Showing 21442 items
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Bendigo Historical Society Inc.Slide - DIGGERS & MINING: THE DIGGINGS - THE DIGGERS
Diggers & Mining: The Diggings - The Diggers. Slide reads: Life and Work at the Diggings Section 6 The Diggings . . . The Diggers Markings: 1 994.LIF 6. Used as a teaching aid.hanimounteducation, tertiary, diggers -
Bendigo Historical Society Inc.Slide - DIGGERS & MINING. STORES AT THE DIGGINGS, c1850s
Diggers & Mining. Stores at the diggings. Slide reads; Life and work at the diggings. Section 5 Stores at the diggings. Markings: 1 994.LIF. 5. Used as a teaching aid.hanimounteducation, tertiary, goldfields -
Tennis AustraliaPrint, Circa 1995
Limited edition (138/850) print of pastel work by Luis Morris of tennis player Greg Rusedski serving. Materials: Ink, Wood, Paper, Glass, Metal, Graphitetennis -
!['Studley House', Nolan Avenue [Kew]](/media/collectors/550653872162f11fb04854aa/items/658f804b9239cf6fd436dc0a/item-media/658f80609239cf6fd436dcc6/item-fit-380x285.jpg)
Kew Historical Society IncPhotograph - 'Studley House', Nolan Avenue [Kew], c. 1965
The first section of Studley House, now part of the preparatory school for Xavier College conducted by the Society of Jesus in Kew, was built in about 1857 for Parliamentarian John Hodgson, an early settler in the district, as a two-storey residence in the Classical Revival style. The name Studley House was first recorded in the Kew ratebooks in 1862, after the house was purchased in 1860 by James McEvoy, squatter. Alterations and an extension, designed by William J Ellis were undertaken in 1875. The house was again altered in 1919 during the ownership of John Wren, former bookmaker, ALP lobbyist, influential Irish-Catholic and millionaire. After 1969 the house was used by the school. (Victorian Heritage Database, 2023)This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Original monochrome photograph of the first floor verandah of Studley House in Nolan Avenue, Kew. The photo shows the detail of the cast iron lace work used on this section of the verandah.dorothy rogers, studley house -- nolan avenue (kew) -
!['Studley House', Nolan Avenue [Kew]](/media/collectors/550653872162f11fb04854aa/items/658f8dc39239cf6fd43737f6/item-media/658f8dda9239cf6fd437386a/item-fit-380x285.jpg)
Kew Historical Society IncPhotograph - 'Studley House', Nolan Avenue [Kew], c. 1965
The first section of Studley House, now part of the preparatory school for Xavier College conducted by the Society of Jesus in Kew, was built in about 1857 for Parliamentarian John Hodgson, an early settler in the district, as a two-storey residence in the Classical Revival style. The name Studley House was first recorded in the Kew ratebooks in 1862, after the house was purchased in 1860 by James McEvoy, squatter. Alterations and an extension, designed by William J Ellis were undertaken in 1875. The house was again altered in 1919 during the ownership of John Wren, former bookmaker, ALP lobbyist, influential Irish-Catholic and millionaire. After 1969 the house was used by the school. (Victorian Heritage Database, 2023)This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Original monochrome photograph of the first floor verandah of Studley House in Nolan Avenue, Kew. The photo shows the detail of the cast iron lace work used on this section of the verandah.dorothy rogers, studley house -- nolan avenue (kew) -
Sunbury Family History and Heritage Society Inc.Photograph, Bulla Primary School - Portable classroom, c1993
The four children are working with their teacher Barbara Springfield who was on the staff at Bulla Primary School in 1993. It was a time before computers and other related devices were used in classrooms.A non-digital photograph of four children in a classroom standing at a table with their teacher. A lot of the children's work folders are displayed on a rack on the LHS and other items are displayed on the window and overhead. barbara springfield, bulla primary school, classroom activities -
University of Melbourne, Burnley Campus ArchivesDocument - Student Work, caroline norton-smith, Jamie Durie, 18.06.2015
jamie durie, landscape design, assignment, television -
University of Melbourne, Burnley Campus Archives
Plan, ACM Landscape Architecture, Courtyard & Entrance, 1995
Photocopies of sketches of Set out plan, Planting plan & surface finishes details. Typed description of works by ACM Landscape Architecture. Not sure if this relates to Burnley or is Student work.acm landscape architecture, burnley, courtyard garden -
Federation University Art CollectionWork on paper - Etching, Graeme Drendel, 'Piggy' by Graeme Drendel, 1974
Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. An etching with pig. This work was completed during Graeme Drendel's final year at Melbourne State College where he was studying Secondary Art and Craft Teaching and majoring in Printmaking.graeme drendel, printmaking -
University of Melbourne, Burnley Campus Archives
Newsletter, Papyrus, April 2022
