Hand tinted photograph of a beach scene. There is a row of cypress type trees curving around to the right in the background, there are numerous people on the sand and under the trees, there are also several canvas bathing tents on the sand. Near the bottom of the photo is written The Beach , Manly, No. 14 (part of a series)place, water, beach, manly beach

Photograph - black and white. A musical group of 12 people, 5 women, 7 men. A Island in the Pacific scene on the front of the drum. Looks like 2 ukulele's in the back row. Everyone wearing a lei around their necks. Written on back on photo 'George left front'.organization, club/society, musical band, musical band. m.rose.

This certificate was awarded to news photographer Denis Gibbons to mark his time on USS New Jersey BB62. Gibbons spent 5 years in Vietnam, and photographed the tours of nine Australian infantry battalions for Fairfax press and United Press International. This is a non-official certificate signed by the commanding officer Edward Snyder Jnr.Paper with hard cardboard backing of under water scene-white with blue and gold writing. Banner heading in gold writing. Picture of a battleship top LHS, mermaids x2 holding a painters pallet, Anchor with chain. Emblem of battleship bottom RHS. Swordfish and sharks depicted.Battleship Brethren heading. USS New Jersey BB 62 Firepower for Freedom. Denis Gibbonsdenis gibbons, battleship brethren, march 1969, crewmember certificate, uss new jersey, gibbons, honorary certificate, us navy

.1 LARGE BLACK AND WHITE PHOTOGRAPH (REPRINTS) CROWD SCENE AT ASSEMBLY LINE STREET PARADE. BACK TO CLUNES 1920. DECORATED CARS AND TRUCK (MODEL T FORD?) PASSENGERS OWNERS AND ONLOOKERS. (CYCLONES KNITTING MILL ENTRY?) .2 SMALL COPY OF LARGE PHOTOGRAPH.1 ON BACK HANDWRITTEN:WILLIAM BARKELL MEMORIAL ARTS AND HISTORIC CENTRE IN PENCIL: 1930local history, photography, photographs, events and celebrations, back to clunes

CELEBRATING CORONATION OF KING GEORGE V 1911. UNION JACK FLYING ON FLAG POLE. AUSTRALIAN FLAG ON TOWN HALL. POST OFFICE IN BACKGROUND.1 ORIGINAL BLACK AND WHITE PHOTOGRAPH MOUNTED ON CARDBOARD, CROWD SCENE IN FRONT OF CLUNES TOWN HALL, BAILEY STREET. .2 BLACK AND WHITE COPY OF ORIGINAL PRINTED ON MATTE PHOTOGRAPHIC PAPER .3 BLACK AND WHITE REPRODUCTION OF ORIGINAL PRINTED ON GLOSS PHOTOGRAPHIC PAPEROn Front; Handwritten in black biro "Coronation of George V June 1911" On Back; Sir Alexander Peacock in dress & withplumed hat is on the dais at front of hall A.J. (Pakeha) Kemson is just at near of Sir Alex, Phil Rowe is next. J. F. Weickhardt in light hat near pillar at rightevents and celebrations, coronation, king george

Black and white postcard entitled 'Blackburn Road'. Scene shows bridge over unmade road and heavily treed sides. Looking north|Known as Halley's Bridge.|Demolished in 1965.|Blue stones from bridge used in garden of Lynette Letcher in Clovely Court Blackburn.blackburn road, blackburn, hooke, albert arthur, halley's bridge, bridges, letcher lynette

Original postcard showing two wagons coming up the hill to round the Devil's Elbow, scene of a wagon disaster where a wagon and horses went over the side on December 27th 1911. The first wagon is pulled by three horses and the second one horse with a man leading it.On front of postcard: DEVILS ELBOW MT DANDENONG 27.12.1911wagon, wagonette, devil's elbow, devils elbow, coach road, old coach road, mt dandenong

Circular tin box. Lid printed with a scene of a man and woman playing tennis, ca. 1930. Sides of tin printed with imagery ofassorted sporting equipment (including those associated with boxing, fencing, tennis, lacrosse, hockey, football, cricket and golf. Materials: Metal, Inktennis

