Opposite No. 11 Kerrie Crescent, (actually 71 Silver street), a 1948 Knox designed mudbrick, with a delightful inglenook fireplace. Additional bedrooms have been added on the top verandah; up the narrow stairs a concrete bath The 1993 Eltham Heritage Tour was enjoyed by a busload of members of the Historical Society on a fine, calm day, Sunday May 23rd. Between 10.00 am and 4.30 pm, except for a brief lunch stop at the Eltham Living and Learning Centre, members passed about thirty places of local interest and others recommended for the Historic Buildings Register and the Register of the National Estate. A number of significant trees and buildings were also highlighted along with the opportunity to explored some of the properties.35mm colour positive transparency (1 of 24) Mount - Kodak Kodachromeactivities, shire of eltham historical society, heritage excursion, eltham, houses, mudbrick, busst house, kerrie crescent, silver street

Opposite No. 11 Kerrie Crescent, (actually 71 Silver street), a 1948 Knox designed mudbrick, with a delightful inglenook fireplace. Additional bedrooms have been added on the top verandah; up the narrow stairs a concrete bath The 1993 Eltham Heritage Tour was enjoyed by a busload of members of the Historical Society on a fine, calm day, Sunday May 23rd. Between 10.00 am and 4.30 pm, except for a brief lunch stop at the Eltham Living and Learning Centre, members passed about thirty places of local interest and others recommended for the Historic Buildings Register and the Register of the National Estate. A number of significant trees and buildings were also highlighted along with the opportunity to explored some of the properties.35mm colour positive transparency (1 of 24) Mount - Kodak Kodachromeactivities, shire of eltham historical society, heritage excursion, eltham, houses, mudbrick, busst house, kerrie crescent, silver street

Opposite No. 11 Kerrie Crescent, (actually 71 Silver street), a 1948 Knox designed mudbrick, with a delightful inglenook fireplace. Additional bedrooms have been added on the top verandah; up the narrow stairs a concrete bath The 1993 Eltham Heritage Tour was enjoyed by a busload of members of the Historical Society on a fine, calm day, Sunday May 23rd. Between 10.00 am and 4.30 pm, except for a brief lunch stop at the Eltham Living and Learning Centre, members passed about thirty places of local interest and others recommended for the Historic Buildings Register and the Register of the National Estate. A number of significant trees and buildings were also highlighted along with the opportunity to explored some of the properties.35mm colour positive transparency (1 of 24) Mount - Kodak Kodachromeactivities, shire of eltham historical society, heritage excursion, eltham, houses, mudbrick, busst house, kerrie crescent, silver street

Opposite No. 11 Kerrie Crescent, (actually 71 Silver street), a 1948 Knox designed mudbrick, with a delightful inglenook fireplace. Additional bedrooms have been added on the top verandah; up the narrow stairs a concrete bath The 1993 Eltham Heritage Tour was enjoyed by a busload of members of the Historical Society on a fine, calm day, Sunday May 23rd. Between 10.00 am and 4.30 pm, except for a brief lunch stop at the Eltham Living and Learning Centre, members passed about thirty places of local interest and others recommended for the Historic Buildings Register and the Register of the National Estate. A number of significant trees and buildings were also highlighted along with the opportunity to explored some of the properties.35mm colour positive transparency (1 of 24) Mount - Kodak Kodachromeactivities, shire of eltham historical society, heritage excursion, eltham, houses, mudbrick, busst house, kerrie crescent, silver street

Whilst each town's blacksmiths played an essential part in the colony of Victoria, the early settlers frequently had their own small forge and a few blacksmith's tools to attend to smaller day to day repairs. A long-handled pair of blacksmith tongs were essential for handling red-hot metal that was being repaired.As only a handful of settlers were present in the Moorabbin district from the 1840s. These early colonists were required to use their ingenuity and skill to undertake the "running repairs", including some basic blacksmithing, required around their property or leasehold.Circa 19th century. Large pair of forge-made blacksmith's tongs. Nilblacksmiths, forges, metalwork, craftwork, fireplaces, early settlers, pioneers, moorabbin, bentleigh, cheltenham, market gardeners colonists, 1840s

