Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A handmade vase, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Pate.Freeform, heavily-potted earthenware vase, initially covered with a semi-transparent maroon glaze with a secondary green glaze applied over the top and allowed to drip over parts of the ground colour. The interior and foot of the vase are glazed in cream. The artist has signed her name to the base.Signature to bases: "V. Ayling"ceramics, pakington street -- kew (vic.), vase, viola annie ayling, viola annie mcvicars

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A handmade ceramic container, expertly potted and glazed in a style that is representative of Australian ceramic design of the period.Wheel-thrown ceramic container, the interior and exterior fully glazed. Three glazes have ben used to decorate the object. The exterior had an initial glaze in chocolate brown with a second glaze of orange. The interior and the base are glazed in a pale cream colour. The artist's signature is on the base. Signature to base: "V. Ayling"ceramics, containers, pakington street -- kew (vic.), viola annie mcvicars, viola annie ayling

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A handmade, abstract figurative sculpture, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Pate.Hand modelled ceramic sculpture of a Madonna and Child figural group. The abstract figures are fully covered in an olive green overglaze, apart from the base which is overglazed in cream. The base has an incised spiral beneath the glaze, which was used to decorate the hidden surfaces of a number of pieces, The base is signed with the artist's name around the edge.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), sculptures, abstract art, madonnas and child, viola annie mcvicars, viola annie ayling

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A handmade dish, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Pate.Hand thrown earthenware dish, covered with a chocolate brown glaze into which a design on the cavetto and well has been incised. The cavetto has a design of four groups of joined semicircles filled with horizontal and vertical lines. The well includes an abstract representation of a flower. The signed, finely shaped foot and rim are glazed in cream with the artist's signature incised on the base. Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), dishes, viola annie ayling, viola annie mcvicars

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A handmade dish, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Pate.A large, eathernware dish, with a maroon ground and a mottled green and black glaze on the inside of the dish. The petals that form the floral design on the base are highlighted in a pink glaze. Each petal overlaps the rim. The artist's signature is on the base. Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), dishes, viola annie mcvicars, viola annie ayling

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A handmade container, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Pate.Handmade, initially thrown lidded container, with applied decorative coils as decorative elements. The pot has a vibrant yellow glazed ground with highlighting in green glaze. The underneath of the separate lid continues the circular design with an incised spiral design. The base is signed with the signature of the artist.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), containers, viola annie mcvicars, viola annie ayling

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A handmade dish, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Pate.Hand built deep dish, glazed in maroon and green. The maroon ground includes a splash of green in the centre of the dish. This is the only ceramic piece in the collection that is both signed and dated.Signature to base: "V. Ayling / 1954"ceramics, pakington street -- kew (vic.), dishes, viola annie ayling, viola annie mcvicars

This is a remarkable story about a very successful Australian manufacturing family business, Henry Haymes Pty Ltd. Pioneer Henry (1923), son David (1960), granddaughter Belinda (1986) and many others in the family line are old collegians. Members of the family have served the school as members of the school council / board. Hardback A4 landscape book; http://www.haymespaint.com.au/assets/history-book/haymes-history-book-txt-intro-ch1.pdf roberts, phil, haymes, david, walton, belinda

The minutes of the Melbourne Legacy Widows' Club from 1986 to 1988. The second page shows the regular format of the meeting, starting with a minute silence. Gwen Gunn was the secretary or treasurer during some of this time and had minute book in her care. It was sent to Melbourne Legacy by Gwen's granddaughter Danni Moore in 2020.A record of the business practices for formal meetings in the 1980s and that Widows' Clubs provided a valuable purpose of meeting for the widows. Black exercise book with multicolour cover and lined pages.widows, widows club, meetings

Brought from Skye, Scotland, in 1850's by Malcolm McLeod, an early Orbost pioneer, and donated by his granddaughter, Margaret McLeod. The tapestry was worked by Miss Grace Cameron. This was possibly a repair job done when acquired by the donor. Grace Cameron was the daughter of John Cameron who selected the first land on the Snowy River flats. The McLeods and Camerons were early Orbost pioneers. This chair has aesthetic significance and reflects the needlework skill of Grace Cameron.Wooden rocking chair with chair cane It has a tapestry back with a floral design. Wire has been placed around the legs for support.chair rocking-chair mcleod-malcolm cameron-grace tapestry

Grace and Rollo Kingsford-Smith in front of a Dove. Extract from an email from Bonnie Weinberg (Granddaughter) "It was taken in 1954 we think. It was the (De Havilland) Dove and they were leaving Toronto when the photo was taken. Rollo Kingsford-Smith flew in Bomber Command and was the nephew of Sir Charles Kingsford-Smith. Regards Bonnie Weinberg"