The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The fountain is located on the southern side of the ornamental lake and was erected to celebrate the jubilee of the municipality (17 March 1906). Controversy surrounded the commission for the design and construction of the fountain, as it was originally assigned to a contractor in Carlton. Williamstown residents insisted the fountain be designed and constructed locally, and on December 1906 the fountain was tendered by local firm Bliss and Sons and opened for public use in 1906. The fountain features a symmetrical plan, consisting of fur granite columns supporting a granite canopy and is fully operational following restoration work in 2013. The idea for the fountain came from an elderly resident of Williamstown who suggested the council follow the example of Ballarat’s gardens with its many statues and monuments. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. The significance of the fountain is its reflection of how Williamstown people felt for their Gardens and the importance placed on investing in locally operated business. It was noted in the Brief Jottings column of the Williamstown Chronicle, February 24 1906, the fountain is a “We favor the erection of the jubilee fountain in the Giffard-street (Williamstown Botanic) Gardens. Ornaments of that kind there will make that beauty spot even more attractive.” Sepia scene of a fountain situated on paths bordered with rocks. The fountain in on a plinth with a plaque. The fountain features a symmetrical plan, consisting of four granite columns supporting a granite canopy. High stumps of trees are just behind the fountain with larger trees in the background to the right and left of the image.Postcard, Gardens, Post-Card, Williamstown-Botanic-Gardens, Hobsons-Bay-City-Council, Jubilee-fountain, fountain drinking-fountain, granite, Bliss-and-Sons, Madeleypostcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, jubilee-fountain, fountain drinking-fountain, granite, bliss-and-sons, madeley

This item was bought by Lynda Tieman for the Port Fairy Historical Society. It represents a time in in Port Fairy when there were several butchers in the town and competition for customers was fierce. Norman Collins butchers was situated in Sackville Street where a dress shop now occupies the site.An advertising piece that places Norman Collins as butcher in 47 Sackville Street and a rare example of this type of advertising.Bamboo, advertising,give away calendar with green ribbon hanger for Port Fairy butcher (calendar removed). Printed with rural scene of ducks and hunting dogs. Bamboo slats are joined by thread and the ribbon is attached to the top of the calendar for hanging. Calendar itself has been removed.With Compliments from Norman Collins Your Quality Butcher 47 Sackville Street, Port Fairy, Phone 56 For Friendly Service and Free Deliverybutcher, advertising, business, collins, sackville street, norman collins, calendar

From Abbott Family album (Box 892). Kenneth Cyril Abbott was the 5th child and fourth son of Mary Hannah Gibbs and Richard Hartley Smith Abbott.A single sheet Christmas card with nativity scene on front, angels at top with open trellis section at left and base with flowered vine. Reverse of card has a phrase from St.Matt 2. 11 and a poem. Produced by Raphael, Tuck and Sons, London, Paris New YorklIn ink on reverse of card is written 'Harold from Bella'christmas card, nativity

This is a scene of Cape Conran, East Gippsland. It appears to have been a postcard which was trimmed. Cameras in the early 20th century were not a common family possession and a postcard was a common souvenir and way of sending a short message.Early photographs are very interesting records of places gone, architecture gone and people gone, showing social history such as dress, or early automobiles. This scene is of a popular tourist destination in East Gippsland.A black / white photograph of a rough ocean over rocks at Cape Conran in Far East Gippsland. It looks as if the photograph has been trimmed.cape-conran

The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s.Modern postcard produced by the Tramway Museum Society of Victoria. The photo is of a replica tram in Victoria's Tramway Museum, and was presumably purchased for display purposes for an exhibition relating to transport in Kew, and in particular to the Kew horse-tram which operated from the Victoria Street Bridge to the Boroondara General Cemetery in Kew.This replica tram, constructed by members Alan Antcliff and Newton Williams in Mildura represents the open car used between Sydney Road and the Royal Melbourne Zoological Gradens until 1923. The open "toast rack" type was use extensively on other horse and early electric tram systems. Photo by William F Scott. Produced by The Tramway Museum of Victoria Ltd Box 4916, Mail Exchange, Melbourne, Victoria, 3001. Operator of Victoria's Tramway Museum, Union Lane, Bylands (55 km from Melbourne off the Northern Highway) Open Sundays 11a.m - 5p.m. CS2036kilmore horse tram, tramway museum society of victoria, tramways - victoria, postcards