Early settlers had to daily maintain a fire in their kitchen hearth for cooking and heating purposes. Preservation of meat entailed curing by smoking in the kitchen hearth, hence domestic bellows were an important item of kitchen equipment. These domestic fire bellows were used to maintain the fire in the kitchen hearth for cooking,preserving and heating purposes by an early settler family in Moorabbin Shire.A small, domestic, fire bellows for maintaining a fire in the kitchen hearth for cooking and heating. brighton, moorabbin, cooking, pioneers, market gardeners, early settlers, kitchen equipment, bellows, meat, betleigh, fireplaces, farm equipment

Shop due for demolition was purchased by artist Helen ..... and restored keeping most of it intact. These pictures were taken at the time of sale by Russell POLSON, a descendant of the Bellions. They were brought in for copying in 1991 by the Bellion's granddaughter, Margaret BRIDE.24 photos taken by Russell POLSON in 1991 of Benjamin Henry BELLION (original builder) and Elzabeth Sarah WALKER's shop and shipping business at 175 Stokes Street.. 1870 to 1959. (.01) cash drawer. (.02) windows. (.03) stables (.04) backyard (.05) back house (.06) bathroom (.07) fireplace (.08) bedroom (.09) stairs (.10) cupboard (.11) shelves (.12) drawers (.13) bench (.14) bench 2 (.15) under windows (.16) bench and door (.17) under stairs (.18) windows 2 (.19) door (.20) stables and yard (.21) backwindow (.22) sideway (.23) kitchen (.24) upstairsbusiness and traders - grocers and supermarkets, built environment - commercial, benjamin bellion, william j bellion, helen leitch, a peterson

On the 14th May 1927 his Excellency Lord Somers, in the presence of a large assemblage opened Braille Hall at the Braille Library (now Vision Australia Library) in Commercial Road, South Yarra. To mark appreciation of the gift of the hall by the two benefactors Edward Wilson and Richard Gibson, the committee placed two of the stained glass windows on each side of the hall’s fireplace. Commissioned by Librarian Miss Millicent Ritchie, the windows depict four British authors - Scott, Milton, Shakespeare and Dickens. They were removed from South Yarra in 1999 for conservation work and cleaning prior to their relocation to Kooyong in 2001. In 2017 refurbishment works made the windows redundant however they were reinstalled either side of the main entranceway in 2018. 4 x stained glass windows depicting famous writersbraille and talking book library, millicent ritchie

BHS CollectionBlack and white photograph mounted on rectangular grey board. House, brick, porch, brick fence, small pane and lead light windows. 1 chimney. Decorative brickwork on verandah lintel and on brick fence. Stained glass windows. Written on back ' tapestry brick fireplace, dining room and kitchen, 117 Queen Street. Brick bungalow, built 1923, 5 rooms, vest, both 2 weatherboard sleep outs, toolshed, woodshed, workshop, garage, sewered. Through to King Street, 33'11 1/4' by 165'. Hot water service, electric copper, 22 points electricity, 8 power points, new gas , stainless ink, crockery cupboards, pedestal basin.t.c. watts & son, 117 queen street bendigo

Slide photograph of the dining room with wooden chairs and tables and a fireplace and ornate doorframes. Believed in Stanhope from the label. Several photos are marked 4, 11, 12, 13, and were taken at the same time (see items 02513 - 02516) Stanhope was a residence run by Melbourne Legacy to take care of children whose fathers were deceased servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for further education. Stanhope generally looked after girls over 14 either studying or working. The children were cared for until they were old enough to become independent. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of life for the residents of Stanhope.Colour slide of the dining room at Stanhope, in a grey Hanimount mount.Handwritten on front 'Stanhope' in black pen and '3' in pencil bottom left.stanhope, residences, dining

In July 1922 Rev. W. McBride of the St Andrews Presbyterian Church, Mortlake had a meeting with the Garden sub-committee to discuss how the 500 pounds sterling bequest from the Late Thomas Montgomery could best be spent. His suggestion was that the money should be spent on either a kiosk, pavillion or recreation hall and pavillion combines with kitchen and fireplace was agreed to with exact site to decided at a public meeting. Cr Montgomery, a local businessman and a councillor, had loved the gardens and had assisted to transform the area from a swamp into a thing of beauty. The design was chosed by his widow who had seen a smilar design in King's Park whilst in Perth so the plans were obtained from that City. The work was carried out by Archibald Cluny McDonald and completed in September 1924. In December 1924 the Montgomery Pagado was unveiled to the public by Cr Wells Brumley after which the Red Cross ladies served tea.THIS TABLET IS DESIGNED TO COMMEMORATE THE GENEROSITY OF THE LATE COUNCILLOR THOMAS MONTGOMERY BY WHOM THIS PAVILLION WAS GRACIOUSLY BEQUEATHED TO THE TOWN OF MORTLAKE AND TO PERPETUATE THE MEMORY OF HIS NOBILITY OF CHARACTER AND EXTREME WORTH AS A CITIZENpagoda

