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Glenelg Shire Council Cultural Collection
Photograph, 1890-1910
Original black and white photo mounted on white card overlaid with grey/green indented card. Image is of two women in a rural setting, holding handles of a group of several furled umbrellas. Dress is late 19th, early 20th century style. -
Glenelg Shire Council Cultural Collection
Print - Contact Print, 1960-1979
Black and white contact print from glass plate negative. Image shows a group of 5 women and a boy sitting on a rock platform, with their backs to a cliff. Dress late 19th, early 20th century. -
Glenelg Shire Council Cultural Collection
Print - Contact Print, 1960-1979
Black and white contact print from glass plate negative. Image is of a group of 8 women and a man, sitting or standing on lawn with a backdrop of trees. Dress is late 19th or early 20th century. -
Glenelg Shire Council Cultural Collection
Photograph - Contact Print - Beechwood Residence Dutton Way, 1960-1970
Black and white contact print from glass plate negative. Image shows 3 young women standing in the garden of 'Beechwood' at Dutton Way. Low clipped hedges define pathways. Circular lawn with high backed cane chair. Dress estimated to be late 19, early 20th century. -
Glenelg Shire Council Cultural Collection
Print - Contact Print - Pastoral Scene, 1960-1979
Black and white contact print from glass plate negative. Image shows 5 women standing on top of weir, in a bush setting. Dress plate 19th, early 20th century. -
Glenelg Shire Council Cultural Collection
Photograph - Sheet with 2 black and white contact prints from glass plate negative, 1960-1970
Historic image of the Curators Cottage - Portland Botanical GardensSheet with 2 black and white contact prints from glass plate negative. Identifying numbers 5628 a, b (a) Top print is a group of 5 women and a man sitting / standing on a lawned area in front of a garden bed , picket fence in background. Dress late 19th, early 20th century. Measurements 11.9 x 19 (b) Bottom print is of the curator's cottage in Portland Botanical Gardens. Measurements 11.8 x 12.5 cm -
Glenelg Shire Council Cultural Collection
Print - Contact prints - Pastoral Scene, 1960-1979
Set of 2 contact prints from glass plate negatives. Top: Group of men and women sitting/standing in a bush clearing. Bottom: Man and woman in horse drawn buggy, in front of cyprus pines and wooden fence. People in both prints wearing costume from late 19th, early 20th century. -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Tennis players in the late 19th, early 20th century, 1960-1979
Black and white contact print from glass plate negative. Image is of a group of 7 men and women sitting on a bench under a tree. They are all holding tennis racquets. Dress late 19th, early 20th century. -
Glenelg Shire Council Cultural Collection
Print - Contact Print - Pastoral Scene, 1960-1970
Sheet of 2 contact prints from glass plate negatives. Top: 2 men and 2 women in a clinker built dinghy on a river. Beds of reeds in river. River bank heavily wooded. Bottom: 3 women, one seated in garden at 'Beechwood', Dutton Way. People in both prints dressed in fashion late 19th, early 20th century. -
Glenelg Shire Council Cultural Collection
Print - Contact Print - Pastoral Scene, 1960-1979
Sheet of 4 contact prints from glass plate negatives. Top left: Stream running through bushland and beneath bridge. Top right: Dutton Way beach, looking towards south. Bottom left: Whalers Bluff with lighthouse from Dutton Way. Bottom right: 3 women sitting at small table, taking tea. Outdoor scene, ivy-clad wall behind them. They are dressed in late 19th, early 20th century fashion. -
Glenelg Shire Council Cultural Collection
Photograph - Sheet of two black and white contact prints from glass plate negatives, 1960-1970
Sheet of two black and white contact prints from glass plate negatives. Measurements 12.9 x 16.1cm each print Top Image: 3 women and a man sitting on ground under trees. Tablecloth with picnic food and drink. Bottom Image: Group of men and women, flat rocks Bridgewater Beach. One man has fishing rod. Estimated by the style of the Dress to be taken in the late 19th, early 20th century. -
Glenelg Shire Council Cultural Collection
Photograph - Contact Print - Portland, Victoria, 1970s
Sheet of 2 contact prints from glass plate negatives. Top: Group of people on and near a bridge over creek. Bushland setting. Bottom: 3 men and 3 women standing on bank of river. Surrounding area flat, almost treeless. Sandy soil. People dressed in fashion of late 19th, early 20th century.photography, contact print, bushland, glenelg shire -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland Tennis Club, n.d
Black and white photo taken from glass plate negative. Mounted on heavy card. Card label attached to bottom of photo. Group of men and women painting clubhouse at Portland Tennis Club. Dress estimated to be late 19th, early 20th Century.Front: '(on label) Working Bee - Portland - Tennis Club - Approx. 1900' Black texta Back: 19.8 x 15.1 -
Glenelg Shire Council Cultural Collection
Negative - Glass Plate Negative - Botanic Gardens, c. 1890
