Grace Bennett (1875-1960), a daughter of William Garnsworthy Bennett and his wife Susan née Williams, married Neil Wishart in 1898. They had four children - Lydia, Neil, Millicent and William. Grace and Neil Wishart celebrated their Golden Wedding in 1948.Enlarged black and white copy of original photograph which has been mounted on white card. The photograph shows a young woman wearing a dress with a high neck and long sleeves, which has pintucking on the sleeves and bodice. The bodice also has appliqué decorations. The woman is seated on a cane chair and has a small child standing next to her. The child is holding a doll and is wearing a dress with smocking and a lace collar. She has a bow in her hair and is wearing button-up boots.grace wishart née grace bennett, lydia wishart

Black and white copy of original portrait of a young lady wearing a white lace high collared dress with gloves and a very large hat. She is standing with her hands resting on a decorative tall table."Elizabeth Hunter born Linton 1.1.1910".elizabeth hunter

1860 Black silk taffeta coat with long sleeves. Black lace around collar, fronts and hem. Appears to be fastened with large hook. Gored shaped coat and knee length. Worn over a wide skirt.costume, female

The Percy Uebergang family lived at Tooram Park, Allansford from 1912 until 1992. Percy and Myrtle Uebergang's children were twins, Ray and Joyce born in 1926 who lived at Tooram Park until their deaths, Ray in 1986 and Joyce in 1992. Neither Ray nor Joyce married and following the death of her brother Joyce set up the Ray and Joyce Uebergang Foundation which supports the local community. This photograph is part of the collection of items given into the care of the Cheese World Museum. Percy Uebergang and Myrtle Wright were married on 3 September 1924 at Koroit. The attendants were Miss Ida Wright and Carl Uebergang. Newspaper reports of the wedding and welcome home reception are held in the collection. Myrtle's cousin, Florence Trigg, recalls that the wedding was held at 6am at Koroit in order to catch the train to Melbourne at 7am. This photograph was taken following their return. Percy and Myrtle are the parents of Ray and Joyce Uebergang. Black & white photograph of the wedding party of Percy Uebergang and Myrtle Wright and their attendants. The bride is wearing a calf length suit trimmed with a lace collar and shoes with lattice weave uppers. She has a horseshoe on her left arm and a small handbag in her right hand. The bridesmaid is wearing calf length long sleeved dress featuring a shawl collar and a sash at the waistline. She is carrying a handbag. The men are wearing 3 piece suits and lace-up boots, shirts with winged collars and ties.allansford, uebergang, percy, wright, myrtle, wright, ida, uebergang, carl, marriages, trigg, florence, koroit

These garments were made by Evelyn Carfrae's grandmother for her trousseau around 1890. Evelyn Carfrae was a long time volunteer in O.Gilpins Store at Coal Creek.9056.1 Ladies long white nightdress with lace trimmed collar 9056.2 Ladies white mid calf length crotch less undergarment 9056.3 Ladies white calf length undergarment with drop down panel in front

Black and white copy of original photograph showing the side profile of a lady wearing dark dress, lace trim collar, buttoned bodice with flowers at her neckline. Dark hair tied back in a bun and dangling earrings.mrs mclachlan

The jabot was part of the Presbyterian Moderator's regalia and was worn under the coat which had lace cuffs. The regalia also included britches, stockings, wool gaiters and shoes with metal buckles. White lace jabot on cotton collar and with tape, elastic and hooks for securing round the neck.presbyterian moderator, regalia

One of a pair of separate half-length studio portraits of an unidentified man and a woman photographed using the daguerreotype process. Both portraits are contained within pinchbeck frames, bound in brown-tooled leather cases, with red, cut-velvet binding. Each daguerreotype required an individual negative, presented to the sitter as a positive, and was not reproducible. Due to an exposure time that could extend to many minutes, people were often seated for portraits. Sitters were almost exclusively drawn from the middle to upper classes because of the cost of production of the photograph. It is assumed that the subjects of the two daguerreotypes were unidentified members of Gwen Steele's family. They are the earliest photographs in the pictures collection.Half-length studio portraits of an unidentified woman photographed using the daguerreotype process. The portrait is contained within a pinchbeck frame, bound in a brown-tooled leather cases, with red, cut-velvet binding. The portrait of the woman is notable for her centre-parted hairstyle with the fullness of the hair drawn into a single chignon at the base of the neck. This style set off the tilted-back angle of bonnets and hats. The seated woman wears a dark silk day dress with a voluminous skirt. The bodice is set-off by a large lace collar on its high neckline and at the cuffs. daguerreotype, portraits

