Metal badge consisting of an oval shaped medallion coloured with a dark blue edge and light blue centre, white cane across length of medallion and inscriptions written around the edge. Clasp is silver coloured metal on both tie pins and badges. Marked: On front of badge : Association for the Blind.1 metal pin 1 metal badgeAssociation for the Blindwhite cane day, badges

A white cane on a lime green background with the words 'Association for the Blind' written around the edge. The final word is in larger print and on the back of the badges is the price of the badge: 20c. Badges were a way of raising both funds and awareness for many blindness organisations.1 metal pin with white cane on lime backgroundAssociation for the Blindwhite cane day, badges, association for the blind

Coin collections have a long and varied history. Coins were often collected in churches in a box located near the entrance/exit, and later via a collection plate that was passed amongst the congregation Funds were used to repair the church or feed the poorest of the parish. The donation of coins is and was considered part of religious life and mentioned in Christian, Jewish and Islamic texts. With the need and expansion of charitable works occurring outside religious life, charity boxes began to spread into hospitals, orphanages and asylums. The need for non-fixed boxes grew with the rise in charities and their activities outside a fixed building. Collection boxes could be large (and therefore hard to move) or could be held by individuals acting as collection agents, working at a specific location, moving between dwellings or at events. In this example, the RVIB tin could be used gathering coins at events such as Carols by Candlelight, White Cane day or other special marketing days.1 metal coin collection tin with handle and paper wrapYour Donation Supports the Work of The Royal Victorian Institute for the Blind RVIB lighthouse logo 557 St Kilda Road, Melbourne, Telephone 9529 3544royal victorian institute for the blind, equipment

Small signboard advertising 3RPH. To th left of the sign a figure speaks into a microphone beneath a curved arc of lines representing sound waves.Black and White 3RPH sign with two holes in top cornersAssociation for the Blind 3RPH 1629 Radio for the Print Handicapped 3rph radio station, signs and signboards

An older man sits on the floor, his back resting against the wall where nearby a mural of koalas and a gum tree have been painted. On his right leg he holds a young possibly Aboriginal girl who smiles as she plays with a teddy bear and watches as he holds up other items. A blonde curly haired boy stands as he watches the man, whilst an older child sits as he plays with a rattle. There are 5 photos in this sequence, which takes place at an unknown location.5 B/W photographs of an older man who holds a young girl in his lapassociation for the blind, elanora home (brighton)

In the intersection of corridors at a nursing home, three men navigate their way along. The first man has only his lower half and back showing but appears to be guiding his companions. The middle man, dressed in a jumper, shirt, pants and polished shoes walks to his outer left, possibly holding the elbow of the man in front of him. The last man, wearing a jacket, shirt, tie, pants and a pair of snazzy plaid slippers, lightly holds the edge of jumper of the man in front of him, who has turned the corner.1 B/W photograph of three men in a corridor at a nursing home26 2917 C1association for the blind, elanora home (brighton)

1. A woman sits a wheelchair as she watches to the right of camera. Her hands are poised in the air, as she waits to clap them together. 2. A man sits on the edge of a hospital bed and looks to camera. 3. Seated woman holds her fingers as she moves them, possibly during a therapy session. 4. Near the window looking towards a large bush, a woman fiddles with her beaded necklace. 5. A man sits on the edge of his made up bed, with a small television, cassette player and cassettes stacked in his bedside table. A family portrait hangs on the wall. 6. Sunlight warms a woman talking to another whilst seated. 6 B/W photographs of nursing home residentsassociation for the blind, elanora home (brighton)

An older woman sits on an outdoor chair, smiling to camera. She wears a cardigan and a floral dress.1 B/W photographs of older female sitting outsideassociation for the blind, elanora home (brighton)

Three older women sit in lounge chairs, along a wall covered with a trailing leaf design. On the right, the lady is dressed with a scarf and a rug on her lap as she feels something between her fingers. To the far left, a similar rug appears on the lap of a woman who is speaking to a visitor or possible staff member. In the middle, a lady sits with hands in her lap, looking directly towards the camera. This image was used for publicity purposes, as per the imprint on the back.1 B/W photographs of three older females sitting inside58/8 Association for the Blind 7 Mair Street Brighton Beach 3188 Please return to P.R. Departmentassociation for the blind, elanora home (brighton)

