This handmade ‘gallon’ style of bottle was generally used for storing and transporting wine and ale. Many bottles similar to this one have their bases embossed with “6 TO THE GALLON”. It is one of many artefacts recovered from unidentified shipwrecks along Victoria’s coast between the late 1960s and the early 1970s. It is now part of the John Chance Collection. The capacity of this is one-sixth of a gallon (imperial measure), which is equal to 758 ml. (American bottles were often inscribed “5 TO THE GALLON”, which is one-fifth of an American gallon, equal to 757 ml.) Contemporary home brewers can purchase new ‘6 to gallon’ bottles that hold 750 ml. and are sold in cases of 36 bottles, which is equal to 6 gallons of wine. Glass was made thousands of years ago by heating together quartz-sand (Silica), lime and potash. Potash was obtained from burnt wood, but these days potash is mined. The natural sand had imperfections such as different forms of iron, resulting in ‘black’ glass, which was really dark green or dark amber colour. The ‘black’ glass was enhanced by residual carbon in the potash. Black glass is rarely used nowadays but most beer, wine, and liquors are still sold in dark coloured glass. Glass vessels were core-formed from around 1500 BC. An inner core with the vessel’s shape was formed around a rod using a porous material such as clay or dung. Molten glass was then modelled around the core and decorated. When the glass had cooled the vessel was immersed in water and the inner core became liquid and was washed out. Much more recently, bottlers were crafted by a glassblower using molten glass and a blow pipe together with other hand tools. Another method was using simple moulds, called dip moulds, that allowed the glass to be blown into the mould to form the base, then the glassblower would continue blowing free-form to shape the shoulders and neck. The bottle was then finished by applying a lip. These moulded bottles were more uniform in shape compared to the free-form bottles originally produced. English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. Improvements allowed the moulds to also have embossed and patterned sides, and straight sided shapes such as hexagons. Bottles made in full moulds usually displayed seam seams or lines. These process took skill and time, making the bottles valuable, so they were often recycled. By the early 20th century bottles were increasingly machine made, which greatly reduced the production time and cost. This bottle is historically significant as an example of a handmade, blown inscribed glass bottle manufactured in the mid-to-late 1800s for specific use as a liquor bottle with a set measurement of one-sixth of gallon. It is also historically significant as an example of liquor bottles imported into Colonial Victoria in the mid-to-late 1800s, giving a snapshot into history and social life that occurred during the early days of Victoria’s development, and the sea trade that visited the ports in those days. The bottle is also significant as one of a group of bottles recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection of shipwreck artefacts by his family, illustrating this item’s level of historical value. Bottle, olive green glass, handmade. Tall slim Gallon style liquor bottle. Applied double collar lip; square upper and flared lower. Mouth has remnants of tape and wire seal. Mould seam around shoulder. Body tapers slightly inward to the base. Push-up base has pontil mark and is embossed in large letters. Base is uneven. Embossed on base "6 TO THE GALLON"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, 6 to the gallon bottle, handmade, dip mould, mouth blown, pontil mark, blown bottle, liquor bottle, ale bottle, double collar, 19th century bottle, collectable