Cr William Wishart was Mayor of Kew in 1906-7, his wife Lily serving as Mayoress during his term of office. Unique handwritten manuscript about a family pet15-page hand written manuscript, bound in brown leather as a small book entitled 'Rollo My Good Dog'. The undated manuscript is unsigned and was attributed to William Wishart of 'Noranook', Fernhurst grove, Kew (Vic) when donated to the Kew Historical Society in c.2002. The manuscript is part of a collection of Wishart items owned by Lily Clara Wishart (nee Annear), donated by Rosemary McArthur, the granddaughter of Lily's sister, so it may be that the story was written by her rather than by William Wishart. The entire manuscript can be viewed in the carousel.Handwritten title and narrativedogs - kew, william wishart, clara wishart (nee annear), 'noranook', fernhurst grove (kew)

An unframed square acrylic-on-canvas painting in tones of green and white forming an abstract botanical pattern that radiates out from the centre. A renowned Anmatyerre artist from Utopia, Northern Territory, Petyarre’s work carries more than pigment—it holds a lineage of care. These sweeping, rhythmic brushstrokes represent Kurrajong leaves and other medicinal plants traditionally gathered and prepared by women healers. Passed from grandmother to granddaughter, these practices are a form of medicine beyond the clinical. They speak of country, ceremony, and community. They evoke breath, movement, and the cyclical nature of wellbeing. Hand painted on reverse. "JEANNIE PETYARRE 60X60" Handwritten on reverse. "(Sister of Gloria Petyarre) / "Medicine Leaves" 2005. / Presented to ANZCA by Prof. Michael Cousins 16/6/06"oil paint, acrylic paint, floral, floral design, botanical design, abstract art, indigenous artists, first nations artists, australian artists, australian art

The cash book of the Melbourne Legacy Widows' Club from 1984 to 1994. Some of the income mentioned was fundraising at bowls events, the fete, raffles, and selling second hand stamps to stamp dealers. Gwen Gunn was the secretary or treasurer during some of this time and had cash book in her care. It was sent to Melbourne Legacy by Gwen's granddaughter Danni Moore in 2020.A record of the business practices for formal meetings in the 1980s and that Widows' Clubs provided a valuable purpose of meeting for the widows. Cash book with red bound cover around lined pages.Cover says 'Invicta Series 80 Account Book / Cash book'.widows, widows club, fundraising

This photo is reproduced in the book on Oliver Gilpin's life by his granddaughter Muriel Perry, titled 'Just a pocket for the money', 1995, p.84. The staff names have been labeled as 'Kath? (M), E.Myles, M.Haly, D. Walker, V.Bond, I.Christensen, L.Mattinson, D.Shipsides, J. Miles, '(Coal Creek Historical Village per I. Devlin) Note : (M) Abbreviaton for Manager.Photograph of nine female staff standing in front of O. Gilpins Dimboola store, circa 1935on back of frame: Dimboola, 1935? Names on back of photograph.

In the 1880s Mrs Sarah Ann WAITE ran a store in Nott Street a few doors up from Rouse Street. This item was passed on to Nancy U'REN with a small number of items relating to the Turnbull family with an early 1970s note from Suzanne GORDON, great-granddaughter of Barbara Annie TURNBULL nee GOULD, wishing Nancy good luck with her work on Sandridge.Sepia photograph showing several people standing outside Waite General Dealer and Miscellaneous Store."B Turnbull", "Port Melb", "Sandridge" and "60 years" hand-written in pencil on reverse.built environment - commercial, nott street, sarah ann waite, nancy u'ren nee morris

Photocopied newspaper cutting from Bendigo Advertiser 22nd Dec 1952, pertaining to donation of Joseph Brady bound notebooks. Brady was engineer of the Bendigo Waterworks in 1858 and accepted appointment as engineer to the contractors of the construction of a segment of the Melbourne Sandhurst railway. One book was related to the Bendigo Waterworks containing particulars of Crusoe Reservoir. The other surrounding Cornish & Bruce contracts for the middle section of the Mt Alexander Railway. Books donated to Bendigo by Mrs A Strickland of Currie King Island, Brady's granddaughter. Town Clerk accepted books and said Museum was closed but Historical Society would welcome donation.bendigo, waterworks, coliban water

Charles Wheeler biography link http://www.portrait.gov.au/people/charles-wheeler-1881 Painted by a prominent artist. Refer to Sir Ronald East's history of the Greenwood family pp. 336-371, noteably page 343 that mentions about Henrietta Carr, only daughter on George F. Carr, who married AV Greenwood in 1896. Also reference to The Wattle Club pp. 356-7. Thus giving the connection of the Greenwood and Carr families, the subjects of Charles Wheeler's painting.Painting in glass-fronted frame.Typewritten notation behind the frame - "Greenwood oral family history says that this unsigned painting was done by Charles Wheeler as a demonstration for Rose Greenwood, (A.V. Greenwood's sister). They shared a studio at the Wattle Club Hall at Box Hill circa 1890s. The subject matter was said to be Grandfather Carr's orchard in Wantirna Road (Ringwood - Still standing in 2003). Source: Mary Greenwood, youngest Granddaughter of A.V. Greenwood."

