side. Other ladies names in the photos are not known. The following year more Legatees followed Lucky's lead and wore false moustaches to provide entertainment. The WWI group would meet on the 2nd Thursday of each month at 11 at Legacy House for many years until their numbers dwindled.A record of the type of activities Legacy provided as a social outlet for the widows.Colour photo x 12 of a World War 1 widows lunch.widows, function

Originally purchased in 1856 from Thomas Roberts, Yeoman of Little Eltham, for £10 for use by the Wesleyan Chapel, represented by indentured Trustees, Rev. Barnabas Shaw Walker, Minister of the Pentridge Circuit, Francis Thomas, Farmer of Keelbundora, William Harriman, Blacksmith of Nillumbik, Nicholas Rodda, Farmer of Nillumbik, Aaron Grimshaw, Farmer of Greensborough, Joseph Cooper, Gardener of Keelbundora, Peter Dredge, Scholmaster of Jika Jika and Samuel Jeffrey, Farmer of Jika Jika. Lot 20 of Subdivision of Portion 13, Section 4 of the Parish of Nillumbik in the County of Evelyn was located on the southern side of Henry street in Little Eltham North, where the current Our Lady Help of Christians Catholic Church is situated. It became the location of the Eltham Rechabite Hall. In 1893 a new hall was built and further enlarged in 1919. At the commencement of 1922, the property was purchased from the Independent Order of Rechabites with publicly subscribed funds and a new hall built at a cost of £750 and improved road access constructed to reduce the grade, running from Dudley Street to Henry Street. This hall was eventually replaced with the new Shire Offices and Hall built on the corner of Arthur Street and Main Road, which was opened in 1941. Traces the earliest history of the Eltham Public Hall in Henry Street and the various names, occupations and abodes of the Trustees associated with the propertyaaron grimshaw, blacksmith, edmond perry, eltham public hall, eltham rechabite hall, eltham wesleyan chapel, francis thomas, george smith, henry street, i.w. lucas, james blanch, james chapman, james william brown, john jenkins peacock, john jones, john neale, john van mangerhoussen weiss, joseph cooper, joseph morris holloway, josiah atwool, keelbundora, lancelot iredale, little eltham, lizar elliott, mark blanchard, methodist church, nicholas rodda, p. mather, peter dredge, rev barnabas shaw walker, samuel jeffrey, samuel moor munce, thomas roberts, thomas wheaten bowden, william harriman, william hebblewhite, william john munce, william matthews, william rose

The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.One of a series of pictorial postcards showing a woman on a bicycle near to the River Yarra in Kew.Polychrome postcard of the River Yarra at Kew, showing a woman with a bike (right) looking away from the River.My dear friend I suppose you will think I am a "beauty", but I have no excuse to offer for not writing, only the longer I put it off the longer I want to. I hope the change did you a lot of good & that you feel quite well & strong. Everything here is something about the same. Our two new ministers are nice but I like Mr Dowsing better so far. The weather lately is glorious, just the thing for long walks. Jane Rowe & I go for a walk after church on Sunday nights. That is the most walking I do lately. No room for more. Love from your friend C.G.[sic]postcards -- kew (vic.), postcards -- yarra river -- kew (vic.), colour postcards -- kew (vic.)

Yields information about the Depot and how equipment was provided in the depot and some of the tramcars.Sixteen Digital images taken by George Coop during the period 1968 - 1970, of SEC trams at the Depot and workshops in Wendouree Parade. .1 - 36 in depot with chain block, chains, jacks and other equipment in the view. .2 - view of the inspection pit on 4 road with the large jack in the pit. .3 - 39 on "0" road - photo has been "framed" with a blue line. .4 - 26 in the paint and wood shop area of the workshops. .5 - 43 in the depot. .6 - 42 and the 1 road pit. .7 - ditto, with a window cleaner - photo has been "framed" with a blue line. .8 - 35 and 36 .9 - roof top view - photo has been "framed" with a blue line. .10 - 27 and many spare wheels in the view, along with jacks. .11 41 and other trams showing the pit, spare parts and equipment - photo has been "framed" with a blue line. .12 18 at the front of the depot. .13 View of a 22E bogie with autumn leaves .14 - as for .4, - photo has been "framed" with a blue line. .15 - Scrubber car on "0" road and lots of autumn leaves. .16 - View of the depot view with 39 on "0" road and 18 on "3" road. trams, tramways, depot, workshops, scrubber tram, tram 36, tram 27, tram 41, tram 18, tram 39, scrubber, tram 39, tram 26, tram 43, tram 42, tram 35, tram 36

The Melbourne and Metropolitan Board of Works (MMBW) plans were produced from the 1890s to the 1950s. They were crucial to the design and development of Melbourne's sewerage and drainage system. The plans, at a scale of 40 feet to 1 inch (1:480), provide a detailed historical record of Melbourne streetscapes and environmental features. Each plan covers one or two street blocks (roughly six streets), showing details of buildings, including garden layouts and ownership boundaries, and features such as laneways, drains, bridges, parks, municipal boundaries and other prominent landmarks as they existed at the time each plan was produced. (Source: State Library of Victoria)This plan forms part of a large group of MMBW plans and maps that was donated to the Society by the Mr Poulter, City Engineer of the City of Kew in 1989. Within this collection, thirty-five hand-coloured plans, backed with linen, are of statewide significance as they include annotations that provide details of construction materials used in buildings in the first decade of the 20th century as well as additional information about land ownership and usage. The copies in the Public Record Office Victoria and the State Library of Victoria are monochrome versions which do not denote building materials so that the maps in this collection are invaluable and unique tools for researchers and heritage consultants. A number of the plans are not held in the collection of the State Library of Victoria so they have the additional attribute of rarity.Original survey plan, issued by the MMBW to a contractor with responsibility for constructing sewers in the area identified on the plan within the Borough of Kew. The plan was at some stage hand-coloured, possibly by the contractor, but more likely by officers working in the Engineering Department of the Borough and later Town, then City of Kew. The hand-coloured sections of buildings on the plan were used to denote masonry or brick constructions (pink), weatherboard constructions (yellow), and public buildings (grey). The laborious task of hand-tinting these Board of Works plans was not without hazards as is evidenced by Plan No. 1593. On the Plan, the original colourist spilt black and green ink, partially obscuring some parts. The most obvious casualty is ‘Clifton’ located on the corner of Cotham Road and Park Street [now Adeney Avenue]. Included in this Plan, and outlined in pink is that part of the section that the contracting engineer was tasked with completing. This included sewering on both sides of this part of Cotham Road, but excluded properties such as ‘Glendonald’ and ‘Monnington’. This area was to undergo a series of subdivisions including the ‘Clifton Estate’, which created housing lots on Adeney Avenue and Florence Avenue in 1916. The most notable occupant of Clifton was William Adeney [died 1893], a pioneer of Camperdown, after which Park Street was later renamed.melbourne and metropolitan board of works, detail plans, survey plans - borough of kew, mmbw 1593, cartography