This handmade ‘gallon’ style of bottle was generally used for storing and transporting wine and ale. Many bottles similar to this one have their bases embossed with “6 TO THE GALLON”. It is one of many artefacts recovered from an unidentified shipwrecks along Victoria’s coast between the late 1960s and the early 1970s. It is now part of the John Chance Collection. The capacity of this is one-sixth of a gallon (imperial measure), which is equal to 758 ml. (American bottles were often inscribed “5 TO THE GALLON”, which is one-fifth of an American gallon, equal to 757 ml.) Contemporary home brewers can purchase new ‘6 to gallon’ bottles that hold 750 ml. and are sold in cases of 36 bottles, which is equal to 6 gallons of wine. Glass was made thousands of years ago by heating together quartz-sand (Silica), lime and potash. Potash was obtained from burnt wood, but these days potash is mined. The natural sand had imperfections such as different forms of iron, resulting in ‘black’ glass, which was really dark green or dark amber colour. The ‘black’ glass was enhanced by residual carbon in the potash. Black glass is rarely used nowadays but most beer, wine, and liquors are still sold in dark coloured glass. Glass vessels were core-formed from around 1500 BC. An inner core with the vessel’s shape was formed around a rod using a porous material such as clay or dung. Molten glass was then modelled around the core and decorated. When the glass had cooled the vessel was immersed in water and the inner core became liquid and was washed out. Much more recently, bottlers were crafted by a glassblower using molten glass and a blow pipe together with other hand tools. Another method was using simple moulds, called dip moulds, that allowed the glass to be blown into the mould to form the base, then the glassblower would continue blowing free-form to shape the shoulders and neck. The bottle was then finished by applying a lip. These moulded bottles were more uniform in shape compared to the free-form bottles originally produced. English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. Improvements allowed the moulds to also have embossed and patterned sides, and straight sided shapes such as hexagons. Bottles made in full moulds usually displayed seam seams or lines. These process took skill and time, making the bottles valuable, so they were often recycled. By the early 20th century bottles were increasingly machine made, which greatly reduced the production time and cost. This bottle is historically significant as an example of a handmade, blown inscribed glass bottle manufactured in the mid-to-late 1800s for specific use as a liquor bottle with a set measurement of one-sixth of gallon. It is also historically significant as an example of liquor bottles imported into Colonial Victoria in the mid-to-late 1800s, giving a snapshot into history and social life that occurred during the early days of Victoria’s development, and the sea trade that visited the ports in those days. The bottle is also significant as one of a group of bottles recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection of shipwreck artefacts by his family, illustrating this item’s level of historical value. Bottle, brown glass, Tall slim gallon style. Applied double collar lip; upper is straight, lower is flared. Lip has bumps around the top. Neck has slight taper towards shoulder, which has a shoulder seam from the mould. Body tapers inwards towards base. Push up base has a pontil mark. Base is embossed.Embossed on base "6 TO THE GALLON"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, 6 to the gallon bottle, handmade, dip mould, mouth blown, pontil mark, blown bottle, liquor bottle, ale bottle, double collar, 19th century bottle, collectable

Collection of 6 propaganda leaflets written in German and destined for release in Germany advising citizens of Winston Churchills new warning regarding forthcoming bombing raids. Part of the Frederick Gardner Davey DFC No 410533 RAAF collection. Refer Cat No 3536P for his service details..1) - .6) double sided propaganda leaflets, one side printing all black and reverse black and red..1) .2) & .3) Handwritten in black ink on top of front page, “22/23 - 4 - 44 BRUNSWICK”bombing germany, propaganda

Bendigo 1950s. Bendigo Conservatory Gardens 6/3/1957.bendigo, parks and gardens, bendigo conservatory, bendigo 1950s. bendigo conservatory gardens 6/3/1957.

Newspaper cutting about Joyce Barry with a photo of Joyce in a tram cab. Written by Janet Blair, details Joyce's tramway career. driving trams and experiences.Yields information about Joyce Barry and her work with the Tramways.Newspaper cutting from The Melbourne Times - 6/11/1991tramways, joyce barry, tram drivers

Each record has a number and the title of the piece. The artists' names are also mentioned and the length of time it plays. The "record should run 160 revolutions per minute - not faster or slower". .1) Blue Amberol No. 1868 - "Lasca" - F Deprez / Edgar Davenport .2) Amberol No. 999 - "Peggy Gray" - Thurland Chatterway .3) Blue Amberol No.1819 - "Just a Wee Deoch and Doris" - Harry Lauder .4) Blue Amberol No. 12206 - "Killarney" - Violet Oppenshaw. (There is no lid for this record.) .5) Amberol No. 863 - "Winter" / "March Song" - Billy Murray and Chorus .6) Amberol No. 12347 - "By the Sea" - Stanley Kirkby 6 Record cylinders, each in a cardboard cylindrical case.Title of record with its number on the lid of the case. Title stamped on the end face of cylinder. Detailed Copyright information - 1900 by the National Phonograph Co., Orange, New Jersey, U.S.A.amberol, thomas edison, cylinder records, national phonograph company, blue amberol

This photograph is one of a series taken by Allan while travelling through France in mid-1946. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of Allan Quinn standing in the foreground, with the Eiffel Tower in the background. There are people in the midground. There is a narrow white boarder around the image.On reverse: PARIS 6-6-49 handwritten in blue ink. below this is a pencil mark, similar to "ItI"written sideways.allan-quinn, photograph, paris, france, eiffel tower

This brown wool felt hat with a broad brim was, by its style, used by a adolescent child for church services. This was worn in a period where church services on Sunday was an important weekly ritual by the whole family. Special (church only) dresses and hats were worn not only to show respect to the church but also part of expected community mores relating to religious beliefs. This behavioural pattern was more entrench in the rural communities than within larger cities. The closeness of smaller rural communities is the main factor regarding social norms. The visible standing within the community was uppermost. The period pre 2000 was a more coheasive family environment ( due to greater intra family activities) which provided better communication and family activities.This "church styled" hat is very significant to the rural lifestyle and its mores. It clearly demonstrates the coheasive force that religion has on the Valley population. The closeness that the semi isolation (at this time) brought about by the Valley's physical land formation and the poor roads within the valley brought families closer together. Not turning up for important social functionsw was duely noted by all (and frowned upon). Mrs E. Fisher lived at Mongan's Bridge in the Kiewa Valley.Brown child's all felt hat size 6 1/4. A broad brim with a lighter brown velvet ribbon head band. Head band has a crossover to the left front with 100 mm extension flowing over the brim. The top of the inside of the head pocket is lined with a soft silk fabric.6 and one quarter (size tag). Unreadable crest / monogramchildren's head wear, social head dress, church hats

The medals belonged to Albert MacDonald No 7556, enlisted on 28.6.1917 age 19 years in the 25th reinforcements 8th Bn AIF. Embark for England 21.11.1917, disembark 9.1.1918, embark for France 15.7.1918, WIA Gassed 28.8.1918, rejoin unit 18.9.1918, attend Musketry School 5.10.1918, rejoin unit 21.11.1918, RTA 29.8.1919, discharged from the AIF 21.9.2019..1) British War medal 1914 - 1918 .2) Ribbon for .1) .3) Victory medal 1914 - 1919. .4) Ribbon for .3) .5) White cardboard box and lid for .1) .6) White cardboard box and lid for .3) .1) & .3) Around medal edge, “7556 Pte A MacDonald 8 BN. A.I.F” .5) & .6) Same as .1) & .3) except .5) “ 67586/M.D.3”, .6) “70715/M.D.3” military history, 8th bn aif

Australia started to convert to metric weights and measurements 1970. 6 1/2 fluid ounces (FL OZ) equals 192mlsA curved green glass bottle six centimetres diameter and 20 centimetres high with a two and a half centimetre opening at the top. White writing on one side states BOTTLE REGD. TRADE MARK Coke TRADE MARK REGD. NET CONTENTS 6 1/2 FL OZ The other side Coco-Cola (in cursive script) TRADE MARK REGD. NET CONTENTS 6 1/2 FL OZbottle, coco cola, fluid ounces

THIS PHOTOGRAPH WAS FOUND INTHE FORMER HOME OF THE LATE LAURA HUDSON, IN LOWER FRASER STREET, CLUNES. [NOW BLACKMORE ROAD]BLACK & WHITE PHOTOGRAPH OF A FAMILY GROUP, INCLUDING LAURA HUDSON [AGE 93 YEARS] HOLDING HER GREAT-GRAND DAUGHTER, DEANNE C. TAYLOR [AGE 6 WEEKS]CLUNES 1941 GREAT GRAND MA AGED 93 YEARS DEANNE C. TAYLOR AGE 6 WEEKS.local history, photography, photographs, hudson, laura

Set of 6 transparencies taken on 28/2/1972 on Kodak mounts. 1206.1 - Bendigo No. 5 at Hayes St. Loop, en route for Quarry Hill. 1206.2 - No. 5 at Garden Gully Loop, Mt. Korong road, Ironbark. en route to Quarry Hill. Note the water column in the background. 1206.3 - No. 5 in View St. Bendigo, with the Commodore Motel in the background. 1206.4 - No. 6 en route for Golden Square in Fire Station loop, with the fire station building in the background. Photo taken after tram has passed photographer. 1206.5 - No. 6 in High St., running through Golden Square Shopping Centre, en route for Golden Square. Photo taken after tram has passed photographer. 1206.6 - No. 6 arriving at Charing Cross, bound for North Bendigo, with the City Family Hotel, ANZ bank and the Cenotaph (war memorial) in the background.Information written on in blue ink and date stamped on purple ink. 1206.1 - "No. 5 at Hayes Loop, Ironbark." 1206.2 - "No. 5 at Garden Gully Loop, Mt. Korong road, Ironbark." 1206.3 - "No. 5 in View St. just after start of double track near Barnard St." 1206.4 - "No. 6 in High St. at Fire Station loop." 1206.5 - "No. 6 in High St. running through Golden Square shopping centre." 1206.6 - "No. 6 arriving at Charing Cross from Golden Square."tramways, trams, bendigo, hayes st. loop, garden gully loop, view st., golden square, charing cross, tram 5, tram 6

1. A woman sits a wheelchair as she watches to the right of camera. Her hands are poised in the air, as she waits to clap them together. 2. A man sits on the edge of a hospital bed and looks to camera. 3. Seated woman holds her fingers as she moves them, possibly during a therapy session. 4. Near the window looking towards a large bush, a woman fiddles with her beaded necklace. 5. A man sits on the edge of his made up bed, with a small television, cassette player and cassettes stacked in his bedside table. A family portrait hangs on the wall. 6. Sunlight warms a woman talking to another whilst seated. 6 B/W photographs of nursing home residentsassociation for the blind, elanora home (brighton)

Gilbert Noah Turner enlisted in the 3rd Reinforcements 8th Batt AIF on 23.11.14 No 1605. Embarked for overseas 19.2.15. Landed Gallipoli 8.5.15. Transferred to 60th Batt 24.2.16 then 25th Howitzer Bde 27.3.16 and finally 45th Batt on 2.6.16 as No 1410. Awarded Military Medal on 22.2.17. WIA 3.6.17 GSW to face and chest. WIA 2nd occasion 5.5.18 Gassed and then shortly after he got Pnuemonia. Discharged from the AIF 30.3.19. He enlisted again in WW11 on 12.8.41 No V18372. He served in Australia only and on discharge on 29.11.45 he was serving in 12 Garrison Battalion. Refer 1294P, 1039P, 1173.Medal set, court mounted, set of (6) re G Turner. 1. Military Medal. 2. 1914-15 Star. 3. War Medal 1914-1918 4. Victory Medal 1914 - 1919 5. War Medal 1939-45 6. Australian Service Medal 1939 - 451. Military Medal is stamped "Duplicate". 2, 3, 4. "1410 Cpl G Turner 8 Bn AIF" 5, 6. "V18372 G Turner"medals, military, bravery

An auction document of an Office/Warehouse Building at 262-266 Whitehorse Road, Nunawading to be auctioned 6 Sep 1972 by auctioneers George G. Henderson Pty Ltd, 454 Collins St. Melb.An auction document of an Office/Warehouse Building at 262-266 Whitehorse Road, Nunawading. whitehorse road nunawading no. 262-266, george g. henderson pty ltd, commercial establishments

Hallatrow is located at 6 Holroyd Street Kew. It was the home of Thomas Brodribb. The notes were written by his descendant and recall his family's occupation of the house.A manuscript, written by Jim Brodribb, the grandson of Thomas Brodribb, the original owner of Hallatrow, recalling his family's years at Hallatrow (now 6 Holroyd Street in Studley Park.) hallatrow - 6 holroyd street - kew )vic), historic buidlings - studley park - kew (vic)

The photograph shows the construction of the Stores building at Preston workshops during 1925. In the middle foreground is a lifting jib crane. The Lifting Shop is the background. See also items 5526 and 7418 for other construction photographs.Yields information about the then new Preston Workshops being built.Photograph, black and white, on Kodak Velox paper with notes on the rear.On rear in black ink "17/6/25" tramways, preston workshops, construction, buildings

Photograph of SW5 764 (Route11) taken from an office window in Gisborne St East Melbourne. Tram has The Met colour scheme with adverts for Heineken beer and advertising 60+ travel cards. Shows a tram in Gisborn St East Melbourne during The Met period.Colour print with notes on rear."From my office 28/6/89"sw5 class, tram 764, tramcars, gisborne st, the met

The Postcards show trams of Launceston which operated from 1911 to 1952, published by International Railway Postcards of Launceston. The background card gives a short history of Launceston trams and the reproduction of two tickets. 1 - Postcard 1 - No. 11 leads a line up of cars in Elphin Road - Ken Flood 6-3-1948 2 - No 27, Mumford St loop - Ken Flood - 9-10-1948 3 - No. 24 Wellington St, photo Ken Flood, 26-2-1949 4 - No. 9 turns from George St into Cameron St - 25-9-1948 - Photo Ken Flood 5 - No. 26 - Talbot Road terminus - 1-11-1948 - Ken Flood 6 - No. 9 Elphin Road, 13-10-1948 - Ken Flood Yields information about Launceston trams, the Museum having No 14 on display, No. 14 from 2022.Set of 6 black and white postcards and a story card. Each have a caption on the rear and a place for a stamp and address.launceston, tramways, tramcars

A graduation address given by Professor George Seddon, Dean of Faculty of Architecture and Planning, University of Melbourne in 1986. The speech compares urban planning and architecture in Melbourne and Boston. Seddon mentions Boyd positively as a former Melbourne University student and a key writer and thinker on Australian architecture and planning (pages 5&6).Typewritten, A4, 12 pages. Plus with compliments card from Seddon, noting to view pages 5 and 6.melbourne, boston, robin boyd, george seddon, kevin lynch, university of melbourne

