The aim of the paper is to present an outline plan for the committee to discuss and if adopted to act as a guide to the future - see item 7 of the paper. The paper outlines assumptions made and recommendations for each year 1994, 1995, 1996. The process of making the report is to provide a logical and smooth transition as possible for Melbourne Legacy to function into the future.White A4 paper with black type about a review of Legacy's organisation and operations.Pencil notation on top right hand corner, page 1. Pencil notation and highlighting of various points throughout.planning, review committee

A group of widows at Legacy House preparing trays of rosemary to be given to the public on Anzac Day and worn as a sign of remembrance. The trays say "Rosemary, A gift from Legacy". The lady in blue is Gwen Gunn who was one of the organisers of the Rosemary trays for many years. Other names unknown. The widows clubs have been preparing trays of rosemary sprigs In The Answer in 1995 an articles says: "Operation Rosemary. Since 1982 Legacy ladies have volunteered to make rosemary sprigs for the Anzac Day marchers. At a later date they also made sprigs for the Schools Shrine Service. . . don't worry, there are ladies here to show you how to make them and it's a chance to hav a chat and cuppa whilst you work together. Any day day that you can spare . . . please ring Joan Miller." A note on yellow paper from 01046 explains the source of the rosemary. It says the rosemary donated to Legacy each year for the sprigs of rosemary handed out to the public comes from nurseryman, Peter Hannah, who sourced a cutting from a bush in Frankston which was said to come from a cutting brought home by a wounded soldier.A record of widows preparing rosemary as gifts for the public. Rosemary is sign of remembrance. Colour photo x 3 of widows preparing trays of rosemary and Australian flags.widows, legacy promotion, rosemary, gwen gunn

John Brown Industries became a listed company in 1951 and acquired Star Hosiery Mills factory and its Bendigo offshoot. In 1955 they purchased a 4 acre site at Ironbark to build a new mill. This was completed in a record 19and a half weeks and the mill was handed over in Sept. 1956.Photographs of the Erection of John Brown Knitting Mills: A brown envelope which had hand printed writing in black ink. On the right hand top is *MP385*. In the middle *John Brown Knitting Mills Ironbark Bendigo. 14 Photos of Erection 1954? Photos by Reg Brock*. Attached to the envelope is a torn piece so paper which has been hand written in blue ink *John Brown & Welmar* Knitwear Socks & Dress wear The Finest in the Land. Made on the site of Bendigo's Richest Gold Mine, *The Little 180*. Inside the envelope is a collection of black and white photos of the erection of the John Brown Knitting Mills on Marong Road in Ironbark Bendigo. 14 Photos in total showing various views of the construction site. Workmen on the site laying bricks, constructing the steel building and trucks delivering steel etc. A crane truck with *General Carriers Bendigo* printed on the side door. On the back of each photo is *MP385*. The Circular stamp in blue ink of the Royal Historical Society of Victoria Bendigo Branch and a cream photographers label with a blue band top and bottom with *Reg. V. Brock of Bendigo in the bands. In the centre of the label in blue print is *No.... B1098. pos.... Additional copies may be obtained at any time by quoting this number. Box 116A.Reg. V. Brock of Bendigo.photograph, building, john brown, john brown knitting mills

Set of three documents, hand made in pencil by Mr. McComb. 1 - on ruled double foolscap (folio) paper, titled "Tramways Proposed but not Authorised", listing street, municipality, extent, date of application or special construction scheme and date of report to Parliamentary Committee. List proposals for the cities of St Kilda, Hawthorn, Essendon, Malvern, Camberwell , Coburg and Broadmeadows. 2 - hand written note on quarto paper, re the outcomes or notes on the above proposals. 3 - draft of a sheet prepared, as for 1, "M&MTB General Scheme for Development of Tramways" - columns set out but not usedtrams, tramways, tramways, proposals, st kilda, hawthorn, essendon, malvern, camberwell, coburg, brunswick, general scheme

Hand made woollen tapestry (could be machine made) of a Zoo horse drawn Tram framed within a wooden frame. Paper backing with a cotton hanging strip stapled into the sides of the frame. Frame by the Glen Waverley Picture Framing, 698 High St Road, Glen Waverley. C1980.On rear in ink at the top - "Donated to Hawthorn Tram Museum Feb. 19th 2012 Ron Scholten"trams, tramways, zoo tram, tapestry, souvenirs, memorabilia, tram 100

