A former poultry farm at 4 Ripon Court Forest Hill is for sale.ripon court, forest hill no. 4, poultry farm, poultry farms

Looking down on Kalorama Guest-house from Barbers Road. Property of Ellis and Eliza Jeeves before moving to MountjoyBlack and white photograph with house in foreground and a cleared block and forest in background.KALORAMA Mt Dandenong. FRONT VIEWellis jeeves, jeeves, guest house, kalorama guest-house, barbers road

Forests Commision of Victoria carbon copy Memo Book cream coloured Ben McCusky written in pencil on the front cover; and the letter B on the spine.history, bendigo, forest commision of victoria

Ghost towns of the mountain goldfields in VictoriaPaperback. Cover has a drawing depicting horses, both ridden and pack, walking along a forest track on their way to a small town. There are heavily forested mountains in the distance. Overlaid onto the drawing is a modern photograph of an old stone building. In the foreground is a green timber building with a water tank and verandah. It is all set in the clearing in the middle of a forest.Stamp of the Marysville & District Historical Society Inc / P.O. Box 22 / Marysville 3779 Also the inscription: To Alma / Thanks for your help / Signature / LS / November 1999gold, gold mining, gold town, ghost town, victoria, australia, history

Location unknown.The photo shows a sandy track through bushland.'Forests Commission, Victoria' inscribed on bottom, right of border. 'Publicity & Public relations Branch, When reproducing please Acknowledge Forests Commission, Victoria, Negative No. 322-14' stamped on back.access routes, roads, scenery, grampians ranges

The location in the photo is unknown.The photo shows a road, seen on a slope, in the distance, crossing through bushland'Forests Commission, Victoria' inscribed on bottom, right of border. 'Publicity & Public relations Branch, When reproducing please Acknowledge Forests Commission, Victoria, Negative No. 322-1' stamped on back.access routes, roads, scenery, grampians ranges

The photo is taken from Reed's Lookout.The photo shows the view across a valley from a (Reed's Lookout). The foreground is two large rock platforms. A reservoir (Moora Moora) and ranges can be seen in the background. Roads can be seen in the valley in the foreground.'Forests Commission, Victoria' inscribed on bottom, right of border. 'Publicity & Public relations Branch, When reproducing please Acknowledge Forests Commission, Victoria, Negative No. 322-23' stamped on back.scenery, lookouts

This photo is a view from the road at Reed's Lookout.The photo shows the view from beside a road (the road at Reed's Lookout), across bushland to a large reservoir (Lake Wartook). There is a range of peaks in the background. The road forms the foreground.'Forests Commission, Victoria' inscribed on bottom, right of border. 'Publicity & Public relations Branch, When reproducing please Acknowledge Forests Commission, Victoria, Negative No. 322-34' stamped on back.scenery, lookouts

Certificate of inspection of a under fired multitubular boiler at the Bendigo Butter Factory. Registration no. 1425. Dated 6 July 1908 and signed by Johan Sarvaas, Inspector of Boilers), and A. Merrin (Chief Inspector). The owner is given as J. Cumming, Mundy St, Bendigo. The document states that the boiler can be used up to a pressure of 90 lbs. Information includes particulars of the boiler. There is a 'date received' stamp on the top right-hand corner dated 7 July 1908.bendigo, industry, bendigo butter factory, bendigo butter factory. boilers. johan savaas. a. merrin.

Black & white photograph 20cm x 25cm of the Bendigo Butter Factory in Mundy St., mounted on cardboard. It appears to have been part of a display, with explanatory notes attached to each photograph. See 11011.26 On the reverse is a blue registration stamp with the words 'Pure creamery, Australia, Victoria regd'. The photograph is of cream cans on a conveyor belt with two workers pictured. On the reverse they are named as - Back - Bill Derricott and Grader - Harold Speechly. There is a calendar in the photograph - March 1957.bendigo, industry, bendigo butter factory, harold speechley, bill dearicott

Uncle Toms Cabin Front end page has a sticker "Presented to Edie Dickinson" Dated 13/12/1904 Author: Harriet Beecher Stowe Publisher: W P Nimmo, Hay & Mitchell flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, book, uncle toms cabin, harriet beecher stowe

Black and white photo: copy. Streetscape at Charing Cross - side street is Forest Street, roadway to left of Forest St. is High St. Roadway to right of Forest Street is View Place. . On back 'Batchelder, Sandhurst, lower RH of image, in grey lead top RH on back No. 7 ' Busineses include J.B.Loridan steam chaff mills Hay & Corn Store The Benndigo Tin Shop Forest Street R.Bentley & Co Britannia House Royal Hotel Batchelder PhotoBatchelder Sandhurstplace, streetscape

