Article in "Stock and Land" December 24, 1970 on the achievements of women based on graduations held recently at universities and colleges in Melbourne. Description and photograph of "Burnley's Top Student," Iris Seletto.stock and land, students, iris seletto, female students, dux, diploma horticultural science

.1 PHOTOGRAPH, SEPIA, GROUP OF MEN AND WOMEN AT MOUNT BECKWORTH. MOUNTED ON CREAM COLOURED MATT BOARD AND DEFINED BY SILVER OUTLINE .2 Black and white reproduction of the above photographS. CLARK, PHOTOlocal history, group photograph at mt beckworth

one lady name L Haye, others not knownColour photograph three women holding small dog each, Dog Parade at the end of Million Paws Walk along Esplanade foreshore, fundraiser for RSPCA. Lakes Entrance Victoriaanimals, rspca

Four page knitting pattern booklet featuring black and white printed graphics and text. The colour cover shows two women wearing pink and white knitwear, in a garden setting.front: [printed] 923 / PRICE / CODE / C / VillaWOOL Machinewash 5 plyknitting, pattern, fashion, knitwear, women, villawool

Four page knitting pattern booklet featuring black and white printed graphics and text. The colour cover shows two women in lace knitted tops eating ice cream.front: [printed] THOROBRED / scheepjeswol / No. 136 / 75-95 cm / Pure Wool Brushedknitting, pattern, fashion, knitwear, women, thorobred scheepjeswol

National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer ­Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie

National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer ­Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie

National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer ­Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie

National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer ­Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke KeoghVirtual Imageswool, women in wool, nicole marie

National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer ­Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie

National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer ­Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie

National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer ­Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie

National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer ­Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie

The contents are mainly War news, maps, advertising and sports, rear page has photos of Women volunteers in the “WANS” Women’s Australian National Service.Newspaper, AIF news, Issued by the Australian Imperial Force Middle East, classed as 8 pages, yellowed, all print in black, illustrated with maps and photos.“The AIF News - Saturday June 7 1941”the aif news, middle east, 1941

This calendar has been produced in-house by the Warrnambool Women's Festival Inc. in 1990. The contents refer to women's activities and achievements from the past and presentThis calendar is of minor interest as a memento of a women's organization in Warrnambool's past.This 1991 calendar has a purple and green cover with printing and black and white photographs. It contains photocopied material - printed matter, black and white photographs, recipes, historical snippets and sketches. The calendar has a black plastic spiral binding.warrnambool women

3BO Womens' Tennis Association Minute Book. Thick, lined book with green cover and red spine. Entries date from October 1940 until October 1949. On front cover - Womens' Tennis Assoc. Minute Book - Late - 3. B. O. Womens' Tennis Association. Hon Sec. 'Chance' 'Taraxville' Golden Square. Inside front cover - Minute Book No. 2 - 3. B. O. Tennis Association, Thelma Coombes 32 Booth St Golden Square Vic written in the top left corner, 'Chance' Hon Gen Sec. 'Taraxville' Golden Square in the bottom right corner. Members at meetings are referred to by nicknames - Chance is thought to be Lydia Chancellor.clubs and associations, sport

Universal Theatre Newsletter featuring Universal Theatre at the athenaeum good conditioncontains advertisements for 'the Australian Greek Festival including Description of Australian performances in this time as well as Gerry Connolly in men and women of Australia as the brass band for the melbourne international comedy festivalthe nylons in concert, universal theatre, melbourne athenaem theatre

Digitised video (4.64GB). Duration: 85 minutes. Recorded October, 2024 (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)In this presentation, Ringwood and District Historical Society President Russ Haines introduces a brief history of the South Warrandyte area and focuses on the community spirit and collective support amongst women of the district.

The Country Women's Association of Victoria was a popular widely known organisation throughout Australia. The CWA aimed to improve health, welfare and education for women and children in the country.Each town / area in the Kiewa Valley had an active CWA. The Tawonga branch commenced in Feb. 1946 and often combined activities with other branches in the Kiewa Valley. One of their activities may have been to play cards.Green cotton square tablecloth for a fold-up card table. It has an yellow with a little bit of white embroidered circle / emblem in one corner. Inside the circle is "Victoria' and CWA (on top of each other as per the CWA emblem.) The edges are hemmed and a seam runs around all edges so that the square sits correctly on the table.Victoria CWAcountry women's association, tablecloth, community, volunteers, women, charity

Country Women's Association of Victoria was a popular widely known organisation throughout Australia. The CWA aimed to improve health, welfare and education for women and children in the country.Each town / area in the Kiewa Valley had an active CWA. The Tawonga branch commenced in Feb. 1946 and often combined activities with other branches in the Kiewa Valley.1. Nov. 2000, Vol. 46, No. 10. Cover: Purple & red tulips 2. October 2004 Vol. 50, No. 9 x2 Cover: Olive Green surrounding oval shaped photo 'The Log Cabin' 3. April 2001, Vol. 47, No. 3 Cover: Mustard surrounding square portrait of 'Nursing Sister Atherton, N. Qld.' 4. Agenda for the Annual Conference of the Kiewa Valley Group of the CWA of Vic.Also includes National Anthem, CWA Collect & Mottocountry women's association, journals, kiewa valley group of cwa