documents for Maiden Gully Sewerage SchemeMichele Matthews collection - paperwork and reports for re-zoning of Maiden Gully (1993 - 1996). Residents opposed the re-zoning as they had purchased land as "bush blocks" Coliban water Annual report 1993/94 21/12/1994 Maiden Gully Development Committee - newsletter No 1 - cttee met with representatives of Coliban Water Caliban Water information Bulletin January 1995 - Maiden Gully Sewerage Scheme 22/02/1995 Maiden Gully Development Committee - newsletter No 2 - cttee activities re the planned sewerage scheme 27/03/1995 - Coliban Water letter to WR & MS Matthews, owners 3 Clay Gully Court (Lot 56 LP 212245) undated - Maiden Gully Neighborhood Sewerage Schemes - Robin Hill Estate Scheme (cost allocation to property owners 21/04/1995 five-page letter of objection/complaint from WR & MS Matthews, owners 3 Clay Gully Court, re costs allocated against their property (Lot 56 LP 212245) 16/06/1995 five-page response from Coliban Water to WR & MS Matthews, owners 3 Clay Gully Court; regarding the outcome of their objection to the sewerage scheme 22/08/1995 letter from WR & MS Matthews, to resident re the results of their objections (and consequent concessions) from Coliban Water re the Robin Hill Estate Sept 1995 Maiden Gully Structure Plan, prepared by TEA planners & Planning Australia Consultants; provides a structure plan, for the Rural City of Marong, the propose future development of the Maiden Gully area Greater Bendigo Planning Scheme - Amendment L43 - Maiden Gully Township: * undated and author unstated - Maiden Gully questions sheet for residents re the proposed Maiden Gully Structure Plan - seven questions and answers * Fauna species - observed /recorded site 6; Maiden Gully (off Pioneer drive) * Explanatory report, three pages * 1/11/1995 Notice of Amendment to a Planning Scheme * Greater Bendigo Planning Scheme, Chapter 6, Amendment L43 (five pages) December 1995 Coliban Water "In the Pipe line", Maiden Gully Region Community Newsletter No 2 - Halfway mark for Sewerage Scheme March 1996 Coliban Water "In the Pipe line", Maiden Gully Region Community Newsletter No 3 - Home stretch for new sewer scheme May 1996 Coliban Water "In the Pipe line", Maiden Gully Region Community Newsletter No 4 - New sewerage scheme comes in well under budget Undated - Maiden Gully Township - Amendment L43 - Panel Hearing report (31 pages) maiden gully, sewerage scheme

Mr. Braz Borschman was born in Beechworth on the 1st of July 1914 at his parents home. He played for many years in the Towns volunteer Brass Band, a popular local band of about 30 members. Braz played the coronet and later the trombone. His first job was for the post office, but he spend most of his working life at the Beechworth Tannery. His interview contains lots of information about the tanning processes, including the story of 'Young Thomas', who lost his arm in a tannery accident. Braz recalls the open-air picture theatres of Beechworth, the many dances and balls, and distinct lack of cars. His testimony is rich with detail and filled with many other side-stories, including 'Blind Tommy', a self-sufficient, opium-smoking blind man of Chinese descent. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke.Braz' interview is significant for the many historical details it provides about life, work, and leisure in Beechworth, particularly in relation to the period of the depression and after, which is the context which Braz' interview focuses on. His detail about the Beechworth tannery and the many open-air picture gardens is particularly rare and insightful to any social history of Beechworth. The oral history project more broadly is significant for its capture of the lives of ordinary Beechworth residents from incredibly divergent backgrounds, which has led to a rich, nuanced and diverse range of accounts of Beechworth.This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.listen to what they say, beechworth, oral history, braz borschman, brass band

Jean Stirling , born 1901 in Orbost, married Charles Frances Reginald Joyes on 15th July 1922 in Orbost. Jean's father was John Stirling, son of James Stirling and Ann Gray. Her mother was Robina Harvey McNair, Aged 19 James Stirling arrived in Melbourne on January 26, 1842 with his family - parents, three sisters and two brothers. James Stirling moved around a lot to Whittlesea, Ballarat goldfields, Cunninghame, (now Lakes Entrance), then to the Old Station about 36 miles to the east along the coast near the mouth of the Snowy River and for a time settled there with his wife also from Wigton, Scotland, and their family four sons two daughters (James, John, William, George, Margaret and Polly). The first settler to occupy the Marlo township area was James Stirling around the year 1875. He built a bark hut on the bluff that had two rooms, bark walls, earthen floors and a shingle roof. By 1884, this structure had expanded to a 9 roomed accommodation house and in 1886 became the Marlo Hotel when a liquor license was granted. (more information from “Snowy River Mail”, Wednesday, April 13th 1977: MEMORIES OF MARLO by Mrs Elsbeth Conlon (nee Stirling )This photograph is associated with the Stirling family early settlers of Marlo. It is also a pictorial record of styles of wedding dress popular in the 1920s.A black / white studio portrait / photograph of a bridal couple. The bride on the left is wearing a typical 1920s wedding dress. tTe front is short with a hem that is in different length in front than behind. She is wearing a hat in the cloche-style. She is holding a bouquet of flowers and her train is draped to the left. The groom is wearing a three piece morning suit. he has a with a wingtip collar white dress shirt and a cravat tie.on front - hand - written "Jean Stirling's wedding (Marlo) ? Joyce"stirling-jean-wedding melba-&co wedding-clothing-1920s joyes-charles-francis-reginald

