This miner's right is a copy from an original held by the Old Colonists' Association of Ballarat. The original was glued onto a page in a large album of photographic images of early Ballarat. Recognising their significance the Council of the Old Colonists’ Association had them removed and restored. The originals are now framed and on display in the Old Colonists’ Hall.Digital copy of an original Gold Lisense made out to William Fittall Junior.Ballarat Victoria Gold License No. 215 Jany 4 1853 The Bearer Wm Fittale [sic] Jr having paid to me the Sum of One Pound Ten Shillings, on account of the territorial revenue, I hereby License him to dig, search for, and remove Gold on and from any such Crown lands within the Dist of Ballarat as I shall assign to him for that purpose during the month of January 1853 not within half-a-mile of any Head Station, This License is not transferable, and to be produced whenever demanded by me or any other person acting under the authority of the Government, and to be returned when another License is issued. Chas Wale Sherard Commissioner. Regulations to be observed by the persons digging for Gold or otherwise employed at the Gold fields. 1. Every licensed person must always have his License with him ready to be produced whenever demanded by a Commissioner, or Person acting under instructions, otherwise he is liable to be proceeded against as an unlicensed person. 2. Every person digging to Gold, or occupying Land, without a License is liable by law to be fined, for a first offence, not exceeding five pounds; for a second offence not exceeding 15 pounds; and for subsequent offence, not exceeding 30 pounds. 3. Digging for Gold is not allowed within ten feet of the edge of any Public Road, nor are the roads to be undermined. 4. Tents or Buildings are not to be erected within twenty feet of each other, or within 20 feet of any Creek 5. It is enjoined that all persons on the Gold Fields maintain a due and proper observance of Sundays. william fittall, sherard, charles sherard, charles wale sherard, mining, fittall, eureka

The university of Ballarat was inaugurated on 01 January 1994. It is now Federation University Australia.Two large yellow newspaper posters with black writing. . 1) Framed poster "Full Uni: It's Official" .2) Framed poster "Blainey Heads Uni" full uni: it's official ballarat university, ballarat courier, poster, university establishment

Wayne Muir was a former head of the University of Ballarat Aboriginal Education UnitMounted and framed photograph of Wayne Muir in academic regaliawayne muir, education, aboriginal, aboriginal education centre

Federation University VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree – on the basis of extensive work experience and knowledge.black framed photograph with title and names of students underneath, red backgroundFramer - Creative Framing Galleryviosh, viosh australia, occupatonal health and safety, shirley bain, richard baker, ian barrett, peter black, daniel brooke, david brown, jamie bryce, jaqui cluff, heather cochrane, jim coyle, phillip dutton, susan ellis, micheal gibbs, nikola grgic, darren head, kylie hedges, paul hilder, andrew host, david lee, ian liddle, paul luchini, elizabeth malseed, grant mandragona, jaqui mann, jeffry mcconnell, frank merante, trisha moritz, richard murphy, raymond rossi, ken shillington, phillip smith, james sullivan, tracey szabo, mark harvey-young

Framed sign relating to a 40 head crushing battery and winding plate of the model of the Band and Albion Consuls Gold Mining Company Ballarat, which was originally loaned by the Exhibition Commissioners to the Ballarat School of Mines Museum. band and albion consuls gold mining company, ballarat exhibition, ballarat school of mines museum

Wire-framed circlet. Frame covered in cotton netting. Frame has a scalloped design 3cms high. The over lapping scallops are covered in small pearl beads. Around the base of the head dress are attached net covered “lilies” each with a tear-drop shaped pearl bead at the centre. An elastic band is attached to hold the head dress firmly to the head. The head dress originally also held a veil. Cream in colour. Part of wedding dress collection 11400.528, 11400.53029, 11400.530, 11400.531 Wedding dress worn at marriage of Barbara Johnson to her first husband Ian Bulte.costume, female ceremonial, wedding head dress

Sepia oval photograph on brown board. Portrait of a young woman (head and torso) - dress has heavy appliquéd lace, woman wearing necklace and small brooch. Embossed frame to photo on board. Inscription: Front: 'The/Talma/Studios'. Back: RHSV Stamp. In Black Lead on Back, 'Edith Lansell?'.The Talma Studiosperson, individual, portrait of young woman

Sepia photo on fawn board. 27 workmen in front of mine buildings, horse and dray on left, poppet head to left, mine building and chimney stack. Large pile of cut wood on right. 3 men sitting in open windows of building behind group. Blue pencil line drawn on the board, framing the photo.place, mining site, mine?

