Part of the Leo Reoch Cohn Collection. See Catalogue No. 5527.2 for his service record.Darl brown canvas duffle bag with rope drawstring threaded through brass eyelets. Bag has a number of hand painted labels on the outside.Hand painted on the bottom of the bag in white and orange: ' 1039, VIC'. Hand painted on the side of the bag in white and orange: 'L. COHN, 1039, No 1 L.C. PATROL'.equipment, duffle bag, leo reoch cohn

Used in the 19th century to carry tools and manufactured by Holden and FrostManufactured and sold by Holden and FrostRectangular full leather bag, two straps all the way around bag. Missing shoulder strap26 1RAUL REAL HIDEleather, bag, tool bag

Large, blue, soft covered book with black and white photosStamped 'Phillip Island & District Historical Society'. Signed by the author.richardson family, chicory, victoria, phillip island, history, ventnor

Commonly used when washing whites in a copper to whiten the materialPaper wrapping printed in red on white paper, enclosing blue material"Robin starch for better starching" "Remove label, wrap block in flannel and stir in the last rinse"laundry item, reckitts blue bag

The Percy Uebergang family lived at Tooram Park, Allansford from 1912 until 1992. Percy and Myrtle Uebergang's children were twins, Ray and Joyce born in 1926 who lived at Tooram Park until their deaths, Ray in 1986 and Joyce in 1992. Neither Ray nor Joyce married and following the death of her brother Joyce set up the Ray and Joyce Uebergang Foundation which supports the local community. This stencil is part of the collection of items given into the care of the Cheese World Museum. It was used to mark bags of produce leaving the Tooram property. Uebergang catalogue No.A27 Rectangular tin stencil with cut out Uebergang name and address. The front is blackened through use and the top section has been whitened afterwards. A square hole in the top corner is used for hanging the stencil on the wall.P W UEBERGANG/ ALLANSFORD A27 [Uebergang No.]allansford, uebergang, stencils, labelling, uebergang, p w

Metal tag used on mail bags for delivery to and from Cockatoo, deliveries were made via Belgrave.mail bags, postal deliveries, cockatoo

Olive green nylon linerConlons Australia 1971 8465 - 66 - 011 - 5916sleeping bag, liner

Purchased through the Horsham Art Gallery Trust Fund, 1977

At the end of August 1940 the Hired Military Transport Dunera, a boat carrying around 2,500 European male internees, the majority of which were Jewish, arrived on Australian shores after two arduous months at sea. Although many had made England their home, their German or Austrian background caused these men to be classified as ‘enemy aliens’ by the British Government and sent to Australia without their families. The ‘Dunera Boys’ were interned in camps at Tatura and Hay. Although some internees were released after two years because they possessed specific industry skills which would aid the nation, others were interned for the entire duration of the war. This collection brings together objects, personal effects and documents relating to the journey, internment and subsequent military service in the 8th regiment experienced by the ‘Dunera Boys’. Also included are artworks and poems created by the internees during their interment, which express the thoughts and feelings of the men and document the daily life in the camps. Velvet, silk, silk embroidery thread, cotton thread, silk cord, leather, cotton and wood

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving