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Federation University Art Collection
Mixed Media & Charcoal, Cougle, Mavis, 'Untitled' by Mavis Cougle, 1987
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. If you can assist with information on this artist or artwork please use the 'contact' box below.Signed lower right side 'M. Cougle' '87'art, artwork, mavis cougle, mixed media, charcoal, framed -
Federation University Art Collection
Artwork - Ceramic, Reeves, Dianne*, "Show Your Claws" by Dianne Reeves, 1996 c
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Ceramic plate, boxed to enable it to be displayed on a wall. art, artwork, dianne reeves, ceramics, available -
Federation University Art Collection
Work on paper - painting, [Untitled], c2005
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.If you are able to assist in identifying this artwork and artist please leave a message in the comment box below.art, artwork, tafe business collection, available, portrait, alumni -
Federation University Art Collection
Painting - Artwork, [Untitled]
Under the direction of lecturer Raymond Thomas five students of Koorie Studies at the Gippsland Centre for Art and Design created this work. The were Vickie Turvey, Robyn Yates, Kellie Parsons, Melissa Fenton, Deanna Mobourne.A large canvas with indigenous plants, and Aboriginal animal motifs. If you can assist with information about this artwork, or the artist, please use the comment box below. artwork, artist, gippsland campus, aboriginal, kangaroo, emu, fish, clan map, vickie turvey, robyn yates, kellie parsons, melissa fenton, deanna mobourne, koorie studies -
Federation University Art Collection
Artwork, [Untitled]
If you have information on this artist or artwork please use the comment box below.artwork, artist, gippsland campus, churchill -
Federation University Art Collection
Artwork, A. Janczewski, Painting by A. Janczewski, 1990
This work used to hang at the entrance to the Geology Department at LaTrobe University.A colourful painting on composition board of a representation of a magnified geological specimen. If you have information on this artwork or artist please leave a message in the comment box below.artist, artwork, janczewski, geology -
Federation University Art Collection
Ceramic, 'Boxed Object' by John Teschendorff, 1984
John TESCHENDORFf (1942- ) Born Richmond, Melbourne, Victoria John Teschendorff studied at the Caulfield Institute of Technology (now Monash University), the Royal Melbourne Institute of Technology and the Royal College of Art London. In 1995 he was selected for Australian Ceramics 1830-1995 a major survey exhibition presented at the Museo Internazionale della Ceramiche, Faenza Italy. Since the early 1980s John Teschendorff has been working with constructed forms and works on paper whilst holding a number of senior academic appointments in Melbourne (Melbourne State College), Perth (Curtin University) and Kuala Lumpur (Malaysian Institute of Art & Limkokwing Institute of Technology). Black ceramic of slab construction item in a perspex box.john teschendorff, ceramics, jan feder memorial ceramics collection, gippsland campus, john teschendorf, strezleckie sptkanie -
Federation University Art Collection
Painting - Artwork - Painting, [Unknown] by R.E. Waghorn, 1981
Robert WAGHORN Robert Waghorn was a mature age student at the Ballarat School of Mines when Head of the Art Department, Brian McLennan, commissioned this work. Born: 1957 – Ballarat, Vic 1984 – Diploma of Fine Art (Painting), Phillip Institute of Technology 1985 – Studied art throughout Europe, United Kingdom and Egypt 1987 – Graduate Diploma (Art & Design). Phillip Institute of TechnologyAbstract Painting If you can provide information on this artist or artwork please use the comment box below.robert waghorn, brian mclennan, ballarat school of mines, artist, artwork -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, 1988
Photographed at Exhibition of Camp memorabilia, displayed at Templer Home for Aged, Bayswater, Victoria, in 1981.Negative no 13.Colour photograph. Items made from melted down silver coins. Bracelets, pendants, rings and brooches. Wooden trinket box.metalwork, woodwork, pow, camp internees, jewellery, trinket box -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, 1988 copy
Photographed at Exhibition of Camp memorabilia displayed at Temper Home for Aged, Bayswater, Victoria, 1981.Colour photograph of handmade wooden articles. Tools and planes made by Master Carpenter Reinhard Beilharz and a jewel box and inlay brooches he made for his wife Therla. Negative no. 19.hand made, reinhard beilharz, handcrafts, wood working tools, pow, camp internees, temple society -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, 1988 copy
Photographed at Exhibition of Camp memorabilia displayed at Temper Home for Aged, Bayswater, Victoria, in 1981.Colour photograph. Hand carved woodwork and dolls. Tools and planes, toys, fretsaw work cradle, dolls bath with ladle and fairy tale figures - inlay work. Doll on top of jewel box has hand carved head and limbs and a stuffed cloth body. Negative no 4.tools, wood work, fret work, hand carved, dolls, inlay work, pow, camp internees -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, 1988
Photographed at Exhibition of POW memorabilia displayed at Templer Home for Aged. Bayswater, Victoria, in 1981.Colour photograph. Wooden sewing box, vases, clock, brooches with shell pictures glued on. Negative no 8. woodwork, box - sewing, jewellery, clock, vases, pow, internment camps -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, 1988
Photographed at Exhibition of POW memorabilia displayed at Templer Home for Aged. Bayswater, Victoria, in 1981.Colour photograph. Wooden boxes and tray. Posters advertising productions of Kleist's comedy "Der Zerbrochene Krug" and Lessing's "Minna Von Barnhelm". Sketches of sets.Negative no 11.wooded boxes, wooden trays, woodcraft, pow, internment camps, der zerbrochene krug, minna von barnhelm, kleist, lessing, sketches, posters, camp entertainment -
Tatura Irrigation & Wartime Camps Museum
Cufflinks in box
Dress cuff links made and used by RAAF personnel.2 round dress cuff links. Yellow and blue with crown at the top. 3 link chain attached to a stud. Contained/displayed in a brown velvet covered box.RAAFraaf uniform accessories -
Tatura Irrigation & Wartime Camps Museum
Army Uniform Accessories, 1939-45
Pieces from the uniform and personal effects of W. Culkin (Army WW2)15 Items from Estate of William Culkin, relating to his war service (WW2). Personal effects displayed in a clear topped box.|1x photo (sepia) of W. Culkin|Stripes|Colours (felt)|Colours (metal)|1x rising sun hat badge|1x prayer book (R.C.)|2x metal "Australia"s for shoulder straps|2x ID tags|1x summary of conditions of awards|1x description of ribbon awarded|2x compliments from Minister of State for the ArmyVarioustatura, ww2, uniform, uniforms, army -
Tatura Irrigation & Wartime Camps Museum
Currency - Coin, Australian Kookaburra Coin, 2005
One of not more than 10,000 of these gilded Kookaburra silver coins minted at Perth Mint, Western Australia. Certificate of Authenticity. Coin No. 03077 contained in box1 gilded silver coin depicting a Kookaburra on the front. Queen Elizabeth on reverse. 99.9 % silver coin. Weighs 1 oz. Coin is in a plastic coin holder which is displayed in a padded display case with hinged lid. This is contained in a silver box. Certificate of Authenticity is inside case.The Australian Kookaburra Gilcoin, australian kookaburra, walker b, tatura, currency, numismatics, australian currency -
National Wool Museum
Functional object - Typewriter, Remington Typewriter Company, c.1925
This Remington No.12 typewriter is of the typebar, front-strike class. It was made by the Remington Typewriter Company of Ilion, New York, U.S.A. in about 1925. The Model No. 12 was introduced in 1922 and was one of the first 'visible writer' machines, in which the typed characters were visible to the operator. Previous models were of the upstrike class in which the characters were typed on the underside of the platen. To see what had been typed the operator had to raise the platen, meaning the typist was typing blind much of the time. This machine was used by Margaret Ganly née Burn in the 1930s. It was purchased for her by one of the sons of William Pride, a famous saddle maker in Geelong, William was Margaret’s grandfather. The typewriter was donated with original sales receipt and servicing tools. Margaret worked at Dennys for 7 years during the 1930s. The typewriter is accompanied with a story written by Margaret about her time working at the company. Margret married Jack Ganly, a fellow employee of Dennys. The Ganly name was well known within Dennys, with three generations of the Ganly family working at the company. WORKING CONDITIONS & OFFICE WORK DUTIES. Written by Margaret Burn in 2021. Worked at Dennys Lascelles in the 1930s. In the 1930s coming out of the Depression, jobs were hard to come by and had to be clung to by efficiency and subserviency. There was no union to protect workers – bosses could be tough and rough. Dennys Lascelles revolved around fortnightly wool sales in the “season” – September to May. Sale day was always a day of suppressed excitement. Preparation from a clerical point of view was complete and we now awaited the aftermath of the actual wool auction. The