Murray Comrie Collection. There were four banks in Tarnagulla at one stage, but two - the National Bank and the Bank of Australasia - were open for a short period only. The single-storey brick building at far left was built in 1859 and used by the Union Bank until 1888, and was later renamed 'Lochcarron' and used as premises by doctors and dentists. The two-storey building (right) was built in 1866 by the Colonial Bank of Australasia. Before this, the site had been occupied by Foo's shop. Whilst it was being built, the Colonial Bank operated from Company's Hotel (later known as Burstall Hall and the Council Chambers). The double-storey building in this image was used by the Colonial Bank from 1866 until 21st February, 1888. The premises were sold to the Union Bank for £2500. The Union Bank moved in and commenced operations on 6th June 1888, continuing until 1942. The building was later used as a general store until the 1990s. Both buildings are now private residences. This is a reasonable copy of an older original. Copy probably made by Murray Comrie in the 1970s. Monochrome photograph depicting a section of Commercial Road in Tarnagulla with two brick buildings, one single-storey and one double-storey. A horse-drawn carriage is standing out side the larger building. A number of men, women and children are standing or walking alongside the buildings and in the street. Caption on original 'Union Bank'.tarnagulla, banks, banking, commerce, buildings, commercial road

Murray Comrie Collection. There were four banks in Tarnagulla at one stage, but two - the National Bank and the Bank of Australasia - were open for a short period only. The single-storey brick building at far left was built in 1859 and used by the Union Bank until 1888, and was later renamed 'Lochcarron' and used as premises by doctors and dentists. The two-storey building (right) was built in 1866 by the Colonial Bank of Australasia. Before this, the site had been occupied by Foo's shop. Whilst it was being built, the Colonial Bank operated from Company's Hotel (later known as Burstall Hall and the Council Chambers). The double-storey building in this image was used by the Colonial Bank from 1866 until 21st February, 1888. The premises were sold to the Union Bank for £2500. The Union Bank moved in and commenced operations on 6th June 1888, continuing until 1942. The building was later used as a general store until the 1990s. Both buildings are now private residences. This is a reasonable copy of an older original. Copy probably made by Murray Comrie in the 1970s. Monochrome photograph depicting a section of Commercial Road in Tarnagulla with two brick buildings, one single-storey and one double-storey. Caption on original in right lower corner 'Union Bank Tarnagulla'. Handwritten on reverse: Orig showed building to left of Lochcarron H. Joyce Fruiterer' and 'Orig with Mr. A.M. Renshaw'.tarnagulla, banks, banking, commerce, buildings, commercial road

ill., p.320.fictionA story of a young slave who became a national heroine.ireland - religion - fiction, saint brigid of ireland

index, bib, maps, ill, plates, p. 316non-fictionAlistair Moffat's journey, from the Scottish islands and Scotland, to the English coast, Wales, Cornwall and Ireland, ignores national boundaries to reveal the rich fabric of culture and history of Celtic Britain which still survives today.oral history. legends and battles of the celtic peoples.

Index, bib, plates. p.320.non-fictionBiography of Father Hackett S.J.australia - irish culture, catholic church - history - great britain

Index, ill, plates p.249.non-fictionAn exploration of the changing lives of Australian Catholics and their contribution to national life.catholics - australia, australian society - catholicism

Miss Olive Codling was a Foundation Member and a Life Member of the Wodonga Historical Society. Many of her prize-winning photos are held in the Society Collection. She also held a range of roles and committee positions in a wide range of Wodonga community organisations. These included the Horticultural Society, the Wodonga Arts Council, the Wodonga Camera Club and the Wodonga Lapidary Club. This photo collection is significant as it documents how the businesses and buildings in Wodonga have evolved and contributed to community throughout the 20th century.Wodonga, High Street West Businesses including Terminus Hotel, Tandy Electronics Drummond Real Estate, Pet Shop and old National / CBA Bank on corner. The Terminus Hotel was built in 1873. It was purchased by Annie and George Allen in 1879. In 1888 they added extensions including a billiard room, a dining room and 18 other rooms. After the death of her husband, Annie Allen continued to run the Terminus Hotel. She later married John Haldon and was licensee of the hotel until 1893 when the license was transferred to William Carkeek. Carkeeks owned the hotel from 1900 - 1903 and again from 1906 - 1909. It was destroyed by fire in 1998 and the building demolished in 1999. Cliff & Peter Drummond opened their first office in Wodonga in 1977.wodonga businesses, high st wodonga, terminus hotel, drummond real estate

