This torch was used by German soldiers in the field in WW2. The beam could be adjusted to suit different purposesRectangular honey coloured wooden box with gold clasp, containing the torchWritten instructions inside the lidtorch, lantern, signalling device

From the Imperial War Museums website (IWM UK): Second World War period transceiver set widely used by US, and Allied, Armed Forces in Italy, N W Europe, and the Pacific. The US Signal Corps developed the SCR-536 early in the Second World War, It was produced from 1942 onwards by the Galvin Manufacturing Co. By 1945 130,000 had been produced. The SCR-536 was an extremely popular set and was colloquially known as a "Handie-Talkie". It consisted of a five-valve, low-power, battery operated, AM (HF) transceiver that was designed for portability and ease of operation. It featured a single channel crystal control between 3.5 and 6Mc/s, and it had an R/T communication range of 1 mile over land and 3 miles over salt water. The set was switched into a receiving mode by extending the telescopic aerial, and to transmit the press-to-talk switch was depressed. The aerial was protected by a connected cover. The set was well-engineered and designed and could be held in one hand, hence "Handie-Talkie" . It was used virtually everywhere in the world, weighed only 2kg, and was proofed against fungi and moisture.The SCR-536 was also modified for use in military gliders under the designation SCR-585.Short range portable transceiver. A large green-painted metal box with perforated small round holes in the shape of hexagons (original perforated round black earpiece and mouthpiece missing). On the back is a long green webbing carrying strap. (not original)Between the earpiece and mouthpiece is a plaque that reads "SIGNAL CORPS US ARMY RADIO RECEIVER AND TRANSMITTER BC-611-C. SERIAL NUMBER: 3017. ORDER NUMBER: 1345-WF-43. MADE BY GALVIN MFG CORPORATION CHICAGO ILLINOIS. On label : FREQUENCY 3996 Kev/ CHANNEL/ BAT. DATE Red square stamp walkie talkie, handie talkie, telecommunication, ww2, world war 2, american, wireless equipment, signal corps, us army, transceiver, bc 611 c

Binoculars used by Jim Burrow, a Coast Watcher in the New Guinea Area Jim Burrows is the last surviving WW2 Coast WatcherBlack Carl Zeiss Binoculars with brown leather strap.Carl Zeiss, Jena, coast watchers, new guinea, ww2

This periscope was used during WW2 extensively made for armoured vehicles.Minneapolis-Honeywell was approached by the US military for engineering and manufacturing projects. In 1941, Minneapolis-Honeywell developed this superior tank periscope and camera stabilizers, as well as the C-1 autopilot.Rectangular periscope with screw & clip device to hold in position, painted olive drab.On one label: PERISCOPE M6/ MINNEAPOLIS HONEYWELL REGULATOR COMPANY/ No 4XO/ 1943. On paper label: Periscope Adjustments Knob Settings (indecipherable). On one side handmade scribbling unable to analyse: PVNCAN/HARE/838 4551periscope, armoured vehicles, tanks, ww2, us army, chaffee, stuart, shermann, minneapolis

Given to Box Hill RSL as part of a fathers RAAF Uniform from Bomber Command. Uniform worn by Flying Officers from Australia. This hat has strong provenance as the name of the owner is written on the hat, with service number, and the family connection to the donor. Navy Blue/Black Band and Gold Emblem with name and number written on brim of hat. Leather binding. The number written on the hat is the service number for Maurice Anthony O'Keefe.Hand written on Brim: O'Keefe, MA/428470headwear, ww2, uniform bomber command

Entrenching tools were part of every soldier's equipment. They were used to dig shallow trenches which protected the soldier when under enemy bombardment from artillery or mortar fire. They could also be used to bury rubbish or human waste, and to fill sandbags.Folding spade for digging a trench. Folding spade with a short shaft and triangular handle that unfolds from the blade and is locked when opened with a screw.entrenching, tool, spade, folding

Service Dress Uniform worn during Vietnam War Era.Good condition Service Dress Uniform worn during Vietnam War Era.Army Khaki Wool Polyester Service Dress Jacket of the Vietnam era. Staff SGT Rank Insignia, Royal Australian Regt Collar Badges, Ribbons of Vietnam Medal, Vietnam Campaign Medal, Infantry Combat Badge and Maroon Lanyard. 9 Bn Royal Australian Regimentvietnam conflict, army service dress, royal australian regiment