Situated at the eastern end of York Street, Eltham, 'Shinrone', the former home of Professor William (Mac) MacMahon Ball was one of the first in the Shire of Eltham to incorporate mud-brick. Professor MacMahon Ball, a political scientist, writer, broadcaster and diplomat and family moved to York Street, Eltham in 1945 into a timber cottage built around the 1890s and in poor repair. Mac asked Alistair Knox to renovate the home and he expanded the living area and added verandahs. In 1948 Montsalvat artist and sculptor Sonia Skipper supervised the building of most of the mud-brick studio. Neighbour Gordon Ford made the mud-bricks. Mac also asked John Harcourt, who had worked with him as a journalist in shortwave broadcasting, to build a pise (rammed earth) and stone addition to the largely timber house. Harcourt built two bedrooms - including an attic bedroom - a balcony with a shower and toilet, and a fireplace and chimney of local stone. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p141This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, alistair knox, gordon ford, john harcourt, mudbrick construction, pise construction, professor macmahon ball, shinrone, sonia skipper, york street

In the late 19th and early-20th centuries household heaters burned wood and coal for heating. In winter the warm air from the fireplace would flow into the room through a round flue in the face of the chimney. In the warmer months the unnecessary heater and flue was removed and the chimney cleaned. Homemakers then covered the circular flue hole with a decorative and usually inexpensive wall hanging to prevent draughts and dust. The practice was especially popular in France and Germany where a lot of the artwork originated. The covers were no longer needed after households changed over to more modern designs of heaters. The flue covers were known as Wall Art or Flue Cover Art. They were usually round and illustrated with a lithograph or chromograph print. The picture was then mounted on card, covered with glass, and framed with a brass or tin rim. The border was commonly gilt with a black stripe around the centre. There were numerous illustrations, many with a European appearance, and were easily bought through local merchants for a small price.This pretty flue cover is significant for representing a common domestic wall decoration from the late Victorian to the Edwardian eras, when solid fuel heaters were used in low to high income homes. The picture is similar to many other flue cover images, apart from the holly clutched in the girl’s hand, which gives the cover a Christmas theme. This flue cover is the only one in our collection and appears to have a unique design; the hand painted floral decoration on the glass and the two crimson rings around the edges of the frame’s white border haven’t been seen on other flue covers. Flue cover, metal and glass. Print of a young girl with blue eyes and curly blonde hair, a hooded blue cape, a silver clasp with blue stones, and a sprig of holly in her hand. The round metal frame forms a deep, white-painted, crimson-edged border for the illustration. The hand-painted blue flowers on the glass front form add to the border and give a 3-dimensional effect. The picture is between the cardboard backing and the glass front, with the metal frame holding them together. There is a metal chain attached for hanging the cover.warrnambool, flagstaff hill maritime museum, picture, handpainted, portrait, girl in blue cape, metal frame, round picture, illustration, print, holly, christmas, child in blue cape, silver and blue clasp, holly sprig, late 19th century, early 20th century, 1890s-1930s, victorain, edwardian, flue cover, flue cover art, wall art, chimney flue cover, chimney hole cover, stove pipe cover, fireplace flue cover, antique, victorian, glass frame, chromograph, lithograph, tin, brass, lithograph print, chromo print, christmas girl, blue cape, blonde girl