The Wodonga Hotel was constructed in 1940 at a cost of £10,000. It is now called Elgins Hotel. It was established after the transfer of the licence from the Halfway Hotel. This was the result of a lengthy hearing before the Licensing Board over two days in December 1939, There was some opposition from established guest house keepers and hotelkeepers. G. A. Adams, owner of the Carriers’ Arms Hotel was refused a hearing as he was not a resident, so Rachael Spence his manageress objected on the ground that it would do her hotel a lot of harm. Mr Luke Murphy represented the applicants, Irene Weatherall and Lena Pickering. He stated that the new structure would be of brick, cement and iron and contain 22 rooms. The site was near the municipal sale yard and near the railway station, and, he pointed out the trucking industry, which he believed to be larger than any other in Victoria, outside of Melbourne. The hearing was told of the bad state of the Half Way Hotel, having been there for almost 100 years. Luke Murphy was quoted as saying “If Hovell were here he could give evidence on that.” The lack of accommodation and quality accommodation at Wodonga hotels was frequently heard of. Costa’s Wine Café had very excellent accommodation for but only five or six people. The lessee of the-tea rooms at the municipal saleyards, also gave evidence. Mrs Lowden said that on sale day she served up to 130 dinners in addition to 10 or 20 breakfasts, and almost continuous light lunches. She did not think a hotel would provide a needed facility for patrons of the saleyards. In April 1940 the application was granted on the condition that premises were erected within 42 weeks. The hotel was used for soldier accommodation during World War II and experienced a boom period when Wodonga saleyards were located across the road. Irene House behind the pub also was constructed in the 1970s when Albury-Wodonga had been identified as a National Growth Centre by the Whitlam Labor government. After running the hotel for 5 generations, the Weatherall Family sold the business in 2021.These images represent an early business in Wodonga . 2 photos of the Wodonga Hotel and 1 newspaper advertisementwodonga businesses, a. e. costa, wodonga pioneers, early wodonga businesses, wodonga businesses high street

Single sheet of hotel stationery, from the National Convention Centre in Canberra, containing correspondence from an unidentified source to 'Shona', The note details a contribution of photographs that the unidentified author of the note donated to Wheelchair Sports Victoria.14/2 Hi Shona - recognise this paper!! I found these "antique" photographs, & since I'd heard WSV were setting up some historical records, I thought you might like them. - The four kids are the first Pacific School Games Team ~1986: Campbell Message, Bobby Dunn (I think), Andrew Power & Tamlyn Dunn with Cynthia Power. I think this was the 1st time the disabled kids were integrated into the team. - The B'ball one is the year the Aussie won at Stoke, ~1987 - Michael Norton winning at the 1986 National Wheelchair Games. (Big Photo) - Michael Green, John Barry & and Jarrod Mayer 1985 Nat. Jnr W'ch Games - John Lindsay, Ian Gainey 1988 Nat. W'ch Games (unidentifiable signature)

A brochure explaining 'A brief account of its ideals and work' in 1930. The notation H4 in red pen shows that it was part of the archive project that was trying to capture the history of Legacy. The brochure mentions clubs had started in the Federal and state capitals, and Geelong, Ararat, Ballarat, Fremantle, Ipswich and Bendigo. Members were all men who had served in the forces of the British Empire during the war. It shows the work of Legacy as : Junior Legacy Club - which had been running for 5 years, for sons (aged 9 to 21) of deceased soldiers. Members of the Legacy Club were in constant touch and acted as Big Brothers. Boys' Literary and Debating Branch - approximately 95 boys attended weekly meetings of a debating society at Anzac House. Boys' Physical Training Branch - for the boys physical welfare classes and conducted weekly by a permanent instructor (paid by Legacy). There were 270 boys attending. Also cricket, football, Lacrosse and swimming clubs, all supervised and coached. 'A permanent camp has been erected at Balnarring East, and this is occupied by the boys at the Christmas vacation under the control of Legatee Stan Savige, and the girls at Easter, with Mrs Gilles in charge. The value of these camps in enabling Junior Legatees to become better acquainted and in the development of character and the Legacy spirit cannot be overestimated'. Girls' Physical Training Branch - started in 1927 and now over 200 girls were being instructed by Mrs AM Gilles (the wife of a Legatee). Lending Library of over 600 books. Vocational placements for junior legatees. Meetings were held in the Victoria Palace Hotel, Little Collins St, on Tuesdays and included an informative lecture. The policy and objectives were laid out including to preserve the memory of fallen comrades and to assist their dependents, particularly the children. Also to maintain a spirit of comradeship, and to safeguard the good standing and interests of ex-servicemen in the community. The brochure shows activities as: Employment Committee, Comradeship Committee, a pledge to assist the National War Memorial being established on the Domain site, and for the children the 'Deceased Soldiers' Children's Welfare Committee. Also picnics, Christmas camp, cycle club, and rambles as arranged. There is help for vocational options for the children. It is mentioned during 1930 which consisted of 'a hospital ward, mess room seating 80, a kitchen and storeroom. Also tent frames and necessary offices are provided and the total value of the building and equipment owned by the Club is our £600.' See also 01478 for a copy from 1928.This is one of the first documents that promotes Legacy and summarises its objective and services. Brochure describing the ideal and activities of the Legacy Club in 1930.Handwritten H4 in red pen.legacy promotion, history, goals, objectives