friends of burnley gardens, andrew smith, farewell -
Australian Nursing and Midwifery Federation (Federal Office)Florence Nightingale note, 1883
This item was found in an ANMF Federal Office archive box. It was taped into a picture frame, broken when found. The note was written on the title page of a book. The title page was separated from the book, and the book was not with the item. We believe the item came to the ANMF Federal office via the ANF Tasmanian Branch. A conference presentation was done in July 2017 about the subject of the note, Nurse Alexander.Original handwritten note by Florence Nightingale, addressed to Nurse Alexander upon her departure from England to work in Tasmania, Australia.Hand written note by Florence Nightingale to Nurse Alexander, upon her departure from England to work as a nurse in Tasmania, written in pencil on the title page of a medical textbook."Offered Nurse Alexander on her going to Tasmania. And may she have the knowledge and humility to be making continued progress. And may she remember that a nurse who is not always advancing is going back. Forward not backward in all ways. Florence Nightingale. Feb 18 1883."nursing, history -
University of Melbourne, Burnley Campus Archives
Newspaper - Newspaper Cutting, The Leader, Horticultural Notes, 1893
Copy of article in "The Leader" (Melbourne) on 24 June, 1893 p10. Description of Mr Neilson's experimental work with fruit trees at Burnley, his teaching, cuttings available for distribution.the leader, mr neilson, curator, cuttings, fruit trees, teaching, experimental work on fruit trees -
Port Melbourne Historical & Preservation Society
Audio - Recording, Lonel Layfield discussing his work history at Kitchens with Suzy Milburn, John Kirby, Jul 2014
Lionel Layfield, long time driver with Kitchens and Unilever, discussing work history with Suzy Milburn, in PMHPS rooms. Two sessions with duration of 3 hours 15 minutes.industry - manufacturing, workers, transport - motor vehicles, j kitchen & sons pty ltd, unilever australia (holdings) ltd, toll holdings ltd, toll group -
Melbourne Tram MuseumPhotograph - Black & White Photograph/s, The Met, mid 1980's?
Black and White photograph of one of the work desks for the AVM system at the Gertrude St winding house, probably soon after it was commissioned. Shows two workstations with an operator at one.In blue ink "Tram Power Operations - Bouverie St c1985" (this is incorrect - Carlton had a very large illuminated board in front of the operators, showing sub-station status." Photo "11187/B" - possibly of the photographic section.trams, tramways, avm, automatic vehicle monitoring, instructions, communications, control centre, training, gertrude st -
Melbourne Tram MuseumPhotograph - Digital Image, Melbourne & Metropolitan Tramways Board (MMTB), machine shop at Preston Workshops c1943, 1943
Digital Image of the machine shop at Preston Workshops c1943. Shows the nature of the work positions, the belt drives and some of the equipment provided. Image made from a published print.trams, tramways, preston workshops, tramcar construction -
Bendigo Historical Society Inc.Photograph - BASIL MILLER COLLECTION: ABORIGINAL MAN AND BOY - TRADITIONAL IMPLEMENTS
Postcard of aboriginal man and boy with traditional implements. Made in Western Germany in perfect colour for John Englander and Co Pty Ltd, Melbourne. Aboriginal artist at work, Australia.basil miller, aborigines, postcards. -
Bendigo Historical Society Inc.Newspaper - JENNY FOLEY COLLECTION: ARRIVALS
BHS CollectionBendigo Advertiser ''The way we were'' from 2002. Arrivals: Mr Mick O'Donaghue, of Kamarooka, arrives for work with Roy Lakey on the chaff cutter in 1950. The clip is in a folder.newspaper, bendigo advertiser, the way we were -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)Photograph, Lakes Post Newspaper, 1994
number in album 03516.02Black and white photograph group of people at work in progress building for Aquatic Centre, Marlene Battista, Joan Mitchelson, Ailsa Caratairs among group. Lakes Entrance Victoriavolunteering, recreational facilities -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)Photograph, Lakes Post Newspaper, 1/05/1995 12:00:00 AM
Black and white photograph of David Brown and Wayne Mitchell of Lakes Smash Repairs Whiter Street inspecting a damaged car prior to starting work Lakes Entrance Victoriabusinesses, people -
Melbourne Tram Museum
Administrative record, Yarra Trams, Current and Proposed Starter & Driver Sign On/Off, unkown
The spreadsheet details the current sign on and sign off times for depot starters and first and last drivers at 8 depots (year not specified) and proposed minor alterations. Yields information about hours depots are staffedFour A4 pages of typed spreadsheet columns and rows starting with current times for 8 depots, then proposed times for 8 depots, then total hours worked for 8 depots.Handwritten note in red biro: 'For your comments'trams, starters, timetables, depots -
Bendigo Historical Society Inc.Administrative record - Invoicing book