Glass plate negative. Image shows 3 young women on bridge in Botanic Gardens - one of the bridges linking the islands. Dress estimated to be late 19th, early 20th Century. -
Glenelg Shire Council Cultural Collection
Negative - Glass Plate Negative - Five women standing/sitting on a wooden jetty over river, bushland setting, 1890-1910
Glass plate negative. Image shows five women standing/sitting on a wooden jetty over river, bushland setting. Clothing estimated to be late 19th, early 20th Century. -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Group of people in a bush clearing, n.d
Black and white photo mounted on heavy card. Group of 22 men and women posing in a bush clearing, unknown location in Portland. Estimated dress late 19th, early 20th Century.Front: 'Portland Victoria' - pen Back: 'Thin Cards for Framing Purposes' - pen -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Group of 5 women and 2 men, with tennis racquets sitting on bench under tree, n.d
Black and white photo taken from glass plate negative, attached to heavy card. Group of 5 women and 2 men, with tennis racquets sitting on bench under tree.Estimated dress to be late 19th, early 20th century. -
Glenelg Shire Council Cultural Collection
Negative - Glass Plate Negative - Cape Bridgewater, Victoria, 1890-1910
Glass plate negataive. Group of men and women on rocks at Cape Bridgewater. About half of the group have fishing poles. Dress late 19th, early 20th Century.cape bridgewater, fishing, recreation, glass plate negative -
Glenelg Shire Council Cultural Collection
Negative - Glass Plate Negative - Fawthrop Lagoon Portland, 1890-1910
Glass plate negative. Two men and two women in a clinker built dinghy on Fawthrop lagoon. Estimated dress to be late 19th, early 20th Century. -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Jackass Fern Gully, Glenelg Shire, n.d
Black and white photo taken from glass plate negative. Group of men and women at Jackass Fern Gully. Dress late 19th, early 20th century.camping, recreation, glass plate negative, jackass fern gully, camping -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Picnic Scene, n.d
Black and white photo taken from glass plate negative. Attached to heavy card, showing a large group of men and women picnicking on grassy area, in front of trees. Estimated by dress to be of the late 19th, early 20th Century. -
Glenelg Shire Council Cultural Collection
Negative - Glass Plate Negative - Afternoon Tea, Portland, 1890-1910
Glass plate negative. Three ladies seated at a table, 'taking tea'. Wall covered with creeper in background. Dress late 19th, early 20th Century.tea, recreation, ladies, women -
Glenelg Shire Council Cultural Collection
Negative - Glass Plate Negative - Botanic Gardens Portland, c. 1890
Glass plate negative. Image shows a group of men and women with tennis racquets, posing on a bench in the Botanic Gardens. Dress estimated to be late 19th, early 20th Century. -
Glenelg Shire Council Cultural Collection
Negative - Glass Plate Negative - Group of women standing on top of weir, c. 1890
Glass plate negative. Image shows a group of women standing on top of weir. Dress estimated to late 19th, early 20th Century. -
Halls Gap & Grampians Historical Society
Photograph - Parfett family at Mackenzie Falls, c. 1926
Parfett family were an early family who regularly holidayed in the Halls Gap area.Rectangular black & white photograph in a thin wooden frame with gold edging. Group of 8 people- 3 men, 3 women, 2 youths, sitting on a rock in front of waterfall. Rock has letters B.P and t E (?) painted on it. "BIG FALLS, c. 1926 (Mackenzie Falls) BLC sticker "Framed by DOUG'S FRAMES professional Picture Frame 24 Magpie St Ballarat, just down from Sovereign Hill. Phone 053 - 32 8311 label on back of frame. -
Halls Gap & Grampians Historical Society
Magazine - B/W, C 1915
Large families were the norm, rather than the exception up to the time of the World wars. perhaps the senseless destruction of those young lives sickened humanity- perhaps the increased taxes and cost of living resulting from the wars caused a necessary reduction in family size. Perhaps the independence won by women as they carried on their daily lives without their men, made mothers say, "Enough" The Warren family farmed the fertile Fyans Creek flats in the Grampian Mountains of Western Victoria. Some say Halls Gap was so named because the bushranger Hall holed up there in the early days. The rugged slopes and hidden gullies could have hidden a whole gang of bushrangers, but little remained undiscovered to a wandering family of 12 children growing up with their flocks and herds grazing the ranges. A tired rider could nod off, safe in the knowledge a trusty stockhorse would plod steadily homeward into the night. Responsibility quickly made youngsters capable and reliable. Then Australia went to war. There were three older brothers, then the girls, then young Frank. All the men went, including Frank. So the girls had to run the farm alone. Their mother had her hands full with the youngsters, still attending school, a daily walk over the mountain to Pomonal and