Set of 6 digital images of newspaper cuttings collected by Peter Hogan about the establishment of a tram museum, 75th Anniversary, Wattle Park and the PTC Open Day. Comprises, “Libs promise a tram museum” – The Age 25-11-91 – Quotes Mr. Brown, Photo from a magazine with a Hawthorn Horse tram at the Auburn Hotel – 75years of the HTT, “Tramways lines up 75th anniversary” – Progress Press 20-11-1991, about the planned cavalcade from Hawthorn Depot on Sunday, and a short history of the HTT, “Tram route extension plan is back on track” – Progress Press 16/10/1991. About the planned line to Box Hill, “Wattle Park” – article from the National Trust News of September 1991 with a two page article about the Wattle Park and its history., “State-wide Open Day” – Herald Sun 17/10/1991 about the planned open house by the Public Transport Corporation the following Sunday. Quotes Ian Stoney, PTC CEO. The four page supplement has been stapled together. See htd4574doc for a list of the file contents provided by Peter Hogan.trams, tramways, tram museum, wattle park, ptc, htt, 75th anniversary, horse trams, box hill

Black and white photograph of a cable car set, c1890 at the Bridge Road Richmond line terminus with the Bridge Road Hotel in the background. Has a group of 10 cable tram employees in uniform standing alongside the tram, lettered and detailed decoration on the trailer - No. 18 "Not to be reproduced with permission from the National Library of Australia".On rear in ink "Tram car Melbourne" and a label "Not to be reproduced with permission from the National Library of Australia"trams, tramways, richmond, bridge road, crews, mto co, cable trams, tram 18

One of a series of postcards published by National View by Murfett Publishers Australia. Has the details on the rear with place for a stamp, address etc, and logo. Shows W2 546 (Spencer St Route 38), possibly about to pick up passengers at the Jolimont Road Stop. At the time Wellington Parade was effectively a one-way street with extensive car parking on the south side. Shows a Safety Zone on the north side of the tram tracks. Has the CRA building, the hotel on the corner of Flinders and Spring St that was demolished for Shell House. See Reg Item 3555 for a later view by the same company.Yields information about the appearance of Wellington Parade, Jolimont, mid to late 1970's.Postcard - National View - plain edges, Wellington Parade looking west towards the CBD. Card No. P-1014-2w2 class, postcard, souvenir, wellington parade, route 38, tram 546, national view

Colour print of SW2 in St Kilda Road on a Gardiner Road service at the junction for the South Melbourne lines, Nolan St. Dated 7-11-1983. Printed on Fujicolor paper. Tram has advertisements for RESI building society on the front of the tram, Peter Jack cigarettes and National Australia Bank on the side panels.On rear in ink "W2 388 cnr. St Kilda Rd and Nolan St. 7-11-83. To Perth 1985 (Windsor Hotel, South Perth)trams, tramways, st kilda rd, nolan st, w2 class, tram 388

Photo shows Malop St Geelong after the closure of the tram system but before the removal of the tram tracks. The centre poles and overhead shown in item 9410 have been removed. In the background are the Carlton Hotel, Robbialac paints, Solomons stores, the National Bank buildings and the Grand Central Hotel,Yields information about Malop St Geelong.Rose series postcard No. P13827 - Real Photograph print.trams, tramways, geelong, malop st, tram tracks

Photo shows Malop St Geelong with tram tracks and centre poles late 1940s. Note the paving on the tram tracks. In the background are the Carlton Hotel, SMP paints, Solomons stores and the National Bank buildings. See item 9411 for another Rose Series image at the same location after the Geelong system had closed.Yields information about Malop St Geelong.Rose series postcard No. P2499 - Real Photograph print.trams, tramways, geelong, malop st, tram tracks