The item is a hard cover invoicing book of T.J. Connolly, Ironmongers, Sandhurst. Inside the front cover is an index page listing customer name and customer number. The following pages are carbon copy records of work completed for each customer, recording date and description of work along with price. The pages are printed with the numbers 01 to 99 in the top right-hand corner. Pages 01 to 94 have been used. Pages 95 to 99 are blank. The descriptions of work mostly relate to work completed on cars but also includes hiring out of cars, destination and miles travelled. The customers include army personnel and recruiters. Each page is signed and or checked off in red pencil. The brown hard cardboard cover is worn and marked. The spine of the book is brown canvas. The pages are stapled together. The book includes the date range of 01 - 30 (?) November 1917. This item is part of the Margaret Roberts Collection.Written in grey lead pencil on the front cover is "November 1917". A red line has been ruled underneath this inscription.margaret roberts collection, ironmongers, forest street, bendigo businesses, motor vehicles, world war 1 -
Federation University Art Collection
Ceramic - Artwork - Ceramics, Ray Hearn, 'End Game' by Ray Hearn
Dr Ray HEARN (1943- ) Born Stawell, Victoria Ray Hearn graduated from the Ballarat School of Mines Technical Art School with a Diploma of Art (Ceramics) in 1970, followed by an Master of Fine Art from Regina Canada in 1976. He holds a PhD in Anthropology from Northern Territory, Darwin in 2003, with field work, exhibitions and teaching in Thailand since 1996. He has completed his MA in art curatorship from the University of Melbourne, with a thesis on Sidney Nolan and Ned Kelly.From Above and beyond function: Ray Hearn explains the reasons behind his useless ceramics:- "End Game suggests a climax of a tactical and intellectual struggle, in ceramics or chess, but it is also about beginnings and endings, for in chess the king can never be captured--one game ends and the board is reset so the next can begin. I made this piece at the start of my PhD work, acknowledging then that as there were once potters so too there are potters today--and tomorrow. The ceramic pieces were all collected in Tanon Suthep, one of Chiang Mai's streets. The board is a fragment of white tiles from a pharmacy building being remodelled, the bowl is a broken fast food noodle bowl from the ubiquitous street stalls, and the new small blue and white jars purchased from a market stall. Typical of my work, the objects are familiar--they might be just like ones we have at home today, had but threw away only yesterday, or objects we might purchase tomorrow. Clay lives on, and the ceramic 'game' starts again too. As it transpires End Game is about my own work too. All research degrees require an end--a thesis must reach a conclusion, and like a game of chess, start again. The sculptural potential of clay is unlimited, and in theory functional clay wares' aesthetic potential unlimited too, from a classic Song celadon to Arneson's genital encrusted teapots (which I first saw illustrated in Craft Horizons 1971). West Coast funk with its kitschy teapots and cups were vehicles for sculptural objects never meant to be drunk from, and a genre of useless functional wares emerged. Nothing could be more useless in a practical sense than a work of art, especially a painting--yet most craftwork has a passing reference at least to function." ( https://www.thefreelibrary.com/Above+and+beyond+function%3A+Ray+Hearn+explains+the+reasons+behind+his...-a0172598257, accessed 07 February 2018:)ray hearn, ballarat school of mines, ballarat technical art school, alumni, ceramics -
Ringwood and District Historical SocietyPhotograph, Maroondah Dam construction 1923-24 - Capt E.T. Miles, Mr Trethowan, Mr W Everad and Mr A.T. Miles
Catalogue card reads, "Maroondah Dam construction 1923-24. Left to right: Capt.. E.T. Miles, Mr. Trethowan (in charge of work), W. Everard, and A.T. Miles". -
Ringwood and District Historical SocietyNewspaper - Clippings, Melbourne Herald 8th May, 1959 - Norwood High School, Ringwood, Victoria
Norwood High School started the school year in multiple temporary premises while the new school was being erected in Byron Street, eventually opening mid 1959.Temporary alternative classroom accommodation report with photographs.Altogether, 214 pupils of the school work in what teachers say are impossible conditions in the East Ringwood drill hall, the Anglican Church Hall, and (East Ringwood) football pavilion. -
Port Melbourne Historical & Preservation Society
Plan - Auditorium, Port Melbourne Town Hall, A A Millar, Clerk of works, 1915
Plan for "New Auditorium for Town Council Port Melbourne". Floor plan; cross section C/D, cross section A/B; floor plan balcony ground floor; 1915"New Auditorium for Town Council Port Melbourne":Heath, A.V. Town Clerk and Surveyor:A.A. Millar Spray Street, Elwood. Phone BX 1762, Clerk of Work 1915port melbourne town hall, arthur victor heath, town clerks, a a millar, g t reeves -
