The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.Unique collection of photographs showing the first years of an armoured regiment of the post-Second World War era Citizen Military Forces showing equipment, uniforms, training and social activity and some personalities.Black and white photograph of a soldier with rifle. Wearing khaki drill shirt and trousers, boots, web ankllets, belt and shoulder straps and beret. One of a collection of photographs of 8th/13th Victorian Mounted Rifles Regiment between 1948 and 1951." Norm Leischke ( Later Lt. )

An unmarked wooden tennis racquet, with solid convex throat, string whipping around shoulders, and fine-grooved octagonal handle. Most likely a part of a tennis set. Materials: Wood, Lacquer, Glue, Metal, Gut, Leather, String, Painttennis

A 'Popular' tennis racquet with solid convex throat, string whipping around shoulders and fine grooved handle with fantail butt. Name of model features across throat on obverse. Materials: Wood, Lacquer, Glue, Metal, Gut, Leather, Stringtennis

An F.A. Davis wooden tennis racquet, with laminated concave throat, cloth tape shoulder reinforcements with string whipping, and fine-grooved handle with fantail butt. Materials: Wood, Lacquer, Glue, Metal, Gut, Ink, Cloth tape, Stringtennis

Navy faux leather WHS school satchel with yellow corded trim and a simple WHS symbol on the middle at the front. Has four metal studs on the bottom, with some corrosion, and a thin over-the-shoulder handle strap connected to the top corners.

Two Dunlop Graduate, wood/composite squash racquets, with string whipping around shoulders, and cotton handle grip, still sealed in plastic wrap. Materials: Wood, Composite Materials, Nylon, Ink, String, Adhesive tape, Cotton, Plastictennis

A Grays Courtmaster, wooden squash racquet, with ribbon whipping around shoulders and shaft, and a leather handle grip with linked X-formation perforations. Materials: Wood, Lacquer, Ink, Adhesive tape, Metal, Ribbon, Enamel, Glue, Leather, Guttennis

A Hollywood Strokemaster De Luxe Model tennis racquet, with string whipping around shoulders and shaft, and a Victor leather handle grip with rare trefoil perforations. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Leather, String, Enameltennis

A Sport Style Tourney Black Supreme tennis racquet, with string whipping around shoulders, and leather handle grip with X-formation perforations. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Leather, Fibre, Adhesive tape, Stringtennis

A Pinguin Davis Cup Model President tennis racquet, with ribbon whipping around shoulders and shaft, and leather handle grip with patterned perforations. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Leather, Adhesive tape, Ribbon, Fibretennis

An LFC St. George tennis racquet, with string whipping around shoulders, and leather handle grip with X-formation patterned perforations. Materials: Wood, Gut, Ink, Glue, Lacquer, Metal, Leather, Adhesive tape, Fibre, Vinyl, Stringtennis

A Brewer Champions International Model tennis racquet, with ribbon whipping around shoulders and shaft, and a leather handle grip with floral perforations. Materials: Wood, Ink, Glue, Lacquer, Metal, Gut, Enamel, Ribbon, Adhesive tape, Leather, Clothtennis

An unstrung Spalding 'Top-Flite' tennis racquet, with: black with gold, perforated leather handle grip; and, ribbon whipping around shoulders. Materials: Wood, Adhesive tape, Leather, Paint, Ink, Ribbon, Vinyl, Lacquer, Glue, Metal, Plastictennis

This item is part of the Di Reidie collection. Diane Reidie was a much loved volunteer and President of Brighton Historical Society from 1999 until 2016. Originally from New Zealand, Di and her family lived in Male Street, Brighton for many years. A vibrant and energetic person with a zest for life and a gift for bringing people together, Di was a friend to many in the Bayside community and active in local community organisations. Her tireless work as President of BHS saw her named Bayside Citizen of the Year in 2008. As a seller and collector of vintage clothing, she was passionate about fashion history; one of her many enduring contributions to BHS was her extensive work in preserving, developing and promoting the Society's costume collection. In 2018-19, Di donated more than one hundred items from her personal vintage clothing collection to the Society. The collection, which includes clothing, hats, handbags and shoes from local and international designers, is representative of Di's wide-ranging interests, colourful personality, creativity, humour and love of fashion and travel. Di was gifted this dress by a former manager of the Bayside Gallery, who herself had worn it to a fancy dress event after finding it in a local opportunity shop. Di subsequently wore it to a party with friends at the Windsor Hotel in Melbourne to celebrate and watch the televised royal wedding of Prince Harry and Meghan Markle in May 2018.Purple silk full length dress with cream neckline and arm hole band trim and white decorative beading over waist. The bodice joins front and back at the shoulder with a decorative purple ring. The lining is made of magenta coloured silk."Exclusively Yours Hartnell REGD Melbourne", "Exclusive Finest Imported Fabric"costume party, fancy dress, royal wedding, hartnell of melbourne, ralph samuel, melbourne designers, flinders lane, di reidie, 1960s