Each of the five telephones is attached to a timber, wall‐mounted box. They are original to the precinct buildings and date from the early twentieth century. Located in the lighthouse lantern room, the former head keeper’s quarters, the former assistants’ quarters, and the buildings known today as the generator shed and the café, they formed an intercom system that facilitated communication between the lightstation buildings.Wall‐mounted Bakelite telephones with crank handles can be found at all six light stations, however Gabo Island has the only other example of a timber‐mounted phone. Its design is slightly different for incorporating an inclined surface for jotting down notes. As fixtures, the telephones are considered to be part of the building fabric and included in the Victorian Heritage Register listing for the Cape Nelson Lightstation (H1773; 18 February 1999). They are historically significant for their historical and technical values as part of the early communications system used at the lightstation.Five similar intercom system telephones. All are wall mounted timber boxes with Bakelite black hand sets and black cords. The five phones each have two bells at the top of the box and a crank handle at the side. Three phones have brass bells, two have black metal bells. All phones have instructions on the front either in a frame or glued to the timber."C of A" and "PMG" Written instructions on how to use the phones are printed on paper fixed to the front of the telephones. "TO CALL ....../ TO ANSWER...../ WHEN FINISHED....."

The battery powered set, which dates from the second half of the twentieth century, comprises two main components, the electronic keyer with a single lever for tapping, and a transmitter (?), both connected by a keying cable. Morse code was invented in the 1830s by American, Samuel Finely Breese by using electrical signals to quickly transmit information over a long range. In the early 1890s Italian inventor, Guglielmo Marconi improved the technology to the point where it became an essential device used for commercial and government purposes. The first practical applications were demonstrated with maritime messaging, where this simple mode of communication was seen as a timely replacement for the historic practice of signaling by flags, lights and foghorns. Cape Schanck has an earlier Morse code key, which is original to the lightstation (CSLS 0035), and Cape Otway has another early example although its provenance to the lightstation has not been formally verified (COLS 0074). The Morse code set has first level contributory significance for its historical value as an earlier communications device that has since been made redundant by more sophisticated technologies.Morse code key set. Comprised of the tapping component and a metal box part with a white electrical cord.Yes

The cedar sideboard has two cupboard doors below two corresponding drawers. The style is in keeping with the completion date of the lightstation in 1884, when furniture in the late nineteenth century had squarer, more defined lines and angles, and ornamental features. This sideboard is a modest version of this trend combining a pediment‐shaped back board with turned side columns and finials, rectangular mirror, decorative drawer pulls and door handle, as well as cupboards and drawers with bevelled, raised panels. The initials ‘PWD’along with a crown motif and letters are inscribed on the side indicating that the furnishing was the property of the government and made in its workshops. The Public Works Department, which operated in Victoria from 1855 to 1987, was responsible for the design of Victoria’s major public buildings and provision of furnishings to its offices as well as residences where the need was required.301 The keepers’ quarters at Cape Otway Lightstation were supplied with two of the same sideboards, which remain there today; on is intact (COLS 0001), the other missing the backboard (COLS 0015). Two similar but plainer examples, which are probably earlier in date, also remain at Cape Schanck (CSLS 0007.3; CSLS 0009.3). The Cape Nelson sideboard has first level contributory significance as a fine example of the good quality domestic furnishings made by the Victorian Government and provided to lighthouse keepers and their families in the late nineteenth century. It is also significant for its provenance to the lightstationThe cedar sideboard has two cupboard doors below two corresponding drawers with pediments‐shaped back board with turned side columns and finials, a rectangular mirror, decorative drawer pulls and door handle, as well as cupboards and drawers with bevelled, raised panels.