Polishing irons were used for ironing collars and frills. Historical information Sad-irons (the term comes from an old word sald for solid) were made by blacksmiths and used to smooth out material by pressing the hot iron over it. A piece of sheet -iron was placed over the kitchen fire and the irons placed on it could be heated whilst remaining clean of ash.. The women used 2 irons - one heating while the other was used. Thick cloth or gloves protected their hands from the hot irons. The cool iron was replaced on the fire or stove to heat again. These irons were cleaned with steel wool to prevent them marking the material. If the iron was too hot the material would scorch. Most homes set aside one day for ironing and some large households had an ironing room with a special stove designed to heat irons. However, most women had to work with a heavy, hot iron close to the fireplace even in summer. A solid piece of cast iron, the base is triangular a shape with an eight centimetre base with curved sides coming to a point 13 centimetres from the base and is three and a half centimetres Thick. The bottom of the iron is curved. Two curved pieces two and a half centimetres wide, half a centimetre thick and six centimetres apart rise from rise up seven centimetres, between them is a two centimetre diameter and nine centimetre long hollow handle. Embossed on the iron is - 4 SILVESTERS PATENT SALTER and an arrow with a knotted rope around it. K13polishing iron, silvesters patent, sad iron

Flat irons were used for general ironing. Historical information Sad Irons (the term comes from an old word sald for solid) were made by blacksmiths and used to smooth out material by pressing the hot iron over it. A piece of sheet -iron was placed over the kitchen fire and the irons placed on it could be heated whilst remaining clean of ash. The women used 2 irons - one heating while the other was used. Thick cloth or gloves protected their hands from the hot irons. The cool iron was replaced on the fire or stove to heat again. These irons were cleaned with steel wool to prevent them marking the material. If the iron was too hot the material would scorch. Most homes set aside one day for ironing and some large households had an ironing room with a special stove designed to heat irons. However, most women had to work with a heavy, hot iron close to the fireplace even in summer. A solid piece of cast iron, the base is triangular a shape with a ten centimetre base with curved sides coming to a point 15.5 centimetres from the base and is three centimteres thick. The bottom of the iron is flat. Two curved pieces three centimetres wide, half a centimetre thick and seven centimetres apart rise from rise up eight centimetres, between them is a two centimetre diameter and ten centimetre long hollow handle. Embossed on the iron is - 4 SILVESTERS PATENT SALTER and an arrow with a knotted rope around it. K5polishing iron, silvesters patent, sad iron

George Pollard was born in Corfe, Dorsetshire England in 1824. Being dissatisfied as a clay miner, he decided to migrate to Australia. He migrated in 1851 and after a short unsuccessful time on the goldfields in Bendigo, followed by a period in Dederang and farming in Oxley, he selected land on Little River, now know as the Kiewa River in 1868. His property was know as Rosebank and George continued to live there until his death in 1915. In the early 1880s, George Pollard constructed a creamery on his property at Bonegilla Flat. The creamery stood until the late 1970s although in a state of ruin and used neaas a scratching post by the cattle which grazed in the surrounding paddock. The creamery included a chimney and fireplace. This generated warmth so that when large pans of milk were placed near the fire the cram would rise to the top and could easily be separated to produce butter for the growing family. In 1982 Fred Hillier was visiting from Queensland and offered to make the replica of the creamery featured Wodonga & District Historical Society Collection.This item is significant because it represents a creamery owned by an important family in the Bonegilla district.A small model of an old building made from clay. It includes a roof resembling corrugated iron and empty spaces for windows.Underneath Model Bonegilla Creamery 1886 By Fred Hillier 1982pollard family, agricultural buildings

A broom is a cleaning tool. It consists of stiff fibres attached to, and roughly parallel to, a cylindrical handle, the broomstick. In the context of witchcraft, "broomstick" is likely to refer to the broom as a whole. A smaller whisk broom or brush is sometimes called a duster. History of broom design Brooms have changed very much in their construction, since they developed from ad-hoc use of branches and bundles of several natural fibres. Originally, all brooms were round, a shape that is easy to construct but inefficient for actually sweeping. Brooms could be attached to a handle, either short for a whisk broom, or long for a broom used to sweep the floor or fireplace. The word for the tool was originally besom, broom simply being the material of which it was normally made. The fibres used in modern brooms are from broom corn. They are long, straight, durable, and bound together in the plant. The newest major change is the flat broom, invented by the Shakers in the 1800s, which has far more width for pushing dirt and nearly all brooms produced today are flat brooms. https://simple.wikipedia.org/wiki/BroomThis object is an example of how a simple material can be turned into a useful item.Brush of plaited green & orange coloured rope like material. Brush section is like taffeta, blonde.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, brush, broom, rope