The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s.Modern postcard produced by the Tramway Museum Society of Victoria. The photo is of a replica tram in Victoria's Tramway Museum, and was presumably purchased for display purposes for an exhibition relating to transport in Kew, and in particular to the Kew horse-tram which operated from the Victoria Street Bridge to the Boroondara General Cemetery in Kew.This replica tram, constructed by members Alan Antcliff and Newton Williams in Mildura represents the open car used between Sydney Road and the Royal Melbourne Zoological Gradens until 1923. The open "toast rack" type was use extensively on other horse and early electric tram systems. Photo by William F Scott. Produced by The Tramway Museum of Victoria Ltd Box 4916, Mail Exchange, Melbourne, Victoria, 3001. Operator of Victoria's Tramway Museum, Union Lane, Bylands (55 km from Melbourne off the Northern Highway) Open Sundays 11a.m - 5p.m. CS2036 kilmore horse tram, tramway museum society of victoria, tramways - victoria, postcards

The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000sPostcard produced for and retailed by The Tramway Museum Society of Victoria Ltd. The reverse of the postcard (see image) identifies the four trams pictured as: a Royal Park Horse tram, a Richmond cable tram, a W7 electric tram, and a Z3 class electric tram. The postcard was printed by scancolor Australia (03) 429 1477.1. Royal; Park horse tram 2. Richmond cable tram 3. W7 electric tram Photographs courtesy Melbourne and Metropolitan Tramways Board, K. Kings and R. Shorten [Producer] The Tramway Museum Society of Victoria Ltd Box Box 4916, Melbourne, Victoria, 3001 [Printer] scancolor Australia (03) 429 1477 CS 1482royal park horse tram, richmond cable tram, w7 electric tram, z3 class electric tram, the tramway museum society of victoria ltd, postcards

The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s.Postcard produced for and retailed by The Tramway Museum Society of Victoria Ltd. The reverse of the postcard (see image) identifies the four trams pictured as: a Royal Park Horse tram, a Richmond cable tram, a W7 electric tram, and a Z3 class electric tram. The postcard was printed by scancolor Australia (03) 429 1477.1. Royal; Park horse tram 2. Richmond cable tram 3. W7 electric tram Photographs courtesy Melbourne and Metropolitan Tramways Board, K. Kings and R. Shorten [Producer] The Tramway Museum Society of Victoria Ltd Box Box 4916, Melbourne, Victoria, 3001 [Printer] scancolor Australia (03) 429 1477 CS 1482royal park horse tram, richmond cable tram, w7 electric tram, z3 class electric tram, the tramway museum society of victoria ltd, postcards

The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s.Commercial postcard produced by Hocking Stuart to advertise Ruskin Place, 75 Princess Street, Kew, but instead showing the Studley Park Boat House.The reverse includes advertising copy relating to the company and to Ruskin Place, 75 Princess Street, Kew.ruskin place - kew, 75 princess street - kew, studley park boat house

The scene featured on the post card is a view of The Nook on the Jacksons Creek. For many years before the Aquatic Centre was build in the town, The Nook was the swimming place for local residents. The surrounding area had seats and change rooms. The Sunbury Swimming club was established at this site before the Aquatic Centre was built.A sepia photograph in post card format of river bend and small sandy beach on the bank.the nook, swimming

This image depicts a scene of East Bentleigh in 1960, viewed along Thomasina Street as it crosses Gladwyn Street towards East Boundary Road in the distance. The gardens and new homes are well-tended, but the street surfacing is unsealed.Developing urban area now located within the City of Glen Eira, formally City of Moorabbin. This image illustrates the mid century urban sprawl of new suburbs and the subdivision of market gardens within the municipality and the changing demographic of the district as new houses are constructed and infrastructure established. Black and white photograph of unsealed road in new development in the area of Moorabbin, new houses appear on the lefthand side with paddocks on right side of image with installation of electric poles. Sealed road in the distance. Thomasina Street, as it crosses Gladwyn Street, East Bentleigh towards East Boundary Road. Handwritten in blue ink: 60 - 373 D Handwritten in red ink: 80% Handwritten in black ink: Ch. 6bentleigh, east bentleigh, market garden, housing, suburbs, infrastructure, moorabbin

