Demonstrates nature and size of gang undertaking overhead repairs to the tramway in Drummond St. Nth..Black and White copy photograph of a newspaper photograph taken by The Courier, taken 20/4/1968, published 22/4/1968, of repairs to damaged overhead wire, Drummond St North. Shows the tower truck with two men on the truck, one below and an SEC truck parked adjacent. Photo taken at the south end of the Mill St loop. Tram in the photo has probably reversed and showing Victoria St as a destination. Inspector standing adjacent to tram. Photo possibly taken through the windscreen of the car, given the level of the photograph and reflections? in the photo. Collected by Alan Bradley from the Ballarat Courier early 1980's. See Excel file "Record of Ballarat Courier Photos SEC era" (Archive Documents) for source of details.On rear stamped "Copyright, The Ballarat Courier Proprietary Limited."tramways, trams, drummond st nth, overhead, sec

Yields information about Greater Ballarat, including trams, buses, locations and streets. Has a strong association with George Netherway.Four colour map of Ballarat, showing streets, places of interest, Parks, tram routes, bus routes, railway lines, prepared by G. C. Netherway, Greater Ballarat Association. Shows suburbs names, location of places of interest, some development north of Howitt St, in Wendouree. Map is part diagrammatic and is not entirely to scale. Includes the Lake Wendouree Rowing course On rear is a road map of the Ballarat area, lists of statistics, beauty spots, look outs, art and culture, points of historical interest, industrial products and recreation. Printed by Waller & Chester on paper produced by Ballarat Paper Mills Pty Ltd. See Reg item 2074 for photographic image of this version of the map. See Reg Item 2776 for another version of this map. Contained originally within Reg Item 5507 at the back of the binder. For items see btm5507 loose items list.pdf John Whiting in an email of 17-9-2021 noted: The rowing course along Lake Wendouree is noted, so perhaps this map is post 1956? The Mt Pleasant tram line is shown to terminate at Morton St, not Cobden St (which of course is incorrect) Someone's come along and drawn in black ink the branch of the View Point tram line!trams, tramways, ballarat, tram routes, bus routes, map, lists

Dight’s Falls in Studley Park is an artificial weir built on a natural rock bar across the Yarra. The weir was built in the 1840s to provide water to the ‘Ceres’ flour-mill, one of the first in Victoria. The falls were later to become known as Dight’s Falls after the owners of the mill. Later, a pumping station was built on the Kew side of the river, which pumped water uphill to a reservoir in Walmer Street that provided water to the Melbourne Botanical Gardens and to Albert Park Lake. The area around Dight’s Falls was and is frequently used for recreational activities.This photograph forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Black and white photograph of the Richardson family seated on the Kew side of Dight's Falls in 1920. One of the girls in the photograph was to become the Melbourne historian Dorothy (Richardson) Rogers.Annotation on reverse: "Mrs D. Rogers, 29 Park Crst Kew. Dights Falls 1920"dight's falls - kew (vic) - fairfield (vic), sport and recreation - kew (vic), dorothy rogers

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.Dight’s Falls in Studley Park is an artificial weir built on a natural rock bar across the Yarra. The weir was built in the 1840s to provide water to the ‘Ceres’ flour mill, one of the earliest industrial sites in Melbourne. The falls were later to be named after the owner of this mill. In 1888, William Guilfoyle, Director of the Melbourne Botanical Gardens had called for fresh water to be piped from above the weir to the Botanical Gardens, using a pumping station on the Kew side of the Falls, a holding reservoir in Walmer Street and a series of pipes from there to the Gardens. This system was opened in May 1891. Farquhar’s photograph of the man-made weir obscures the industrial activity on both sides of the Falls and focusses solely on the river and the surrounding natural vegetation. The photograph probably predates the disastrous flooding of the Yarra River in July 1891, the greatest to have occurred in the Colony since the foundation of Melbourne.Dight's Fallskew illustrated, kew where we live, photographic books, henry kellett, yarra river

