Chlorate of Potash tablets were used to cure mouth ulcers. They were available without a prescription from chemist shops. They were small white tablets and were packed in small flat glass bottles.A small flat glass bottle which contained tablets. There is a metal screw top and an oval white label with navy blue printing.TABLETS / CHLORATE / OF POTASH / 5 Grschlorate of potash, m. j. dear - chemist, chemists, pharmacists, medicines, george evans collection

Red Trolley - BN Class Trolly Class: BN* * Trailers marked (*) are classified as Rail Mounted Tools or Tool Carriers for the purposes of Section 1 of Appendix 1 of the General Instructions. Number: 1, 2 & 3 Name: - Description: Flat top dummy Load Capacity. - Goods : 1 ton (1 tonne) - Persons. ---Puffing Billy Railway - Narrow Gauge Track maintenance Vehicle - BN Class TrollyRed Trolley - BN Class Trolly - Flat top dummy made of wood and wrought ironpuffing billy railway, pbr, red - trolley, bn class trolley, trolley, trolly

Yellow Trolly - BN Class Trolly Class: BN* * Trailers marked (*) are classified as Rail Mounted Tools or Tool Carriers for the purposes of Section 1 of Appendix 1 of the General Instructions. Number: 1, 2 & 3 Name: - Description: Flat top dummy Load Capacity. - Goods : 1 ton (1 tonne) - Persons. ---Puffing Billy Railway - Narrow Gauge Track maintenance Vehicle - BN Class TrollyYellow Trolly - BN Class Trolly - Flat top dummy made of wood and wrought ironpuffing billy railway, pbr, rolling stock , yellow - trolley, bn class trolley, trolly, trolley

Cordial came in bottles bought at the local grocery store or at a large city store on a shopping expedition. The shape of the bottles changed as did the stopper used to seal it. Bottles were re cycled remaining the property of the manufacturer. History of Brookes Lemos ltd.Historical: Change of Bottles - shape, glass, stopper, embossing. Bottle collectors. Aesthetic: Display showing embossing and shape Clear glass bottle curved on 1 side with criss cross pattern two thirds of the way up surrounding a clear oval shape with narrower ends top and bottom. The other side is made up of 3 flat 'pieces' each with print in capital letters, heavily embossed. On 1 of these flat sides below the writing is the 'outline picture' of a 'boy' holding a similar bottle. Above these sides the bottle becomes round and tapers with vertical embossing to a double lip, a neck and then another double lip with a screw for the top.Printed from top to bottom: 1 flat side: 'Regd Design No 9072 Australia No 8449 India / No 689933 Great Britain No / 1926 Union of South Africa / No 57737 U S America No 1921 New Zealand Regd 1925 Canada / Only Contents Sold'. Middle flat side: 'Brookes Lemos Limited / Manufacturers of / Lemos / Registered Trade Mark' Third flat side: 'This Bottle is the Property / Brookes Lemos Limited and / Cannot be Legally Used / By Others For Any Purpose.' Also outline picture of boy Base: 'F380'cordial, drink, bottle, brookes lemos ltd.

The South Bendigo Methodist Circuit consisted of churches at Golden Square, Kangaroo Flat, Speciman Hill and LockwoodA4 Programme produced by the Golden Square Methodist Church and the Pastorate of Golden Square, Kangaroo Flat, Specimen Hill and Lockwood Churches; contains prayers and bible readings and dedication of a wall plaque.religion, history, lydia chancellor collection

This three-seater sofa is a reproduction of the Robin Boyd designed sofa featured in the promotional brochure for Domain Park Flats in 1962 (item F003) from the 2017 Boyd Collection by furniture makers K5.Rectangular three-seater sofa. 6 timber cigar shaped legs with round flat brass metal feet. Orange wool fabric. Armless.walsh st furnishings, sofa, domain park, robin boyd

TEXT OF TALK - ''THE FIRST 50 YEARS OF FREEMASONRY IN BENDIGO''. (Stamped on first and last page with name of Mc.G W Morse 'Dunmaghlas' 36 Thomas St, Kangaroo Flat. (author?; no date provided). Typed pages cut and mounted on 17 stapled pages. References to: W C Vahland; ''The Golden Lodge of Bendigo''; organ; Corinthian Lodge of Sandhurst; ''Black Liners''; Eaglehawk Lodge; Zenith Lodge; Golden and Corinthian Lodge; Art Union; Masonic Charity Sunday; Sandhurst Lodge; Corona Lodge; Royal Golden Chapter; Kinghts Templar; Mark Master Masons Degree;mcG. W. Morse, Dunmaghlas, 36 Thomas Street Kangaroo Flat. 3555clubs, social, freemasonry, bro. w.c. vahland, boltons brothers, bendigo gold rush, freemasons, brother r.c. mackenzie, criterian hotel, brother w. scott, brother edward salaman, grant's cafe.

Penleigh Boyd, Robin and Patricia Boyd's son, writes “Prior to 1950 Robin, like most other amateur or hobby photographers, took black and white printed photographs. The oldest slides date from 1950 when Robin and Patricia travelled to Europe on Robin’s Robert Haddon Travelling Scholarship.” In 1948 Robin Boyd was awarded ‘joint first place’ in the Robert Haddon competition for his design of Mildura art gallery. The scholarship helped fund their first overseas trip. Robin and Patricia were passengers on the Greek ship “Cyrenia” departing in May 1950, passing through the Suez Canal and landing in Genoa five weeks later. For six months, they travelled extensively throughout Europe (predominantly driving themselves) - France, Italy, United Kingdom, Sweden, Denmark, Germany, Austria, Switzerland and Spain.Colour slide in a mount. Kensal House, 1937, Ladbroke Grove, London, England. (Architect: Maxwell Fry.)London / Flats / Flats at Paddington / Arch. Maxwell Fry / 193 (All Handwritten)haddon travelling scholarship, haddon, robin boyd, slide

Penleigh Boyd, Robin and Patricia Boyd's son, writes “Prior to 1950 Robin, like most other amateur or hobby photographers, took black and white printed photographs. The oldest slides date from 1950 when Robin and Patricia travelled to Europe on Robin’s Robert Haddon Travelling Scholarship.” In 1948 Robin Boyd was awarded ‘joint first place’ in the Robert Haddon competition for his design of Mildura art gallery. The scholarship helped fund their first overseas trip. Robin and Patricia were passengers on the Greek ship “Cyrenia” departing in May 1950, passing through the Suez Canal and landing in Genoa five weeks later. For six months, they travelled extensively throughout Europe (predominantly driving themselves) - France, Italy, United Kingdom, Sweden, Denmark, Germany, Austria, Switzerland and Spain.Colour slide in a mount. Kensal House, 1937, Ladbroke Grove, London, England. (Architect: Maxwell Fry.)London / Flats / Flats at Paddington / Arch. Maxwell Fry / 193 (All Handwritten)haddon travelling scholarship, haddon, robin boyd, slide

The Country Women's Association of Victoria aimed to improve the health, welfare and education for women and children in the country. Many groups in country Victoria existed including one at Allan's Flat in the north east.The ladies of the Tawonga CWA branch supported the Allan's Flat branch as this book was amongst a Tawonga member's belongings. The visiting and communication between other branches supported the aims of the CWA organisation.White book with 36 pages held together with 2 rusting staples. In dark blue the title, CWA logo and Allan's Flat / Victoria are written. The recipes are typed in blue.cwa. recipes. allan's flat. cooking.

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEB/W LandscapeFlat Woven Pile Woven Warp knit Circular Knit Dobby Jaquard Dobby Jaquard Flat Brushed Pol DNB Flat Valourindustry, aunde

Miners used pickaxes to break up rock and ore, making it easier to extract valuable minerals. The pointed end of the pickaxe was used to chip away at rock. The flat end was used to strike the rock for breaking it apart.Used in the Kiewa Valley by miners searching for gold.Cast steel 14 inches long with a sharp pointed end and a small flat end. There is a space for the handle which is missing and may have been made from wood.mining, miners' pick axe

Ballarat Junior Technical School moved to the new building in 1921. The grounds were cleared, terraced and planted out. Another area below the terraces was known aas White Flat. This was cleared and became the oval for the school allowing for all sporting activities to be carried out.Set of photographs showing sports day, Ballarat Junior Technical School. Area used is White Flat Oval which was completed as a playing ground in 1925

Heavy, flat-sided baby’s feeding bowl, the design of which encourages the child to feed himself. A good example of a common household item.Round cream ceramic bowl with flat lip and straight sides which is straight on the inside and indented on the outside. “BABY’S PLATE “ written in brown on rim. Transfer of three young girls with one astride a black and white dog, in garden setting. Gold on rim.Baby’s plate.bowl, ceramic