Poster - A2 size, printed on gloss paper in blue ink, for the "Celebrate the 75th Anniversary of Central Melbourne's First electric trams - Hawthorn Tramways Trust - Wattle Park", Sunday 24/11/1991. Gives event details, cavalcade of trams, times. Has the various logos of councils who made up the trust on the bottom edge along with other supporting organisations. Has images of trams and tickets. Includes the event to hand over Wattle Park from Public Transport Corporation PTC to Melbourne Water. See Reg Item 5402 for a program of the events.trams, tramways, htt, wattle park, ptc, 75th anniversary, cavalcade

Material sample - rubber boot and associated notes: 1 - rubber extruded section that was secured around the base and sides of the rail and held in position with metal clips. Made for 41 kg/m tramway rail. 2 -Note printed on A4 paper about the section, its use, where and who - John Holland 2002, between Union Road and Box Hill, enables some track resilience and electrical isolation. 3 - Envelope addressed to Keith Kings from Ken Hall of Preston Workshops with a hand written note about the product and its use. Received August 2003trams, tramways, trackwork, box hill, track construction, rails, civil engineering, tram 106

Report - six sheets, were paper clipped together, three foolscap (marked 4370A) and two quarto sheets (marked 4370C) titled "Lives of North Melbourne City Section ropes during 1917-18", regarding a claim made through Dalgety and Company (3/1/19 and 6/1/1919) for damage on a section of rope that was on a ship that was sunk by enemy action. Has a three page report on the cable life and insurance claim made by the Tramway Board in 1918, looking at the life of the cable compared to previous ropes. Quite a detailed study made and costs incurred. A small sheet (marked 4370B) has pencil notations - was pinned to the top of the two Dalgety and Co letters..1 - has stamp "Copy to Engineer" in top left hand corner.trams, tramways, cable trams, reports, cables, insurance, world war 1

Colour photograph, printed using a laser printer onto off white paper of B2 2003 arriving at Preston Workshops during 1987. Shows a tractor pulling the tramcar off a trailer with a number of people observing the delivery of the tram. Has a Comeng banner on the tram. Not known who made the print or when.In ink on the top left hand or the print "B2 2003 arriving @PWS 1987"trams, tramways, mmtb, preston workshops, personnel, b class, delivery of tramcars

Colour photograph, printed using a laser printer onto off white paper of a UGL (United Goninan) built Hong Kong Light rail vehicle at Preston Workshops Oct. 1997. Photo taken through a chain wire fence. Not known who made the print.In ink on the top left hand or the print "UGL Built LRV for Hong Kong 20 of @PWS Oct. 1997"trams, tramways, mmtb, preston workshops, delivery of tramcars, united goninan

Colour photograph, printed using a laser printer onto off white paper of the construction of the LRV jacking system to lift trams at Preston Workshops during 1987. Show the depth of the excavation and the nature of the construction. Not known who made the print.In ink on the top left hand or the print "LRV Jacks go in @ PWS 1987"trams, tramways, mmtb, preston workshops, delivery of tramcars, maintenance, construction

From Portland Town Council Art Programme. Sponsored by PTC's Art Program, the Theatre Board of the Australian Council, Portland 150th Anniversary Committee, Portland CEMA and the Myer Foundation.Poster for theatrical production. The central image is a retouched photograph of a group of people (men and women) outside a building. The building is made of wood. The people are standing in front of the building and on its roofless verandah. They are dressed in clothing of c1910's. The image is black and white with some items of clothing hand coloured in with red, orange and yellow. The entire poster is covered with approximately 61 signatures. On lower left is a reproduced newspaper clipping of paper addressing a welcome home ceremony for Gallipoli soldiers. In pale yellow in background is a map of Portland Bay. In orange mount in black and gold frame. Below image are the words: "Portland Bay Swells! Devised by Ken Harper and the Portland Community." Below this are details of performance times and ticket details. Mounted in peach matt. Black wooden frame with glass.Front: (no inscriptions) Back: (no inscriptions)