Eliza Chamings nee Harris. William Harris. Ursula Chamings. Granny Harris.B/W photo Studio seated adults with standing child. adult daughter sitting in straight backed chair wearing light suit with braid on hem, long sleeved white blouse, father sittinginrolled armseatreceeding hair line and beard in grey three piece suit with fob watch, grand daughter Hair in ringlets bow in hair,lace collar briad yoke velvet? dress, mother black ornate bonnet with black ribbon tied to head black long sleeved dress sittin gin straight backed chair,Eliza Chamings nee Harris, William Harris, Ursula Chamings, Granny Harris. Reverse stamp W.J. Chapman Photo Stawellstawell

One of a group of items including lace and crochet collars and pelerines, a jabot, a chid's dress and a wedding dress donated by KHS member, Kathryn (Kate) Gwynne Reeve (nee Marx) that belonged to members of her family. Silk cap with lace inserts L 19 cm / W 27 cm / Circumference 57 cmaccessories, caps

A coffee-coloured lace bertha collar which is wide, round, flat collar designed to accent a woman's shoulders. It has a long history stretching back to Victorian fashion. It can be worn as an accessory to a dress or a top, and it is sometimes removable like a shawl.lace accessories collar bertha

There are many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by Vera and Aurelin Giles. The items are associated with the Giles Family and are known as the “Giles Collection”. These items mostly came from the simple home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton), whose photos are in the parlour. They married in 1880. Henry Giles was born at Tower Hill in 1858. He was a labourer on the construction of the Breakwater before leaving in 1895 to build bridges in N.S.W. for about seven years. Mary Jane was born in 1860 at Cooramook. She attended Mailor’s Flat State School where she was also a student teacher before, as family legend has it, she became a governess at “Injemiara” where her grandfather, Francis Freckleton, once owned land. Henry and Mary’s family of six, some of whom were born at Mailor’s Flat and later children at Wangoom, lived with their parents at Wangoom and Purnim west, where Henry died in 1933 and Mary Jane in 1940. The Giles family collection has social significance at a local level, because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the Museum was established.Women's long white nightgown with longs sleeves, front opening, round collar and lace trim.warrnambool, shipwrecked-coast, flagstaff-hill-maritime-museum, shipwreck-coast, night gown, night wear, giles collection, henry giles, tower hill, cooramook, mailor’s flat, wangoom, vera & aurelin giles

Clothing. Girl's cream coloured short sleeved linen waist length bodice/blouse. High U shaped neckline with ribbon insert lace and fold over lace collar (5cm). Yoke front and back with zig zag edge at front and V shaped at centre back. Yoke has decorative diagonal embroidered panels and pin tucks. The lower section of the blouse is shaped above the waist with darts and pleats below the bustline at the front and at centre back. Short sleeves have ribbon insert lace around arm holes with 7 cm embroidered fabric forming the sleeves.costume, children's, child's bodice/blouse

This lace is similar in appearance to Genoese collar laces but the thread is much finer and the lace softer. At the time it would have been an expensive fashionable lace trimming. This particular piece was borrowed and used as an illustration in Pat Earnshaw's book "The identification of Lace"Flemish lace edging attached to a piece of black fabric.

Clothing. Women's black embossed silk bodice. Part of two piece set (skirt 11410.2). Stand up lace collar (7 cm) boned on either side and edged with cream coloured lace. Collar fastened at centre back with three metal hooks and eyes. Front opening left of centre fastened with eight metal hooks and cotton loops and three across the left shoulder. Crossover section at front is pin tucked below the neckline and is tapered into the waist with centre pleats. Both sides of the crossover have decorative beading along the edges. The inner layer of the bodice is fastened at centre front with 15 metal hooks and eyes - alternating directions. The bodice is shaped from the waist with 9 boned casings. The back is shaped in at the waist finishing with two U shaped tails (11cm X 8cm) with V shaped tails (4 cm X 6cm) on either side. The waistline and tails are finished with a double row of decorative black beading. At the waistline at centre back are three metal hooks to attach bodice to skirt. Long sleeves are gathered at the shoulder, shaped at the elbow tapering to the wrist. Below the wrist is a two piece cuff (13cm X 7cm) with decorative black beading. The bodice is fully lined with light brown cotton fabric with grey splash pattern. Historical Notes: This bodice and skirt belonged to Elizabeth Graydon (nee Richardson). Photograph of Elizabeth wearing this outfit (11410.3).costume, female, women's black silk bodice