Their polished wood finish appears to be original to their date of manufacture during the 1960s‐70s. They were located in the head keeper’s and assistant keepers’ quarters, where their use for office purposes also may have crossed over to a domestic function. In the post‐war years the Commonwealth Lighthouse Service (CLS) introduced modern, low‐cost furnishings to lightstations. Most notably, it commissioned a number of light, compact and functional items in bulk from émigré designer, Steven Kalmar (1909‐ 1989), who played a significant role in popularising modernist design concepts in Australia and drew his ideas from Scandinavian and American design trends. Born in Hungary, he trained as an architect and his contemporary affordable furnishings were especially suitable for the open‐plan houses being built in Australia’s new post‐war suburbs. It is not known whether the bookcases bear the Kalmar label, but the design, particularly the legs and bar bracing, is a signature style that is associated with his Sydney‐based firm, Kalmar Interiors. The CLS supplied the same bookshelves to a number of other lightstations, including Point Hicks, Cape Otway and Gabo Island, as well as other types of furnishings such as tables and cabinets. The bookcases have first level contributory significance as examples of the modernist furnishings that the Sydney‐based firm, Kalmar Interiors supplied to the Commonwealth Lighthouse Service in the post‐war years.The bookcases stand at about bench level and are almost square in dimension. They have two adjustable shelves as well as the base shelf and stand on legs supported by a single stretcher with a polished wood finish.

The desk was used by the head keeper and supplied by the Public Works Department, and possibly dates to when the lightstation commenced operations in 1884. Closer inspection of the wood may reveal the Crown motif and PWD monogram on the side or underpart of the furnishing. The PWD operated in Victoria from 1855 to 1987 and was responsible for the design of Victoria’s major public buildings and infrastructure as well as the supply of stores, furniture and equipment. The desk is identical to the large example remaining at Point Hicks. A smaller version, which is at Cape Schanck, has two sides stamped with the crown motif and PWD monogram. Another of the smaller desks formerly at Cape Schanck is now missing. Gabo Island has a small cedar desk or table in the same style, but with one drawer. There are also c.mid‐twentieth century desks remaining in the collections at Wilsons Promontory and Gabo Island. The Cape Nelson desk has first level contributory significance for its provenance and historical value as a government issued furnishing that is original to lightstation’s head keeper’s office.The large, late nineteenth century cedar desk has two drawers, leather inset top and sturdy turned legs. The drawers each have a pair of wooden knob pulls.

The items include one intact brass clip and sections of others. They were used for hoisting visual signalling flags and relate to the use of the forty‐one flags (CNLS 0004.41), which were used to convey messages to passing ships and which are included in the Victorian Heritage Register listing for the lightstation (VHR H1773) . They have second level contributory significance for their provenance to the lightstation and association with its set of navigational flags (CNLS 0004.41), which were a major part of the communications system formerly used at the lightstation.Twenty one flag clips, some are intact others partial. One intact brass clip.

Black and white photograph showing front of dilapidated single fronted building next to two storey brick building.ldhs resource centre, nelson bros. funeral parlour, buildings

Colour photograph front view of dilapidated building boarded up. After restoration work, this building became the LDHS Resource Centre.ldhs resource centre, nelson bros. funeral parlour, buildings

Print of an original oil painting created in 1874 (these numbers are in the top left corner) by artist Gabriel Max ("Gab Max" is in top right corner) and reproduced by Kodak. The reproduction was likely made for the Mission to Seamen from the early 1906 to the 1960s to hang in its chapel. The publisher Reinthal & Newman, New York, was in business between 1906 and 1928. The company originally published postcards, but from 1920 they published prints of art from original works of famous and not so well-known artists. The published items were distributed by the House of Art, NY, which continued on into the 1950s. The print was part of the original furnishings of St Nicholas Seamen's Church, Williamstown, Victoria. The church was operated by the Missions to Seamen organisation. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centr4es in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the organisation began in Williamstown in 1857. It was as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. The print is significant because of its association with the Mission to Seamen in Williamstown, Victoria. This organisation had strong connections to the colonisation of Victoria by people travelling and arriving by sea. The picture is also significant as a representation of 19th century religious art by Gabriel Cornelius von Max.Print of an oil painting representing Jesus Christ, closed eyes, tear on cheek, with a crown of thorns, titled “Jesus Christus”, produced in 1874 by 19th century artist Gabriel Cornelius von Max (GAB MAX). Print on paper; black and grey drawing on beige canvas-look background with image of fixing pins in each corner, edges look like torn fabric. Published by Reinthal & Newman, New York. Print is behind glass, mounted in heavy wooden frame that is painted dark brown. Reverse has numbers on small white label. Base of reverse has two small holes, each with indentations from something round. Backing board has indentations from nails no longer there. There are remnants of original hanging wire, but this has been replaced. Part of the St Nicholas Seamen's Church Collection.FRONT: Top left :1874” Top right “GAB MAX” [Gabriel Cornelius von Max] Handwritten script under picture “Jesus Christus”. Printed bottom left on front “A33 © REINTHAL & NEWMAN PUBS. N.Y.” REVERSE: “162” written in black felt pen on white label. Pencilled on reverse "11 3/8 x 9 1/4" and "Kodak" and other indecipherable markings.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, christian art, picture of jesus christ, jesus christus, photographic print of jesus christ, missions to seamen victoria, mission to seafarers, flying angel’s club, religious worship, reinthal & newman new york, jesus christ with crown of thorns, religion, religious service, sailors rest, bethel sailors’ church, bethel floating church, ladies harbour light guild, harbor lights guild, joy club for fighters, ladies lightkeepers’ auxiliary, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, print, religious print, jesus christ, 1874, 19th century artist, gabriel cornelius von max, gab max, gabriel max, reinthal & newman, oil painting, st nicholas seamen's church, a33 © reinthal & newman pubs. n.y., kodak, house of art