Photo depicts the interior of the Strachan, Murray & Shannon Limited wool store in Geelong after a record price was reached for the wool shown. This occurred on 24 November, 1920. This photograph was owned by the donor's father, Mr Cyril Cameron. Mr Cyril Cameron came from the family property 'Burnside' near Glenthompson in the Western District. He joined Strachan & Co. as an office boy in Aug. 1914 and then joined the 8th Battalion, 1st AIF in January 1915. He returned to Australia in early 1920 and started work at Strachan's again. He did the wool classing course (one year, evening?) at the Gordon in 1920-21. He became Head Wool Valuer at Strachan's in 1938 and retired in 1970. His office at Strachan's was on the top floor, directly overlooking what is now the entrance to the National Wool Museum (formerly Dennys Lascelles woolstore). He died in 1983. This photo was originally framed together with another similar photo (3122) and a document (3123) detailing the wool sale and prices under the title "Record Sale 24 November 1920". The two photos focus on lot 372, one looking to the north and the other to the west. These three items may have been a requirement of Mr Cameron's wool classing course.Interior of Strachan, Murray & Shannon Ltd, Geelong in Nov. 1920....ORLAME / ... 7 1/2Dstrachan, murray and shannon ltd, cameron, mr cyril

Albert Ernest Vine Snr, was a City of Camberwell Councillor from 1926-1934 and 1937-1944. He was also Mayor of Camberwell in 1940/41. There is a sundial in the Surrey Gardens erected in his memory. Known as Ernest, he and his wife Edith (nee Sword) lived at 3 Norfolk Road from 1920-1945. Earlier addresses are on file in Alan Holt card index. He was active in Surrey Hills Progress Association. He was the son of William James Vine (1860-1920) and Sarah Elizabeth Gunner (1859-1941). W J Vine & Co Timber Yards were located at 587-593 Canterbury Road. Elizabeth Gunner's brother was Henry Gabez Gunner (1862-1940), a builder in the Surrey Hills area. Box Hill Reporter (6/6/19) records that Ernest applied to Camberwell City Council for permission to subdivide land in Norfolk Road with a frontage of 85' into 2 equal lots for a dwelling to be erected on each, one for himself and the other for his mother. Albert Ernest & Edith Vine had the following children: Albert Ernest Jnr (b 1904), Robert (b 1908), Edgar (b 1912), Inez (b 1915) and Beth (b 1918). Both No 1 & No 3 were demolished c1970.Black and white photo of a 1920s style single-storey weatherbaord home with leadlight windows, a tiled roof and a wide veranda supported by timber columns on stucco pillars. The veranda has a simple timber balastrade and a flight of timber stairs to it. There does not appear to be front fence. A simple sloped double carport on the RHS and proud of the house is of a later date.norfolk road, californian bungalows, w j vine & co timber yards, mr william james vine, mr albert ernest vine, mrs edith vine, miss edith sword

A black and white postcard of the Crossways historic inn in Marysville in Victoria. The Rose Series P. 4826. The Crossways was built in the early 1920s and is the oldest building in Marysville. The Crossways historic inn survived the 2009 Black Saturday bushfires thanks to the efforts of its c-owner Greg Cherry and, in the days after the fires, provided a much-needed refuge to the Marysville community and firefighters. This postcard was produced by the Rose Stereograph Company as a souvenir of Marysville.A black and white postcard of the Crossways historic inn in Marysville in Victoria.THE ROSE SERIES P. 4826/ COPYRIGHT "CROSSWAYS," MARYSVILLE, VIC. POST CARD The "Rose" Series/ De Luxe A Real Photograph/ Produced in Australia Published by the Rose Stereograph Co./ Armadale, Victoria. 30.5-34 Dear Shirley/ How are you all getting along/ I got your letter a long time ago. You/ got a lot of presents you ought to have/ another one soon. This is the place where/ I work you cannot take a picture of the/ front of the place because it's big trees./ This is the back photo the kitchen is on the/ right. There is no news. Hoping Mum & Dad & Arch/ are all well Yours Lovingly Fred xx xx/ I'll give him a knock in the eye for Archie xxxxmarysville, victoria, australia, crossways historic inn, accommodation, 2009 black saturday bushfires, rose stereograph company, rose series, p. 4826, postcard, souvenir

These shell cases were donated along with other items from the St Nicholas' Mission to Seamen's Church at 139 Nelson Place, Williamstown, Victoria. The Church was operated by the Mission to Seamen organisation. The symbol of the broad arrow on the base of the shell case signifies that it was owned by the Australian Army. The dates of the shell cases - 1940 and 1941 - link the shell cases with World War II. Both cases' headstamps have "N", which could indicate that they were made for use by the Navy. Shell Case 1298.01: The headstamp code on the label "MEC" means that it was made by the Explosives Factory Maribyrnong - Cordite Annexe, Maribyrnong, Melbourne, which made cordite propellant for cartridges and shells. Shell Case 1298.02: The headstamp "MF" indicates it was made by the Small Arms Manufacturing Factory in Footscray, Melbourne, and the stamped year was 1941. THE MISSIONS TO SEAMEN (Brief History): - The Missions to Seamen was an Anglican charity that has served seafarers of the world since 1856 in Great Britain. Its symbol is a Flying Angel, inspired by a Bible verse. Today, there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the organisation began in Williamstown in 1857 as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’ in an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000, the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres, such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943, a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and closely resembles the Williamstown chapel. These shell cases are significant for their relationship with the Australian Army in general and in particular with the defence of Australia during World War II. The may have also been made for the Navy. Their significance is increased by their association with the Williamstown Missions To Seamen, which donated them to Flagstaff Hill in 1979, an organisation that has supported seafarers for many years.Shell case: two brass 4" rimmed shell cases with headstamps (inscriptions) on the base plate around the firing pin three holes evenly spaced around the centre of the base. A label is attached to one shell. The shell cases are part of the St. Nicholas Seamen's Church Collection. Shell Case 1298.01 - Printed stamp “P.2BT” “M.E.C.111” “I.E. 10/43”. Stamped into base “N”, “1940” “W [within lozenge]”, “S” symbol [Australian Government Arrow] “360“ . Around firing pin “MF I 422” “ME” “II” “4 I N” “5-“ ”MF [within rectangle]” “f” “B – [within circle]”, Shell Case 1298.02 - headstamp “N 1941 MF / F symbol [square box] LOT 679”, [in oval] 101 / 4 / S /U2) M GUNS 7 “, symbol [Australian Government Arrow], Stencil [in red circle] “B J”, symbol [Diamond with line top to bottom] Stamped in red ink “R5G 11 1 2B7”flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, munitions, shell case, ammunition 1940, ammunition 1941, firearms, cannon, australian government, borad arrow, australian army, wwii, world war 2, australian defence, australian ordinance, small arms manufacturing factory, explosives factory maribyrnong, cordite, world war ii, ww2, 1940, 1941, defence, n headstamp, footscray

Photocopied Certificate of Title Vol 5127 Fol 1025238 dated 9th March, 1926. Ernest Albert Milne (orchardist) and Jay Wilkins (builder) of Ringwood and Ernest Hugh Emmanuel Hann (carpenter) of East Ringwood are now proprietors as tenants in common in equal shares, Lot 30 on Plan of Subdivision No. 5577, part of Crown Allotment 19, Parish of Ringwood. Location map includes Aird Street, Pratt Street, Whitehorse Road. Subsequent Proprietors Transfers & Mortgate details include: Herman Pump and Frank Kenworthy of Ringwood and Albert Raymond of Collins Street Melbourne, trustees for the time being of the Loyal Ringwood Lodge No. 6724 of the MUIOOF Victoria Friendly Society - 26 June 1936, Holeproof Limited of 204 Sydney Road Brunswick, proprietor by transfer on 18th February, 1947, (*) Ringwood Masonic Hall Company Limited of 173 Whitehorse Road Ringwood, proprietor by transfer on 14th June, 1950, City Mutual Life Assurance Society Limited registered 1st March, 1965, ANZ Banking Group Limited, registered 10 June, 1981 & Discharged 3 June, 1982, Mayor Councillors and Citizens of the City of Ringwood registered as proprietors 6th July, 1982. (*During WWII, Holeproof had been renting the hall where they manufactured socks.)

Letter of Reference for Miss Margaret Burn detailing her work as a bookkeeper, machine operator, typist, and stenographer over seven years at Dennys Lascelles Limited. The letter details her leaving the company as she married in 1939. In the same year, Ms Burn returned to the office owing to the shortage of staff caused by various employees being called away for Military Training. Included in the staff called away for military training was her newlywed husband, Mr Jack Ganly. A fellow employee of Dennys, the Ganly name was well known within the company, with three generations of the Ganly family working at Dennys. Margaret worked at Dennys for 7 years during the 1930s. The Letter of Reference is accompanied with a story written by Margaret about her time working at the company. WORKING CONDITIONS & OFFICE WORK DUTIES. Written by Margaret Burn in 2021. Worked at Dennys Lascelles in the 1930s. In the 1930s coming out of the Depression, jobs were hard to come by and had to be clung to by efficiency and subserviency. There was no union to protect workers – bosses could be tough and rough. Dennys Lascelles revolved around fortnightly wool sales in the “season” – September to May. Sale day was always a day of suppressed excitement. Preparation from a clerical point of view was complete and we now awaited the aftermath of the actual wool auction. The building teemed with people. There were country people down to see their wool sold, buyers of many nationalities, or from the big cities, who were coming in and out of the building all day. Their role was to inspect the acres of wool bales displayed on the show floors; however, caterers were present to feed clients, and there was plenty of social interactions on top of business. The office staff did not go home but waited until the first figures came back from the wool sales and the machines went in to action, both human and mechanical, preparing the invoices for the buyers’ firms. This comprised of lists of lot numbers, weights, prices per lb., and the total prices paid. A lot of this was done by old-school typewriters, making this work a big, heavy, tiring job. Before the finished lists could be dispatched, they were collated on an “abstract”. The lists had to balance with the catalogue from which the invoices had been prepared. This never happened automatically. All the paperwork had to be split up amongst pairs of workers and checked until discrepancies were found. This would happen until midnight but occasionally went until 2 or 3 am. Once complete, the invoices could then be rushed off to the buyers’ firms usually in Melbourne, and hire cars took the staff home. It was back on the job the next morning, usually around 8.30. The office hours varied according to the size of the sale and work involved. Some days started as early as 8 and could finish around 5.30. The second phase of work began with the account sales to be prepared for the sellers of the wool. These detailed all the weights, descriptions of wool, brands, and prices. One Sales account could have multitudes of lot numbers, all needing to be individually described. Various charges needed to be deducted such as finance for woolpacks, extra stock, or farmers who were given a loan to live on during the season. Details of how payment was to be made was also noted, whether the seller was to be paid by cheque, to a bank, or credited to their account with the company (which often left the seller still in debt). For a couple of months in the winter, things were quieter when staff took holidays and were sometimes given afternoons off. But there were still weekly skin sales and stock sales around the state. The annual end of June figures to be prepared for a big company like Dennys with branches all around the state also kept the staff busy. In good years there was sometimes a bonus. On sale days there was a bar open for the clients and wool buyers. This added to the excitement for the young girls, who were strictly barred from using it, but somehow managed to sneak a gin and tonic. This is how I had my first ever, before the evening meal. There was also the romantic notion in some minds, with all the influx of males, that some of us might end up on a wealthy station, or be noticed by an exotic buyer. To my knowledge, this never happened at Dennys Lascelles Limited. Group staff photo at Dennys Lascelles Limited. Margaret Burn. Age 18 or 19. Jack Ganly (Margaret’s future husband). 22. Sheet of paper shorter in length than A4 size, creamed with age. Paper has a header for Dennys, Lascelles Limited’s Head Office at 32 Moorabool Street, Geelong. Body of paper is made up of 3 paragraphs in a typewritten message of black ink with subheadings highlighted with a red underline. The text is finished with a signature at the bottom of the paper. Paper is accompanied by its original envelope. Envelope has typewritten text in black ink with a red underline located at the centre. It also has return to sender instructions to Dennys, Lascelles Limited in the lower left-hand corner.Typewritten text, black and red ink. Multiple. See multimediadennys lascelles ltd, worker conditions 1930s, letter of reference