return. But the loss of the men's casual wages from timber cutting and labouring jobs, meant great hardship is some method of earning a cash income had to be devised. Paying guests! That was it. So Myrtle Bank Guest House was born. City folk flocked to the mountain resort. High stepping mountain horses met them at the Stawell raid-head, with the tall and beautiful Warren girls driving them in experienced fashion, their auburn hair sometimes falling from its pins to fly free, as the dray bowled along towards the hills. The would hitch up their skirts to saw and chop wood for the stoves and fires. They milked cows and delivered calves. They shore sheep and trimmed their feet. They mustered their cattle as the seasons rolled by, and the paying guests watched and participated, fascinated. With laughter and song, the girls would wash up in a tin dish, throw on their house clothes to wait on table, sing and play piano, violin, accordion, enjoying the talk of the city and that other world so far away from their mountain home. The simple country menu was a hit, and the homemade bread, butter, jams and preserves, fruit and vegetables sent guests staggering to their armchairs. Picnics, hikes, goodbyes and welcomes blurred as the years of the war dragged by. Bookings were made and remade as the new enterprise became established. Peace was declared. the men returned A whole new building rose with two floors, inviting verandahs and bathrooms. Myrtle Bank would remain a family business all its lifetime, until buried below the Bellfield Dam, by which time more than one the girls had joined their beloved Frank, lost on Flanders Field. Article in book or magazine describing life at Myrtlebank during war years Other article written from letter from soldier P Lillis to his sister 3rd article of woman from country enlisting in WAAF Submitted by Carol of Bannockburn, Submitted by D Langley Submitted by Meryl of South Frankstonaccommodation, myrtlebank, people, warren -
Eltham District Historical Society Inc
Negative - Photograph, Tom Prior, Feminine reception for the U.S. Fleet near Research, Victoria, 1908
With the visit of the American Fleet to Melbourne in early September 1908, volunteers from the the Automobile Club of Victoria took 100 officers on an excursion to the Black Spur past Yarra Glen on the 4th September 1908. (The area we know today as the Yarra Valley). The convoy travelled through Eltham, Research and Kangaroo Ground, where a group of women gathered to wave to them. This was one of the first motor vehicles to pass through Research. The visit of the American Fleet was a big deal at the time. A Program of activites was compiled. City buidlings were illuminated, a State reception was given and a concert was held. The Federal Parliament sat in Melbourne at that time. This photo was made using a home-made camera constructed by the photographer Tom Prior (brother of Mrs E.R. Reynolds). Reproduced on p86 of 'Pioneers & Painters'This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Negsepp, shire of eltham pioneers photograph collection, research (vic.), u.s.a. fleet, automobile club of victoria, drive, excursion, visitors, welcome, usa fleet, us fleet, waving, tom prior, pioneers and painters, reynolds prior collection, u.s fleet -
Eltham District Historical Society Inc
Negative - Photograph, Members of the Hill family, early Eltham settlers, c.1860
Mrs Georgina Hill (wife of Henry), nee Reynolds (of Research, Vic.) in cap [possibly misidentified by donor - see note below] with Mrs Isaac Hill and her children (left to right) Amelia Hill, (born 1853) Mrs Isaac Hill with baby Isaac (born 1860, Eltham) on her lap. Mary Jane Hill (born 1857, Eltham) seated on Mrs Henry Hill's lap and Bob Hill. The Hill family were early settlers of the Eltham area. Daguerreotype photo enclosed in a leather bound clam shell box with felt lining and gold trim. Donated by Mrs Ivy Edna Hill, 4/1 Bridge Street, Eltham, 4 June 1966 and includes copy of her note identifying the people. Daguerreotypes were one of the first forms of early photographs. They initially appeared in Europe in 1839 and were produced in large numbers to the early 1850s but were superseded by more modern and flexible forms of technology by 1860. The photo was usually formed on a thin copper plate with light sensitve silver iodide. They have a mirror-like appearance and the image itself was mirrored. They were usually inserted into a case or frame made of wood bound in leather or velvet and cost about one guinea in Australia, the equivalent of a week's wages. With the advent of the gold-rush and growing population came an increase in numbers of photographers both studio and travelling. The daguerreotype process was protected by patents and could only result in a single image from which no copies could be made. With new technology involving wet colloidion glass plate negatives and albumen paper prints of which multiple copies could be produced at significantly reduced cost, the dauguerreotype quickly fell out of favour. An accompanying note with the photo written by Edna Hill of 4/1 Bridge Street Eltham dated 4 June 1966 states: "Dear Mr Watson, I