Long white lawn bed jacket pin tucked with lace insets on sleeves and body. Deep lace borders on collar, sleeves and body. Five white buttonscostume, female nightwear

Cream net lace 15cm deep collar. 3cm frill around neck edge. 6cm frill around shoulder edge. Could be called a Bertha Collar?costume accessories, collar accessories, female

This handmade women’s camisole features hand-worked lace yoke and trim and a drawstring peplum waist. It is one of seven handmade items of white cotton underwear, all made with beautiful needlework and embroidery skill. The lingerie once belonged to the donor’s great-grandmother’s family, the Paton family of ‘Trefnant’, Yangery, in southwest Victoria. The collection of women’s late-19th-century undergarments is an example of clothing that women would include in their wardrobes. The garments add to the study of the evolution of women's fashions and practicality for the early Australian settlers. The fine linen fabric and the careful needlework in these handmade garments and hand-worked lace trims reflect the maker’s dedication to making even serviceable garments beautiful to look at and wear. Women's camisole, short sleeves and drawstring peplum waist. Handmade from white cotton fabric, with hand-worked lace sleeve tips, collar and waist trim. Front closure.flagstaff hill maritime museum and village, maritime museum, maritime village, warrnambool, great ocean road, southwest victoria, victorian era, women’s underwear, ladies’ underwear, undergarment, under-structure, 1900s undergarments, 19th-century undergarment, women’s clothing, women’s fashion, lingerie, 19th century, handmade clothing, handmade lace, hand-worked lace, camisole, paton family, trefnant, yangery

The bodice is of a style from the Victorian Era and so provides a good example of women's clothing from that time. Although it appears to have been made at a later time the lace possibly came from an earlier time period. It is of historic interest as it was amongst the belongings of the donor's Great Aunts who were both dressmakers at the original Terang & District Co-Op which was established in 1908.The item is of significance socially as an example of women's clothing in the Victorian era.A short, waist-length bodice most likely made as a performance costume. It is representative of a Victorian bodice style though the lacing used indicates that it would not have been worn in those times due to its revealing design. Flexible metal stays provide shape to the bodice at the front and back. Sleeves are elbow length and lined with cream fabric. The bodice has a lace collar and the sleeves are trimmed with the same lace. Small gold coloured beads are stitched to the flower centres of the lace pattern. The burgundy coloured satin has an embossed floral pattern. The lace is of interest as it is from an older time period and being beaded would be especially sought after. Machine and hand stitched.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, satin bodice, beaded lace, victorian era, metal stays, terang & district co-op

One of a group of items including lace and crochet collars, a chid's dress and a wedding dress donated by KHS member, Kathryn (Kate) Gwynne Reeve (nee Marx) that belonged to members of her family. A jabot is a pleated frill of cloth or lace attached down the centre front of a woman's blouse or dress.Irish lace jabot. H 31.5 cm / W 35 cmjabots, lace

Christmas gift to donor as a child in 1945Childhood doll of Rosalie Whalen (nee Schwerkolt) Doll, whose name was Janet was given to Rosalie Schwerkolt Whalen as a child in 1945 with a lemon voile dress and matching bonnet and a patterned voile dress.Voile dolls costume dress with floral pattern and lace inserts, on collar, bodice, short sleeves down the front. Dress to fit doll named Janet - NA5163. Other dress NA5165doll, 1940s