Report - 41 pages, photocopied, stapled in top left hand corner - titled "East Burwood Tramway Extension - beyond Middleborough Road - Feasibility Study - September 1982". No details as who made the report, though attached to the front cover by a paper clip is a Metropolitan Transit Authority with compliments sheet, stamped "Information Officer", office address of 616 Little Collins St. Gives details of proposals considered, population and land use, existing services, patronage, operating costs, revenue and provides an assessment. Looks at costs for an extension only to Blackburn Road, Springvale Road and to Vermont South. Report showed the cost benefit ratio for Blackburn Road was 1, and less for the other possibilities. Appears to be an update of the Oct. 1981 report - see Reg item 686.trams, tramways, east burwood, feasibility study, new tramway, mmtb, middleborough rd, vermont south

Poster - full colour printed on gloss paper, titled "Travel On - Take and adventure on public transport" with sub title "A Primary School public transport Safety Program". Made by Creative Country Pty Ltd in 2000 (name and date on bottom edge). showing various forms of public transport; includes trains, trams, boats, puffing billy, restaurant tram, Luna Park, paddle steamers and various features of Melbourne itself. In top right hand corner has Dept. of Infrastructure logo, Victoria the Place to Be logo. Part of Public Transport Education Program. Two copies held.trams, tramways, public transport, education, training, safety, children

Organisation-Club/society-sport3767.4a: A receipt of purchase from Henry Jackson, General ironmonger and Iron merchant, by Mr F.D. Jones (labelled as secretary on the receipt/treasure in other documents) on behalf of the Devils Own Cricket club. The receipt is a professionally made, printed template printed on blue/purple coloured limed paper with red margins. The transactions made by Mr Jones are handwritten in cursive font with black ink. The receipt indicates that payment was made to Mr Jackson on the 10th and 25th of March 1875. the pound was used as currency. 3767.4b: This receipt is dated March 25th 1875. Detailing the repair of a cricket ball. W.B. Fox, a saddler and harness marker, executed the repairs. The receipt is a professionally made, printed template in black ink on a light blue sheet of lined paper with red margins. The purchase order and payment remarks are handwritten in cursive with black ink. Pounds were used a currency. 3767.4c: This receipt is entirely handwritten in cursive with black ink on a torn rectangular piece of blue coloured paper. There is no official printing or branding on the receipt. The receipt details the purchase of a cricket ball by the Treasurer of the DOCC in March 1875 from F. Macoboy. The page has a large red stain/smudge in the top right-hand corner. 3767.4d: This professionally printed receipt is printed in black ink on a rectangular piece of white/cream coloured paper. The official branding is that of W. Welch, a general printer, binder etc. from Sandhurst. The record of the purchase of a 150-page record book for the DOCC by Mr. Jones is handwritten in cursive with black ink. The receipt is dated 8th March 1875 and payment was made on 9th March 1875. 3767.4e: This reciept is a handwritten note in black ink on a blue piece of lined paper no larger than a business card. The note, dated 1st March 1875, is addressed to Mr. F Jones, Hon Treasurer Devils Own C.C. The note is written by R.W. Franklyn in reference to 3767.4c and reads as follows: "Please pay M'acoboy 5/- price of ball" 3767.4f: This receipt in professionally printed in black ink on a blue coloured, lined paper. The branding refers to Henry Jackson, as per 3767.4a, and details the purchase of cricket equipment by the Law C.C. The receipt is dated February 19, 1875.docc, devils own cricket club, sandhurst, w. welch, w.b. fox, henry jackson, f. m'acoboy, law cricket club, financials, f.d. jones

Depicts Zoo Horse Tram No. 100. Possibly from a purchased outline of the image which a person then sewed with wool.Demonstrates a hand made item depicting the zoo horse tram that operated in Melbourne.Hand made woolen tapestry (could be machine made) of a Zoo horse drawn Tram framed within a wooden frame. Paper backing with a brass hanging wire and two eye screws on either side of the frame. tramways, zoo tram, tapestry, souvenirs, memorabilia

These cello strings belonged to Edith Jacobs (nee Larwill) who was prominent in music circles in Queensland before her marriage to Henry Jacobs, a Warrnanbool Estate Agent and Auctioneer during the 1940s and 50s. Edith Jacobs featured in many concerts and musical entertainments in Warrnambool during the middle years of the 20th century. Her son, Frank Jacobs was a prominent businessman in Warrnambool in the 70s, 80s and 90s and the wallet was either made by him or for him. These items are of some significance as they belonged to Edith Jacobs, a musician who was prominent in the Warrnambool musical scene in Warrnambool in the 1940s and 50s.This is a light brown leather wallet, hand made with two fringed areas, one on the top covering. There is some machine stitching and some hand stitching (repairs)The wallet is lined with cream-coloured silk and the back of the wallet has an etching of an emu. The opening has two press studs for closing the cover. There are also three paper packets containing cello strings. Two of the strings are loose in the packets. Label stitched on – ‘Frank H. Jacobs’ Etching of emu Strings – ‘Calizi Tru-tested Strings, Cello, G or 3rd, Wound on selected gut, Made in England, J. E D. & S Ltd.’ ‘Conservatoire, Cello, A gut, Reliable and Durable, No. 1620, J.E.D.& S. Ltd’ edith jacobs (larwill), cello, cello strings, warrnambool