The 2/6th Commando Squadron (Australia) was one of 12 independent companies or commando squadrons raised by the Australian Army during WW2. The 2/6th served in four major campaigns - Kokoda, Buna, Markham-Ramu and Borneo and was involved in the Battle of Kaiapit. Late in the WW2 hostilities 2/6th Commando Squadron was at Balikpapan and attached to 25th Brigade to provide support to the Brigade - reconnaissance patrols, fighting patrols, ambushes and humanitarian assistance to local inhabitants. The 2/6th Commando Squadron was disbanded in 1946. The Sword returned to Australia with a member of 2/6th Commando Squadron VX132826 W G H Burrell. The Book Purple Devils was written by Syd Trigellis Smith in his retirement, he had served during WW2 with 2/2 Field Regiment in New Guinea.VX132826 W G H Burrell served with the AIF during WW2 in New Guinea and posted to 2/6th Commando Squadron and was on Borneo and at Balikpapan. George Burrell was able to being back the sword at the end of hostilities. The Book the Purple Devils is the 2/6th Commando Squadron history as interpreted by Syd Trigellis Smith.Book Purple Devils by Syd Trigellis, Smith, a Japanise Sword - steel blade encased in a leather scabbard and the military history of VX132826 W G H Burrell who served with 2/6 th Commando Squadron.The Book - Purple Devils, a History of 2/6 Australian Commando Squadron, ISBN 064607125-4. vx132826 w g h burrell, ww2, new guinea, 2/6th commando sqn, gunto sword, purple devils

Set of seven Agfa colour slide, blue and white plastic mount, photo by Keith Caldwell on 22/3/1969 of the then new track work in Queensway St Kilda, closing the former track in Wellington St. .1 - W2 363 inbound, route 5 climbing the grade to the St Kilda Road Junction. Has the overpass in the background. .2 - W2 229 ditto .3 - W2 377 ditto waiting for another W2 5?6 crossing in front of the tram. .4 - SW6 941 outbound, route 5, Malvern Burke Road with advertisements for PGF golf clubs and Vodka Wyborowa. .5 - W2 421 outbound route 5. .6 - W2 347, East Brighton route 64 outbound in Queensway with the Windsor Fire Station and the former cable tram winding house (the big red building) in the background. .7 - A W2 inbound..1 and .6 has in pencil "22/3/1969".trams, tramways, st kilda rd, queensway, new tramway, route 5, east malvern, route 64, east brighton, w2 class, sw6 class, tram 363, tram 229, tram 377, tram 347, tram 421, tram 347, tram 941

Robert Miller selected block number 21 Watts Road, Ventnor in 1868 and he and his family came to be among the early settlers oh Phillip Island. See 402-03Large photocopy of portrait of Robert Miller - refer to Family History on 402-03robert miller, early phillip island settlers, watts road ventnor, lynette carr

These handkerchiefs come from the estate of Ena Heazlewood. Mary Josephine (Ena) Todd was born in Warrnambool in 1920 and worked as a hairdresser at Josephine’s Salon in Warrnambool. In 1942 she married a Warrnambool man, Jack Heazlewood, who was stoker on the H.M.A.S. Sydney at the time. They later lived in Sydney. These items are of interest as examples of the handkerchiefs found in a woman’s collection mid last century and as mementoes of a former Warrnambool resident, Ena Heazlewood. These are seven handkerchiefs. .1 A silk handkerchief with a white centre and a green dot pattern border .2 A white silk handkerchief with an embroidered spray of pink flowers and green stems in one corner .3 A white silk handkerchief with multi-coloured embroidery in one corner .4 & .5 Two white silk handkerchiefs with a multi-coloured embroidered letter ‘E’ in one corner and a fluted embroidered edge. .6 & .7 Two pink nylon handkerchiefs with a fluted edge and an overall impressed pattern of pink flowers and green stems .6 & .7 Nylon Made in Japanvintage women’s accessories, todd & heazlewood families, warrnambool, history of warrnambool

Illustration of Melbourne Z3 class tram 118 in Nicholson St at Spring St Melbourne with the Princess Theatre and the Imperial Hotel in the background. Tram has the destination of Preston Depot, Route 89, 6/1982. Possibly from a Topmill Calendar. Has been pasted onto another sheet of paper.On rear in ink "Nicholson St, Nth Melbourne Vic 6/82"trams, tramways, z3 class, nicholson st, spring st, route 89, tram 118