This handmade women’s camisole features hand-worked lace yoke and trim and a drawstring peplum waist. It is one of seven handmade items of white cotton underwear, all made with beautiful needlework and embroidery skill. The lingerie once belonged to the donor’s great-grandmother’s family, the Paton family of ‘Trefnant’, Yangery, in southwest Victoria. The collection of women’s late-19th-century undergarments is an example of clothing that women would include in their wardrobes. The garments add to the study of the evolution of women's fashions and practicality for the early Australian settlers. The fine linen fabric and the careful needlework in these handmade garments and hand-worked lace trims reflect the maker’s dedication to making even serviceable garments beautiful to look at and wear. Women's camisole, short sleeves and peplum waist. Handmade from white cotton fabric, with hand-worked lace sleeve tips, collar and waist trim. It has button closures down the front.flagstaff hill maritime museum and village, maritime museum, maritime village, warrnambool, great ocean road, southwest victoria, victorian era, women’s underwear, ladies’ underwear, undergarment, under-structure, 1900s undergarments, 19th-century undergarment, women’s clothing, women’s fashion, lingerie, 19th century, handmade clothing, handmade lace, hand-worked lace, camisole, paton family, trefnant, yangery

UnknownRare survivor of 1890's fashion Female black lace cape. Guipure - small collar fastened with black grosgrain silk ribbon with bow - 2 beaded flower motif.female evening and/of morning wear

One of a group of items including lace and crochet collars, a jabot, a chid's dress and a wedding dress donated by KHS member, Kathryn (Kate) Gwynne Reeve (nee Marx) that belonged to members of her family. A pelerine is a woman's long narrow cape or tippet, with ends coming down to a point in front, usually of silk or lace, or of the material of the dress.Irish crochet pelerine. L 31 cm / W 31 cm / Circumference 94 cmcrochet, irish crochet, pelerines, accessories

The Percy Uebergang family lived at Tooram Park, Allansford from 1912 until 1992. The horse collar was part of the collection of rural items given into the care of the Cheese World Museum.Straw-filled horse collar with leather upper and a blanket fabric on the underside. A set of iron hames sit around the collar with two rings attached to the top end with a hame hook on both sides and a chain joining both at the lower end. The leather neck roll is stitched to the collar with a leather lace. The collar has a leather strap and buckles attached to the top.rural industry, livestock, farm machinery, horse harness, allansford, uebergang, saddlery, horses

This handmade women’s camisole features hand-worked lace yoke and trim and a drawstring peplum waist. It is one of seven handmade items of white cotton underwear, all made with beautiful needlework and embroidery skill. The lingerie once belonged to the donor’s great-grandmother’s family, the Paton family of ‘Trefnant’, Yangery, in southwest Victoria. The collection of women’s late-19th-century undergarments is an example of clothing that women would include in their wardrobes. The garments add to the study of the evolution of women's fashions and practicality for the early Australian settlers. The fine linen fabric and the careful needlework in these handmade garments and hand-worked lace trims reflect the maker’s dedication to making even serviceable garments beautiful to look at and wear. Women's camisole, short sleeves and peplum waist. Handmade from white cotton fabric, with hand-worked lace sleeve tips, collar, waist trim and yoke. There are five buttons and two ties down the front.flagstaff hill maritime museum and village, maritime museum, maritime village, warrnambool, great ocean road, southwest victoria, victorian era, women’s underwear, ladies’ underwear, undergarment, under-structure, 1900s undergarments, 19th-century undergarment, women’s clothing, women’s fashion, lingerie, 19th century, handmade clothing, handmade lace, hand-worked lace, camisole, paton family, trefnant, yangery

One of a group of items including lace and crochet collars and pelerines, a jabot, a chid's dress and a wedding dress donated by KHS member, Kathryn (Kate) Gwynne Reeve (nee Marx) that belonged to members of her family. A pelerine is a woman's long narrow cape or tippet, with ends coming down to a point in front, usually of silk or lace, or of the material of the dress.Tape lace pelerine. L 41 cm / W 57 cm / Circumference 142 cmpelerines, accessories, tape lace

Heavy white cotton lace dress. High round neckline with cotton drawstring ties. 6cm lace collar with scalloped edged. 7cm cap lace sleeves with fine scalloped edges. Casing at the waist with cotton ties to back. Back opening from neck line to 9cm below waist. Cotton tie at neckline at back. Two x 1cm white buttons spaced at 6cm and 12cm below neck. Hemmed edges of lace form the edges of the back opening. Two machine stitched button holes on RHS with 4.5cm layer of lace covering the button holes. LHS of opening is plain. Lace skirt made of single piece of lace fabric gathered at the waist. Seam at centre back. Skirt 31 cm. Scalloped edges dipping to V shapes. 5mm cotton ties at waist and neck go through metal ties. Machine stitched.costume, children's, infant boy's dress