Alexander McKenzie Tyers was Grenville Shire Secretary 1891 to 1894, and Shire Engineer 1891-1896. In 1892 he married Mary Jane Johnston, of Spring Vale. Part of S E Surman collection (album) page 23.Sepia photograph of a bearded man wearing trousers, knee length coat with striped sash from right shoulder to left of waistband, some insignia at left chest and hat, standing with left arm resting on furniture, right arm by side."Tyers". surman collection, alexander mckenzie tyers, shire engineers

Part of old Lintonian collection No. 100.Black and white photograph of a gentleman wearing army uniform jacket with belt around waist and across right shoulder, jodhpurs, long boots and cap standing with left arm by his side, right arm at chest level holding stick.g.h.c. trengrove, old lintonian collection

This peignoir or morning gown is believed to have belonged to Mrs Thomas Anne Ward Cole, an early Brighton resident and wife of George Ward Cole. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished.A mid blue-green cotton and lace peignoir or morning gown, c.1860. The bodice starts at the neck with a clavicle height, rounded neckline with a turn down flat collar, and is finished with a cream lace frill next to the face. The sleeve starts at the natural shoulder line and its overall silhouette is reminiscent of a soft three quarter length imbecile sleeve constructed of four layers of alternating fabrics. At the shoulder, there is a blue-green flap, which crosses across the top and back of the shoulders towards the centre upper back in a 'v' shape. Here it finishes where it meets with the gathered top of the fabric that creates the train. Underneath this shoulder flap is a gathered, long cream frill that finishes just above the elbow. Underneath this frill is the full gathered blue-green sleeve. Finally falling from this a second gathered long cream frill finishes at the three quarter arm. The bodice buttons with five metal buttons from the neckline to just above the bust. Here it meets a heavily gathered front in two pieces, which falls with fullness to the floor. This full section is secured closed at the centre front with four hooks and eyes over the bust and then continues with shell buttons through the remainder of the garment.st ninians, george ward cole, morning gown, peignoir, brighton, thomas anne ward cole, margaret morrison ward cole, agnes bruce ward cole

This jacket is by the prolific spinner and weaver Jean Inglis. It has been woven with a warp of commercially brought wool & a weft of hand spun Corriedale. It is completed in a Swedish lace style of weaving. The highlight of the jacket is the blue section of fabric on the top left shoulder of the wearer, which works down to the bottom right hip. This pattern looks like long thin individual separate sections of fabric stitched to the jacket; however, only one section of fabric has been added. A dying technique has been utilised to give the appearance of multiple sections. This Japanese dyeing technique is called Shibori, “to wring, squeeze or press". It is a manual tie-dyeing technique, which produces several different patterns on fabric. The specific pattern on this fabric is known as Kumo Shibori. It utilises bound resistance. This technique involves folding sections of the cloth very finely and evenly. Then the cloth is bound in very close sections. The result is a very specific spider-like design. This design requires very precise technique. Specific to this jacket, the fabric for the dyed section was made with the same fabric as the rest of the jacket. A section of the excess fabric was concertina wrapped around a 100mm pipe and tied up before dying. This gives the consistent straight blue lines, with no bleed from the dye. The sections were then sewed into the jacket with the occasional sequin added for additional decoration and glamour. The jacket won 1st prize at the 1988 Geelong Show. Jean was assisted by the dress maker Ruth Randell with some of the design and sewing. Jean always found sewing “a bit of a bore”. The jacket also has an attached swing tag. It was added to provide information to the judges at the Melbourne Show on how the jacket was created. It comes complete with Jean’s self-proclaimed terrible handwriting. It was donated to the National Wool Museum in 2021.Cream singled breasted jacket with no overlap. The jacket has no column of buttons for fastening, or lapels. It is designed to be plain, to not draw attention. The jacket is highlighted by the Shibori dyed waves on the top left shoulder of the wearer, which works down to the bottom right hip. This blue dyed section of fabric is dotted with the occasional blue sequin. Internally, the jacket features a white silk lining for comfort. The jacket ends in a straight cut hem, including at the cuffs. The jacket has an attached swing tag. The swing tag is cream with a printed thin black boarder. Within the boarder, handwriting in black ink is found. It has a hole punch in the top left corner of the swing tag for attaching to the jacket.hand spun, hand weaving, textile design, textile production, shibori, kumo shibori

This design of the bottle is sometimes called a ‘cottage’ or ‘boat’ shape. The Caldwell’s handmade glass ink bottle was mouth-blown into a three-piece mould, a method often used in the late 19th and early 20th centuries, with the maker's name engraved into the mould section for the base. The glass blower would cut the bottle off the end of his blowpipe with a tool and join a mouth onto the top, rolling the lip. The bottle was then filled with ink and sealed with a cork. This method of manufacture was more time-consuming and costly to produce than those made in a simple two-piece mould and 'cracked' off the blowpipe. The capacity for a bottle such as this was about 3 ½ oz (ounces) equal to about 100 ml. This particular bottle is unusual as it has four sloping indents at the corners of the shoulder, most likely for resting a pen with its nib upwards and the handle resting on a flat surface. Most of the bottles made during this era had horizontal pen rests that were indented into both of the long sides of the shoulder. Pen and ink have been in use for handwriting since about the seventh century. A quill pen made from a bird’s feather was used up until around the mid-19th century. In the 1850s a steel point nib for the dip pen was invented and could be manufactured on machines in large quantities. This only held a small amount of ink so users had to frequently dip the nib into an ink well for more ink. Handwriting left wet ink on the paper, so the blotting paper was carefully used to absorb the excess ink and prevent smudging. Ink could be purchased as a ready-to-use liquid or in powdered form, which needed to be mixed with water. In the 1880s a successful, portable fountain pen gave smooth-flowing ink and was easy to use. In the mid-20th century, the modern ballpoint pen was readily available and inexpensive, so the fountain pen lost its popularity. However, artisans continue to use nib pens to create beautiful calligraphy. Caldwell’s Ink Co. – F.R. Caldwell established Caldwell’s Ink Company in Australia around 1902. In Victoria, he operated from a factory at Victoria Avenue, Albert Park, until about 1911, then from Yarra Bank Road in South Melbourne. Newspaper offices were appointed as agencies to sell his inks, for example, in 1904 the New Zealand Evening Star sold Caldwell’s Flo-Eesi blue black ink in various bottle sizes, and Murchison Advocate (Victoria) stocked Caldwell’s ink in crimson, green, blue black, violet, and blue. Caldwell’s ink was stated to be “non-corrosive and unaffected by steel pens”. A motto used in advertising in 1904-1908 reads ‘Makes Writing a Pleasure’. Stationers stocked Caldwell’s products and hawkers sold Caldwell’s ink stands from door to door in Sydney in the 1910s and 1920s. In 1911 Caldwell promised cash for returned ink bottles and warned of prosecution for anyone found refilling his bottles. Caldwell’s Ink Stands were given as gifts. The company encouraged all forms of writing with their Australian-made Flo-Eesi writing inks and bottles at their impressive booth in the ‘All Australian Exhibition’ in 1913. It advertised its other products, which included Caldwell’s Gum, Caldwell’s Stencil Ink (copy ink) and Caldwell’s Quicksticker as well as Caldwell’s ‘Zac’ Cough Mixture. Caldwell stated in a 1920 article that his inks were made from a formula that was over a century old, and were scientifically tested and quality controlled. The formula included gallic and tannic acids and high-quality dyes to ensure that they did not fade. They were “free from all injurious chemicals”. The permanent quality of the ink was important for legal reasons, particularly to banks, accountants, commerce, municipal councils and lawyers. The Caldwell’s Ink Company also exported crates of its ink bottles and ink stands overseas. Newspaper advertisements can be found for Caldwell’s Ink Company up until 1934 when the company said they were the Best in the business for 40 years.This hand-blown bottle is significant for being the only bottle in our collection with the unusual sloping pen rests on its shoulder. It is also significant for being made in a less common three-piece mould. The method of manufacture is representative of a 19th-century handcraft industry that is now been largely replaced by mass production. The bottle is of state significance for being produced by an early Melbourne industry and exported overseas. This ink bottle is historically significant as it represents methods of handwritten communication that were still common up until the mid-20th century when fountain pens and modern ballpoint pens became popular and convenient and typewriters were becoming part of standard office equipment.Ink bottle; rectangular base, hand-blown clear glass bottle with its own cork. The bottle has side seams from the base to the mouth, an indented base and an applied lip. The corners of the shoulder sides have unusual diagonal grooves that slope down and outwards that may have been used as pen rests. Inside the bottle are remnants of dried blue-black ink. The glass has imperfections and some ripples on the surface. The bottle has an attached oval black label label with gold-brown printed text and border. The base has an embossed inscription. The bottles once contained Caldwell’s blend of blue black ink.Printed on label; “CALDWELL's BLUE BLACK INK” Embossed on the base "CALDWELLS"flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, ink, nib pen, writing ink, writing, copying, banks, lawyers, commerce, student, permanent ink, blue black ink, stationery, record keeping, handwriting, writing equipment, writing accessory, office supply, cottage bottle, boat bottle, mouth-blown bottle, cork seal, f r caldwell, caldwell’s ink company, albert park, south melbourne, inkstands, stencil ink, copy ink, quicksticker, zac cough mixture, three part mould, cauldwells, cauldwell's

