WW1 Holmes Family souvenirAustralian soldier's WW1 souvenirBlack and white postcard showing a street in Dublin with trams, horse drawn carriages, people, monuments and multi-storey buildingschatham-holmes family collection, dublin, ireland, world war 1

White satin jean. Design is passion-fruit flowers, leaves and brambles in a variety of stitches. The sachet is edged in long and short buttonhole stitch and the decorative fringe which usually edges this work has been cut away.embroidery, mountmellick, late 19th century, ireland

Satin jean, diagonal spray of flowers and leaves in the classical mountmellick style. Traditional heavy fringed edge.C.W.embroidery, mountmellick, ireland, mid 19th century

Irish christening gown. Cotton machine made broderie anglais which includes horse shoes, one section of which is upside down for luck. There is a drawstring at the neck and tie at the back waist. Machine construction and pintucks in two bunches on the skirt.embroidery, irish, broderie anglais, christening gown, garments

This tea towel was manufactured in 1978 in Ireland and shipped to Australia. This was in a period when the C.W.A. was the major women's organisation which had the greatest influence amongst rural women (especially in isolated areas). This was a period when broad based communications were mainly by radio,women orientated magazines and the telephone. The relay of television to "remote" rural areas was not yet established. The CWA was therefore a very important organisation that catered exclusively to women's needs. The C.W.A. motto "Honour our God, Loyalty to the throne, Service to the country, Through country women, For country women, By country women." The atmosphere was one of "sisterhood" and covered nearly all the needs of rural based women. This one organisation incorporated knowledge and learning targeting women who physically may be isolated but not mentally. On the tea towel are portrayed all the activities that would be beneficial to rural women.This tea towel with its respective motifs is very significant to the Kiewa Valley as it related especially to women who felt the limitations of social interactions within a rural area. This tea towel represents a era where communications was relatively based on radio, magazines, books and limited telephone access. Within these restrictive interactive communication levels, the isolation of a "back o' Bourke" location applied tremendous mental fatigue on women more than on men.This CWA Victoria Golden Jubilee (1928-1978) tea towel is made from Irish flax at the Blackstaff Flax Spinning and Weaving factory. It is therefore of high quality and very durable. The major colours projecting from a light blue background are red, yellow, green, orange and black. The motives portrayed the activities of the CWA in 1978. These activities are embroidery, crocheting, dress making, knitting, cooking, art, macrame, drama, music, patchwork, toy making and community relief, pennies for friendship, emergency relief and welfare, residential club flats, the thanks giving and Papua New Guinea.The main or central theme of this tea towel is presented in the central area within three rings. "1928" on the left and "1978" on the right. On the top part "GOLDEN JUBILEE" and at the bottom "COUNTRY WOMEN'S ASSOCIATION OF VICTORIA" There are various shapes representing the activities listed above.cwa promotional material, cwa golden jubilee, women only organisations, country women's association

Joh Mitchell was an Irish National activist. Portrait of John Mitchell who was associated with the Young Ireland movement. young ireland, john mitchell

small quantity of Irish linen fabric from No.2 Air Park Bankstown where many Ansons were repaired and overhauled during the waraircraft covering fabric, Irish linenlinen, fabric, irish linen, dixon, avro anson

In the 19thC and early 20thC men often wore their shirts for a week or more. However the collars were detachable so that they could be changed when they became dirty or for special occasions eg Church on Sundays Collar studs were used to attach the collar to the shirt. The leather box was used for storage and when travelling. The collars were very stiffly starched so as to maintain their shape.The Blackburn family were early settlers in Moorabbin Shire4 x mens white, stiffly starched, detachable collars and 2 x brass studs with the leather box used for storage and transport of these items. Each collar has 3 button holes - 2 at neck and 1 centre back for attachment to the shirt. The Leather box has saddle stitching and a strap with a metal buckle for securingInside collar : a) Radiac / 0 2639 - 16 / ALL COTTON / MADE IN IRELAND; b) LAUNDRY / FOR BEST RESULT DIP / IN THIN COOKED STARCH/ Semi / 161/2 ; c) nil d) nilmenswear, clothing, shirts, collars, early settlers, fashion, cheltenham, moorabbin, dairy farmers, market gardeners

Ceremonial collar from Derry (Londonderry) Ireland in Northern Ireland for the Ancient Order of Hibernians and belonging to John Duddy donated in 2013 by the Macalinden family Port Fairy.A rare example of Irish Hibernian regalia in an Australian collection brought to Australia by the immigrant owner and later donated to the Diocesan Archive by his family. The object is significant in its embroidery and applique work and as an example of the importation of an Irish form contrasting to Australian variants of such collars. Significant in its representation of the contribution of migrants and the Irish to Australian culture.applique red hand of Ulster, Shamrock, Harp, Celtic cross with stars on each shoulder. Fringed in gold metal braid.port fairy, hibernian, derry, londonderry, northern ireland.