Born in 1903, Norman Penrose studied at the Bendigo School of Mines. A painter and a teacher, he lived in Bendigo most of his life.Watercolour painting by Norman Penrose titled "Bendigo Mining Country." It shows a barren landscape of green shrubs and reddish dirt under a cloudy sky. A single poppet head and a chimney with smoke coming out can be seen on the right hand side with two houses further away. The painting is signed on the bottom left-hand side. The painting is under glass in a light brown wooden frame. Norman Penrose Collection On the back "Norman W. Penrose" ("Bendigo Mining Country') 14 Barkly Terrace, Bendigo. phone: 36420. In red chalk No 4 within a circle. bendigo, mining, norman penrose, artist, teacher

Sepia photograph, head & shoulders, of Thomas Pearce in wood frame with painted gold inner edge. On a label underneath photo : The late Thomas Pearce who designed and hand forged Main Entrance Gates at 'Fortuna'. On a label attached to back of photograph: Presented to Commanding Oficer, Army Survey Regiment Lt-Col R. Van den Tol, by the Grand children of the late Thomas Pearce on the occasion of unveiling of Plaque to his memory. 9th September 1990

Photograph: black and white portrait, buff mat, brown wooden frame, glass front. Man is seated, with elbow on book, hand on side of head, has white hair, dressed in black dinner type suit with stand up collar. Written in black ink on bottom of frame : George W. Knight, C.E.J.F.W. Vincent Kelly, Mitchell St., Bendigoperson, individual, george w. knights, george w. knights, w. vincent kelly.

Paper headed Geo. Pizzey & Son Ltd. Poms Fur Trimming. Dated August 7 Thursday 1947. Campbell's Linen Carpet Sewing thread. All printed at the top of page. Hand written is Sample taken from Walshes Machine 1/8'' brass wire from 6 buoy frame 12 buoys. From the check piece and the sample there was a loss of 35.58% of the weight.sciences, instruments - general, scalebuoy, bill ashman collection, geo pizzey & son ltd, poms fur trimming, campbell's linen carpet sewing thread, walshes

Blue paper headed Court King of the Forest, No. 3770 A.O.F, B.U.D.,dated Sept 19 1877. To Mr. Lewis, Treasurer. Please pay McLean or Bearer the sum of 20/- for Picture Frame on account of this Court. Signed by James W. Long, C.R. and Wm. Rowe, Secretary. Signed across end of paper by W.J. Coath. Also another initial in the centre.societies, aof, correspondence, ancient order of foresters no. 3770 collection - to pay, court king of the forest, mr lewis, mclean, james w long, wm rowe, w j coath

Colour photograph in a black and gold frame. A wounded soldier, bandaged around the torso and right arm lies in bed. A photo of a young woman is included above his head.vietnam war, 1961 - 1975, personal narratives - australian, vietnam war, 1961-1975 - casualties, photograph

Stained timber frame, dark green matt board conatining photo of Justin having cup of water poured over head. Two Silver service medals with ribbons and service record in Vietnamd6n04, justin, tracker dogs, 7 rar, pte tom blackhurst, australian army training team

This item was donated as a photograph of Louisa Morrison. Louisa (or Luisa) Rosanna Morrison nee Haag came from an early settler family in the farming community of Wandin. The woman photographed is in her old age. If this is indeed Louisa Morrison, the photograph would date from the early 1940s, since she died in 1946 at the age of 70. However the costume and the style of the photo suggest an earlier date, possibly the early 1900s. This could be Louisa's mother, Emma Martha Haynes, or mother-in-law Margaret (McNeil) Morrison. The woman is shown in a garden, probably because the family were farmers/orchardists. Louisa married Daniel McNeil Morrison, who was nine years her senior , in 1900. They had four children and farmed Morrisons' Orchard in Old Hereford Road, Mt Evelyn. The Morrison home was to become the important community house in Mt Evelyn, Morrison House. Morrison Reserve is part of their land, as was Yarra Hills Secondary College, Mt Evelyn Special Developmental School and the Reserve and Athletics facilities, including a tennis club. In 1981 the land title was changed to the Shire of Lillydale, who purchased the land and established the Morrison House Community House from 1976 (ie before they legally owned the land).This picture is of social significance as it is the only reputed picture of Louisa Morrison nee Haag.Brown round cornered frame with gold colour on inner frame. Painted plaster on frame chipped on top right. Coloured (painted) photograph of seated woman in upholstered chair with large brown cushion behind her. Garden setting. Black floor length dress, high necked, long sleeved. White cap on head. White cloth showing at neck.Bottom right hand corner, signature "F. RAPHAEL". Reverse: four inscriptions, one on each straight side, stamped in ink. Top: "MADE IN / AUSTRALIA". Right side: "THIS MOUNTING IS SPECIALLY DESIGNED AND / SELECTED WORKMANSHIP AND MATERIALS / GUARANTEED". Bottom: Table, 1 row, 2 columns. 1st cell: "STYLE / 1". 2ND CELL: "PRICE / 3 GNS". Left: box with 2 columns, 1 row. Left most column is divided horizontally into two, as is the 2nd column, but at a lower level. This creates four cells. Top left: "STYLE 1". Bottom left "PRICE 2 GNS". Top right: "TO BE SOLD AT PRICE MARKED OPPOSITE ONLY ON CONDITION THAT SAME IS MOUNTED ON ONE OF OUR SAMPLE STUDIES". Bottom left: "EMPIRE ART COMPANY LIMITED".louisa, morrison, haag, morrison house, farming, orchard, mt evelyn, photograph, wandin

