A Methodist School Hymnal book for use in schools in Australasia for the moral training of children. A thin black paperback vinyl covered vintage copy of The Methodist School Hymnal. The title is stamped into the front cover with a rectangular lined shape around it. There is a Preface, able of Contents, Index of First Lines, Appendix and Australasian Supplement. Pp 256.On the back left end paper is a child's pencil drawing of a face.religious books, hymn books, hymns, hymnals

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a child, attached to a card. little gem, child, hat

‘Seraph Shoes’ possibly manufactured by the Badorf Shoe Company Inc. Pensylvania USA Badorf Shoe Company, Inc. has been producing and distributing the finest children’s footwear brands since 1928. Badorf Shoe Company, Inc. was started in Lititz, PA, by brothers Norman and Paul Badorf. The company was owned and operated by the Badorf family for nearly 40 years until its purchase by Ura Gingerich in 1967. Forty six years later, the family tradition has continued and the company is now operated by Ura’s son Duane Gingerich and grandsons, Justin and Brandon Gingerich. A pair of child's cream leather shoes.SERAPH SHOES / J.E. ROBERTSON / APPROVAL No. 2047boots, shoes, footwear, bootmakers, leatherworkers, early settlers, pioneers, market gardeners, moorabbin, bentleigh, cheltemham

SEPIA PHOTOGRAPH MAN WOMAN + CHILDlocal history, photography, photographs, early citizens

Child's china cup with cat motifdomestic items, infants

Used by Lilian Rowley for her 5 children in the 1960'sLeather harness for child in a high chair.

Black and white photograph of a young child.mary farley-crossley, mollie farley-crossley

12 Piece Childs Tea Setstawell

This chair was made by a sailor in the crew of S.S.Casino it was presented to Miss Claire Lydiard in the late 1800's. (She later met her death by drowning in the lake at Rosebrook)Child's folding chair with carpet seatlocal history, furniture, domestic-nursery, s.s.casino, miss. claire lydiard

The lady in this photograph is probably Mrs Eveline Trevaskis who taught at the Wairewa School. Mrs. Trevaskis taught school from her early 20’s in different parts of Victoria. She gave it up to get married, has four children and 11 grand-children. Four of her grand-children are at Wairewa school. Mrs. Trevaskis went back to teaching during the wartime teacher shortage. She relieved at Buchan East State School for two years, getting up at 3.45 am to drive the 24 miles in pony and jinker. Wairewa State School, No. 3739 was built in 1923. The school closed at the end of 1973. Mrs Trevaskis was the teacher at Wairewa 1919-22 and 1945-1956. ( more information in News letter No. 123 NOVEMBER, 2015 - John Phillips)This item is associated with the history of education in East Gippsland.A black / white photograph in a small cream coloured folio. It is of an older lady seated on a chair with a young child on her lap. The child is laughing.inside cover - "Teacher at Wairewa"educatio-east-gippsland wairewa-state-school trevaskis-eveline

Coloured Photograph of three women & two babes in arms. Background a lawn and hedge.Inscription Mrs Till, Alison and Foster child and her child.till clothing

Black and white photograph showing child on horseback"Written on back of photograph" "Rose" aged about 26 years -1948

This photograph belonged to the Anderson Family before being acquired by the MuseumA group of ladies and small child with Mrs. Anderson.local history, photography, photographs, slides, film, mrs anderson and friends, black & white photograph, mrs emma anderson jacobs

Shoe last, used for making, shaping and mending shoes.Three footed Last, childs shoe Last. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shoe last, boot repairs, boot manufacturing

This photograph is associated with lecturer Paul Lambeth's TAFE photography classBlack and white photograph of a costumed child at Mungo. in pencil on verso "Tom Lambeth at Mungo"tom lambeth, mungo, photography, tafe, batman

The photo appears in an article titled "Raking memory's coals", about a visit by Roger Mitchell to Exmouth in 1983, where UC National Mission is at work on the frontier in the West. "In the car and over a meal we meet National Mission's community worker Bernice McLeod, self-effacing to the point of frustration, shrugging off a role in the oddly-mixed US base town which some say makes her saintly; others a pillar of the community."Bernice McLeod is shown playing with a small child.C&N 13/6/84 p. 3, p. 19.mcleod, bernice, exmouth, uc national mission

Child’s Platform Rocking Chair (Methodist Church) stawell

Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Physician - years-of-bliss blankets -(mother and child)Physician - years-of-bliss blankets - just feel the difference!/Wonderfully warm, without weight…soft and fluffy after countless washings…made from the most luxurious wool in the world….and guaranteed for 20 years/Physician/Luxurious Woollen Blanketsblanket, blanket fever, wool, collins bros, physician, geelong, advertisement, australian women's weekly

The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool using piano wire or bicycle spokes as needles, entering the garments in agricultural shows.Child's cardigan knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts

The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows.Child's cardigan knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts

The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows. This is one of 23 garments donated by her granddaugher, Mrs Glenda Ilsley.Child's jumper knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts

Blue child's shoes patterned with holes on frontcostume, children's footwear

Child's White leather shoes with bow on front.Sally Horner Growing Up with Glamour.costume, children's footwear