Bendigo Military MuseumPostcard - POSTCARDS WW1, 1) & .2) 7.10.1917
Item relates to James Worland MILLS No 3441, 59th Battalion. James on on the first table left sitting at RHS of table on the left of 2 other men. Refer Cat No 169P for his service details..1) & .2) Post card photos, sepia, showing soldiers eating at 2 tables with tents in the background..1) On rear in pencil: “The Hungry 59th Battalion at mess after a hard days work Hurdcott England 7.10.17” .2) On rear in pencil: “Hurdcott England Oct 7 1917 Taken about a week ago. Boys from the 59th Battalion messing one evening after doing a good days work at ____ ____ bayonet fighting, bombing and other modes of modern warfare. Jimmy”postcards, 59th -
Warrnambool and District Historical Society Inc.Framed Paintings, 1 The Frame Shop, Fairfield, Melbourne .2 Kardinia Picture Framing, Geelong, 1Warrnambool Botanical Gardens .2 Hopkins River, Warrnambool, 1953
These two works of art are by Dr Don Edgar, a sociologist, educator and author. He taught sociology at Stanford University, the University of Chicago, Monash University and La Trobe University and was the founding Director of the Australian Institute of Family Studies. In the 1950s Dr Edgar was a student at Warrnambool High School and these works of art were produced at that time. For a school project he researched the early history of the Warrnambool Art Gallery and some of its collection, dating from the 19th century. In 2019 he published a book, ‘Art For the Country’, the story of Victoria’s regional art galleries and the book includes information on the founding and the later history of the Warrnambool Art Gallery.These works of art are of interest as they were painted by Dr Don Edgar, a noted academic and author today and a former resident of Warrnambool. The two works of art also have historical interest as they depict Warrnambool scenes painted over 60 years ago. .1 An art work (oil on artboard) – the Warrnambool Botanical Gardens with bridge and reflections, a gum tree and a poplar tree, all in green and orange tonings. The wooden frame has a light varnish with gold and white trim .2 An art work (oil on artboard) – multi-coloured view of the mouth of Hopkins River with the Hopkins River bridge, Lyndoch bungalow and boathouse. The frame is wooden with a mottled varnish and a white insert edging. .1 Don Edgar 1953 Don Edgar 1953 (High School Student) .2 D.E. 53 Don Edgar 1953 (High School Student) dr don edgar, sociologist, author and educator, warrnambool art gallery, history of warrnambool -
Glenelg Shire Council Cultural CollectionPrint - Print (reproduction), Will Longstaff, The Immortal Shrine, n.d
CEMA Art collection Previously located in History HouseThe print depicts a night view of a city street. In the foreground are ghosly figures completing a military march along a wide street. On the left side is a large white Remembrance Shrine with three flags hanging on individual flagpoles. In the background are numerous multi-storey buildings with a row of light streetlights in front. The work is completed in various shades of blue and mounted with brown card. Framed with a gold and black frame, the work has an exposed canvas.Front: Brass embossed plate: THE IMMORTAL SHRINE BY WILL LONGSTAFF COPYRIGHT REGISTERED Back: (No inscriptions) -
Federation University Historical CollectionBook, Percy V. Bradshaw, 'Art in Advertising' by Percy V. Bradshaw, 1925
Large, brown, cloth covered book. A lengthy survey of 1920s graphic advertising in both the USA and England, with the aim of educating the public on what exactly made good advertising. Subjects include “Art & the Public,” “Art & the Business Man,” “The Art of the Printer,” “Commercial Studios & Their Work,” “The Art Agent & His Work,” “Retail Store Advertising,” “Notable Advertising Campaigns,” and much more. Many black and white images, with some in colour. press art school, percy v. bradshaw, ballarat technical art school, posters, advertising, graphics, lettering, press, bookplates, ballarat technical art school library -
Bendigo Historical Society Inc.Clothing - MARGARET (NELL) TIMBS (NEE HEIDER) COLLECTION: HANRO LADIES’ CARDIGAN, 1970s
Red orlon long sleeved cardigan with high round neckline, with a narrow ribbed neckband. Set-in sleeves with a 5.5cm ribbed band at the wrist and a 5.5cm ribbed band at the waistline. Formerly owned by Margaret (Nell) Limbs nee Eider who worked at Hanoi in the Finishing Department about 1935. Donated by her daughter Bayonne Snipe who worked at Hanoi in the Office from 1961, then at John Brown until 1968.Hanro. SW Swiss Inspired. Pure Wool. Mothproof. Original label still attached. This is a guaranteed Hanro Hanrosafe garment. It is thoroughly shrinkproof and machine washable. Style 570, Size SW, Colour A14. On reverse of label “This garment has been awarded the coveted WOOL TESTING AUTHORITY’S SEAL OF APPROVAL and is guaranteed shrink proof and machine washable. Directions for Machine Washing – refer to photograph.costume, female, cardigan