Letters sent to Martha (Mattie) dated from 1907 to 1920. Each letter is an edited version of the original pertaining to aspects of Fred Myers life as a shearer. Cobran Stn via Deniliquin Thursday Sept 1st 1910 …I got a reply from Eynesbury and a favourable reply, it starts on the 13th Oct so I will have plenty of time to get there, in fact far to much as we will finish here in a month full time so that will leave a fortnight to spare. We got rain here at last and it has put us back considerably as we only worked Monday. I have been idle ever since. We will probably start again Saturday. The weather has taken up nice and fine again…. I hope it will keep up to the cut out now I have 800 sheep shorn up to date and am fifth among thirty men so I’m doing well I think. Did you get the pound I sent? I’m sending two more this time, which I drew on Saturday. I don’t like sending too much as there is a chance of it going astray. Postcard Cobran Sept 18 1910 Just a note to let you know I am all right. I was disappointed not getting a letter yesterday, Saturday…I won’t get it now till next Saturday. We have three weeks here yet. I am sending 2 and tell me if you got the other 1. Cobran Stn via Deniliquin NSW Sunday 21st August (1911) ..I’m having a good time here, a good cook and the best of everything, no fires to lights or kettles to boil just get up and wire in but plenty of hard work. The sheep here a pretty rough but much better than Wandook. I am well among them here we had a little rain on Friday but not enough to stop us so we have got one full week in and the weather is now lovely I have been basking in the sunshine all morning and feel strong and fit as a fiddle. They are all a grand lot of men here I only knew one out of the lot but now them all pretty well now. We have a bit of a concert here every night almost. There are a few good singers here and we also had a phonograph up from the station with all the latest records. We have has two dances amongst ourselves, very boisterous affairs indeed they do make the dust fly. I have not ventured to take part in them yet and don’ think I will either. I get enough dancing all day long and besides I have to furnish the music. You ought to see them going when I rattle up the concertina they do make the dust fly. Sample of letters written by Fred Myers to his wife Mattie Myerslocal identities

In November 2024, a small group of cheerful volunteers from the Forests Commission Retired Personnel Association (FCRPA) toiled over nine days to dust-off, photograph and record nearly 300 artifacts in DEECA's Altona Museum. It followed a similar project at the FCRPA's Beechworth Museum in February 2024. The Altona project was generously supported by DEECA / FFMVic to engage professional photographer Mark Jesser from Wodonga whose boundless energy and good humour helped to create these amazing images. Special thanks go to the FFMVic Chief Fire Officer, Chris Hardman, as well as Andrew Stanios and Kat Jensen for making it happen. FFMVic crews and the ever-patient staff from Altona took a strong interest and also helped to shift some of the heavy items like pumps and the Bedford tanker which was very welcome. The Forests Commission and its successors continuously encouraged bushfire research and innovation. In 1946 a large parcel of industrial land was purchased at North Altona as a fire cache and workshop. The Altona workshop became a hotbed of new technological thingumajigs… a marvellous blend of Aladdin’s Cave of Wonders coupled with Wallace and Gromit’s madcap contraptions… an exhilarating place where lots of gizmos were invented and tested… mostly with astounding results... but nearly always with some head-scratching frustrations… and thankfully not too much explosive mayhem. In fact, a lot of Australia’s pioneering equipment development was led by staff from Altona, often in collaboration with other State forestry and fire authorities. The CSIRO also contributed significantly. The US Forest Service, the US Bureau of Land Management and US State agencies such as the California Department of Forestry and Fire (CalFire) as well as the Canadian Forest Service faced similar challenges and proved strong and willing partners in sharing knowledge, ideas, equipment and expertise over many decades. The collection at Altona started in the 1970s by fire equipment wizard Barry (Rocky) Marsden. As obsolete equipment was returned to the Fire Protection Workshop for auction, Rocky began the process of selecting some which would be interesting to retain and display. The items at Altona represent just a small sample of the amazing story of Victoria's forestry and bushfire heritage. The largest item was undoubtedly the Bedford tanker which took two days and nearly 1000 photos which were later stitched together with photoshop. The oldest item is probably the Ericsson wall telephone from 1904. There are also many unique items, but the CSIRO incendiary machine and ping-pong incendiary machine developed at Altona probably had the most significant impact on fire management in Australia. There are plenty of gaps in the collection, but some items are in regional DEECA offices. It’s hoped to merge the FCRPA's Beechworth collection to Altona one day and rename the site to honour Rocky Marsden. There may be some additions to the Altona museum over time, but space is limited. The museum is available to visit by appointment. Peter McHugh - January 2025 forests commission victoria (fcv)

