Worn for the marriage of Evelyn Gledill to Richard Osborne in 1937. Evelyn Gledill was mother of Barbara Keene whose bridal veil is catalogue as NA2908.Bridal veil is a 3/4 circle with black hat elastic. Green wire circle of white flower buds with fringe of remaining veil net and looped green satin wire of white flower buds. Centre front are five cream (brownish) roses.costume, female ceremonial, costume accessories, hair accessories

Black and white photograph. The Irish War Pipe Band, which will appear in the Upper Reserve on the 2nd January Next. Men in Uniform. Kilts. Feather in hat. Irish Pipe Band Melbourne. Back of photo reads: Waves at Tory. The Rose Tree. <-8.2cm->entertainment, music, irish war pipe band

Comparatively few weatherboard houses in Kew survived from the early years of settlement into the second half of the 20th century. One such property was ‘Reno’, which once stood on the east side of St John’s Parade. Its earliest recorded owner was the architect Samuel Cocking who lived there from c.1865 until his death in 1888. The original landholding was bordered by Cotham Road, Glenferrie Road, Wellington Street, and Charles Street. The southern portion of this land included a fine orchard, with many imported trees. The old summer house, at first in the orchard, was later removed to the house garden. The MMBW Detail Plan No.1576 (1904) shows the remaining portion of the original land holding, including a semi-circular pathway at the front, and garden features such as an aviary, a fountain and grotto, and a fernery. None of these are apparent in photographs dating from the 1960s, where the garden, which once included rare plants provided by Baron Von Mueller, surrounds the cottage in a tangled frenzy. Despite a ‘local significance’ classification by the National Trust, the house was demolished in 1977.Wallpaper fragment from ‘Reno’. These two large fragments of wallpaper have a formality of design that is accentuated by the wide borders and narrow vertical lines that separate the repeated designs of rose garlands in vases on a vertical trellis design. The design is in tones of pink and green with gilding.reno, st john's parade, kew, samuel cocking, wallpaper

Presented to the 8th/13th Victorian Mounted Rifles Regiment RAAC by its affiliated regiment the 8th Royal Irish Hussars as part of a gift of regimental property when a reorganisation of British cavalry regiments was being undertaken.Silver rose bowl mounted on black shellacked wooden base. Bowl is oval in plan view and boat-shaped in elevation with human figurines as handles. Designation of the bowl as the Subalterns Challenge Cup inscribed on side of bowl while winners are inscribed on wooden base.On side of bowl: "Subalterns Challenge Cup Presented to Lieut.Col. Davidson and the Officers 8th Hussara by major C G Poley on leaving the Regiment May 1893" and on base: "Won at Wetherby 1896 Lt O'Brien br:g "Baccarat" Owner Won at Wetherby 1897 Lt F J C Howard's b.m Moonshine aged Owner 12st 3lb Won at Fethard 1898 Lt E A O'Brien br.g Baccarat Owner 12st 3lb Won at Mullaboden 1899 Lt E M Jennings b.g May Boy Owner 12st 3lb Won at Aldershot 1904 Lt H F Partridge's b.g Loch Lomond aged Owner 12st.3lb"8th hussars, rose bowl, regimental silver, horse racing, subalterns challenge cup

The photo shows wattle-bark stripping, taking place at Roses Gap (western end). The identity of the men is unknown.The photo shows three men in a cleared area of bush, one is standing holding a bundle of wattle bark, another is behind and to the left of him also holding bark and a third is standing to the right and is scrapping bark from a tree above his head with a long stick . There is a hut in the background, the right side of which is just a frame. timber industries, wattlebark stripping, scenery, roses gap

Student Lauren Rose's report on a camp in Ballarat, 1978. Please contact [email protected] to request access to this record.1970s

Yields information through postcard and some photos of Ballarat during the tramway eras - provides reference photographs for researchers to find original copies.Set of 12 copy negatives, of black and white photographs of Ballarat trams and postcards from Ray Pearson Collection, taken by Dave Macartney in 1975c. Original negative held in the negative file. Scanned at 2400 dpi and cropped as necessary. Images as shown replaced by scan from the original Ray Pearson Album provided by Mal Rowe, April 2020 or that there is a better image. .1 - Rose Series postcard P4609 - looking east along south of Sturt St, late 1940's. .2 - Rose Series postcard P10050 - Bridge St looking west. - see item 8975 for the actual postcard. .3 - Line up of trams in Sturt St West, for March 1968 Vintage train. .4 - Postcards or photo folder of Craigs Hotel and the Post Office, late 1900's. .5 - Postcard with Post Office in background, with horse trams crossing. .6 - Postcard or photo folder with Sturt St and "Greetings from Ballarat" .7 - Rose Series postcard P10044 - Lydiard St south, looking North - late 1940's. See item 8978 for the actual postcard. .8 - Rose Series postcard P13492 - Lower Sturt St, north side looking east. .9 - Rose Series postcard P13493 - Sturt St, south side, lower section, looking east. .10 - Postcard with horse tram arriving Grenville St, dated 5.2.04, has a miner and farmer on the right-hand side. .11 - Postcard of train at Ballarat railway station and a large crowd of people in the photo. .12 - Postcard or photo folder of an ESCo tram in Sturt St, with a "Souvenir of United States Fleet's visit to Australia" TMSV now possibly has these albums.trams, tramways, ballarat, postcards, sturt st, bridge st, post office

The hair brush is part of a vanity set owned by a woman who lived in the Harbour Master's house at Warrnambool in the late 1800s and early 1900s. The set was possibly a wedding gift from her mother-in-law, Caroline Edwards, a local business woman who was an importer of 'china and fancy goods' along with her husband Thomas Myers Edwards. The Edwards owned Staffordshire House a business in Timor St (and later Liebig St) from 1876. The hair brush is an example of a valued possession of women at the time and could signify social standing. It was also a functional accessory used on a daily basis.The item is significant socially as an example of accessories available to and used by women in the late 1800s and early 1900s. Historically, it is linked to a local import business ‘Staffordshire House’ in Liebig St Warrnambool, where it most likely came from. A pewter (or possibly silver-plated) hair brush that is part of a vanity set. It features a beautiful ornate moulded rose/flower design on the back and handle of the hair brush. The hair brush insert is most likely made of celluloid, it no longer has bristles and is purely ornamental. flagstaff hill, warrnambool, flagstaff hill maritime museum and village, maritime village, maritime museum, shipwreck coast, great ocean road, vanity set, pewter, silver plate, toilet set, harbours master's house, staffordshire house, hair brush, hairbrush, brush, celluloid

Beige card with ' Happy Hours as fair as Flowers' printed in gold and underlined in purple at the top. Below are 3 sprays of mauve & white flowers and a red rose. The corners of the card are shaped. Card & insert held together with a mauve cord. Verse inside by S Bainbridge.Raphael Tuck & Sonsperson, greeting cards, malone collection, malone collection, greeting cards, raphael tuck & sons

Doll's bed belonged to Bruce Reynolds daughter.Metal doll's bed with knitted cover, cotton mattress, white polyester pillow with cotton pillow case embroidered with blue rabbit. Nylon quilted cover, grey with pink rose lined with yellow floral cotton. Rug is nine knitted oblongs joined together.Quality Tontine Products. David Galt Industries, Melbourne.toys, doll's furniture, toys, dolls' accessories

Folder containing information pertaining to the history of Lovers Walk. Contents: -5 maps showing Rights-Of_way between Belgrave and Mt Morton, Belgrave Heights, with path of Lovers Walk indicated -2 photos, reprints of Rose postcards, showing views of Lovers Walklovers walk, mt morton, walking tracks

The Raywood Borough was created on 17 January 1865 and was united into Marong Shire on 1 October 1915. In 1994 . In 1994 the City of Greater Bendigo was created from the amalgamation of the former City of Bendigo with the Borough of Eaglehawk, Shire of Strathfieldsaye, Shire of Huntly and parts of the Rural City of Marong and Shire of McIvor. It now includes the towns of Axedale, Elmore, Heathcote, Marong, Raywood and StrathfieldsayeDecorated hand operated cast iron embosser with 35mm stamp head attached. Gold and maroon painted decorations extend from top edge of handle including scrolls and roses. Well used showing all over signs of wear. Stamp is for the Borough of Raywood.Borough/ Raywood / Victoria / 1865borough of raywood

people walking on St Kilda Pier, Esplanade Hotel in the background, on the post card the picture is framed by a horse shoe and rosescolour postcard good condition unmountedSr Kilda Pier. Post card.

'Gumleaf' formerly 'Wygarnie' 48 ft Danish Seine boat, owner Jim Alderton, skipper Harry Rose, 1956c.Colour photograph of the fishing boat Gumleaf on the slips at Eastern Wharf, Lakes Entrance, Victoriafishing industry, ships and shipping, jetties

"Glenara' was the home of Alistair Clark who lived at Bulla which is situated about 20 kms NW of Melbourne in the Deep Creek valley. He was born there in 1864 and lived there throughout his lifetime until his death in 1949. His father established the property during the mid-nineteenth century. Alister Clark was a rose grower and created the very popular 'Lorraine Lea 'rose along with other famous species. A rose garden has been established in the township of Bulla in his memory. He was also an active member of the Victorian Racing Club. The original photograph was published in the Melbourne 'Herald' on 20 August 1952 on page 5.Alistair Clark was a prominent rose grower and developed many rose species which were suitable for Victorian conditions. The homestead is a good example of Victorian architecture built in Victoria in the latter years of the nineteenth century. The house has a heritage listing in the City of Hume Heritage Study.A black and white photograph with a fine white frame, of a Victorian homestead with a a verandah across the front of the house. It is set in a spacious garden with garden beds, lawn and trees.clark, alistair, 'glenara' homestead, roses, bulla, deep creek

This image shows High Street, Wodonga in the late 1950s to early 1960s. The view is taken looking southwards towards the Water Tower at the end of the street. Businesses visible in the image include Currans Shoe Store, Greens Shoe Repair, a barber store, Pat's Ladies Hairdresser and Beauty Parlour, Albury Drycleaners, Jim Costello's, Bye's Butchery, Cafe, Astor Electrical goods and Victorian Producers. It is an enlargement of a Rose Series postcard. This photograph is representative of many images representing High Street, Wodonga as it developed over time. The Rose Series of postcards is a series of postcards of scenes from around Australia and some international ones as well. They were produced by the Rose Stereograph Company, which was the business of Victorian photographer George Rose (1861-1942). In 1880, George, aged 19, founded his business in Victoria, and soon became famous for producing stereographs, or stereo views. His early images included the landing at Anzac Cove, Ned and Dan Kelly’s Armour (taken at trial in 1880), The Duke & Duchess of York and their daughter Princess Elizabeth and Phar Lap winning the Melbourne Cup. When stereographs lost popularity during the 1920s, Rose switched to the production of postcards and decorative cards. He and his team of photographers took thousands of photos of scenery around Victoria and beyond, and the postcards became iconic images of Australian life. The Rose Stereograph Company Collection comprising more than 100,000 items was auctioned by Lloyds in June 2021. This image shows the main street of Wodonga and allows us to trace its development over time.A large photo printed on canvas. It shows High Street Wodonga in the late 1950s, looking southwards towards the water tower.high street wodonga, wodonga businesses, wodonga 1950s

Commercial Souvenir for sale to holiday makers in San Remo 1910.Sandy cove - back beach San Remo at bottom of small cliff. People on beach - one bathing box at middle right. Two cars on cliff top. Black & WhiteThe Back Beach San Remo, Vic. The Rose Series P 1456. On reverse - Bathing Box Beach, Bonwick's Beach. Elmslocal history, photographs, san remo, beaches, bathing box, black & white photograph, tourism

The train line from the city to Frankston was electrified in 1922 which intensified the sale in the municipality of Moorabbin, particularly land which was in the vicinity of the railway stations.Example of the progress of the Municipality of MoorabbinAdvertising flyer for auction of real estate sales - plan of building blocks for saleRose Hill Estate, Bentleigh - 37 home sites - Auction Saturday 12 March 1927 - H. C. Costello & Cocentre road, rose street, real esate, auction, bentleigh

Handwritten on reverse, "Nov 1919." (1) "Ac. Binervata." (2) "Pillar Rose Marie Henrietta." (3) "Ulmus campestris, Huntingdonton."plants, roses, trees

The opening of the Tawonga Hall was celebrated in the evening on Wednesday 11th March 1925. A band played and guests danced.This 'programme' was used by people in the district who attended the opening of the Tawonga Hall in 1925.This is a small programme for the evening of the opening of the Tawonga Hall in 1925. It also doubled as a dance engagement book for the evening. Front cover "Programme" is printed It is in the form of folded cardboard with a picture of a rose on the cover that passes through a white tag entitled 'Programme' on the stem of the rose. Edges have spaced zig-zag cuts in groups of 6. On back of front a lot writing printed in black. Opposite is a list of 15 dances eg. Waltz with space for names of partners. On the folded card a hole has been pierced at the top left hand corner with red wool threaded through and a small pencil hanging at the end of it. tawonga public hall, programme, opening ceremony, dance programme, annie sullivan