This photograph album appears to have belonged to Agnes Ardlie. She was the daughter of Arthur and Ethel Ardlie of Warrnambool, the grand daughter of the prominent Warrnambool lawyer, William Ardlie and his wife Mary and the great granddaughter of John and Mary Ardlie, pioneer settlers in Warrnambool. Agnes Ardlie (1915-1993) and her sister Dorothy lived for some years at Aroona, 19 Princess Street, Warrnambool. This album is of interest as the photographs are of Agnes Ardlie and her extended family in the 1920s and 30s and thus provide an insight not only into the lives of a prominent Warrnambool family but also gives us a glimpse of the social aspects of the lives of the more affluent families in Warrnambool during that period and of the custom of keeping photograph albums to preserve the photographs.This is a soft cover photograph album with a light brown cover bound with white string. The front cover has an imprinted decorative pattern on the left side and there is a maker’s stamp on the back page. The album contains 22 pages, most of which have black and white photographs inserted. There are 44 photographs, some of which have been torn. ardlie family, history of warrnambool

These notes were used extensively in the book the "Wielands of Heathmont", pages 18 and 19, written by Pat Talbot and her husband Don. The notes tell how in 1922 a Railway League was formed with Herman Pump as chairman. The Wieland brothers used their horses and plough in 1926 to help build the Heathmont station. Pat was the-great -Granddaughter of Carl Wieland. The notes also include the Heathmont Information League. Short history typed and handwritten of Heathmont Railway station 1889-1927 among other notes for the Wieland history.written by Pat Talbot (nee Wieland). Large pad of note pages.

Was presented to Mrs Lucie Hallenstein, honorary secretary of Alfred Hospital combine auxiliaries c. 1920. Mrs Hallenstein's Granddaughter Jane Helena Walters nee Shannon trainee of Alfred Hospital 1948-1951 presented the box to the nursing achieves with a hand written letter of explanation on 28/04/2011. Paper card insert is signed by Louisa Mann who was matron from 1912-1928.Item is significant as it was presented from Louisa Mann. Item also carries the Maltese cross from the Alfred hospital insignia. Has been presented to the archive from Alfred Hospital trainee. Handcrafted wooden box with parquetry Maltese cross in center. Box is made with multiple timber types and shades, is finished with a gloss finish. Two brass hinges allow the box to open. Hand written note on buff card paper with sticky tape holding item together enclosed within on small card from Louisa Mann stating "Affectionate Xmas greetings from Louisa Mann Alfred Hospital" Four rubber stoppers on base, eight screws visible on base holding wood together Black text marking on underside of box 392/02.3 White sticker with black ink marking 392/02+3[Affectionate Xmas/ greetings/ from/ Louisa Mann/ Alfred Hospital] [392/02.3] [392/02+3]alfred hospital, alfred nurses hospital league, ahnl, wooden box, handmade wood item, lousia mann, parquetry, handcrafted, timber box, maltese cross

This is a most comprehensive and succinct history of the Palmer/Wood family and their descendants from 1838 to 2013. Several members of the Palmer family were prominent in the history of Warrnambool and district. These include Octavius Palmer of Waarn, Claude Palmer of Dalvui, William Palmer, Manager of the Bank of Australasia in the 1860s and Thomas Palmer of Grasmere. The noted novelist, Mary Gaunt, who lived in Warrnambool for some time, was the granddaughter of Frederick and Mary Palmer. These biographical notes of the Palmer family are of some significance as they will be very useful for researchers.These are 13 pages of printed notes enclosed in a folder with a clear plastic front cover and a black plastic back cover. The pages are attached using plastic clips. The pages include illustrations and photographs. Palmer – The Family of Frederick William Palmer and Mary Eliza Wood of Woodlands, Tasmania 1838-2013 Front Cover: ‘Palmer – The Family of Frederick William Palmer and Mary Eliza Wood of Woodlands, Tasmania. Researched by Florence Charles, 1838-2013palmer, frederick william palmer and mary eliza wood of woodlands

