Index, bib, ill, maps, p.398.non-fictionIn the last winter of the Second World War, Winston Churchill, Franklin D. Roosevelt and Joseph Stalin arrived in the Crimean resort of Yalta. Over eight days of bargaining, bombast and intermittent bonhomie they decided on the conduct of the final stages of the war against Germany, on how a defeated and occupied Germany should be governed, on the constitution of the nascent United Nations and on spheres of influence in Eastern Europe, the Balkans and Greece. Only three months later, less than a week after the German surrender, Roosevelt was dead and Churchill was writing to the new President, Harry S. Truman, of 'an iron curtain' that was now 'drawn down upon [the Soviets'] front'. Diana Preston chronicles eight days that created the post-war world, revealing Roosevelt's determination to bring about the dissolution of the British Empire and Churchill’s conviction that he and the dying President would run rings round the Soviet premier. But Stalin monitored everything they said and made only paper concessions, while his territorial ambitions would soon result in the imposition of Communism throughout Eastern Europe.world war 1939-1945 - diplomatic history, yalta conference - crimea- 1945

The concertina was owned by Simon McDonald. He gave the concertina to Myrtle Porter in exchanged for town water. Simon McDonald lived in Melbourne Rd., Creswick.Simon McDonald (1906 - 1968) was a noted self taught Australian folk musician whose home was in Creswick. Consider in the industry as the most important.20 Button Anglo Concertina & Case. Hexagon shaped Concertina. Both sides have fretwork and 10 bone buttons making it a 20 plus single button Anglo concertina. The leather straps have at sometime been replaced with white plastic strap. It has 5 bellows in black and white pattern leather. The hexagon wood case is lined, although the lining is showing wear.One side: small disc with Lachenal & Co., Patent Concertina Manufacturers, London. Opposite side: Initials on red card J.W.Gsimon mcdonald, anglo concertina, creswick

The churn was used by Elise Weston (nee Trahair) at Barwidgee Creek and Myrtleford in the immediate post-war period. Prior to this time it was in the possession of the Trahair family on their family farm where a small dairy herd met family requirements.The churn represents an aspect of self sufficient living in rural areas outside township boundaries. It assisted households to meet family needs using simple processing technology and more so when surplus butter could be sold on in local markets.An upright clear-glass butter churn with screw-on metal cap, handle and gears. The churn mechanism is fully enclosed. "Daisy" brand with "3Qt" inscribed in the glass.glass butter churn

This plug tobacco cutter was collected locally and displayed as part of the memorabilia display at the Tobacco Company of Victoria Ltd., Myrtleford. Plug tobacco could be acquired on tobacco farms or purchased at local outlets.Tobacco cutters were significant tools for pipe smokers until self-made or manufactured cigarettes began to dominate the tobacco sales market from the 1920s. Such cutters are a link to a previously common means of consuming tobacco.A small cast iron and wooden guillotine-style tobacco cutter. The metal cutter is mounted on the wooden base, with a wooden striker plate.Inscription "McMillan" appears on the striker plate.tobacco cutter

Methoxyflurane Hydrogenated ether (ether with one or more hydrogen atoms replaced with a halogen atom). It is a powerful analgesic although is also a respiratory depressant. The use of Penthrane foreshadowed the patient controlled analgesia devices.Empty brown glass bottle with green manufacturer's label, with white writing and a white plastic lid. Green liquid measures have been printed on the side of the bottle.White sticker stuck to manufacturer's label: Expiration Date / Feb. 1, 1976 / Lot 854-1663analgesia, hydrogenated ether, self administration, methoxyflurane, abbott laboratories, penthrane

The unique story of Australian armoured, atrillery and infantry soldiers drawn together during the Vietnam War to form 6 Troop, A Squadron, 3rd Cavalry Regiment that served in six self-propelled M108 Howitzers, loaned at no cost from the US Army. PHOTO DONE australia, army, cavalry regiment, vietnamese conflict, 1961-1975, regimental histories - australia, howitzers

Ice Journey is the biography of Vietnam veteran and Antarctica expeditioner Dave Morgan, a self confessed ordinary bloke who has led anything but an ordinary life.post-traumatic stress disorder - australia, vietnam war, 1961 - 1975 - veterans - australia - biography, veterans - australia - biography