School Council, Members of Staff, Editorial, Principal's Page, Prominent Personalities, The Worshipful Company of Plumbers, Controlling the Menace of Radio-active Bombs, Sports Awards 1956, Football, Athletics, Cricket, Baseball, Tennis, Literary Society, The Dear Departing, The Struggle for Malayan Merdeka (Independence), Junior School, Boys' Form Notes, House Notes, Ballarat North Technical School, Roll Call, Ballarat Junior Technical School - Members of Staff and Students', Ballarat North Junior Technical School - Members of Staff and Students'Gray front page soft cover with red and black inscriptions on front cover, 84 pages.ballarat school of mines students' magazine, school council, members of staff, staff, sports, i. tregenza, mrs hanrahan, mr r. t. white, mrs r. t. white, mr and mrs l. f. wilson, mrs barnett, r. j. king, j. halliday, b. antonio, p. montgomery, w. wilkins, g. keddie, j. clarke, g. nicholls, k. burgej. gullock, w. doyle, m. moore, d. mcleod, b. gamble, j. allen, g. wilson, r. elshaug, r. chibnall, r. gamble, m. elsey, w. dowler, j. taylor, g. caddy, b. flood, g. rapkins, r. whitten, r. priddle, r. wilson, j. carroll, m. tucker, f. trigg, i. franklin, n. dell, n. yean, c. judd, j. richards, w. sawall, w. wilson, k. penna, k. rogers, b. harrison, g. martin, l. mcdonald, a. brumby, r. mckenzie, g. manning, j. sarah, t. fletcher, john clelland, john collier, john matthews, norman leckie, phil kempe, harold steane, russell ewins, jeff coward, cliff restarick, don stevens, frank whitworth, bill burrow, keith mccoll, marian ritchie, elizabeth kinnane, ballarat girls' junior technical school, dressmaking, commercial, mascot, m.b. john aggregate shield, hume and iser swimming shield, alf clark, warwick wtty, garner, n. haig, p. agrums, raaf cadets, sunshine biscuit factory, north tech, choir, hor khoo, norman dalton, bill sadler, neville spears, ian schunke, john wolfe, bernie gallagher, nelson hails, don overall, brian tozer, harry brue, beverly briggs, denis bryans, barry singleton, alan clarke, beth byrne, n. hails, j. matthews, b. gallagher, j. collier, d. overall, p. robinson, john benn, fred leigh, j. lacy, mr garner, warwick etty, worshipful company of plumbers, plumbing, air training corps, cadets, ballarat north junior technical school, ballarat north technical school, r.w. richards, richard w. richards, dick richards, l.f. wilson