Dight’s Falls in Studley Park is an artificial weir built on a natural rock bar across the Yarra. The weir was built in the 1840s to provide water to the ‘Ceres’ flour-mill, one of the first in Victoria. The falls were later to become known as Dight’s Falls after the owners of the mill. Later, a pumping station was built on the Kew side of the river, which pumped water uphill to a reservoir in Walmer Street that provided water to the Melbourne Botanical Gardens and to Albert Park Lake. The area around Dight’s Falls was and is frequently used for recreational activities.Dated postcard allowing one to analyse the form of the Falls in 1911Colour postcard, of Dight's Falls on the River Yarra between Kew and Fairfield. The photograph is taken looking upstream towards the Falls from the Kew side, from the embankment in the vicinity of the Pumping Station. Obverse: "Dight's falls, Kew" Reverse: "Printed in Great Britain Writing in ink on Reverse: "31/3/1911 / To dear Nell with best wishes for a happy birthday from your old friend Eve / [Addressed to] "Mrs N Dunn, Prahran" Franked Victorian 1d stamp on Reverse top rightdight's falls, dight's falls - kew (vic) - fairfield (vic)

Dight’s Falls in Studley Park is an artificial weir built on a natural rock bar across the Yarra. The weir was built in the 1840s to provide water to the ‘Ceres’ flour-mill, one of the first in Victoria. The falls were later to become known as Dight’s Falls after the owners of the mill. Later, a pumping station was built on the Kew side of the river, which pumped water uphill to a reservoir in Walmer Street that provided water to the Melbourne Botanical Gardens and to Albert Park Lake. The area around Dight’s Falls was and is frequently used for recreational activities.Rare original print photograph of people walking across Dight's Falls when the river flow was low. View west towards Abbotsford. Photograph taken from Kew side of river above the Falls.Reverse: "M Holmes"dight's falls, river yarra -- kew - abbotsford

Dight’s Falls in Studley Park is an artificial weir built on a natural rock bar across the Yarra. The weir was built in the 1840s to provide water to the ‘Ceres’ flour-mill, one of the first in Victoria. The falls were later to become known as Dight’s Falls after the owners of the mill. Later, a pumping station was built on the Kew side of the river, which pumped water uphill to a reservoir in Walmer Street that provided water to the Melbourne Botanical Gardens and to Albert Park Lake. The area around Dight’s Falls was and is frequently used for recreational activities.One of a series of photographs, probably taken by Henry Christian of the Yarra River in Kew. An item from an outstanding and diverse photographic collection, assembled by members of the Christian and Washfold families of Kew.River Yarra at Dight’s Falls, Kew/Fairfield photographed from Kew bank.dight's falls, river yarra, christian-washfold collection

Dight’s Falls in Studley Park is an artificial weir built on a natural rock bar across the Yarra. The weir was built in the 1840s to provide water to the ‘Ceres’ flour-mill, one of the first in Victoria. The falls were later to become known as Dight’s Falls after the owners of the mill. Later, a pumping station was built on the Kew side of the river, which pumped water uphill to a reservoir in Walmer Street that provided water to the Melbourne Botanical Gardens and to Albert Park Lake. The area around Dight’s Falls was and is frequently used for recreational activities.Original, black and white positive of water flowing over the 'Race' at Dight's Falls in MelbourneInscribed verso: "The Race at Dight's Falls / River Yarra Melbourne / 1.3.25" "Kodak Print"dight's falls, river yarra, yarra -- kew (vic.)

Notable Historical BuildingOil on Linen

Group of North Park Volunteers 1948 instrumental in making North Park. Taken in backyard of Mr G LaGerche's home Cnr Houston and Lamont Streets. This snapshot was donated by miss Glenda Hurst - Stawell - to the Society - Black and White Photograph of a large group of persons - Background of trees.On rear: North Park Volunteers 1948. Taken in the back garden of Mr G LaGerche (morning Tea). Men L to R Roy Hurst, Alan Willoughby, Fred Crouch, Arthur Parsons, Cyril Cashin, Glynn Cashin. Ladies Second Row L to R: Mrs Edna(Geoff) LaGerche, Mrs Pretty, ?, Mrs Darling, Ladies in front Row: ?, ?, Mrs Ted Mills, Mrs Harold Dunn, Miss Dorothy Kingston, Mrs Bess (bill) Wilson, ?, . Farmers brought in their Not Horse drawn graders, etc to form the two (2) ovals at "The Pug" Photo property R.W. Hurst. 29 Houston Street Stawellstawell, north park

Bennet family home 51 Smith Street with two cars parked in front. First church of England is just visible in background. Lady on left is Jessica Bennett. Young lad leaning on mudguard Graeme Bennett born 1933 later mayor of Stawell. The lady at center is Margaret Bennett. and gentleman with hat is John Bennett Senior, original owner of North Western Woolem Mills. Photo taken outside john Bennetts home in smith street with no kerb or nature strip, looking towards Seaby Street. Note the canvas Water bags on front of one car to keep water cool. John Bennet Sen born in 1895 in Yorkshire. his wife Jessie Brown married in Warrnambool.Two 1940's cars parked with a group of people posing for photo.stawell industry

Part of a collection of books, manuals, photographs, letters and clothing relating to the working life of Stuart Ascough. Stuart's career in the wool industry spanned over 43 years from 1960 to 2003 in various roles including Topmaking Plant Manager at Courtaulds Ltd. in Spennymore, U.K., Operations Manager at Port Phillip Mills in Williamstown Victoria, Marketing Executive, Early Stage Wool Processing at the International Wool Secretariat Melbourne, Australia and General Manager of Victoria Wool Processors Pty. Ltd. in Laverton North, Victoria. Throughout his career Stuart travelled extensively, and in the 1990s worked at many topmaking mills in China on quality improvement projects. He also provided technical advice and training at mills in India, Ukraine, Lithuania, Kyrgyzstan, Russia, Latvia, Byelorussia and other parts of Europe and Asia.Printed booklet bound with plastic black ring binder consisting of approximately 33 pages.front: IWS International Pty. Ltd. / Wool Topmaking Overview / Prepared for - Australian Topmaking / Services, Parkes, New South Wales / August 1997stuart ascough, international wool secretariat, victoria wool processors, port phillip mills pty ltd, topmaking, career, wool industry, training, technical advice, mills

Block and tackle hook with frame for two pulleys. (pulleys missing) hook rotates in metal pin (as designed), but metal pin rusted into frame; surface rust all over. Composed of three sheets of steel connected by belts to hook.

Wooden pattern used to make impression in sand to form mold for casting hot metal. These patterns were for the caps for bearing covers.Wood, with an oval footprint. Pins underneath with covered channel across oval, cylindrical cap mounted on top of channel, semi-circular (approx) flanges either side of channel cover.

Wood, cylindrical base, curved narrowing neck, sperical (approx) top; nail hammered diagionally through top.

Two slightly different wooden patterns for casting unknown item. (approx.) Rectangular piece of wood with a narrower piece affixed across top ( long side of rectangle); narrow piece has two curved 'wedges' attached (one loose).

It is unknown what this item was a pattern for.One flat piece of rectangular wood with a hole on the top - center and two nails, one at the top left corner, one at the bottom - RH corner. A second piece of wood is attached on top of the first; it is smaller in width and split exactly in two. There is a design cut out of second piece in shape of a pear. Bulbous part of design is centered around a hole in the first piece of wood. Three nails protrude from the second piece of wood. Three nails in the second piece of wood are located; one in each section of the more bulbous end of cut-out, & third on one section of the smaller end of cut-out. Hole on bottom of wood does not go all of the way through.

This is a pattern for the stove front for the oat kiln at the mill.Rectangular piece of wood, broken at one end with two full cutouts and part of third. One, and the part of another cut-out is high arches. Frame, missing in places, running along outer rim and along cut-outs. Two rows of nails run down between arches holding braces in palce on back.