The 'flat' hat dominated millinery design in the 1950s. Most women sourced their hats from numerous Melbourne or suburban milliners while others purchased the products of French designers. A number of Australian companies were licensed to reproduce French designs. In very rare cases, Australian women purchased directly from a French couturier's collection. This inverted flat 'saucer' hat is an example of the latter.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners. This feather hat was donated by Marion Blatchley, a resident of 7 John Street, Kew, a member of the Society, and a collector of vintage fashion items. In terms of fine workmanship, it is the highest quality hat in the collection.A fashionably flat woman’s hat with an inverted rim. The whole is covered in tiny iridescent dark feathers. A numbered label stitched to the interior of the hat identifies that the hat was made in Paris, France. The label includes a stamped number 9102 and a handwritten ‘Col 10’.Label: Stamped number 9102 and a handwritten ‘Col 10’.hats, women's clothing, costume accessories, french fashion - 1950s

Black and white photographHenley Flats - Yarra River henley flats, yarra river

Historically this item was used before the spirit and the electrical iron took over Circa 1930s -1950s. The main body of the iron was placed on a flat heated surface of a stove (wood, coal or gas fired). It was mainly used by women in their domestic role, ironing the family clothes and linen. In the Kiewa Valley the supply of coal or gas was not available or too expensive than the locally cut hard wood trees. This particular iron was an improvement on the fixed handled iron because it allowed (by use of its easily detachable handle) to use multiple bases and thereby allowing a constant heat supply to be maintained and not having to waste time for a base to reheat to the required level of application.The significance of this item was that it allowed for a faster method of ironing clothes and linen. It's invention was a progress towards reducing the time it took to undertake a very labour and intensive domestic function. The reduction of time taken for this household duty provided women great flexibility to undertake other activities. These type of improvements to basic domestic tasks liberated housewives not only physically but also mentally from the isolation of the home environment.This flat iron has a removable, clip-on handle. The handle and its release knob are of wood. The base of the handle together with the heavy flat body are made of cast iron. The body of the iron is oval shaped tapered at each end and is 40mm thick.Underneath the handle frame and on the main body, on one side, in raised lettering is "Mrs Potts" and on the other side "Iron". Both are clearly visible when viewed from an aerial position. Under removable handle and on a plate (screwed onto the main body) is "No 2"iron, antique, household, pressing clothes, domestic, laundry

Robin Boyd designed this three-seater sofa. The sofa was featured in the promotional brochure for Domain Park Flats in 1962. The original sofa is in similar tones to the Featherston chairs (item F002) - it is currently stored offsite.Rectangular three-seater sofa. 6 timber cigar shaped legs with round flat brass metal feet. Olive green/copper loose weave fabric. Wool/silk blend fabric. Armless.walsh st furnishings, sofa, domain park, robin boyd

Found at Wet Flat ("Chinaman's Flat") near Linton, an area once occupied by many Chinese miners. This object was once thought to have been the lid of a container (possibly one used for storing snuff) and it is sometimes referred to as the "Chinese tin lid".Small, flat, rectangular piece of metal on which Chinese characters have been inscribed. It is understood that the fragment may once have been part of a container used to store tea leaves or spices. Three characters are inscribed, the top one is indecipherable due to wear, the middle one denotes a place (Candong province in China), the third denotes a successful business.containers, chinese miners, wet flat

A ball-peen ) hammer, also known as a machinist's hammer, is a type of peening hammer used in metal-working. Its steel head is harder than that of a claw hammer, so is less likely to chip on impact. Ball peen hammers are commonly used to drive cold chisels, set rivets, and bend and shape metal. Before the advent of pneumatic rivet guns, ball peen hammers were commonly used for riveting. First the flat head drove the nail through, then the round ball was used to "peen over" the other side of the rivet. Before the advent of pneumatic rivet guns, ball peen hammers were commonly used for riveting. First the flat head drove the nail through, then the round ball was used to "peen over" the other side of the rivet. These hammers were made to last.Wooden handled ball peen pein) hammer. The handle has been nailed in and may not be the original. The metal head has one end shaped into a sphere and the other flat.hammer-ball-peen tool metal-work

A bottle holding medication or poison. Labelling is difficult to read.Historical: Interpretation and comparison to modern day containers.Amber glass bottle with small round neck and screw plastic lid. The back is flat and long. The other 2 sides are equal and plain and equal with the front, which is embossed with 'not to be taken'. the other two planes of the bottle are embossed with a dotted lattice pattern. So embossed as follows: plain, latticed, 'not to be taken', latticed, plain.Embossed: - Lattice design is of dots. Not to be taken is at front. Base: G above M under 3 lines / F1092 / M. On wide flat back section at bottom is 6.bottle. amber. poison. medicine.