This Marching Bass Drum is mid-size at 68 cm; these drums can range from 35 to 81 cm (14 to 32 inches). A Marching Bass Drum is slightly smaller than a Concert Base Drum and larger than a Kit or Drum Set Bass Drum. The drum is supported by a shoulder harness with a pin that connects to the eyelet incorporated on the shell of the drum, which keeps the drumheads vertical. The drum is played with one or two felt-covered drum mallets. The six tension rods connected between the drumheads can be screwed tighter or looser to change the tension of the calfskins on the drumheads, which changes their tune. This Marching base drum was made in the early 1920s by the firm Ludwig & Ludwig of Chicago, Illinois, USA. LUDWIG & LUDWIG: - William F. Ludwig was a professional drummer. He and his brother Theobold established the Ludwig & Ludwig drum factory in Chicago in 1909. They became famous for their invention of a bass drum pedal that could play faster beats on the bass drum. Theobald passed away in 1918. By 1923 Ludwig was the biggest drum manufacturer in the world. William continued on when his business was bought by C.O. Conn, but in 1937 he left to begin his own company; the WFL Drum Company. William and his son Bill purchased the Ludwig & Ludwig name back from Conn, and the name William F. Ludwig II continued on. The brand was sold to the Selmer Company and moved to Monroe, North Carolina in 1998, at the time of the 75th anniversary of the Ludwig name. Ludwig drums are still being manufactured over 100 years later. Many famous musicians and bands played the Ludwig bass drum, including Ringo Star who was the drummer in the 1960’s group The Beatles.This marching bass drum is significant for its connection to Ludwig & Ludwig, a famous and popular drum manufacturer established in 1909. The firm was once the largest drum manufacturer in the world. It is known for supplying drummers of fame, such as Ringo Star of The Beatles. This is the only drum in our collection. It is also rare, having only six tension rods, where most have from eight to twelve.Marching Bass Drum; the polished shell around the body is one continuous sheet of timber that has been steamed, shaped into a cylinder and joined together. The drumheads on the sides of the shell are strong timber strips joined into hoops that hold stretched, hand-painted white calfskin. Six Long Tube threaded nickel-plated brass tension rods are evenly spaced around the drumheads between the drumheads. A brass eyelet is fitted into the shell halfway between each drumhead, providing a connection point for the drummer’s shoulder harness. The eyelet has an indecipherable inscription. An oval brass plaque with a central formed hole has a stamped inscription. The imperial size is 27 x 13 inches. The drum was made by Ludwig and Ludwig, Chicago, Illinois, in early 1920's. On brass plaque; “LUDWIG / TRADE MARK / LUDWIG & LUDWIG / CHICAGO”flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum and village, shipwreck coast, great ocean road, shipwreck artefact, marching drum, bass drum, marching bass drum, pitched drum, band drum, drum mallet, marching band, military band, percussion instrument, calfskin, shoulder harness, ludwig & ludwig, wfl drum company, william f. ludwig, chicago, north carolina, the beatles, tension taps, tension rods, drum pedal, long tube tension rods