Photograph captures people assembled for a meeting of the Elaine Coursing Club at Larundel around 1923.Black and white photograph on cardboard mounting showing a large group of people on the verandah of the Elaine Coursing Club, Larundel. The verandah has wrought iron lace work. The house is made of bricks, and two large windows can be seen on either side of the large door. Many of the people are wearing hats, the women are wearing dresses and the men are wearing suits and ties. There are more women than men.There are several chairs on either side of the group.Verso (in pencil) 'Elaine Coursing Club Grandpa'elaine, elaine coursing club, coursing, larundel estate

Photographs taken of the first computer of Ballarat School of Mines / Ballarat Institute of Advanced Education Mount Helen Campus. This mainframe computer was purchased in 1969 for $116,000 and set up in the First Stage Engineering building (later F Building). It was the first operational teaching facility on the new campus. The initial computer centre staff were Arch McKinnon ad Manager and Judy Wilson as Key Punch Operator.. In 1972 Brian Dixon operated this computer for a night or two a week. He obtained an operators certificate as part of a Maths course at Ballarat College of Advanced Education, and lecturer Arch McKinnon offered Brian Dixon a night job.Four photographs relating to the ICL1911A computer. The computer was known as 'George' and called itself 'George'. .1) Two women standing behind a large ICL1901A .2) A woman in Ballarat School of Mines uniform stands behind an ICL computer item .3) & .5) Three women in a mainframe computer room .4) a woman operates a card punch machine .3 and .4 are shown in the Ballarat School of Mines Handbook, 1970, page 57computer, key punch, punch cards, icl1901a, g. durand, judith wilson, vivvian gay, jane henderson, brian dixon

Photograph: b lack and white photograph mounted on dark brown board, no frame, of 10 men and women standing, 6 men seated playing cards. Appears to be a theatre group. Men are dressed in suits, peaked cloth caps, women dressed in almost identical costumes, dark short sleeved dresses with scarves around V necks. On floor - rug with fox skin. One man has card inserted in cuff of trousers.W. Vincent Kelly, Mitchell St., Bendigo.entertainment, theatre, group portrait card players, w. vincent kelly, theatre, group portrait

2 copies. Photo of a very large tree laying on the ground. There is a gentleman sitting on the base of the tree, beside him are four seated young women, between them there is a man standing on the trunk with hands on hips. At the other end of the trunk there are two men leaning on the trunk, one with a walking stick. The men are all wearing Bowler hats, the women are all in dark clothing and also hats. Written at the base of the photo is ' 200 posts Ellmswood, Serpentineplace, land, timber, serpentine, ellmswood

Sepia photograph of a group of young women, five girls, three boys and a lady. The boys and the lady are wearing dark clothes and the girls and young women are wearing light/white clothing. Written on the back in pen is:- Don't know what this is but Gweneth Grosse is third from the right in the second row and Aunty Rene is second in from the right in the third row. Gweneth DeRavin written in pencil in the top right corner. Brown edging and around the photo.Vincent Kelly, Bendigoperson, group, mixed group, john jones collection - group photo, gweneth grosse, gweneth deravin

Tapestry has been woven on a electrical driven machine.|Belonged to Mrs. A.E. Hepburn 1933 - 1988. Formerly of Mont Albert.Wall hanging tapestry in brown toning. Scene of an old room with three women sitting at a table sewing with a child standing near them. All women wearing fitted caps. Room heavily detailed - chairs, fireplace, dresser, windows, half open door, lectern, wardrobe, etc. One woman wearing glasses. 3/4 backed in heavy cotton with opening for wooden rod. Long fringing on one end. Wooden rod.handcrafts, tapestry

Women preserved fruits to make jams, jellies, marmalade, pickles by bottling and canning as part of their housework duties. Recipes were published in Women's magazines such as 'Home Beautiful'.The women whose husbands worked on the Kiewa Hydro Electric Scheme were not permitted to work for the SECV, the expectation, at the time, being to work at home as mothers and housewives. This book describes one of their 'duties'.Printed 26 pages stapled together with 2 staples reinforced by machine stitching. The front cover is missing. The back cover has a coloured photo of a box of "Kornies" on it.The book consists of recipes and advertisements.preserves. jams. housekeeping. bottling. canning. women's work. women's magazines.

Continued from 'As you were 1946' this book presents the views of service men and women and the views expressed are those of the writers. Contributions that are a mosaic of service men and women.A compilation of person war experiences and yarns.Compilation of person recounts, stories and articles. Photos, illustrations and letters Green covered entitled 'As you were', with a relief of tri-servicemen with the date '1947' lower on the cover. Inside cover front and back is illustrated with the insignia of each Australian services in addition to relief of the tri services. There are two copies held by the Lara RSL Sub BranchTo the memory of fallen comrades. " They gave their l Ives. For that public gift they received a praise which never ages and a tomb most glorious - not so. Much the tomb in which they lie, but that in which their fame survives, to be remembered forever when occasion comes for word or deed...'royal australian navy, royal australian air force, royal australian army, yarns, short stories, wwi, wwii