Teapot used to make butter tea which is the national beverage. It is ideal in the extreme climatic and geographical conditions of the Tibetan plateau due to its high butter content. Although butter tea is the most popular tea, black tea is also popular. Ornamental Teapot Inlaid with lapis, coral and turquoise everyday life, silver, gemstones

The Ballarat School of Mines provided lecturers during the early era of the Victorian Forestry School, Creswick.Two letters on State Forests Department letterhead from H. Mackay, the Conservator of Forests. The letters are on white lined paper and are typed in blue carbon and were directed to Fred Martell of the Ballarat School of Mines..1) 675 .2) 759ballarat school of mines, victorian forestry school, creswick forestry school, mackay, f.j. martell, martell, forestry

George Sydenham was appointed as Colac Shire Valuer and rate collector in 1890 which threw him into direct contact with the Otway people at a time when the first selectors were suffering badly. He would have heard their frustrations and grievances in great detail. When Secretary to the Colac Committee for the Railway Extension to Beech Forest he used his magic lantern slide shows from 1896 to support his case for a railway, by lauding the place and its potential, both for settlement and for timber production.The Otways through the magic lantern: commentary and glass slides of George Sydenham - lecture held in 1896. George Francis Sydenham. 1st ed. Colac (Vic); Colac and District Historical Society; 2013. iv, 118 p.; illus., map. ISBN 9780 6469 122 02 Soft cover.colac: otway ranges; history; coasts;

Kathryn Knitwear, founded by Robert Blake, manufactured high quality children’s knitwear in Melbourne from the 1940s – 1980s. Robert Blake began manufacturing children’s knitwear in his bedroom in Strathmore using a hand powered machine in the late 1940s. The operation moved to Ascot Vale and Essendon, before eventually establishing a factory in Moonee Ponds in the early 1950s. The business continued to expand, necessitating a move to a new factory in Broadmeadows. By 1962, the Broadmeadows factory was producing an average of 20,000 garments per month, which increased to 24,000 by 1964. Robert Blake’s Son, Brendan recalls that “The Kathryn brand was famous around Australia, anywhere children needed to keep warm and dress smartly. It also won a number of wool fashion awards”, including the 1969 Wool Awards, which was held by the Australian Wool Bureau and published in Women’s Weekly. The Kathryn range was designed for durability, comfort and care, without sacrificing style. They used patterning techniques that increase stretchiness, comfort and fit, as well as integrating decorative elements into the fabric to prevent them from being bulky, uncomfortable or tight. Making longevity of style a priority, Brendan Blake remembers that “there was one particular garment that was in the range for at least thirty years”. He also recalls “In the past, when women have found out that I was associated with Kathryn Knitwear, they would often relate to me the story of a garment they had purchased or received as a gift and, when their child had grown out of it, they would hand it on to another child. Several ladies have told me of purchasing garments for their daughters’ glory box, or saving a particular garment after their daughter had grown out of it. Brendan Blake: “At the peak of their operation they employed approximately two hundred people, mainly women and girls. A family would often seek to send their daughter to work in this company because they knew they would be looked after and safe. One lady wrote to me telling me that working at the Moonee Ponds Factory prior to getting married was the happiest time of her life.” In 1963, workers at the Kathryn factory earned £13 per week, which was 8 shillings and 8 pence higher than the minimum weekly wage for female workers in the textile manufacturing industry (£12 11s 4d). By 1970, the Kathryn Knitwear brand expanded from children’s knitwear into womenswear under the brand name ‘Lady Kathryn’, and for boys and men under ‘Robert Blake’. Continuing to diversify their distribution, they also began exporting ‘Kathryn’ garments to New Zealand, the Pacific Islands, and Japan. ‘Kathryn Knitwear’ was well-known for their early adoption of modern materials and techniques that had broad appeal to their customer base. This is shown in their early use of the acrylic fibre ‘Orlon’ in the 50s and 60s and ‘Superwash’ wool in the 1970s. Many of Kathryn Knitwear’s styles, particularly those that were long running staples of the brand, were available in both wool and Orlon to suit the consumer’s preference. Orlon was developed by DuPont in the 1940s and became the first commercially successful acrylic fibre in the 1950s and 1960s. The development of Orlon coincided with an increase in availability of washing machines in everyday Australian homes. The great appeal of Orlon was that while wool garments still had to be hand-washed, Orlon’s shrink-resistant nature made it machine washable and dryable. This was a very appealing prospect, especially for the seemingly unending task of cleaning active children’s clothing. Machine washable wool would not be available until the development of the ‘Superwash’ treatment by the Australian Wool Board and CSIRO in 1970. Far from the humble origins of one man in his bedroom with a hand-cranked machine; at its closure in 1980, the Broadmeadows factory of ‘Kathryn’ housed more than 100 machines, including 53 sewing machines and 45 knitting machines. Robert Blake was “a passionate advocate for wool and Australian Made” throughout his whole life. A strong thread that ties through the lifespan of Robert Blake and Kathryn Knitwear is a balance between adopting new innovations without sacrificing the core values of durability, comfort, care and style that had made the brand so well known. Their legacy forms an integral part of both Australian social and manufacturing history.Forest Green Childrens jumper with geometric ‘alpine’ pattern with long sleeves and ribbed cuffs and round neck collar. Textured geometric pattern is created with purl stitches and extends both on the front and back of the jumper, as well as down the sleeves.[white label at back neck printed with blue ink] KATHRYN REGD SIZE 1 / LENGTH 84cm / WEIGHT 12kg / Made in Australia ACRYLIC/WOOLchildren's knitwear, knitwear, clothing, children's clothing, jumper, manufacturing, fashion textile production, machine knitting

