see Lake Post Newspaper 28 June 2000Colour photograph Cr Marlene Battista, at Helping Hands fundraising event for Kilmany Family Care Young Parents Group at McDonalds. Lakes Entrance Victoriacharities, businesses

number in album 03510.02Colour photograph RSPCA fundraising walk, Million Paws Walk, along Esplanade foreshore, Lyn Brehauf and biggest dog Bruno. Lakes Entrance Victoriaanimals, rspca

Photos during Badge Week in September 2005. Some widows at their craft stall outside Legacy House. The widows clubs ran fundraising stalls during Badge Week for many years. Widows met regularly at Legacy House for craft sessions. Some of the items the Widows produced were entered into an annual craft contest and exhibition. Many items were also donated to the annual Badge Week stall that widows organised.A record of the fundraising for the Legacy Appeal in 2005.Colour photo of a stall outside Legacy House.Printed on the back "

In the 2000s Legacy released a range of Legacy Bears to expand the merchandise available for sale during Legacy Week and at other fundraising opportunities during the year. A special edition bear to commemorate 100 years from the end of World War One. The bear is wearing a World War One soldiers' uniform including a slouch hat with feather. The date 2018 and Legacy is printed on his boots. In 2020 another Lighthorse bear was released, retailing at $20, with slight differences to this one. The Light Horse Brigades were mounted infantry made up of mostly young men from the country. They were experts at rough-riding from their lives in the bush and could navigate terrain easily for long periods with little food or water. An example of the type of products sold along with Legacy Badges for fundraising in the 2010-2020s.Legacy bear dressed in World War One Soldier uniform with a printed cardboard tag.Printed tag gives the price as $15.legacy appeal, fundraising, legacy bear

Fundraising badge from World War I. Red Triangle Days were held in both Australia and New Zealand to raise money for the Y.M.C.A. The earliest references to Red Triangle Days seem to be from 1917.This Badge is an example of the general community support for organizations providing aid to the Soldiers in WW1Triangle enamel BadgeFor God King and Countrywwi, fundraising, y.m.c.a., red triangle day, moorabbin shire, cheltenham, bentleigh, market gardeners, early settlers

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.World War I-era pressed metal fundraising badge, featuring an olive wreath encircling in red text: ‘ANZAC Apr. 25. 1915’, on a white background. "ANZAC Apr. 25. 1915 / Copyright"anzac day, first world war (1914-18), patriotic buttons, world war one, numismatics, badges

Sepia toned photograph of Mobile Equipment Van purchased by Fire Brigade from Grants and Charities Fundraising, with 4WD Dual Cab utility. Lakes Entrance Victoriafire brigade, volunteering, vehicles

Handwritten list of Life Governorships awarded to various people from the RVIB during the 1930s until the 1950s. Entries include the name and address or township of recipients, and later a date column was included. No information is included on why a Life Governor was granted however this was usually in recognition for the funds donated to the institution. This amount was dependent upon the time of the contribution. In the Constitution and Rules section of the 1872 Asylum and School for the Blind Annual Report: Membership - Every Subscriber of 10s., and upwards per annum shall be a Member of the Institution, and every donor of 20 pounds and upwards, a Life Member. Auxiliary members who were appointed Life Governors were usually involved in helping organise some of the many fundraising activities, such as the Auxiliaries Annual Three Day Fair. A Life Governorship also meant that the person would have a vote when it came to some decisions made by the Committee of Management. RVIB Life Governors are listed cumulatively in the annual report until 1935 when, due to reasons of space, it was altered so that names appeared only in the year that they were granted. This continued until 1999/2000 when these were no longer awarded.Vinyl covered record book with alphabetical listing of some Life GovernorsR.V.I.B. Life Governersroyal victorian institute for the blind, fundraising

An example of badges issued by Legacy for fundraising during the Legacy Appeal and Badge Week. The donation value is $5. Rosemary is one of the Legacy symbols. Text on the card explains: Rosemary is an ancient symbol of remembrance and has particular significance for Australians as it grows wild on the slopes of Gallipoli. The ancients believed it strengthened the memory and on this account it became an emblem of mateship and a symbol of remembrance. It is worn on or around Anzac Day to honour the memory of the fallen and those who have served. It is in the collection to show the modern merchandise available in Badge Week and all year via the website. The card makes a tax deductible receipt.Example of Legacy badges that were sold to raise money for Legacy's work. Legacy Appeal badge with rosemary on a white background with the words 'Lest we forget'. It is made of silver coloured metal with coloured enamel. It is on a white card with blue printing showing it's value. Badge has post and a butterfly clutch.legacy appeal, fundraising, badge week, rosemary

This black and white photograph is mounted on red card, with Inscription '1934 Takings 8 pounds 3 shillings 4 pence'.Black and white photograph of members of Heralds of the King Childrens Mission of the Church of England, St Nicholas, showing children at fundraising stall in church grounds. Lakes Entrance Victoriareligion

number in album 03345.02Colour photograph Susan Thomas and Betty Gray holding basket of goodies, raffle prize for fundraising for Cancer Council, presenting prize to Jan Clarke. Lakes Entrance Victoriacharities, volunteering

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A ‘Wattle Day for Children’ badge, which appropriates national symbols of fauna and flora: a kookaburra and wattle. The circular pressed metal fundraising badge was produced to support the war effort."Wattle Day for Children"wattle day for children, wattle day, francis rigg, badge

The Mission has been issuing a calendar since its early days. They were sold for fundraising. Famous artists like Daryl Lindsay in 1924 and John Shirlow in 1929 created the frontispiece for those calendars.calendar, 2019, fundraising, mission to seafarers, australia, seamens' mission, mission to seamen, kalendar, marketing, joan lindsay nee a beckett weigall, daryl lindsay