building teemed with people. There were country people down to see their wool sold, buyers of many nationalities, or from the big cities, who were coming in and out of the building all day. Their role was to inspect the acres of wool bales displayed on the show floors; however, caterers were present to feed clients, and there was plenty of social interactions on top of business. The office staff did not go home but waited until the first figures came back from the wool sales and the machines went in to action, both human and mechanical, preparing the invoices for the buyers’ firms. This comprised of lists of lot numbers, weights, prices per lb., and the total prices paid. A lot of this was done by old-school typewriters, making this work a big, heavy, tiring job. Before the finished lists could be dispatched, they were collated on an “abstract”. The lists had to balance with the catalogue from which the invoices had been prepared. This never happened automatically. All the paperwork had to be split up amongst pairs of workers and checked until discrepancies were found. This would happen until midnight but occasionally went until 2 or 3 am. Once complete, the invoices could then be rushed off to the buyers’ firms usually in Melbourne, and hire cars took the staff home. It was back on the job the next morning, usually around 8.30. The office hours varied according to the size of the sale and work involved. Some days started as early as 8 and could finish around 5.30. The second phase of work began with the account sales to be prepared for the sellers of the wool. These detailed all the weights, descriptions of wool, brands, and prices. One Sales account could have multitudes of lot numbers, all needing to be individually described. Various charges needed to be deducted such as finance for woolpacks, extra stock, or farmers who were given a loan to live on during the season. Details of how payment was to be made was also noted, whether the seller was to be paid by cheque, to a bank, or credited to their account with the company (which often left the seller still in debt). For a couple of months in the winter, things were quieter when staff took holidays and were sometimes given afternoons off. But there were still weekly skin sales and stock sales around the state. The annual end of June figures to be prepared for a big company like Dennys with branches all around the state also kept the staff busy. In good years there was sometimes a bonus. On sale days there was a bar open for the clients and wool buyers. This added to the excitement for the young girls, who were strictly barred from using it, but somehow managed to sneak a gin and tonic. This is how I had my first ever, before the evening meal. There was also the romantic notion in some minds, with all the influx of males, that some of us might end up on a wealthy station, or be noticed by an exotic buyer. To my knowledge, this never happened at Dennys Lascelles Limited. Group staff photo at Dennys Lascelles Limited. Margaret Burn. Age 18 or 19. Jack Ganly (Margaret’s future husband). 22.The typewriter has a black painted metal frame. The top section of the typewriter consists of a cylindrical platen on a carriage featuring plated metal fittings. A curved folding paper guide sits behind the platen and moves on the horizontal axis when the user types on the keyboard. A horizontal semicircular type basket with typebar links the top section to the lower keyboard. The ink ribbon is carried between two spools on a horizontal axis, one on each side of the type-basket. At the rear, a paper tray features gold lettering which reads ‘Remington’. At the front, a four-row QWERTY keyboard is found with 42-character keys total. 'SHIFT LOCK' and 'SHIFT KEY' are to the left of the keyboard, 'BACK SPACER' and 'SHIFT KEY' to the right. All keys are circular, white with black lettering. At the top of the keyboard are five circular red keys with the numbers 1-5 displayed behind their respective keys. A Spacebar is found along the front of the keyboard. The typewriter is accompanied by a cardboard box. This box contains the original sales receipt, on blue paper with grey lead handwriting. It also contains spare parts, a spare ribbon stretched between two spools, and cleaning tools such as brushes of differing sizes. Serial Number. Engraved. "LX45395" Gold lettering. Paper tray. “Remington” Gold Lettering. Behind keyboard. “Made in Ilion, New York, U.S.A. Gold Lettering. Mirrored both sides of type-basket. “12”remington, dennys lascelles ltd, worker conditions 1930s -
Chiltern Athenaeum Trust
Painting - Oil painting on gumleaf by Alfred William Eustace, circa 1851 to 1907