The unique story of Australian armoured, artillery and infantry soldiers drawn together during the Vietnam War to form 6 Troop, A Squadron, 3rd Cavalry Regiment that served in six self-propelled M108 Howitzers, loaned at no cost from the US Armyaustralia, army, cavalry regiment, 3rd - history, vietnamese conflict, 1961-1975, regimental histories - australia, howitzers

work on paper, photograph, inkjet, first nations artist, female artist, self portrait, clones, binoculars, ocean, sea, rocks, shoreline

work on paper, photograph, inkjet, first nations artist, female artist, self portrait, clones, rocks, hair

The charge of the 21st Lancers in September 1898 was one of the last full-scale cavalry charges of the British Army. The battle took place 6.4 km. (four miles) outside Omdurman, just north of Khartoum and marked the culmination of Major-General Sir Horatio Herbert (later Field Marshal, 1st Earl) Kitchener's campaign for the re-conquest of the Sudan, the 2nd Sudan War (1896-1898).At the Battle of Omdurman (2 September 1898), an army commanded by the British General Sir Herbert Kitchener defeated the army of Abdullah al-Taashi, the successor to the self-proclaimed Mahdi, Muhammad Ahmad. Kitchener was seeking revenge for the 1885 death of General Gordon. It was a demonstration of the superiority of a highly disciplined army equipped with modern rifles, machine guns, and artillery over a force twice their size armed with older weapons, and marked the success of British efforts to re-conquer the Sudan. Timber framed print depicting mounted soldiers in battleOmdurman Charge of 21st Lancers21st lancers, omdurman, sudan

Softcoverself-help, walsh st library

An introduction to Aboriginal and Torres Strait Islander history during the process of colonisation in Queensland.maps, b&w photographs, b&w illustrationsqueensland history, frontier conflict, racial segregation, assimilation policies, integration policies, racial legislation, self determination, phrenology, social darwinism, commonwealth policy

These copies of five oil on gum leaf paintings by Alfred William Eustace (1820-1907) display the subjects and detail of his small gum leaf paintings. A.W. Eustace, a well-known Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush and painted on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. He became known as the "Bush Artist." About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skillful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Alfred William Eustace was a well-known self-taught Australian artist who was known worldwide for her unique oil on gum leaf paintings. He was also a prominent Chiltern citizen.Copies of five A.W.Eustace oil paintings on gum leaf, under glass, displayed on blue paper in a black metal frame.alfred eustace, gum leaf painting, chiltern

The (logging) truck carries a representation of John Glover’s painted landscapes, which Cox has painted on a solid block of wood. John Glover is one of Australia’s most celebrated colonial landscape painters. Born in England, he was a highly successful water-colourist and painter of landscapes in the tradition of French artist Claude Lorrain. Arriving in Australia in 1831, Glover adapted his picturesque style and luminous technique to his new surrounds, creating naturalistic and atmospheric paintings of Australian nature, settler life, and Aboriginal culture. Working out of doors, Glover developed an understanding of the unfamiliar Australian landscape, especially the twisting forms of native eucalyptus trees. His direct experience of nature, as both pioneer settler and painter, resulted in a new approach using a subtle palette of olive greens, ochres, misty greys and intense blues, and layered glazes of mauve, grey and gold, to portray Australian light and atmosphere. Dale Cox continues the ongoing preoccupation and tradition of landscape painting in the Nillumbik area and our impact on the environment in a contemporary way. The truck creates a playful nexus between painting (representational landscape) and sculpture, purposely bluring boundaries across these traditionally distinct disciplines. ‘Ghost’ seeks to convey the idea that when we remove something significant from a location, like the landscape itself, the remaining ‘place’ changes to become a new ‘place’. This may seem self-evident until we think more deeply about location and landscape. The white truck is a ghost, an ethereal, transient being that spirits away an entire place, forever removed from itself, and forever changed. Logging wild trees can never be like harvesting a ‘crop’. Logging removes a landscape, and changes a place forever. The ‘packaging’ of this painted landscape highlights the anomaly between commodity and our environment. Dale Cox was a local artist and this work was highly commended at the 2012 Nillumbik Prize. White plastic toy (logging) truck with a landscape painting on a wooden block. The landscape painting is reminiscent of paintings by colonial artist John Glover. N/Alandscape, truck, sculpture, environment, john glover, colonial, painting, ghost, nillumbik prize

Cardboard card with instructions about how to obtain correct body measurements. The top half of card has a picture of a lady in underwear being measured by another lady - lower half of card has instructions how to measure correctly..BERLIEdomestic items, sewing