Description of first grid drawn of Melbourne by Robert Hoddle and design impetus; naming of gridiron streets; Charles Troedel prints/The Melbourne Album, F. Cogne drew Melbourne scenes on lithographic stones; Harold Freedman drew same scenes of Melbourne 1964/65; comparative discussion of Melbourne then and now; between 1865-1965 substantial buildings erected and demolished; cable tram; strength and delicacy of Melbourne style; first tree planting; first electric tram 1927; lifting of building height limits 1956; list of representative buildings; Melbourne unlike other capitals as it was not conceived as a capital city.Published as a chapter titled 'The Town at Port Phillip' in 'The Book of Melbourne and Canberra', The Griffin Press, Adelaide 1966Typewritten (c copy), quarto, 14 pagesjohn batman, john fawkner, robert russell, robert hoddle, charles troedel prints/the melbourne album, f. cogne; cable trams; building height limits; tree planting; electric tram 1927; representative buildings, robin boyd, manuscript

This postcard was sent by Violet Bonner to her sister Margaret Bonner. The pair were daughters of Edwin Ralph Bonner and Eliza White. Violet was born in 1895 and Margaret in 1893, both in Ararat. Violet married William Messer in 1926. She died in Ballarat in 1967.Sepia rectangular postcard featuring a photograph within an oval frame bordered by a decorative edge. Obverse: Snow scene / Ford Street / Beechworth Reverse: To Mag, / Wishing her many happy returns of her 28th birthday. / From / You loving sister Violet Bonner / [in pen] 2670 / [in pencil] beechworth 24/1/1913 [pencil]burke museum, streetscapes, snow, beechworth, ford street, postcard, photograph, sepia

William Raitt beside his horse and dog in rural scene. They are standing in front of what looks to be a bridge on the left and a house to the right in background. Possible taken in the Grampians. William Raitt is Thelma Phillips nee Raitt grandfather.Sepia photograph of William Raitt standing beside his horse and dog. Young William Raitt Grand father to Thelma'sstawell portrait

Composite photograph from a journal showing five scenes of the equipment and operational facilities of the cable tram system - a power house, Nicholson St workshops paintshop, the iron shop and the wood shop. Includes an image of the grip mechanism.Yields information about the cable tram workshopsComposite photograph of cable tram maintenance facilities and grip mechanism.Melbourne 1 – Power House No. 3 2 – Paint shop – Nicholson St W/S 3 – Grip Mechanism 4 – Iron Shop – Nicholson St W/S 5 – Wood Shop – Nicholson St W/S Copy neg Mark Plummer collections ex late John Alfred collection. cable trams, melbourne, grip, workshops, nicholson st workshops, power house, engine house