This gum leaf painting is one of a pair displayed on foil in the same frame. It is typical of many paintings by the self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, a well-known Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and camped on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skillful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.An oil painting on gum leaf by the well-known Australian artist Alfred William Eustace. He was a self-taught artist during the 19th and early 20th century and a prominent resident of Chiltern. Oil painting on gum leaf by Alfred William Eustace. A scene of a log cabin on Black Dog Creek Road, Chiltern, with Skeleton Hill in the background. The canvas is a juvenile Red Box (Eucalyptus polyanthemos) leaf. It is one of a pair of Eustace gum leaf paintings mounted on gold foil, under glass in a brown frame. Inscription on back. Labels on back: Rehoused by The Centre for Cultural Materials/ Conservation, University of Melbourne "Oil on Gum Leaf"/ by Alfred William Eustace/ Donor:- Cam & Connie Boadle/ Wales U.K. Crescent/ MUSEUM/ GRADE/ 24 OCT 1998/ CONSERVATION BOARD ALBURY/ PICTURE FRAMERS/ Shop 15 & 16/ AMP Lane,/ Albury, 2640/ Ph: 02 6021 7088black dog creek, chiltern, alfred eustace, skeleton hill, gum leaf, painting, eustace -
Puffing Billy Railway
hoop, Staff exchanger
Staff exchanger hoop - Leather Bakelite and wooden prop staff. The hoop held the 'Staff’ giving authority for a locomotive or rail vehicle permission to travel over a specified section of track. The display shows the hand held type used from person to person. Hand held staffs were exchanged at low speeds or stationary. Automatic staff exchangers were also in use when a vehicle was not required to travel at low speed to exchange the staffs and were used by express trains. To exchange the 'Staff’ from the platform or signal box to the locomotive driver, the hoop was held up in the air by the person, and collected by the Drivers arm. The reverse occurred when the staff was being given by the Driver. Both exchanges may occur where one section of line ends and another commences.Historic - Railways - Staff exchanger hoop - used for person to person exchanging.Staff exchanger hoop made of Leather Bakelite and wooden prop staffpuffing billy, staff exchanger hoop -
Maldon Vintage Machinery Museum Inc
Steam Engine, Estimated late 19th century
Large 4 wheeled single cylinder (horizontal) steam engine designed to be towed. Fire box painted black, boiler and steam cylinder green, wheels red. Boiler is not sound so engine is connected to an independent steam/air source to be operated for display purposes. 150 cm flywheel on LHS looking forward toward the front. Brass water drain tap on firebox. Also other brass fittings on firebox. Cast brass disc with red background fixed high on firebox :- "Marshal Sons & Co. / Made expressly / to the order / Shut, No. 45781, Open / of / Robison Bros / South Melbourne." "10017" raised in relief on firebox door. machinery; engines; steam power source -
Maldon Vintage Machinery Museum Inc
Steam Engine, 1877
Restored by Maldon Flywheelers Association. Originally owned and used by Zemster Brothers of "Brook Mount" Shellbourne.Known as "Aunty Jack"Large 4 wheeled 9 HP single cylinder (horizontal) steam engine, designed to be towed. Front wheels smaller than rear. Folding smoke stack with spark arrestor. Fire box and smoke stack painted black, boiler and steam cylinder green, wheels grey. In working order but engine is connected to an independent steam/air source to be operated for display purposes. 150 cm flywheel on LHS looking forward toward the front. Timber front turntable and back brake pad assembly. Brass water drain tap on firebox. Also other brass fittings on firebox.On brass ring near top of firebox:- "Serial No. 5672, Marshal Sons & Co. / Limited / Engineers / Gainsborough England". Metal plate on front turntable:- "Restoration of the Front Undercarriage / and retubing of the boiler by / Castlemaine Technical School / 1979". Cast in relief on wheel hubs:- "Marshal Sons & Co. Gainsborough".machinery - engines - steam -
University of Melbourne, Burnley Campus Archives
Book - Wall bracket, Natural Grasses, 1888
Joseph Bosisto, MP, had been presented with an extensive collection of seeds by the English firm of Sutton's Bros In 1888. He, in turn, presented the collection to the Royal Horticultural Society of Victoria (RHSV) for permanent display. They remained on display in the Pavillion until its demolition in 1951.) Wooden wall-bracket with paper prints of natural grasses pasted on to 12 tin hinged panels. Front panel has 2 Royal Warrants awarded to Sutton & Sons - Seed Merchants, London, 1 dated 1871, the other 1884. Handmade museum standard box with internal support.Inscription on wooden cover which had become detached and now appears to be missing is, 'Natural Grasses, used in Mr Martin Sutton's Prescriptions for Permanent & Temporary Pastures.'joseph bosisto, sutton's bos, rhsv, seed -