James Alexander Robertson was born 14th June, 1855, at Pentridge. the Coburg area which was known as Pentridge at the time, and prior to the building of the gaol. His parents were James Thomson Robertson and Esther (nee Hale), At age 20 James became the first selector on the Snowy River at Lochend. He took up Lots 1, 2 and 3, in the Parish of Newmerella in 1875; with his selection being ratified on May 1st, 1876. The selection included hill and river flat land in the area near where Icy Creek enters the Snowy River. James gradually improved and farmed the property; he cleared and drained Icy Creek and constructed the first known flood-gate on the Snowy River. To meet his farming commitments he supplemented his income by working on the construction and maintenance of roads and drains in the Newmerella area. He gained a contract with the Bairnsdale Shire council to construct the first road cutting down Burn’s Hill at Newmerella. His tender was for £16 ($32), and it took him, with four others, two months to complete the contract. He was single, and, after his untimely death at aged 29, in 1884, his parents and surviving unmarried sisters and brothers moved from Sarsfield to take over his selection at Lochend. (more information Newsletter April 2013)James Robertson was the first selector of land at Lochend, Orbost.A small black / white portrait photograph, oval shaped with a white background. It is of a middle-aged man with a full beard and moustache.on front at bottom - typed in black -:"James Alexander Robertson, Late of Lochend, Snowy River"robertson-james-alexander lochend-robertson

Copied from brochure "Wattle Valley Estate" 7 minutes from the bridge. The new bridge designed by Sir John Monash over the Diamond Creek near Hurst's home of 'Mia Mia' at Hurstbridge. The Wattle Valley Estate was first advertised in August 1925 as weekend building allotments by the Greater Melbourne Land and Development Company. Advertised from £28.10.0 or £60 per block. In August 1926, 30 picked allotments of 60x150 feet were put up for auction Saturday August 14, 1926 with frontages to Valley View Road and Fawkner Crescent advertised in the “Heart of the Glorious Wattle Country” and “Within 15 Minutes of the Newly Electrified Railway Station”. The Advertiser on August 13, 1926 in an article promoting the auction stated “the estate is regarded as one of the best in the district, and will be sold practically without reserve.” It is noted that an advertisement running in The Argus February 22, 1951 offered the remaining 16 blocks for sale at £12.10.0 or £200 the lot. By March 7, the remaining blocks were advertised at £17.10.0 The Wattle Valley Estate took over 20 years to sell and then people could not build on them This image was also used in a brochure advertising the "Wattle Valley Estate", which forms part of the Shire of Eltham Pioneers Photograph Collection (Cross Reference Photo No.(s): 1056, 1057)This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Negshire of eltham pioneers photograph collection, hurstbridge, bridge, diamond creek (creek), monash bridge, wattle valley estate

This ceramic soap dish was recovered from the wreck of the 1882-1883 George Roper between the late 1960’s to early 1970’s. It is one of the shipwreck artefacts in the John Chance Collection. Soap dishes were often part of a wash set that also included a water jug and wash bowl. The holes in the dish allowed water to drain out of the dish, keeping the soap dry for next use. The GEORGE ROPER 1882 - 1883 - The George Roper was a 4-masted iron sailing ship built in Liverpool, England, in 1882 for fast international trade with Australia. The large vessel was launched in February 1883. The ship was on its first trip, departing Liverpool for Melbourne, captained by John Ward and a crew of 31. She had almost reached her destination on July 4 1883, approaching Port Phillip Bay and being towed by the steam tug William. The weather changed to rough with fog and both the George Roper and the William hit the dangerous Lonsdale Reef at Port Phillip Heads. The Captain and crew were eventually rescued and taken to Queenscliff. Salvage syndicates were able to recover a lot of the cargo before the George Roper broke up and sank. Amongst the cargo was soft goods, draperies, household items, spirits of malt and distilled liquors, chemicals, dynamite, and 1,400 tons of steel rails for the Victorian Government. Also in the hold were Russell Stourbridge bricks, as paying ballast. This 1880s soap dish is an example of personal hygiene accessories and may have been part of a set comprising jug, bowl and dish.. The soap dish is also significant as it was recovered by John Chance, a diver from the wreck of the George Roper in the 1960s-70s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The soap dish is significant for its association with the barque George Roper, which is considered historically and archaeologically significant and as such, is listed on the Victorian Heritage Database, VHR S286. The George Roper is an example of a vessel built specifically for fast travel to and from Australia with a large shipment of cargo. Its cargo of steel rails adds to the historical significance of international trade to the growing colony of Australia and Victoria in particular, with rail transportation soon to become a faster and safer form of transportation between colonial towns. Divers can still access parts of the scattered wreck and other artefacts recovered in the 1970s and 1980s can be viewed in both public and private collections. Soap dish; glazed white porcelain. Round shallow bowl with blue patterned border, resembling butterflies. Two raised, concentric rings are moulded into the base. Six pierced holes are evenly spaced between the rings, five holes are in the centre of the dish.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, john chance, west coast trader, george roper, captain john ward, russell stourbridge bricks, port phillip heads, lonsdale reef, dive wreck, vhr s286, coastal trader, ceramic, vintage, personal hygiene, bathroom accessory, soap dish

These quilts were made from 10 inch squares and sewn together. Each square had the name of the donor embroidered on it, the quilts were made by Red Cross members. The Shire Emblem was also added. One of these quilts was found after the 1939/45 war in Egypt and sent to the Museum in Rutherglen Scotland. The Council of Rutherglen Scotland was later amalgamated into South Lanarkshire, and the holdings of the Rutherglen Museum sent to the South Lanarkshire Museum. Martha Valentine communicated with the South Lanarkshire Museum, to enquire if they still held this item. Sharon Paton, of the South Lanarkshire museum replied with the comments: "Yes I can confirm the quilt (RG.1992.7) is part of the Rutherglen collections transferred to us by Glasgow City Council in 1995/6 during council re-organisation. We are very pleased you have given some more information on the history of the quilt since many of the items transferred to us at that time, did not arrive with a lot of historical information. I attach photographs of the quilt taken yesterday. Due to space restrictions in that store, I couldn’t unroll it fully, but hopefully before the end of this year we can do that when we are working in our storage sites. It was very easy to locate. It was last displayed around 2003/4 for our Treasures of South Lanarkshire exhibition at Low Parks Museum." We were pleased to see that it had a good home. Colour photograph of a handmade quilt. Photograph was printed from a digital image sent from the South Lanarkshire Museum in Scotlandquilts, handcrafts, red cross, world war ii, quilt