Plastic sheeting used to make sachets of milk which were inserted into a reusable jug. Sungold Dairies has operated in Warrnambool initially from a site in Kepler Street before moving to Verdon Street. They remained there until 1988 when the site was sold to MacDonalds and a part share in the company was purchased by Warrnambool Cheese and Butter Factory at Allansford , where it remains to this day. Packaging from a local business.12 sheets of white plastic wrap with blue writingSungold Dairies 60 Verdon St Warrnambool, Victoria Phone 62 2477. Sungold Milk 2 litre pack. warrnambool, sungold dairies, warrnambool cheese and butter factory

Very old. Made of wood possibly beech wood.Used by carpenters and/or cabinet makers living in the Kiewa Valley.Wooden scribe - marking tool. A marking gauge is a measuring tool used in woodworking projects. It is ideal for marking out lines or scribing on various surfaces before sawing, chiseling, or cutting. Most models have a radius bottom edge ideal for sliding along the wood being marked, making it an easy tool to use.woodworkers tool, marking guage, wooden scribe

One of a collection of 6 photograps/postcards donated by T. H. HillSepia postcard of Forrest Caves, Phillip Island. Lady on top and lady and man in the foreground. "The KRose Series, P671" "Forest Caves, Back Beach, Phillip Island, Victoria"forrest caves phillip island, phillip island coastline, rock formations phillip island, t h hill

One of a collection of 11 photographs/postcards donated by Meg Davis & Nancy McHaffie from the estate of Brenda Higgins, grand-daughter of JD & Georgianna McHaffieBlack & White postcard of eight people on the clifftop near Forrest Caves, Phillip IslandThe Rose Series P. 3435. Near Forest Caves, Cowes, Phillip Is., Vic.forrest caves, phillip island coastline, cliffs near forrest caves, meg davis, nancy mchaffie, brenda higgins

Part of a collection of 'Rose & Valentine' series of Post Cards. Copied by John Jansson 1984Black & White Postcard. View of rocks near Forrest Caves. Group of people on edge of the rock formation watching the waves.The Rose Series P3435. Near Forest Caves, Cowes, Phillip Island, Victorialocal history, photography, photographs, postcards, phillip island, black & white postcard copy, rock formation, forrest caves, phillip island

Part of collection donated to the Museum by Mr. Bernard Grayden 1975Postcard of rocks near Forrest Caves, Phillip Island. Eight male & female figures standing on top.Near Forest Caves, Cowes, Phillip Island. The Rose Series P 3435local history, documents, postcards, rocks, forest caves, phillip island, sepia postcard, people, bernard grayden

White booklet on victorian timbers.Forest Commission of Victoria.|Victorian Timbers.|Exhibited at the Australian Natives Association Exhibition.books, reference

Black and white postcard with two oval photographs with "Greetings from Rutherglen" on a banner between them. The top photograph is of workmen cutting down trees. The bottom one is a view of Main Street looking west.At bottom of top photograph: "Forest Clearing." At bottom of bottom photograph: "Main Street."land clearing, timber felling, main street, bank of australasia, s younkman & co, victoria hotel