University of Melbourne, Burnley Campus Archives
Album - Colour slides, Burnley - Miscellaneous Views, 1954-1969
Contributor: T.H. KneenBox of slides, mostly labelled. 1. "School Building (May 1960) No. 1950." 2. "Students 5-2-58 John Richards Helen Page Instructor J.B. Nowell No. 1881." 3. "Orchard-Burnley (1960) No. 1953." 4. "Flower Bed & Lawns No. 1774." 5. "Plant Science Block Jul 69." 6. "Citrus myrtifolia being lifted (1960) No. 1945." 7, 8, "Mar 67." 9. "Dec 66." 10. "Long Border Aug '54 No. 1758." 11. "Border Display & Pond No. 1792." 12. "Rose Pruning Jul 67." 13. "Grampians-MCK Falls 10/65." 14. "Archway- Burnley Gar Yellow Banksia Rose No. 1779." 15. "P.R.L. No. 1684." 16. "Principal's Residence (Spring) Amygdalus pollardii No. 1716." 17. Views of Drive No. 1676." 18. "Field Day '57 Demonstration Burnley No. 1917." 19. "Shrubs & Annuals No. 1772." 20. "Burnley Gardens Flower Beds & Lawns Aut 1957 No. 1742." 21. "Vegetable GardenStudents 5.2.58 John Deverson Dorothy Issell Instructor I.G. McCure." 22. "School Lawn Golden Willow No.1754." 23. "Rose Pruning Demo No.1969 Jul 89." 24. "Field Day '57 Budding Burnley No. 1911." 25. "Field Day 57 Drainage No.1918 Burnley." 26. Rose Pruning Demo T. Komebum? Jul 69." 27. "Rose Pruning Demo Jul 69." 28. "Orchard." 29. "Wilson's Promontory N. P. Tidal River."school building, students, john richards, helen page, j.b. nowell, burnley, flower beds, lawns, administration building, orchard, plants, long border, rose pruning, grampians, principals residence, vegetable gardens, students working outside, lawnmower, john deveson, dorothy issell, golden willow, field day, wilsons promontory -
Creswick Campus Historical Collection - University of Melbourne
Ephemera
... Box of various display labels and photos... Building 719 Creswick goldfields Ephemera Photographs Box ...Box of various display labels and photosPhotographs -
National Wool Museum
Tool - Glasses, c.1950
Nino Corda was a Geelong based textile designer who worked at various textile mills between 1957 & 2003. He travelled the world in search of the latest fashions and techniques and developed timeless designs that were much loved by Australians. These items are on rotational display at the National Wool Museum’s ‘In the Factory’ exhibition. For many years, Nino also worked as part of the Honorary Staff of the National Wool Museum. His passion for the world of textiles provided energy and knowledge to the visitors and staff of the museum. Although Nino has now retired from his honorary position and has hung up his Australian Tartan vest, these items will continue to serve the community in sharing the stories of Australian Textile design. Textile designers used glasses such as these to see how many threads are within a textile sample. It was important to count correctly, otherwise the enlarged final pattern would be out of alignment. These glasses were popular in the 1950s but were replaced by viewing lens, such as item 8040 (in the National Wool Museum's Collection) in the 1960s because of their compact nature.Thin metal wire makes up the frame of the glasses. The metal is a standard metallic silver. The piece to sit on-top of the ear is excessively curved to hook around the ear. This is done to ensure the glasses do not fall off the face while looking down to view thread counts in a textile sample. The glasses are lacking lenses in their usual place. This has been replaced by another thin wire frame which protrudes an extra inch in front of the frame, almost like an additional layer of the glasses. Where this layer / frame ends, two lenses can be found which are square and much smaller than typical glasses lenses. This has been done to allow for powerful magnifying glass which would be ill-suited if it sat too close to the face / eyes. The glasses are also accompanied by their original box. The box is blue and has a large rectangle running through its centre. This rectangle works as a cushion for the glasses and is required as a result of their unusual shape.textile design, textile calculations -
Puffing Billy Railway
Number Plate - 3A