These quilts were made from 10 inch squares and sewn together. Each square had the name of the donor embroidered on it, the quilts were made by Red Cross members. The Shire Emblem was also added. One of these quilts was found after the 1939/45 war in Egypt and sent to the Museum in Rutherglen Scotland. The Council of Rutherglen Scotland was later amalgamated into South Lanarkshire, and the holdings of the Rutherglen Museum sent to the South Lanarkshire Museum. Martha Valentine communicated with the South Lanarkshire Museum, to enquire if they still held this item. Sharon Paton, of the South Lanarkshire museum replied with the comments: "Yes I can confirm the quilt (RG.1992.7) is part of the Rutherglen collections transferred to us by Glasgow City Council in 1995/6 during council re-organisation. We are very pleased you have given some more information on the history of the quilt since many of the items transferred to us at that time, did not arrive with a lot of historical information. I attach photographs of the quilt taken yesterday. Due to space restrictions in that store, I couldn’t unroll it fully, but hopefully before the end of this year we can do that when we are working in our storage sites. It was very easy to locate. It was last displayed around 2003/4 for our Treasures of South Lanarkshire exhibition at Low Parks Museum." We were pleased to see that it had a good home. Colour photograph of a handmade quilt. Photograph was printed from a digital image sent from the South Lanarkshire Museum in Scotlandquilts, handcrafts, red cross, world war ii, quilt

These quilts were made from 10 inch squares and sewn together. Each square had the name of the donor embroidered on it, the quilts were made by Red Cross members. The Shire Emblem was also added. One of these quilts was found after the 1939/45 war in Egypt and sent to the Museum in Rutherglen Scotland. The Council of Rutherglen Scotland was later amalgamated into South Lanarkshire, and the holdings of the Rutherglen Museum sent to the South Lanarkshire Museum. Martha Valentine communicated with the South Lanarkshire Museum, to enquire if they still held this item. Sharon Paton, of the South Lanarkshire museum replied with the comments: "Yes I can confirm the quilt (RG.1992.7) is part of the Rutherglen collections transferred to us by Glasgow City Council in 1995/6 during council re-organisation. We are very pleased you have given some more information on the history of the quilt since many of the items transferred to us at that time, did not arrive with a lot of historical information. I attach photographs of the quilt taken yesterday. Due to space restrictions in that store, I couldn’t unroll it fully, but hopefully before the end of this year we can do that when we are working in our storage sites. It was very easy to locate. It was last displayed around 2003/4 for our Treasures of South Lanarkshire exhibition at Low Parks Museum." We were pleased to see that it had a good home. Colour photograph of a handmade quilt. Photograph was printed from a digital image sent from the South Lanarkshire Museum in Scotlandquilts, handcrafts, red cross, world war ii, quilt

The Hedge, aka Thomas Knee's house. Thomas Samuel Knee (born c. 1881in Lilydale) married Jane Maggs c. 1912, Thomas Samuel Knee's father Thomas Knee (married to Sarah Hardidge and who it appears was also an orchardist in Yarra Road) was rated for the land as vacant land at the turn of the century (c. 1900) Thomas Samuel Knee rated as owner of vacant land (CA14B of over 20 acres1911-12 and as a house 1912-13, next year CA 14C added making a total of 39 acres. It appears that Thomas Samuel Knee and his wife Jane lived at the property until 1949 when they moved to Montrose. In 1949 it was purchased by Hubert Victor (Vic) Eggleton after they migrated from Banstead in Surrey England. They had four boys Peter (who did a lot of the farming with Gladys), Brian, Michael and Roger. It was mixed farming: lemons, cherries, eggs, chickens and Gladys bred Spaniel dogs too. They had 2 dairy cows and a draft horse. The farm was larger then and was subdivided at a later date. The big dam was added too. the painting of the house was painted by a cousin of the Lusks. Ownership: Thomas Samuel Knee 1912-1949, Eggletons, 1949 - c.1953, then Timms, c. 1953 - early 1970s then Lusks early 1970s to c. 2012. The Lusks built a new house and after that the old house had various tenants.

The Hedge, aka Thomas Knee's house. Thomas Samuel Knee (born c. 1881in Lilydale) married Jane Maggs c. 1912, Thomas Samuel Knee's father Thomas Knee (married to Sarah Hardidge and who it appears was also an orchardist in Yarra Road) was rated for the land as vacant land at the turn of the century (c. 1900) Thomas Samuel Knee rated as owner of vacant land (CA14B of over 20 acres1911-12 and as a house 1912-13, next year CA 14C added making a total of 39 acres. It appears that Thomas Samuel Knee and his wife Jane lived at the property until 1949 when they moved to Montrose. In 1949 it was purchased by Hubert Victor (Vic) Eggleton after they migrated from Banstead in Surrey England. They had four boys Peter (who did a lot of the farming with Gladys), Brian, Michael and Roger. It was mixed farming: lemons, cherries, eggs, chickens and Gladys bred Spaniel dogs too. They had 2 dairy cows and a draft horse. The farm was larger then and was subdivided at a later date. The big dam was added too. the painting of the house was painted by a cousin of the Lusks. Ownership: Thomas Samuel Knee 1912-1949, Eggletons, 1949 - c.1953, then Timms, c. 1953 - early 1970s then Lusks early 1970s to c. 2012. The Lusks built a new house and after that the old house had various tenants.