Albert Francis STRAUSS No 1914 enlisted in the 2nd reinforcements 38th Batt on 26.4.1916 age 27 years. Embarked for England 16.8.1916, embark for France 22.11.1916, WIA 28.1.1917 GSW to face, rejoin unit 7.2.1917, hospital 3.4.1917 with Rhuematism, rejoin unit 18.5.1917, hospital 24.7.1917 displaced tendon left hand, rejoin unit 28.8.1917, promoted L/Cpl 13.6.1918; WIA 2nd occasion 11.8.1918 GSW left shoulder and arm, rejoin unit 7.10.1918, RTA 27.5.1919, discharged from the AIF 4.9.1919.Brown moulded wooden frame with olive green mount & glass front. Rectangular enhanced studio portrait of ALBERT FRANCIS STRAUSS in uniform.Short military history of “ALBERT FRANCIS STRAUSS of Bendigo”photography framing, strauss

This megaphone's conical shape amplifies the sound from the narrow end and would have been used to signal a warning or give instructions. Its design is similar to an earlier brass fog horn used on a marine vessel, as it has a wide brim that allows it to be free-standing, and a shoulder rope makes it portable and frees up the user's hands. The narrow end is shaped into a mouthpiece. The megaphone may have been used at sea foghorn on a vessel, although it has no reeds for the sound, or used by a leader of a band or a fireman or other similar uses. This megaphone's conical shape is based on the centuries-old ram's horn or horn from other animals, used to amplify sound to make it travel a long distance or be heard above other sounds. It represents a similar instrument made in the 19th century and used as a signal or to give instructions, such as on a vessel at sea, to a lifesaving team, or in a marching band. Megaphone; brass conical shape with an opening at both ends and a join near the wide end. The wide opening has a broad brim and is painted red inside. A brass ring is attached near each opening and a narrow rope is attached to each ring. warrnambool, flagstaff hill maritime museum and village, fog horn, marine equipment, navigation, warning signal, maritime, nautical, fireman, captain, shoulder rope, signal, safety equipment

Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from a middle-class, working, church-going family. Her mother was a milliner who made many of Marjorie’s clothes, hats and outfits. Marjorie was married in 1938 to a salesman who later became a mechanic in the R.A.F. This item is an example of a home-made item of clothing and reflects the needlework skills of women in the mid twentieth century.A long, coffee-coloured, organza dress with a plain weave, sheer fabric. It is sleeveless, collared and waisted with a scalloped hemline. It opens on the left side with 5 metal press studs and the inside shoulders have tabs with studs (probably to hold straps in place.)dress women's clothing burton-marjorie organza

A coffee-coloured lace bertha collar which is wide, round, flat collar designed to accent a woman's shoulders. It has a long history stretching back to Victorian fashion. It can be worn as an accessory to a dress or a top, and it is sometimes removable like a shawl.lace accessories collar bertha

Navy Officers jacket. Black Woolen Serge. Five Brass Buttons to front One button in RHF pocket. Australia Patch to both Shoulders. Bullion Rank to cuff of both sleeves. Black cotton lining. Sleeves not stitched to length as yet. Makers lable Wise of Melbourne. uniform jacket., royal australian navy,uniform., buttons all brass

CAPT GLADYS ELVA Mole VFX17199, Australian Army Nursing Service. Refer 1900.2 Photos, 1901.4 Medals & Service history. Served Palestine, Tobruk, Colombo, Queensland, Borneo & Singapore. See also Reg No 1497.9 for remainder of uniform.Red Nurses Cape worn by Nurses over their uniform. Cape belonged to CAPT GLADYS ELVA MOLE. Cape fits over shoulders & clips at top front with hook & eye fastener. Complete with Captain's pips on epaulettes with Australia badges & buttons.Embroidered inside back neck edge in orange thread: “MOLE” Label lower back edge: “V231 Made in AUSTRALIA 1943 Size W”uniforms - military, medicine - nursing, costume female, cape, nurse

JAMES WORLAND MILLS 59th Batt AIF No 3441 59th Batt AIF. Refer 169P for the same smaller photo for more details.Head & shoulders black & white portrait of soldier JAMES WORLAND MILLS 59th Batt AIF in great coat & peak hat. Wooden frame, tan colour with moulded edge, glass front with gold edge around portrait & cardboard backing.Stamped RH bottom corner: The Crown Studio, 240 Bourke St, Melbournephotographs- photography, military history - army, frames

Items in the collection re Patrick Joseph Morgan, pre WW1 service, No 3415 AIF, KIA. Refer Cat 1848P for his service history..1) Brass Rising Sun collar badge with text "Australian Commonwealth Military Forces" .2) Rising Sun collar badge, dark coloured with text "Australian Commonwealth Military Forces". .3) "Australia" shoulder badge, metal with two clasps.badges, rising sun, australia