Murray's Erinmore Flake tobacco tin. Yellow with red printing.Murray's Erinmore Flake Trade Mark|Made in Northern Ireland by Murray, Son 7 Co Ltd Belfast|Vacuum Packed|Erinmore Flake (twice)|Net weight when packed 2oz / 56-70 grammespersonal effects, smoking accessories

White fine linen embroidered by hand, with shamrocks. Satin stitch and stem stitch. There is a wide tuck above the hemline, and an opening at centre back waistline with a tape tie. May have been part of a dress.embroidery, garments, whitework, ireland, 1900-20

Gifted by the Misses Walsh and their late Aunt Miss E. Walsh (member). One of a pair (no. 433) The Misses Walsh, ran an exclusive children's wear shop 'The Nursery' in Little Collins in the 1930's and 1940's. Towards the end of the 1940's the shop closed. Sachet for stockings. White cotton satin jean with white embroidery and knitted fringe. Lozenge shaped with a flap. Bold design of passion fruit flowers and leaves in a variety of stitches.embroidery, mountmellick, ireland, late 19th century, sachet

The design suggests it was made as a wedding gift.One of pair of pillow shams - see 651. The design is of bull-rushes, water lilies, insects and a bird. The monogramme is decorated with leaves and flowers. Knitted fringe.Mcembroidery, mountmellick, ireland, late 19th century, pillow cases

Probably one of a pair. Worked on white cotton satin jean. Textured white cotton stitches. Knitted white cotton fringe. Motif of bird, lilies and monogrammed "D".Monogrammed "D"embroidery, mountmellick, pillow cases, late 19th century, ireland

The Misses Walsh, ran an exclusive children's wear shop 'The Nursery' in Little Collins in the 1930's and 1940's. Towards the end of the 1940's the shop closed. Gifted by the Misses Walsh and their late Aunt Miss E. Walsh (member). One of a pair (no. 432)White satin jean with white embroidery in the classical style. Bold design of passion fruit flowers and leaves on the flap with sprays of berries at the sides, all worked in a great variety of stitches. Very decorative white fringe is added to the edgings. One of a pair of sachets with varying designs.embroidery, sachets, late 19th century, ireland, mountmellick

Classic mount mellick on satin jean with decorative scalloped edges top and base and fringed. Heavily embroidered with flowers, wheat and leaves.embroidery, mountmellick, ireland, late 19th century, pyjama case

Lawn, with a long shaped front panel of machine embroidered insertion, edging and lace and tucking, all joined with feather stitching. Wings go over the sleeves to form a collar at the back.embroidery, whitework, christening gown, late 19th century, ireland

White work on off white linen, satin stitched leaves, eyelets and stem stitch. Buttonhole scalloped edge of front flap. Guessetted pocket with shamrocks at bottom left and right sides. Machine constructed with French seams.H.K.E.S. in satin stitch.embroidery, sachets, 1900-20, ireland, whitework

Tilley lamps, famously known for their bright white light and reliance on kerosene pressure, originated from John Tilley’s 1813 invention of the hydro-pneumatic blowpipe. Developed as a portable paraffin (kerosene) lamp in 1915, the Tilley Lamp Company became iconic for durable lighting in the railways, military, and households before moving to Northern Ireland in the 1960s. They were used in homes and outdoors.Four vintage Tilley Lamp Vapourisers ( three new and one sealed in a plastic wrap). 1. Tilley Vapouriser Part No. 606. in a red and yellow long rectangular cardboard box complete with a cleaning wire part. 2.Tilley Vapouriser Part No.No. 606. in a red, black and white long rectangular cardboard box, complete with a cleaning wire part. 3. Tilley Vapouriser Part No.169. in a black and yellow long rectangular cardboard box, complete with a cleaning wire part. They all have patent numbers. 4. One loose vapouriser encased in plastic without a box.Each box has full details of parts and manufacturing.lighting equipment, lights, lamps, kerosene lamps

Koroit has a rich history or Irish immigration which is still evident in the town. Image of an Irish Leprachaun from a sign in the Koroit in December 2013ballarat irish, leprachaun, koroit

Bill Clohesy was an ex president of the Emerald Museum from 1996 to 1997. This is a book of Irish type poems that he has written and published in 2011. Craic is a term for fun and entertainment and enjoyable conversation , particularly prominent in Ireland.Small white covered paperback with a gnome on the cover. Book of irish type poetry.Hand written on first page; 'Many fond memories of living in Emerald. Bill Clohesy.'bill clohesy