Maitland' was built in 1889 for Thomas Zeplin, who was a Professor of Music. He owned all the land bound by Union Road, Wilson and Montrose Streets and the railway line. 1 Bedford Avenue stayed in family ownership until purchased by Camberwell Council in 1986, initially for a car park. However it was renovated to become part of Surrey Hills Neighbourhood Centre. It was opened on 23 November 1990. No 3 Bedford Avenue was built for Thomas Zeplin's daughter and named 'Mervyl' or 'Merryl'. Mrs Brodecky (donor) was the great-granddaughter of Thomas Zeplin. The 2 girls are granddaughters of Thomas Zeplin. Electoral roll information: 1972 & 1977: Albert Vojteck Brodecky, manager, 1 Bedford Avenue. 1977: Ray Nanette Brodecky. There are 2 copies. Thomas had this built for his son and family. The house was occupied by his family, though sometimes rented out. His great-grand-daughter Mrs. A. Brodecky sold to the Camberwell Council in 1986. This was the only surviving photo in the family after the fire. Courtesy: Mrs. A. BrodeckyBlack and white photo of 2 houses taken from the street front. On the LHS is a Victorian double-fronted single-storey villa of Hawthorn brick construction, with wrought iron lacework to the veranda, slate roof and picket fence, with an established garden. Next door at No 3 is a double-storey Victorian terrace with a similar fence and building materials. There are 2 young girls standing in front between the properties.maitland, bedford avenue, 1900, surrey hills neighbourhood centre, victorian style, mervyl, merryl, mr thomas zeplin, mrs nanette brodecky, mr albert vojteck brodecky

Copy of a photo of Ava Jane Hall, dressed in a ball dress. Original photo taken by Bartlett Bros. Bendigo. The dress has frills and bows and is about mid calf length. She is wearing a shawl over it and holding the sides of the dress out. P696 written on the top right corner. Sheet of paper with information of the photo. 'Wooton Lansell's granddaughter, Ava Jane Hall. The dress was made circa 1860. It was also worn in 1920 to a ball held in the Bendigo Town Hall. Photographed by Bartlett Bros. Bendigo. Bendigo Historical Society Inc. P696 photographed by Bill Hawking of Bendigo Advertiser 4/7/2000'.Bartlett Bros, Bendigodocument, memo, ava jane hall, peter ellis collection, wooton lansell, ava jane hall, bendigo town hall, bartlett bros. bendigo, bendigo historical society inc, bill hawking, bendigo advertiser 4/7/2000

Drawn in 1983 by Sharyn Partington (age 15). Sharyn is the daughter of Trevor and granddaughter of Alan and Wyn Partington. The artwork would have been drawn from photos of the Partington home. The derelict Willis Vale house was vandalized in 1964 destroyed when a fire originating from North Plenty Gorge - Kurrak Road - was lit by two teenage boys and made its way several kilometres down to Partington's Flat Greensborough.An original artwork of the Partington home created by a descendant of the occupants.Pencil drawing on cream art paper. Depicts a view of Willis Vale. In black frame under glass.Signed "Sharyn P. 1983"partington, sharyn partington, willis vale, greensborough

The story behind the coat is that it was created in the early 1920s by F.J.Ellimor,Brunswick furriers, at the request of Mr Walter Tepper. Walter Tepper lived on a property, "Woodlands" at Kewell, near Murtoa. He trapped the rabbits and took the pelts to Melbourne where he commissioned the furrier to make the coat for his soon to be fiancé, Ida. Walter Tepper is buried in the Murtoa cemetery. Walter's granddaughter Carol Michalicek's (nee Schultz) donated the coat to the Murtoa Museum.It is significant as it is a fine example of the use of rabbit skins to create a fashionable coat. It remains in very good condition, 95 years since its creation. The coat has a link to the Tepper family who have resided in the district for over 100 years. This dark brown rabbit fur coat is well tailored, with quality inner lining and a dark, even-dyed coat. There is so much detail in the design of the coat, including a gorgeous heart shaped pocket. It would have taken quite a few rabbits pelts to make the long full-length coat, as an average rabbit skin provides about 9 inch². walter and ida tepper, rabbit skin coat, kewell

Images provided by Leigh Shields, granddaughter of Ernest Henry Abbott who was appointed to Nott St school 1427 as a monitor in 1897 and then as pupil teacher on probation in 1899. Abbott is second from the right in the top row of the picture (digital image). Appointment documents are also attached (2 parts due to size of document) . The school commenced July 1874 and closed in 1992. Later re-opened as Port Phillip Specialist School in 1996.Nott St school staff 1897education - primary schools, nott st, ernest henry abbott

The postcards were inherited by Alice Robinson, nee Giles-Clark, daughter of Phyllis Matthews, granddaughter of Henry and Evelyn Matthews. [William's adopted parents] They lived at Mona Vale, Cowes. Alice's son, Neil Robinson and daughter in law, Maggie Geddes, did the research to give them some context. They had to guess or deduce the order of them as most are undated. William Gothorp W H C C Company, 37 Battalion No. 3306.HistoricalA4 spiral bound booklet containing photocopied pages with black & white photos, text, records, newspaper cuttings and postcards sent from William Gothorp, fighting in WW1, back to family in Phillip Island.army ww1, ww1 phillip island soldiers, william gothorp, alice robinson (nee clark), neil robinson, spanish infuenza, london, carisbrooke guesthouse