Photocopy of a newspaper article titled A Victorian dream-home by Richard Foord. The article is an estate agent, Craig Tweed & Co Pty Ltd, ad about a house called Kilhallen which had been in the Truscott family for four generations. The house and the building materials are described. A photo shows the back of the two story house with a small room added on at the back. On the back of the page titled Bendigo properties is a photo of a two story house with ironlace on the verandas, a tree partly obscuring the house and a single story weatherboard building beside it. An auction sale sign is on the front fence. The second photo shows an ornate fireplace with tall carving above it. Written at the top of the page is: A Truscott. Old shop pulled down and a new one built Feb 90. Shop verandah has been replaced 1987-88. Long Gully Super Market Riteway Jan 14/1/85. opened again May 1985. Friday Jan 18 1985. Sold 1985.bendigo, history, long gully history group, the long gully history group - a victorian dream home, richard foord, anthony truscott, kilhallen, craig tweed & co pty ltd

This photograph is taken in the home of the lady and shows MDNS Sister J. Faust giving an injection, using a glass syringe, into the right upper arm of the lady. This type of syringe was re sterilized. These syringes remained in use until the mid 1960s when disposable plastic syringes took their place. This photograph was used in a video on the history of RDNS which is held by the organization. It is a record of the type of care given by Melbourne District Nursing Society (MDNS) Trained nurses in a patient's home.The Trained nurses of the Melbourne District Nursing Society (MDNS), later known as Royal District Nursing Service (RDNS), visited patients in their home and gave best practice care in many fields of nursing, and to people of many cultures, throughout its 130 years of expansion. Initial visits not only assessed the specific nursing situation but the situation as a whole. Their patients ranged in age from babes, children, adults to the elderly and referrals were taken from Hospitals, General Practitioners and allied Health facilities. Some of the care the Sisters provided is as follows: – Post-Natal care given to mother and babe, Wound Care following various types of surgery, accidents, burns, cancer, leg ulcers etc. Supervising and teaching Diabetic Care, including teaching and supervising people with Diabetes to administer their own Insulin, and administering Insulin to those unable to give their own injections. Administering other injections and setting up weekly medication boxes. The Sisters performed Catheterizations on adults suffering from conditions such as Quadriplegia, Paraplegia, Multiple Sclerosis (MS), Motor Neurone Disease (MND) and Guillan-Barre Syndrome, and when required at school on children for e.g. those with Spina Bifida. The Sisters visited those requiring Cystic Fibrosis support and care; those requiring Haemo-Oncology care, including visiting children at school; those requiring Home Enteral Feeding care, and those requiring IV therapy at home and home Dialysis. Palliative Care was given including pain relief with the use of syringe drivers, personal care as needed, and advice and support to both patient and family. The Sisters provided Stoma management to those needing Urostomy, Ileostomy and Colostomy care and those requiring Continence care. HIV/AIDS nursing care was provided; visits to Homeless Persons were made. Personal care was given to patients ranging in age and with varying mobility problems, such as those with MS, MND, Guillan-Barre Syndrome, Quadriplegia, Paraplegia, Acquired Brain Injury, to those following a Cerebrovascular Accident (Stroke), those with severe Arthritis and those with a form of Dementia. When necessary the elderly were assisted with personal care and advice given on safety factors with the use of hand rails, bath or shower seats, and hand showers. Rehabilitation with an aim towards independence remained at the forefront of the Sister’s minds and when possible using aids and instruction on safe techniques enabled the person to become fully independent. All care included giving advice and support to the patient and their Carers. The Sisters liaised with the persons Doctor, Hospital and allied Health personal when necessary.Black and white photograph of Melbourne District Nursing Society (MDNS), Sister J. Faust who is wearing her grey brimmed uniform hat over her dark curled hair and is wearing a white gown over her grey uniform which is seen below her gown. In her right hand, she is holding a syringe, with needle against the lady's skin, and her left hand is on the upper right arm of the lady above the needle site. The lady, who has light coloured curled hair and is wearing a dark coloured long frock, is standing to the right of the Sister and is holding the right sleeve of her dress up with her left hand. A metal sink with cupboards below is behind the lady. To the left is fireplace which is now tiled at the rear and has a gas stove with kettle on a jet in the space. A row of three pale coloured kitchen canisters in decreasing size sit on the mantle piece. On a shelf above these sit a dark coloured box and a tall thin vase. Staff members name is written on the back of the photograph.melbourne district nursing society, nursing care, royal district nursing service, rdns, mdns, nursing care - medications, mdns uniforms, j. faust