This is a collection of eight Warrnambool Visitor handbooks produced between 1979 and 2014 by the City of Warrnambool Tourist Information Centre. They contain maps of Warrnambool, lists of services, accommodation and tourist attractions as well as many advertisements for local businesses.These handbooks give a useful snapshot of businesses and tourist attractions in Warrnambool for each of the years covered. (1979, 1980, 1986, 1990, 1993, 1994, 1995, 2014)[.1a] A 48 page booklet with white pages and blue printing. The front cover has a coloured photograph of Flagstaff Hill with boats on a man made lake in the foreground looking across Lake Pertobe toward South Warrnambool. [.1b] A coloured bifold brochure. The front cover has a fisherman on a cray-boat holding a crayfish in the lower section. The top quarter has a blue back ground with white printing. The rear cover is red and has small photos of the Hopkins River and the Framlingham Forest. [.2] A 48 page booklet with white pages and black printing. The front cover is white with black writing on the left hand side and a colour photograph of the Loch Ard peacock. The Warrnambool Premier Town stylised logo of seven Norfollk pines above blue waves is in the top right hand corner. There is a blank ink Warrnambool Library stamp underneath the logo. The rear cover has photographs of The Twelve Apostles and the Hopkins Falls and the Premier Town Logo [.3] A 40 page booklet with mainly black printing on white paper. There are three fold out maps of Warrnambool and the surrounding district. The glossy cover has a black background with a colour photograph of the Twelve Apostles taken at sunset. The rear cover has three small of Proudfoot's boathouse on the Hopkins River, Flagstaff Hill, and the main beach area. The front cover has black writing inside to peach coloured rectangles. The inside rear cover has a fold out coloured tour map of Western Victoria. [.4] A 40 page booklet printed on glossy white paper with coloured photographs and black and red printing. The front cover has a photograph of The Twelve Apostles surrounded by a white border. There is red writing in the upper border. There is a sandy coloured writing superimposed across the bottom of the photograph and a Victoria's Shipwreck Coast logo in the bottom right hand corner. [.5] A 44 page booklet printed on white paper with black printing. The cream coloured cover has a pale red rectangle with blue writing on the right hand facing edge and includes two stylised Norfolk pines and with waves underneath. There is is an intersecting blue rectangle with cream printing. [.6] A 48 page booklet printed on white paper with black printing. The cover is brown with a cream vertical strip containing black writing on the right hand side. There is a stylised map from Geelong to Mount Gambier showing the Great Ocean Road across the cover. [.7] A 48 page booklet printed on white paper with black print. The glossy colour cover has a photograph of a Southern Right whale fluke. There is white printing on a the blue background of the sky and sea. The bottom left hand side of the front cover has a Tourism Victoria logo made of jigsaw puzzle pieces. The back cover has a stylised coloured map of The Great Ocean Road located in a white rectangle at the top of the page. Within the rectangle is a small map of Australia locating Victoria and the part of Victoria covered by the map. [.8] A 64 page A5 coloured booklet printed on white pages with black print. The white front cover has black and grey print with a colour photograph of two people holding coffee cups watching four race horses being exercised on the beach and in the water of Lady Bay in the early morning. The bottom right hand corner has a Tourism Victoria logo. The rear cover has a mainly blue back ground with a pink orange and green colour splats contains words advertising the 2015 Fun 4 Kids Festival [.1a] Warrnambool The Heart of Victoria's Great Southwest Visitor's Handbook [.1b] Warrnambool City for all seasons; The Heart of Victoria's Great Southwest [.2] Warrnambool visitor's handbook Warrnambool Premier Town 1979-1982 [.3] Warrnambool Handbook Victoria [.4] Warrnambool The Shipwreck Coast [.5] Welcome to Warrnambool Warrnambool Visitors Handbook 1993-1994 [.6] Welcome to Warrnambool Visitors Handbook 1994-95 Rear cover: Warrnambool Centre of Victoria's Shipwreck Coast on Australia's Great Ocean Road [.7] Warrnambool Shipwreck Coast - Great Ocean Road; You'll love every piece of Victoria; Visitors Handbook [.8] Warrnambool Great Ocean Road Official Visitor Guide; It's a wonderful Warrnambool; You'll love every piece of Victoria visitvictoria.com. Rear Cover Live entertainment.Workshops.Creativity.Action 28 June - 5 July 2015 Australia's Best Children's Festival F4K The ultimate winter school holiday adventure Fun 4 kids festival Warrnambool For more information visit Fun4kids.com.au Warrnambool great Ocean Road Victoriawarrnambool, visitor handbooks, tourist information guides, warrnambool maps

Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p175 It’s Saturday morning and thousands of people are visiting St Andrews Market at the corner of Heidelberg-Kinglake Road and Proctor Street. It’s hard to find a park. Cars are banked up along the narrow road and crammed in a nearby parking area. Yet, at the market, people look relaxed and happy amongst the yellow box gums on the site where the Wurundjeri people used to gather. Stone artefacts unearthed there by Koorie researcher, Isabel Ellender, indicate the site was once a Wurundjeri meeting place, according to Aboriginal Affairs Victoria. Acoustic sounds mingle with quiet conversations. A guitarist blows a mouth organ while his bare toes tickle chimes. A tiny busker, perhaps five years old, plays a violin while sounds of a harp emerge from the hall. One stallholder, selling delicious-looking pastries, chats to another in Spanish, then to me in broad Australian. ‘I was born in Fitzroy but my mother came from Mexico and my dad from Serbia,’ she smiles. A New Zealander fell in love with Mongolia and now imports their hand-made embroidered clothes and Yurts (tents) and runs adventure tours. A young woman visited Morocco and when friends admired the shoes she bought, she decided to import them and sell them at the market. Oxfam sells Fair Trade toys and clothes and displays a petition to Make Poverty History. Other stalls sell Himalayan salt, jewellery made from seeds from northern Australia, glass paper-weights from China as well as locally grown vegetables, flowers and organic freshly baked bread. A woman sits in a state of bliss under the hands of a masseur. Another offers Reiki or spiritual healing. A juggler tosses devil sticks – ‘not really about the devil,’ he smiles. This skill was practised thousands of years ago in Egypt and South America he says. At the Chai Tent people lounge on cushions in leisurely conversation. The idea for the market was first mooted among friends over a meal at the home of famous jazz and gospel singer Judy Jacques.2 Jacques remembers a discussion with several local artists including Marlene Pugh, Eric Beach, Les Kossatz, Ray Newell and Peter Wallace. ‘We decided we wanted a meeting place, where all the different factions of locals could meet on common ground, sell their goodies and get to know one another,’ Jacques recalls. They chose the site opposite another meeting place, St Andrews Pub. A week later Jacques rode her horse around the district and encouraged her neighbours to come along to the site to buy or sell. On February 23, 1973, about 20 stallholders arrived with tables. They traded ‘second-hand clothes, vegetables, meat, cheese, eggs, chickens, goats, scones, tea, garden pots and peacock feathers’. Now around 2000 people visit each Saturday. People usually linger until dusk. The market – with around 150 stalls of wares from a wide variety of cultures – stands alongside Montsalvat as the most popular tourist attraction in Nillumbik. By the 1990s St Andrews Market was in danger of being loved to death, as the site was becoming seriously degraded. The market was spreading in all directions and the degradation with it. A local council arborist’s report in 1994 noted exposed tree roots from erosion and compaction. The Department of Sustainability and Environment threatened to close the market if the degradation was not rectified. After many months of research, discussions and lobbying by a few residents, the council formed a Committee of Management, with an Advisory Committee, and introduced an Environment Levy. The State Government, the council and the market, funded terracing of the site to stop erosion, and retain moisture and nutrients. Vehicles were excluded from some sensitive areas and other crucial zones reserved for re-vegetation. Volunteers planted more than 3000 locally grown indigenous species. The old Yellow Box trees fully recovered and are expected to give shade for many years to come.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, didgeridoo, jesse tree, st andrews market, swiss hang drum