Cream winter cotton fabric with 8 cm deep bands of smocking on front and back. The collar is edged with feather stitching and lace. The sleeves have a narrow band of smocking and a buttonholed edge. A band of shamrocks decorates the hem.embroidery, garments, childrens, late 19th century, smocking, ireland

Hand embroidered doyley with hand crocheted edge.embroidery, crochet, ireland, irish, doily, doilie

Received anonymously by a teacher of the Lace Guild of Australia, Victorian Branch. Karolina Jeffers of Vermont. Donor told Karolina that the lace had belonged to her aunt. The aunt had worked in a dressmakers in Flinders Lane in the 1930s where she acquired the lace. Donor was in her 80s when she gave the lace to Karokina.1. Small white round piece of Irish crochet. Donegal. A three leaf clover in centre of piece with close pattern around it with sixteen three looped picots on edge. This piece is attached to a blue felt covered board. 2. Small cream piece of needle lace. Ten looped circles around edge with close worked centre piece. This piece is also attached to blue felt covered board.'Irish Crochet Donegal' Puerto Lumbretas Spainhandcrafts, crocheting or crochet work, lacemaking

Rectangular metal tin with fitted lid. Yellow painted lid with red prnt in centre on lid. Murray's trademark pineapple at lower centre on lid. Yellow top. Red writing. Dark grey base.On lid: MURRAY'S / ERINMORE / FLAKE / TRADE MARK / MADE IN NORTHERN IRELAND BY MURRAY SONS & CO. LTD. BELFAST. On sides: 1. Vacuum packed. To open lever here 2. Erinmore Flake 3. Netweight when packed. 2oz./56.70 grammes. 4. Erinmore Flakesmoking, murray's, erinmore flake, pipe tobacco

Large pamphlet adare, church, limerick, wyse jackson, ireland, irish, religion

Spirits came in bottles and were sold at licensed premises.The shape, colour and production methods of the bottles have changed over time. Mitchel & Co. Belfast were established in 1860 in Belfast Ireland.This bottle was received from the ocean floor of the Portland Harbour.Clear heavy glass bottle with green tinge and heavy embossing, manufactured for Old Irish Whisky. The bottle is an oblong shape with long straight sides, three quarters of the way up the sides taper to the neck which has a lip and then the opening. The base of the bottle is curved inwards. Front top: OLD IRISH WHISKY TRADE (INSERT LOGO) MARK Logo: is a likeness of a imperial crown inside a square based shape that comes to a point at the bottom similar to a heat tip and steps in both sides up the top to form a small box top. The letters CL are visible in the centre of the crown. Bottom: MITCHELL & CO OF BELFAST LTD Rear Top: IMPERIAL QUART in a banner old irish whisky, mitchell & co. belfast ltd, bottle, port of portland

Medicine came in bottles bought at the local chemist or at a large city chemist on a shopping expedition. The shape and contents changed as did the stopper used to seal it. History of Bonnington's Irish Moss.Historical: Change of bottles - shape, glass, stopper, embossing, use. Aesthetic: Display showing embossing and shape Small clear brown glass bottle used for medicine. Rectangular shape with heavy embossing at the front. Narrower sides taper to the lip at the opening. Also has a lip around the opening.On front side: 'Bonnington's / Irish Moss / Coughs & Colds' chemist, medicine, glass bottle, bonnington's, irish moss, coughs, colds

Medicine came in bottles bought at the local chemist or at a large city chemist on a shopping expedition. The shape and contents changed as did the stopper used to seal it. History of Bonnington's & Irish Moss.Historical: Change of bottles - shape, glass, stopper, embossing and use. Aesthetic: Display showing embossing and shape. Small clear brown glass bottle used for medicine. Rectangular shaped with heavy embossing at front. Narrower sides taper to lip at opening. Also has lip around the opening.Front side: 'Bonnington's / Irish Moss / Coughs & Colds'glass bottle, chemist, medicine, irish moss, bonnington's, coughs, colds

Medicine came in bottles bought at the local chemist or at a large city chemist on a shopping expedition. The shape and contents changed as did the stopper used to seal it. History of Bonnington's and Irish MossHistorical: Change of bottles - shape, glass, stopper, embossing and use Aesthetic: Display showing embossing and shapeSmall clear brown glass bottle used for medicine. Rectangular shape with heavy embossing at the front. Narrower sides taper to the lip at the opening. It has a very rusted-on screw lid which is metal.Front side: 'Bonnington's / Irish Moss / Coughs & Colds'glass bottle, bonnington's, medicine, chemist, irish moss, coughs, colds