The building in this image was built by J. I. Murray for use as a Bank premises. The National Bank of Australasia opened a branch in the building in 1862 and remained there until 1865. The Colonial Bank of Australasia then occupied the building from 1865 until 1872. At the time this image was taken in 1883 the building was in use as a shop. Although a sign saying 'National Bank of Australasia' could still be seen on the building. Goods for sale can clearly be seen in the windows and what looks like a suppliers wagon or cart can be partly seen to the right of the picture. At a later stage the building became part of the Royal Hotel which can be seen to the right of the building. The small building to the left of the picture was used as a printing office by the West Bourke and South Grant Guardian newspaper between 1865 and 1872.Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. The image shows a shop in Main Street Bacchus Marsh in 1883. Goods for sale can be seen in the windows but there is no signage on the building to indicate what type of shop it is. A sign across the upper facade reads 'National Bank of Australasia' but this bank had vacated this location by 1865. Three women and a man can be seen in front of the shop looking in various directions.On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, shops bacchus marsh vic., vic., banks bacchus marsh vic.

Photograph of Charing Cross Bendigo from the Family Hotel with an electric tram (possibly No. 13), motor cars and one horse drawn cart. In the view are the Post Office, the Beehive building, and signs for Plume petrol, City Club hotel, and Wanda Inn. Photo from the Collection of the National Library Canberra. The Bendigo Historical Society has dated the image as 1958.Yields information about Charing Cross Bendigo in 1958.Printed black and white illustration.trams, tramways, bendigo, charing cross

BHS Collection Leaflet titled A Voice from the Golden City - Bendigo Artists, Architects and Visionaries. An exhibition held at the Bendigo Art Gallery until 4 July 1999. Mentioned are photographers and artists including Thomas Wright, John Carter Northcote, W E D Stuart, Alexander Fox, Nicholas Caire, George Rowe, Ludwig Becker, S T Gill and George Lacy who took photos and painted pictures of the City from local vantage points. Also included are local identities and buildings. Written by Karen Quinlan, Curator. The front has a faded out impression of the fountain, and the back has a photo taken by Nicholas Caire titled Sandhurst - North Part, as seen from the top of the Masonic Hall 1875 photograph: Bendigo Art Gallery.bendigo, history, long gully history group, the long gully history group - a voice from the golden city - bendigo, cassell's picturesque australasia, thomas wright, john carter northcote, w e d stewart, alexander fox, nicholas caire, george rowe, ludwig becker, s t gill, george lacy, james edwin meadows, c d richardson, dr backhaus, george lansell, william charles vahland, robert getzschmann, william beebe, cohn brothers, bolton brothers, bendigo pottery, bendigo advertiser, bendigo tramways, sandhurst trustees, sun loong chinese dragon, shamrock hotel, diamond lil, bendigo william thompson, knipe's castle, no 3 shaft of the garden gully mine, cascade in rosalind park, dame nellie melba, post office clock, alexandra fountain, town hall, post office, masonic hall, beehive store, princess theatre, bendigo art gallery, karen quinlan, australian unity, bendigo historical society, city of greater bendigo, national library of australia, national sound and film archive, the national trust, bendigo branch, north central goldfields library, coliban water, 3bo, ten victoria, albion chambers, albion hotel

Early images of the now demolished Buninyong Hotel which was located on the southwest corner of Warrenheip and Learmonth Streets, where the RSL Hall and commemorative park are now located. Two images of the Buninyong Hotel set in a wooden frame. 1. Buninyong Hotel, Daniel Phelan, Proprietor Cut out photocopy of the building. 2. Newspaper cutting of photograph of cyclists posing in front of the Buninyong Hotel in 1905, prior to the National Road Cycling Championships.buninyong, hotels, cycling

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: Opposite Crown Hotel / Tanswell Hotel / BEECHWORTH / (on tape) Reverse: BEECHWORTH NOSTALGIA / BW – 05 (on masking tape) 004 (pencil) ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

Photograph - black and white. Photograph of Pall Mall, Bendigo, 1857, taken from View Point. The following notes were written on the back in pencil by Frederick Douglas Jones, Solicitor. 'Bendigo, 1857. Bank of Victoria, View St., in foreground. '23' was afterwards Grant's Confectionery shop next 'Abbot's New Times.' The Victoria Hotel became the National Bank of Australasia. The Colonial Bank of Australia is next to the left. 'Edmondson's and the building next Colonial. Bank., became the Bendigo Arcade. The 2 story building to right of the Victoria Hotel became the Stock Exchange as auction room of Shadrach E.R.Jones who was also a Doctor of Medicine. Building to left of the Colonial. Bank was the shop of J.Nelson Jones Chemist afterwards a Brewer, he came to Australia 1848 and died in Ararat 9/1/14 (88). More information in the 'History', general notes.Alex Fox (probably)place, bendigo, pall mall, pall mall bendigo.