This item was before diesel, electric and battery drilling apparatus were used by farmers, and other trades requiring a portable yet reliable method of drilling holes. As this item is a 3/4 inch hole drill it would be suitable for fencing and providing holes for structural studs. As with all outdoor farm equipment, man power was required (be it the farmer or farm hands). Fitness of the operator was at a high standard but protective gloves were not highly thought of as it was before occupational, health and safety regulations became mandatory over all manual handling activities, be they on rural properties or town/city factories. This period was one where the male ego was at its pinnacle i.e. the harder the tasks the more of a man was required. Hard manual work was not only the "way to go" but also a necessity. Evolution of cheap portable electric/battery powered tools opened up a more efficient method available, especially to those with less muscle strength.This item personifies the rugged environment of the rural workplace. The Kiewa Valley with its main emphasis on farming and grazing provided ample opportunity to use this construction implement. The manufacturer being a Scottish tool company is very significant in the era when this hole maker was in high demand. British steel products were of high grade and had a good record of reliability. The reliability of any tool was a solid factor for farmers and tradesmen in this semi-isolated region (Circa early 1900s) of the Kiewa Valley and its regional area. This factor,although not as crucial, post 1960s, when Asian manufacturers entered the market place and produced cheaper tools and transportation and supplies was more frequent and reliable, the need for the more expensive British made tools diminished considerably. After the influx of tradesmen from war torn Europe (post 1945) and the increased availability of tradesmen in the Kiewa Valley and its region the price of tools is not as crucial and the cost of all required tools has become a minimal part of the equation. It is only with the emerging younger trades person, farmer and grazier, who have more, "one eye on production costs" and no "old ties to the motherland" inert mind set that quality tools such as this auger and other hand tools "must be made to last a life time" is no longer part of the modern work environment.This cast iron hand operated drill, has a short barrel-shaped cylinder, known as "the eye" welded across the main rod and is 30mm in circumference. It also has a hole drilled to allow a screw to be fastened onto the hand stock ( not available).The main rod is solid for 400mm and then has been flattened and coiled (Helical screw blade) for another 200mm. At the end of the larger screw blade there is a smaller gauged starter blade with a pointer thread 15mm long. This Auger produces a 1/8th inch hole (metric measurement not used at time of manufacture) See KVHS 0469 for 3/4 inch hole and KVHS 0471 for another 1/8th inch hole.A number 5 stamped on the flat sideauger, hand drill, fencing, tool, rural trades, brace & bit

Metal tin with hinged side and allocated space for twelve (12) needles with only five (5) needles present.Stamped into flat of connector: ACIDEX / 17hypodermic, needle, syringe, acidex, germany

The photograph is from the album of Ivy Child. It shows a homestead with a heavily cultivated area behind. It is possibly the Child Homestead. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Sepia photograph taken in bright sunshine showing an extensively cultivated area with a wire fence in the foreground. Three buildings are seen at centre left.Handwritten below the photograph in the album" THE FLATivy child, kalorama, crops, cultivation, homestead

Formerly KV 071. It was used to break up rock and ore, making it easier to extract valuable minerals. The pointed end of the pick axe was used to chip away rock, while the flat end was used to strike the rock for breaking it apart. This one has a short handle. Miners picks were commonly used in the the 19th and early 20th centuries for extracting gold from underground mine tunnels.Used in the Kiewa Valley where prospecting for gold occurred.Formerly KV 071. Cast iron symmetrical pick tool on cast iron with a wooden handle. It has a pointed end and a flat end. It is 12 inches long.gold mining, miners' pick axe, hand tool

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981The model for this package is from Fukuyama, Hiroshima Prefecture, is the sedge hat formerly worn by farmers and travellers. The package contains a whole baked tai (sea bream), a fish much relished in Japan, and it is said that the feudal lords of yesteryear often included tai in wrappings like this among their gifts to the shogun when they returned to the capital from their fiefs. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

35mm Kodak white cardboard colour slide by Keith Kings of - trailer No. 20 at Preston Workshops 16/4/1968. MMTB W2 419 as cut down to a flat car (trailer), not used as such due to safety problem when being pushed.Keith Kings stamp and number "21-35", with details of exposure. in ink "MMTB W2 419 as cut down to a flat car (trailer), not used as such due to safety problem when being pushed. Preston W/S No. 20".trams, tramways, w2 class, work trams, trailers, preston workshops, tram 20