think the enclosed old time photograph will be of interest to you. It would have been taken about 1860. The two ladies are the wives of the original pioneers of the Hill family. The one in the cap was the wife of Henry Hill, the other of Isaac Hill. The children are those of Mrs Isaac Hill, and grandchildren to Henry Hill. The little girl on the left is Amelia, the baby Isaac, the second girl is Mary Jane, and the boy on the right is Bob Hill. They grew up tobe Uncles and Aunts of my late husband. I greatly appreciated a letter received a few months ago per Cr Pelling, from the Shillinglaw Cottage Committee. Yours sincerely, Edna Hill" Victorian birth registrations show Mary Jane Hill was born 1857 in Eltham (9879 / 1857) and Isaac Hill at Eltham in 1860 (1972/1860) NOTE: Mrs Isaac Hill was Ellen Fitzsimons (1834-1863), mother to Henry Hill. Mrs Georgina Hill, wife of Henry cannot be the lady in the cap as she was not born till 1864. Georgina Reynolds (1864-1927) married Henry Hill (1862-1948) in 1884. This lady has significant wrinkling of the face, especially around her mouth. It is possible that she is the mother of Mrs Isaac Hill (Ellen Fitzsimons) who was Isabella Fitzsimons (nee Ferguson).This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Negsepp, shire of eltham pioneers photograph collection, eltham, hill family, research (vic.), women, amelia hill, bob hill, daguerreotype, early settlers, georgina hill (nee reynolds), isaac hill, mary jane hill, mrs henry hill, mrs isaac hill, ellen hill (nee fitzsimons), isabella fitzsimons (nee ferguson) -
Kiewa Valley Historical Society
Lighter Lift Arm, Circa 1930's to 1940's
This cigarette or pipe lighter was in use in the mid 1900's when the majority of users were men. Ladies did smoke but mainly not in "public" The activity was still regarded as a male activity. Middle to Upper "Class" of women nearly always had a gentleman "at hand" that would "light up" her cigarette. This was seen as a "social" activity only but later in the mid 1900's onward it was quite acceptable for both sexes to "smoke" at anytime.This type of lighter was male orientated due to the degree of lighting the flint with the horizontal movement required a strong thumb action across the lighting wheel. It is significant to rural areas such as the Kiewa Valley as the majority of men (especially during and after World War II) regarded smoking as a way to ease off the "tension" of hard work. The socio-economics of the Australian work place changed after the emancipation of women in the "workforce" after the World War II depleted the male workforce for the duration of the War and changed the Australian ethics of women in all aspects of both city and rural working "so called" male only occupations.This Polo Swift lift arm cigarette/pipe lighter has a chrome plated shell and is fueled by petrol. To operate this lighter you lift the "snuffer" arm exposing the wick, then scrape the flint wheel to create a spark from the adjacent flint(resting on the brass ignition wheel).At the bottom of the lift arm station "POLO". Each side of the lighter are "Art Deco line running from the top of the lighter to the bottom. Between these is a rectangular box with "diamond crossed lines"early hand lighters, smoking in the 1930's, cigarette lighter, tobacco, cigerettes, lighter -
Kiewa Valley Historical Society
Lighter Lift Arm, circa early 1900s
This cigarette or pipe lighter was in use in the mid 1900's when the majority of users were men. Ladies did smoke but mainly not in "public" The activity was still regarded as a male activity. Middle to Upper "Class" of women nearly always had a gentleman "at hand" that would "light up" her cigarette. This was seen as a "social" activity only but later in the mid 1900's onward it was quite acceptable for both sexes to "smoke" at anytime.This type of lighter was male orientated due to the degree of lighting the flint with the horizontal movement required a strong thumb action across the lighting wheel. It is significant to rural areas such as the Kiewa Valley as the majority of men (especially during and after World War II) regarded smoking as a way to ease off the "tension" of hard work. The socio-economics of the Australian work place changed after the emancipation of women in the "workforce" after the World War II depleted the male workforce for the duration of the War and changed the Australian ethics of women in all aspects of both city and rural working "so called" male only occupations.This Roller Beacon lift arm cigarette/pipe lighter has a chrome plated brass shell and is fueled by petrol. To operate this lighter you lift the "snuffer" arm(long roller lift arm) exposing the horizontal external flint tube, then scrape the flint wheel to create a spark (to light the wick) from the adjacent flint(resting on the brass ignition wheel).At the base to the left of the "filler" screw "PATENT No. 485037, 818155" underneath "REG. DES. N" on the filler screw "ROLLER REG" underneath "TRADE MARK". To the right of the "filler", "THE ROLLER BEACON MADE IN ENGLAND"early hand lighters, smoking in the 1930's, cigarette lighter, cigarette, tobacco