Sir William Gilliatt was born in 1884 in Lincolnshire. He was educated at Boston Grammar School and Wellingborough College, and began his medical career at the Middlesex Hospital in 1925. He became obstetric and gynaecological surgeon at King's College Hospital, a position he held until his retirement in 1946. Gilliatt was a foundation fellow of RCOG, U.K. and served on the Council from 1932 until his death in 1956. He was also the President of the RCOG from 1946 until 1949. Gilliatt was known to be an excellent clinical teacher and was gynaecologist to the Royal family for two decades. He wrote very little for the medical journals, but his influence on obstetric and gynaecological practice was considerable and his attention to detail was painstaking. He was killed in a motor accident on 27 November 1956.Framed black and white photograph. Photograph is a side-on portrait image of Sir WIlliam Gilliat, who is turning his head to face the camera slightly and is smiling. Photograph is signed 'William Gilliat/April 1951'. An inscription, likely to be the name of the photographer, appears in the bottom right-hand corner of the photograph. The frame is a simple gold coloured metal frame, with a rose decoration in each corner.William Gilliat/April 1951rcog

This unique aircraft was conceived in 1943 as a two seat trainer. A very large part of the design work can be attributed to Jock Barratt and Harold Bradley. The general layout adopted is similar to the Kite I and Kite II single seat sailplanes of Martin Warner and Allan Campbell. Having regard to this heritage, the glider was originally named Kite III but renamed Pelican 2, perhaps because it was the second two seat training glider built by the Waikerie Gliding Club – the first being the Pelican, a reconfigured Pratt Utility glider. Pelican 2 was first flown in 1952 and regularly since then, at least until about 1992. The Pelican 2’s performance was found to be very good for sailplanes of its era and was often used for more advanced flying in addition to training new pilots. Very few changes have been made to the Pelican 2 over the years. The undercarriage was modified after its initial testing to improve the placement of the wheels. The trailing edge of the rudder (originally straight) was rounded adding to the surface area. The twin shoulder tow line bridles were replaced with a belly hook when aviation design rules declared shoulder bridles dangerous and a nose hook has since been added to allow for aero-towing. A unique home grown sailplane design associated with Australian gliding pioneers Wooden 2 seat glider sailplane with fabric covering. Distinctive features include the pod and boom fuselage with side by side seating for pilot and a second person. The canopy of perspex supported by aluminum framing opens with port and starboard segments separately folding upwards and forward. The instrument panel includes altimeter, airspeed indicator, slip indicator and variometers. In addition to the usual controls, there is a trim operated by a small wheel mounted centrally, at head height, on the bulkhead at the rear of the cockpit. Incorporated in the skid under the fuselage pod are two wheels (one approximately midships and the other at the rear end). It has a three piece cantilever wing of approximately nearly 17 metres. The ailerons run almost full length of the outer wing segments. A Gottingen 426 section has been used changing to M6 at the tips. Outer wing segments are joined to the centre section to give about 300 mm of dihedral at the tips. The glider is equipped with airbrakes. The colour scheme consists of orange fuselage with black nose and skid. The tailplane / elevator and rudder are painted white. The wing is predominantly white with an orange leading edge. Registration VH-GFY On each side of rudder – “Pelican II” in black lettering on a rectangle of silver On each side of fuselage pod the letters ‘FY’ On each side of the fuselage, below the edge of the cockpit opening – “WAIKERIE” in black paint. australian gliding, glider, sailplane, kite, pelican, waikerie gliding club, jock barratt, harold bradley, martin warner, allan campbell

A black and white picture in white frame of a soldier carrying a long gun and smoking. He's standing next to a banana tree. His name's Crommy and he has head wound.Crommy M M (Head Wound)photograph

One small and one large maroon coloured board with lettering in yellow. Small one has embedded name of 9th Battalion- Roll of honour. Large one has 35silver frames with Photograph of those who sacrified. On the bottom of the board is the Roman number IX with a RAM's head in the centre.Royal Australian Regiment - Duty first (All 35 photos have names, rank, company, date of passing and a short history of their lives, one silver frame is missing)honour roll, 9 rar