Loco: 3A In service Monday, 4th June 1900 Livery Not painted Owner Puffing Billy Gauge 762 Status Stored 3A Built in 1900 and painted two-tone green, this locomotive was issued to the Upper Ferntree Gully to Gembrook line and was used in the line’s construction. Over the years, it saw service on the Colac to Crowes and Moe to Walhalla lines, but it saw more service on the Gembrook line than any other. It was withdrawn from service in 1955 at Upper Fern Tree Gully and sold in 1960 to the Lord Mayor’s Camp at Portsea where it remained on static display until 1977. From there it was eventually brought to Belgrave for eventual restoration. When restored, it will be returned, as far as possible to its original condition with wooden cow-catchers, original design side tanks, low bunker, no smoke-box ash chute, etc. It will also have its original colour scheme of two-tone green with white lining.Historic - Victorian Railways Locomotive Number Plate used on Steam Locomotive 3ALocomotive Number Plate from 3A made of cast metal & Brass3Apuffing billy, 3a, number plate -
Puffing Billy Railway
Benwerrin Coal Company Coal Skip, circa 1899 - 1904
BENWERRIN COAL COMPANY SKIP This quarter ton coal truck or skip was used at a small mine situated at Benwerrin near Deans Marsh in Victoria’s Otway Ranges. The mine first opened in 1899 and closed in 1904. With the fuel shortages due to World War 2, the Benwerrin Coal Company reopened the mine in 1941. The coal was loaded into skips and winched out of Box’s Creek valley on a narrow gauge incline to a loading point that was close to the Deans Marsh-Lorne Road. It was then taken by road to the Deans Marsh Railway station. The average gradient of the tramway was 1 in 4 over a length of just under 500 metres (1600 feet). The gauge of the tramway has often been referred to as 375mm (or 15 inches) as shown on the map opposite taken from “Sawdust and Steam”. However, actual measurements of the wheels show the gauge to be 400mm (or 16 inches), which is quite unusual as is the small size of the skip itself. The mine produced up to 30 tonnes of brown coal each week until it closed in 1949 and the incline tramway and its skips were abandoned. Preservation of this coal truck came as a result of interest by the Tramway Museum Society of Victoria (TMSV) in the Barlow or Box type rails that it ran on. These rails had originally come from the Beaumaris Horse Tramway and were obtained by the Benwerrin Coal Company from Hayden Bros’ abandoned timber tramway at nearby Barwon Downs. Members of the TMSV visited the mine in the 1960s only to find that most of the tramway had recently been recovered for scrap. There remained a significant number of relics around the mine adits including most of the skips. One of these remained in good condition and it was recovered for preservation in May 1967. It was restored but never displayed and a second restoration took place by the author over 2012/13 so that it could be placed in the Menzies Creek Museum where it was delivered in February 2013. Little remains of the mine today with trestles and sleepers destroyed in the “Ash Wednesday” Bushfires in 1983. References: Houghton, N (1975), Sawdust and Steam, Light Railway Research Society of Australia. Historic - Industrial Narrow Gauge Railway - Benwerrin Coal Company , Benwerrin , Victoria, AustraliaCoal Skip - made of Iron sheet and wrought iron frame & wheelsB,C.Co Melbournepuffing billy, coal skip, benwerrin coal company, narrow gauge -
Robin Boyd Foundation
Slide, Robin Boyd, 1970
Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka and travelled to Osaka several times in 1969-1970. Boyd designed the innovative Space Tube, which had over 25 exhibition boxes, projecting from it. Amongst the topics covered were Australian scientific innovation (including brain research, immunology, Antarctic research, Snowy Mountains Hydro-Electric Power Scheme, rainmaking, and the night sky), Australian sport, house interiors, car manufacturing, Australian music and art, and Japanese-Australian relations.Colour slide in a mount. Red display background, Osaka Expo '70, JapanMade in Australia / 8 / MAY 70M3expo 70, osaka, robin boyd, slide -
Federation University Art Collection
Photograph, Louise Kellett, 'Apple of My Eye' by Louise Kellett, 1984
Louise KELLETT Louise Kellett was the Grand Final winner of the 1984 Age/Nikon School Photographic Contest. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed photograph featuring an eye.. If you can assist with information on this artist or artwork please use the comment box below. art, artwork, louise kellett, dr curry, the age nikon photographic award, available, alumni -
Federation University Art Collection
Drawing - Soft Pastel on Paper, Beckers, Andrew, 'Defected' by Andrew Beckers, 2001
Andrew BECKERS (1981- ) Andrew Beckers studied Visual Art of the University of Ballarat. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed pastel drawing. If you can assist with information on this artist or artwork please use the comment box below.art, artwork, andrew beckers, alumni