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.World War I-era pressed tin fundraising button featuring a sprig of wattle on a dark brown background. In this ‘Wattle Day’ badge, the word copyright is emphasised on the rim of the button."For Our Own"patriotic buttons, first world war (1914-18)

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.Small circular pressed tinplate badge, produces for fundraising purposes featuring an image of Santa Claus and a nurse beside a hospital bed. The words Queen Victoria Hospital surround the image."QV / Queen Victoria Hospital"queen victoria hospital, patriotic buttons, badges

Colour photograph. In front of the entrance steps of the QVWC building. Dallas Ambry, fundraising administrative assistant is on a ladder putting up purple bows on the front fence for the grand opening weekend. official events, historic buildings, cultural structures and establishments

An example of a badge issued by Legacy for fundraising during the Legacy Appeal and Badge Week. The donation value is $100. It is possibly a modern issue. This style recreates high donation value badges from the 1960s. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them. The pin was donated back to Legacy from the family of Marjorie and Jacobina (Jackie) Bristol, sisters who were both junior legatees in the 1930s and 1940s after their father passed away, he was a World War 1 veteran. Jacobina later became Jackie Wood and passed away in April 2020. Marjorie became Marjorie Bachmann and passed away in 1986. Also donated were a photo of the girls at calisthenics classes, a green tunic uniform, a junior legatee certificate, a souvenir handkerchief from the 90th anniversary celebrations and a $100 Legacy badge. These are catalogued separately at 01948 to 01952.An example of Legacy badges that were sold to raise money for Legacy's work.Legacy Appeal badge with the Legacy torch, it is made of gold coloured metal with teal enamel around a torch and wreath. It is a small rectangular shape. Badge has a post and a separate butterfly clutch.Embossed '$100' on reverse.legacy appeal, fundraising, badge week

Huntingdale Golf club was the site of many social events for Legatees and Widows clubs. This appears to be an annual major fundraising golf day. Legatee John Stevenson is holding a board showing the rounds and the winners of the Dallas Brookes Trophy for Open Pairs, 1992. It was in an album of photos from 1992 and 1993. The article in the Answer says that the association with the Huntingdale golf club began in 1933 and over the years over $255,000 has been raised for Legacy. The Open Mixes Foursomes is usually held in December and the Ladies Day is annually in October. The caption in the article says that Legatee G Fox is driving the golf cart.A record of the type of activities Legacy provided as a social outlet for the widows and Legatees and for fundraising.Colour photo x 4 of golf day presentation in 1992 and an article in The Answer.events, huntingdale golf club, golf, fundraising, legatee event

Wattle Day badgePatriotic Wattle Day button with the slogan "For Our Own".First World War era pressed tin fundraising button featuring a sprig of wattle on a dark brown background. 1914-18.FOR OUR OWNwattle day

BHS CollectionNavy and white school exercise book. Front cover has text, emblem and space for personal details to be added. Lined pages inside with handwritten notes. Back cover has arithmetical tables and multiplication tables. Kangaroo Flat Red Cross Minute book containing minutes of special meetings held monthly at various halls. Special meetings held to organise fundraising via fetes and stalls. Back of book contains ledgers of donations, receipts and expenses of fundraising activities.Faded writing on front cover in space to personal details.kangaroo flat, red cross, minutes, finance

number in album 03346.02Black and white photograph Peter Wilkinson and Jenny Wall volunteer members of the Rotaract Club pushing trolley fundraising for brain injury charity, as they passed through from Canberra to Melbourne. Lakes Entrance Victoriacharities, volunteering

Donald Clark Collection. Records from fundraising for a presentation and send off for Mr E. Toole & family. A collection of handwritten lists with the names of contributors and the amount they donated. At top of each list are names of the people who collected the subscriptions.

Small fundraising ticket. Matthews Bros. staff monster effort. 1:15; 2:3; 3:2; Hargreaves Street popular girl (Miss Verna Peake) donation, 1/- Ticket number5802, 2802.bendigo, business, matthews bros

Black and white photograph of Miss Molly Palmer, Queen of Fishing in the fundraising Queen of Carnival, she is dressed in white dress with decorative head dress and long train accompanied by two flower girls. Lakes Entrance Victoriacelebrations, genealogy

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.World War I-era pressed tin fundraising button. The button features the French flag and a red cross over a starburst, against a gold background. Encircling the image is a white ring with the text ‘French Red Cross’ in blue."French Red Cross"first world war (1914-18)

The use of these buttons as a means of raising revenue through patriotic sentiment occurred soon after Australia pledged allegiance to Empire. Buttons reflected ‘public sentiment, courage, patriotism, generosity and several [un- named] virtues’ such as the martyred mother of a ‘fallen’ hero. Attention was paid to attractiveness of design, encoded symbolism and high quality of production. Expressing ‘loyalty’, they were tokens to be kept for perpetuity. Female labour was used to operate the die that compressed the tin backing, photographic print and celluloid cover together. The pin was applied by hand. Women, of all ages, entered into the spirit of voluntary sales. Often they were sold at the entry and exit points of major pedestrian thoroughfares. The women of Kew set up a kiosk in front of the Post Office and the Railway Station to solicit their round, oval and square shaped wares. Pride in salesmanship was affected by publishing the name of the woman and her fiscal achievement in the major newspapers of the dayWorld War I-era pressed tin fundraising button. The button features the French flag and a red cross over a starburst, against a gold background. Encircling the image is a white ring with the text ‘French Red Cross’ in blueFrench Red Cross