Ballarat School of Mines Students' Magazine, 1957Yellow front page soft cover with black inscriptions on front cover, 92 pagesballarat school of mines students' magazine, r.w. richards, peter robinson, john thomas huyton clelland, john wolfe, bernie gallagher, nelson hails, john gowan, beverley selkirk, pat collier, barry singleton, mara jekabsons, bill widdop, neil brogden, frank pomeroy, laurence trevan, neville bunning, jim mckay, malcolm hausler, josephine young, george lewis, alan clarke, norman leckie, andrew atkins, lorette davey, noel flood, denis bryans, john mckenzie, robert skewes, ian fraser, walter reimann, ralph hepburn, j. r. pound, john dulfer, jack dulfer, ray lawrie, l. speilvogel, chris noncrieff, r. ross, g. dreever, mr bowers, graham manning, kevin rogers, andrew brumby, graham walters, cadets, flight corps, atc, dana street primary school, air training corps, girls' junior technical school, australian air training corps, sports, staff, dick richards, richard w. richards

Black and white copy of original photograph.thomas kennedy cortege, theo nelson, linton cemetery, 1921

The card for the Civic Reception at Williamstown Town Hall for the ‘Back to Williamstown’ celebrations – the centenary from date of first settlement in 1834. It belonged to James and Kate Tyrrell, the paternal grandparents of the Donor. The donor is the third generation of her family to live in Williamstown. Having a photo of the Gardens in the reception card is evidence of the community pride of the Gardens. The photo is evidence of plantings in 1934 A folded sepia look card. The front has an embossed border, the City of Williamstown Shield, date in the right bottom corner and an inscription as described. The left fold inside demonstrates the reverse of the embossed border and details of the City of Williamstown and Councillors. The right side fold inside is a photo of people walking along ‘The Main Walk, Williamstown Gardens’. The back has space for ‘Autographs.’williamstown botanic gardens, hobsons bay city council, city of williamstown, williamstown gardens, 1934, councillors, james taylor gray, henry johnston harvey, william gordon gray, walter stuart menzies, james adolphus nelson, evan charles owens, john robert bell, john anthony dennis, allan john deacon, oliver prettie chanter, william roberts, george alexander paine, james hocking, harold rose, norman hodgson

The Dawe family shop is thought to have been in Sussex Street/Skipton Road, opposite Wishart's forge. W. Dawe is shown on the Township of Linton plan as the owner of Allotment 4, Section 1A. Municipal directories show "William Dawe, Fruiterer" in the 1880s, and from the 1890s "Thomas Dawe, Fruiterer". (Thomas was William Dawe's son.)A black and white copy of an original faded Photostat which shows three women standing in front of a building "Wm. Dawe General Storekeeper Fruiterer Confectioner".william dawe, shops, general store, sussex street, robert s. nelson (jnr)

Black and white copy of original photograph showing a group of about seventy-five pupils at Linton State School, grouped together under a tree.linton state school no. 880, jack shepherd, - ching, ron preston, bill orr, chester megee, harry kennedy, selwyn morgan, geoff petterson, mervyn hunt, alan wishart, albert bryant, - jackson, ab pyke, pud nicol, joe jackson, colin kerr, leo allen, ron allen, wal allen, marj nicol, pearl pyke, mavis crosthwaite, - pyke, iris roberts, betty barr, thora carolan, may jackson, muriel jackson, olive jackson, evelyn pyke, stella jackson, mary ryan, annie brown, mona clarke, pat ryan, doris cornish, maggie kennedy, ivan grigg, hughie mcdonald, bruce vinnicombe, alwyn roberts, mildred shepherd, eileen carolan, esther cluff, ida nelson, jean cluff, rita shields, eunice foster, - branston, beryl megee, helen mcdonald, belle orr, lorna vinnicombe, alma moodie, dawn ingram, marie grigg, lola morgan, joan ryan, bert roberts, gilbert shields, - mcdonald, norm cornish, don shields, jack treganowan, m. hunt, george jackson, geoff megee, syb francis, bob treganowan, jack jackson, stan nicol, keith smith, ted shepherd, len shepherd, frank jackson

Rob Upson became a volunteer at the Bendigo Visitor Centre in 1998. The Staff produced a monthly newsletter called ‘The Grapevine’. Being reasonably new to Bendigo, Rob became interested in its history and began writing articles to share with the volunteers. He called them ‘Grapevine Cuttings’ under the pen name of ‘Merlot’. Rob wrote about 90 articles over a period of 12 years until ‘The Grapevine’ was finally pruned and shutdown. Rob is a valuable volunteer for the Bendigo Historical Society.Article 50 of 65 Newsletters in PDF format from the Grapevine collection. history, bendigo, grapevine cuttings, hmvs nelson and victoria's navy