The Hedge, aka Thomas Knee's house. Thomas Samuel Knee (born c. 1881in Lilydale) married Jane Maggs c. 1912, Thomas Samuel Knee's father Thomas Knee (married to Sarah Hardidge and who it appears was also an orchardist in Yarra Road) was rated for the land as vacant land at the turn of the century (c. 1900) Thomas Samuel Knee rated as owner of vacant land (CA14B of over 20 acres1911-12 and as a house 1912-13, next year CA 14C added making a total of 39 acres. It appears that Thomas Samuel Knee and his wife Jane lived at the property until 1949 when they moved to Montrose. In 1949 it was purchased by Hubert Victor (Vic) Eggleton after they migrated from Banstead in Surrey England. They had four boys Peter (who did a lot of the farming with Gladys), Brian, Michael and Roger. It was mixed farming: lemons, cherries, eggs, chickens and Gladys bred Spaniel dogs too. They had 2 dairy cows and a draft horse. The farm was larger then and was subdivided at a later date. The big dam was added too. the painting of the house was painted by a cousin of the Lusks. Ownership: Thomas Samuel Knee 1912-1949, Eggletons, 1949 - c.1953, then Timms, c. 1953 - early 1970s then Lusks early 1970s to c. 2012. The Lusks built a new house and after that the old house had various tenants.

The Hedge, aka Thomas Knee's house. Thomas Samuel Knee (born c. 1881in Lilydale) married Jane Maggs c. 1912, Thomas Samuel Knee's father Thomas Knee (married to Sarah Hardidge and who it appears was also an orchardist in Yarra Road) was rated for the land as vacant land at the turn of the century (c. 1900) Thomas Samuel Knee rated as owner of vacant land (CA14B of over 20 acres1911-12 and as a house 1912-13, next year CA 14C added making a total of 39 acres. It appears that Thomas Samuel Knee and his wife Jane lived at the property until 1949 when they moved to Montrose. In 1949 it was purchased by Hubert Victor (Vic) Eggleton after they migrated from Banstead in Surrey England. They had four boys Peter (who did a lot of the farming with Gladys), Brian, Michael and Roger. It was mixed farming: lemons, cherries, eggs, chickens and Gladys bred Spaniel dogs too. They had 2 dairy cows and a draft horse. The farm was larger then and was subdivided at a later date. The big dam was added too. the painting of the house was painted by a cousin of the Lusks. Ownership: Thomas Samuel Knee 1912-1949, Eggletons, 1949 - c.1953, then Timms, c. 1953 - early 1970s then Lusks early 1970s to c. 2012. The Lusks built a new house and after that the old house had various tenants.

The Hedge, aka Thomas Knee's house. Thomas Samuel Knee (born c. 1881in Lilydale) married Jane Maggs c. 1912, Thomas Samuel Knee's father Thomas Knee (married to Sarah Hardidge and who it appears was also an orchardist in Yarra Road) was rated for the land as vacant land at the turn of the century (c. 1900) Thomas Samuel Knee rated as owner of vacant land (CA14B of over 20 acres1911-12 and as a house 1912-13, next year CA 14C added making a total of 39 acres. It appears that Thomas Samuel Knee and his wife Jane lived at the property until 1949 when they moved to Montrose. In 1949 it was purchased by Hubert Victor (Vic) Eggleton after they migrated from Banstead in Surrey England. They had four boys Peter (who did a lot of the farming with Gladys), Brian, Michael and Roger. It was mixed farming: lemons, cherries, eggs, chickens and Gladys bred Spaniel dogs too. They had 2 dairy cows and a draft horse. The farm was larger then and was subdivided at a later date. The big dam was added too. the painting of the house was painted by a cousin of the Lusks. Ownership: Thomas Samuel Knee 1912-1949, Eggletons, 1949 - c.1953, then Timms, c. 1953 - early 1970s then Lusks early 1970s to c. 2012. The Lusks built a new house and after that the old house had various tenants.

The Hedge, aka Thomas Knee's house. Thomas Samuel Knee (born c. 1881in Lilydale) married Jane Maggs c. 1912, Thomas Samuel Knee's father Thomas Knee (married to Sarah Hardidge and who it appears was also an orchardist in Yarra Road) was rated for the land as vacant land at the turn of the century (c. 1900) Thomas Samuel Knee rated as owner of vacant land (CA14B of over 20 acres1911-12 and as a house 1912-13, next year CA 14C added making a total of 39 acres. It appears that Thomas Samuel Knee and his wife Jane lived at the property until 1949 when they moved to Montrose. In 1949 it was purchased by Hubert Victor (Vic) Eggleton after they migrated from Banstead in Surrey England. They had four boys Peter (who did a lot of the farming with Gladys), Brian, Michael and Roger. It was mixed farming: lemons, cherries, eggs, chickens and Gladys bred Spaniel dogs too. They had 2 dairy cows and a draft horse. The farm was larger then and was subdivided at a later date. The big dam was added too. the painting of the house was painted by a cousin of the Lusks. Ownership: Thomas Samuel Knee 1912-1949, Eggletons, 1949 - c.1953, then Timms, c. 1953 - early 1970s then Lusks early 1970s to c. 2012. The Lusks built a new house and after that the old house had various tenants.

The Hedge, aka Thomas Knee's house. Thomas Samuel Knee (born c. 1881in Lilydale) married Jane Maggs c. 1912, Thomas Samuel Knee's father Thomas Knee (married to Sarah Hardidge and who it appears was also an orchardist in Yarra Road) was rated for the land as vacant land at the turn of the century (c. 1900) Thomas Samuel Knee rated as owner of vacant land (CA14B of over 20 acres1911-12 and as a house 1912-13, next year CA 14C added making a total of 39 acres. It appears that Thomas Samuel Knee and his wife Jane lived at the property until 1949 when they moved to Montrose. In 1949 it was purchased by Hubert Victor (Vic) Eggleton after they migrated from Banstead in Surrey England. They had four boys Peter (who did a lot of the farming with Gladys), Brian, Michael and Roger. It was mixed farming: lemons, cherries, eggs, chickens and Gladys bred Spaniel dogs too. They had 2 dairy cows and a draft horse. The farm was larger then and was subdivided at a later date. The big dam was added too. the painting of the house was painted by a cousin of the Lusks. Ownership: Thomas Samuel Knee 1912-1949, Eggletons, 1949 - c.1953, then Timms, c. 1953 - early 1970s then Lusks early 1970s to c. 2012. The Lusks built a new house and after that the old house had various tenants.