Studio portrait of young lady in graduation gown in a wooden frame. Frame is made of wood and is of an irregular shape with decorative carvings surrounding the portrait. Decorative carvings were possibly painted gilt which has since largely worn away. Portrait is covered in glass. Portrait is of a young lady wearing a white dress with a graduation gown over it. She has a mortarboard with a tassel on her head with a large bow at the back and she is holding a scroll in her right hand. She has a locket around her neck and a brooch suspending a cross at her neck. Bracelets are on both wrists. The words Bartlett Bros Bendigo are printed on the bottom of the matte surrounding the photograph. Subject is probably either Mary or Kathleen Foster.Bartlett Bros Bendigophotograph, portrait, female

Clothing. A wire frame shape, with a black canvas lining, and covered on the outside with black velvet. The shape is ''head-hugging'' with scalloped extensions towards the ears. Beading in a floral design covers the shape - these are tiny round black glass beads and black bugle beads. These glass beads reflect the light against the black velvet.costume accessories, female, black velvet beaded cap

Large sepia head and shoulders photograph of Beatrice Annie Giudice nee Harvey born Long Gully 16.10.1885 married Michael Gabriel Giudice 1.8.1907 died 7.12.1980 Photographer Vincent Kelly Bendigo, framer D G Coope & Son Bendigo, on a cardboard mount with no frame.Vincent Kellyphotograph, person, giudice

Clothing. Curved headpiece in net, on a wire frame, with an elastic cord to pass round the back of the head, to hold in place. Frame has two scallops, giving the effect of a heart shape. Frame covered in net, and decorated with waxed orange blossoms and buds, and small waxed leaves.costume, female ceremonial, wedding headpiece

Cast iron mercury bucket, used to hold mercury, potentially in the process of recovering minute pieces of gold mixed in soil and sediments. See research page for description of one process of using mercury to extract gold.gold mines, mining equipment, mercury bucket, miners used mercury in a number of ways to amalgamate gold, with each mill or battery operator having their preferred method depending on the nature of the ore. by the late 1850s the most common way of crushing goldbearing quartz ores or consolidated alluvial cements was in a stamp battery. the battery featured heavy iron stamp heads held in a frame, with each head often weighing up to 500 pounds (226 kg) or more (see msv 1880, page 45) (birrell 2005). stamp heads were lifted and dropped by a rotating overhead cam shaft driven by a steam engine or water wheel. ore was fed into a large cast-iron battery box, mixed with a steady stream of water, and pulverised by the stamp heads. in some batteries, mercury was placed in the base of the boxes to amalgamate with freed gold. the violent agitation of the mercury in the mortar box, however, could cause the mercury to break into myriad tiny globules that were carried away by the water with the tailings, thus losing a certain amount of gold in the process (thompson 1867; ritchie & hooker 1997). the water and sand slurry was splashed by the falling stamps from the box through fine mesh screens and onto inclined wooden tables below the mortar box (figure 2). the tables were covered with copper sheets or plates coated with mercury, which caught and amalgamated with a portion of the gold. the grey putty-like amalgam was periodically scraped off the sheets and retorted in a furnace to collect the gold and recover the mercury for reuse. mercury was inevitably lost from the plates, while poor maintenance resulted in further losses of gold and mercury in the tailings. mercury use and loss from gold mining in 19th century victoria. peter davies1, susan lawrence, and jodi turnbull, department of archaeology and history, la trobe university.

Large sepia head and shoulders photograph of Michael Gabriel giudice born Golden Square 13.10.1882 married Beatrice Annie Harvey 1.8.1907 Mayor Bendigo 1922-24 died Bendigo 8.12.1947, Photographer Vincent Kelly Bendigo, framer D G Coope & Son Bendigo, with a cardboard mount no frame.Vincent Kellyphotograph, person, giudice

Black and white photograph of large group of men seated and standing in front of a building with notice board headed Bendigo Bowling Club & scoreboard showing scores for visitors and Bendigo. On grass in foreground is a set of bowls, mounted on sage green card within a brown wooden frame & gilded edgingWH Robinson Photo Bendigoorganization, club/society, bendigo bowling club, bendigo bowling club

Black & White head & shoulder portrait of Amy Huxtable wearing a 4 strand pearl necklace, under glass & framed with a thin wooden frame of silver & black, markings on rear of photo read 'Amy Huxtable, 23 Years Social Editor Bendigo Advertiser, Also under the name Toora, Died 16th January1980', Donated by Mr Atkinson related to Mary Reibyperson, individual, personal portrait, amy huxtable, bendigo advertiser