This Wertheim Sewing Machine accessory box was donated with twelve accessories, the instruction book and the receipt for the purchase of a Wertheim sewing machine. the box's construction includes a coloured printed label and strong stitching on the joins of the edges. The receipt was written on July 23rd 1891 by the Wertheim distributor in Melbourne, Hugo Wertheim. His business was the Wertheim Sewing Machine and Hapsburg Piano Depot, trading at 173 Williams Street, Melbourne. The purchaser was Mrs Burrowes from Burrumbeet, Victoria, a district northwest of Ballarat. She paid £6-6 (six pounds and six shillings) in cash. The receipt was signed by H. Wertheim and the other signatory looks like John A. Cherry. Hugo Wertheim (1854-1919) was an agent for his father’s cousin Joseph Wertheim, a well-established sewing machine manufacturer in Germany. He was born in Lispenhausen, Germany, and migrated to Melbourne in October 1875, where he opened a merchandising business at 39 Flinders Lane East. He returned to Germany in 1885 to marry Joseph Wertheim's daughter Sophie Emilie. The couple came back to Melbourne, and Hugo quickly established a substantial business selling sewing machines, bicycles, pianos and other mechanical devices, under brands such as Wertheim, Electra, Planet, Griffin and Hapsburg. He exhibited at agricultural shows and in 1901 at the Pan American Exposition, Buffalo, United States of America. One of his staff was O. C. Beale, who later set up his own piano business in New South Wales. Hugo continued to own 25 per cent of one of Beale's companies, which became Wertheim's Queensland business. In 1908 Hugo Wertheim opened a piano factory in Richmond, Melbourne, aiming to produce 2000 pianos and player pianos a year, predominantly using Australian materials. In laying the foundation stone, Prime Minister Alfred Deakin observed that “few men with such opportunities for a life of ease would have embarked on such an enterprise” Hugo died of chronic hepatitis in 1919 at his home in South Yarra. His eldest son, Herbert Joseph (1886-1972), continued the business. The piano factory closed in 1935, becoming a Heinz food processing plant and in 1955, GTV Channel 9 studios and offices. The Wertheim Sewing Machine Company – Joseph Wertheim (1804–1899) founded the company in 1868 in Frankfurt, Germany. At this time Joseph was the Frankfurt city delegate for the Democratic Party. At its height, the Wertheim factory employed approximately 650 workers. The company used a trademark of a dwarf holding a hammer which is known to have been used until at least 1925, however in 1909 a Star of David was also registered. In 1870 a Wertheim subsidiary was formed in Barcelona, Spain. The business imported and sold complete machines, including the English Jones machine. Locals began calling the sewing machines “las rapidas”, and the business became known as “las casa de las rapidas”. In 1915 production began of a totally manufactured Spanish Wertheim machine. Wertheim in Germany continued manufacturing machines until 1932 when the Wertheim family fled to Spain. Despite converting to Christianity from Judaism, they feared the political unrest in Germany during that time. Wertheim Spain became Rapida SA and was then the sole manufacturer of the Wertheim machines. The factory was managed by Karl Wertheim under the alias Carlos Vallin. The box is part of a donation that connected to domestic life in 1891 during the Victorian era. It is significant for connecting the Melbourne distributor of Wertheim sewing machines, Hugo Wertheim, to Victoria’s northwest district where the purchaser lived. It is also significant for connecting the Melbourne distributor to the importing of goods from the well-known German manufacturer of early domestic sewing machines, Joseph Wertheim.Cardboard box, rectangular, with coloured printed labels. The top of the box has a city scene on it, depicting buildings, factories and figures. Made by Wertheim Sewing Machine Co. of Germany. The Box has been sewn around the edges. There is a handwritten pencil inscription on one of the sides (difficult to decipher)."Manufactured in Germany" "WERTHEIM" "The Wonderful Sewing Machines" Handwritten "Ste - - - B - - - - Wbool"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, wertheim, sewing machine, victorian era, sewing machine accessories, sewing machine instructions, wertheim instruction book, wertheim sewing machine and hapsburg piano depot, 23-7-1891, £6 6/-, mrs burrowes, burrumbeet, h. wertheim, wertheim sewing machines, hand-stitched box, accessory box, domestic machines, dressmaking, home industry, fashion

Photograph - enlarged copy of a sepia photograph on photographic paper - Army on parade. Street scene with spectators and background of shape. Frame - timber, mid brown colour varnish with decorative moulding. Cardboard and tape backing. Metal plaque, black colour, on lower edge of frame with etched information.Information on plaque - etched silver on black; "PRESENTED TO/ A COY SGTS MESS/ BY/ LT R.K. HALSDEN 25-6-84".framed accessories, photographs, army, 8/7 rvr

1. B & W postcard shows scene of foredeck taken from the bridge. One twin gun turret can be observed. The ship is tied up at a wharf. 2. Side view of HMAS AUSTRALIA. The photo shows one gun turret, two funnels and wireless mast.1. On front bottom is handwritten "View from bridge of HMAS AUSTRALIA". 2. On front bottom is written "HMAS AUSTRALIA during Navy days in the 1920's" .photographs, ran, hmas australia

Soft cover book. Soft cover cardboard. Blacks, blue and white print on front, spine and books. Front and back covers illustrated montage of black and white, sepia photographs of battle scene. 176 pages - cut, plain, white. Illustrated black and white photographs and maps.Book on the Battle of Hamel.books, ww1, battle, france