Augers were used in processing the grain, however this wooden auger is possibly a pattern for a cast metal auger.A long piece of hexagonal wood with a descending spiral of square wooden blades. On the top it has a circular piece of wood

Used to make cast for the metal ring gear for the water wheel which powered the Mill.Slightly arched wooden pattern with wooden ridges along the edge. Three square metal plates with a hole in the centre, bolted on with four bolts. Ten pentagin pieces of wood attached to the face.

Used as pattern to cast crown wheel of drive on water wheel. Actual drive has since been sold, only mold remainsCircular wooden pattern, raised centre circular area surrounded by four wide, flat spokes at regular intervals (the interim spaces being cut out with rounded corners) which are in turn surrounded by a rim which tapers back from the centre of the piece and has fixed to it regularly interleaved slats. Slats of protruding oblongs tapered from attachment to top and also central end to outer point. Light coloured wood 1 & 2 are Broken off pieces of back.

Probably used to drive machinery as part of milling process.From left to right along long centre pole (horizontal) is a small wide wheel, on a narrow arched stand.At the centre of the pole is a larger, slimmer wheel followed by a smaller wheel.

This stencil was used on bags and possibly other packaging containing grain processed and packed at Anderson's Mill. The stencil would have indicated the destination of, or origin of the grain.Rectangular copper stencil plate, ribbed edging; Anderson's Mill trademark (circular saw) in centre; some lettering is difficult to read due to corrosion / breaking of this section; some green surface corrosion; red paint around central trademark saw and lettering."FLAKE / ANDERSON'S / OAT MEAL / SMEATON"

This stencil was used on bags and possibly other packaging containing grain processed and packed at Anderson's Mill. The stencil would have indicated the destination of, or origin of the grain.Rounded trapezoidal shape, metal, letters stamped out. Hole bottom RH corner."A PAT / KINGSTON"

This stencil was used on bags and possibly other packaging containing grain processed and packed at Anderson's Mill. The stencil would have indicated the destination of, or origin of the grain.(approx) Rectangular metal stencil for oat or flour bag; rectangular section has been cut away from top LH corner, triangular section has been cut away from top RH corner; significant surface rusting; one letter of the stencil marking (letter R) has been covered over with a rectangular metal piece soldered onto stencil surface."SGC (R) / PORT SWETTENHAM"

This stencil was used on bags and possibly other packaging containing grain processed and packed at Anderson's Mill. The stencil would have indicated the destination of, or origin of the grain.Metal stencil (steel), rusty rectangular shape, corners cut off. Lettering surrounded with blue paint. Square hole top RH corner."BMTC / PENANG"

This stencil was used on bags and possibly other packaging containing grain processed and packed at Anderson's Mill. The stencil would have indicated the destination of, or origin of the grain.Rectangular, brown, vinyl type material. Lettering: Andersons (blue) Cow Meal (red) Made by D. Anderson & Co Millers, Smeaton Vic, 100lbs, when Pac" (all blue) Some lettering broken bottom right."ANDERSONS / COW MEAL / MADE BY / D. ANDERSON & CO / MILLERS / SMEATON VIC / 100 LBS / WHEN PAC"

This stencil was used on bags and possibly other packaging containing grain processed and packed at Anderson's Mill. The stencil would have indicated the destination of, or origin of the grain. Paint applied to stencil in the 1980;s for use on an interpretation display board.Rectangular, galvanised iron stencil for oat bag; small section cut away from each corner; bottom R corner cut-out and replaced with new stencil (Lettering 'Horses'), soldered on from behind main sheet. GLEN DEVON lettering surrounded by red paint, then later with blue paint.; red paint around other lettering (feed oats for racehorses)"GLEN DEVON / FEED OATS / FOR / RACE HORSES"

This stencil was used on bags and possibly other packaging containing grain processed and packed at Anderson's Mill. The stencil would have indicated the destination of, or origin of the grain.Rectangular; two pieces of iron welded together. Extensive rusting. Letters ANK 299 inside trapezoidal pattern. Kuala Lumpur cut out along bottom of stencil."ANK 299 / KUALA LUMPUR"