Barry Farnsworth lying in a chapel, and possibly being christened into a faith.3 b/w photographs of Barry Farnsworth association for the blind, elanora home (brighton), barry farnsworth

Black and white portrait of Barry Farnsworth in his bed.1 b/w photograph of Barry Farnsworth association for the blind, elanora home (brighton), barry farnsworth

Barry Farnsworth in his room at Elanora with an unknown man. As there is a picture of a sports team (Geelong Cats) above his bed, possibly it is an ex-player or coach.1 coloured photograph of Barry Farnsworth association for the blind, elanora home (brighton), barry farnsworth

Charlie Gee walks down the corridor at Elanora, using his cane and holding the hand of a visiting Japanese nurse for support.1 b/w photograph of Charlie Geeassociation for the blind, elanora home (brighton), charlie gee

An unnamed Elanora resident receives a carnation for his buttonhole from Nurse Poley.2 b/w photographs of unknown Elanora residentassociation for the blind, elanora home (brighton), nurse poley

“My main aim is to develop a sense of understanding in the mystery of the human condition, both in the reality of life and the spirituality of death. My work uses figurative imagery, both painterly and sculptural in the ceramic medium.” (http://gallery.baag.com.au/?p=34)Giuseppe RANERI (1959- ) Born Italy Giuseppe Raneri completed a Bachelor of Arts in Ceramic Design in 1982, followed by a residency at the Meat Market Craft Centre before travelling extensively overseas. Upon his return to Australia he set up his own studio in Fitzroy from 1988-1997. His work includes colourful hand-painted tablewareCeramic candlestick with majolica decoration. ceramics, gippsland campus, giuseppi raneri, jan feder memorial ceramics collection

As a potter I enjoy the fluidity of the clay and the ability to create beautiful forms from this plastic, sensuous material. It is a journey of discovery especially using local clays and materials to create timeless artifacts. The process of making an object from a fluid material, applying a liquid glaze then firing these works in a wood fired kiln for 45 hours is still fascinating to me. The magic of the results can be both exhilarating and disappointing. (https://www.yarramcourthousegallery.com/calendar-of-exhibitions, accessed 09 July 2021) In 1982, I moved to the Tarra Valley in South Gippsland to build a house, studio and gallery. My main passion at the time was wood fired pottery. I was fascinated with the natural colours and unpredictability of the process. This lifestyle means long hours of work, many failures and a life of poverty. Having a young family meant I had to supplement my income working as a teacher. Wood fired pottery is ancient and seldom practiced art form. The beauty of wood firing is that nature has its way with manmade articles and it is this combination that makes each one of these works totally individual and impossible to reproduce. All works have been fired in a tunnel style wood fired kiln and a down draught wood kiln. The use of terrasigilata sourced from local clays and materials and traditional Japanese glazes help to create highly individual pots that are unique. The use of native hardwood for firing the kiln and creating ash glazes also gives the work a special quality. Many works have been fired multiple times. The use of seaweed and shells help to give each of these ceramic works a luminous natural beauty. These pieces have their imperfections the same as human beings who withstand the rigors of time. These pots are not always perfect, but it is these imperfections that make them individual, unique and intrinsically special. My kilns are like a painter’s palette: they allow me to paint the surfaces of my pots with flame and colour. I love the subtle qualities of the local clays and I have experimented with many types of clay from the local area. Kiln firing can be between 30 to 100 hours. The movement of the flames, the incredible colour variation and the unexpected results make this demanding process rewarding when all goes well. When purchasing my work you are purchasing part of me and 45 years of passion, creativity and individuality. (https://www.yarramcourthousegallery.com/calendar-of-exhibitions, accessed 09 July 2021) John ROJO John Rojo was a Post Graduate Student at the Gippsland campus.Ceramic pot.ceramics, gippsland campus, alumni, john rojo, jan feder memorial ceramics collection

Woodfired sculpturejan feder memorial ceramics collection, julie terpstra, sculpture

The item is a representative example of previously standard issue uniform and is in excellent condition. As a set alongside 0040.1, the uniform has aesthetic significance in its design, incorporating the Disruptive Pattern style of camouflage which has its roots in the 1980s and continues to be adapted into uniform design by the Defence Force.Field trousers in disruptive pattern colours of green, khaki and browns. Two pockets on either hip, two pockets on both thighs fastened by two plastic buttons and one pocket on the back right side, fastened by a single button. Five large belt loops encircle waist, held in place with a dark green khaki button. Trousers fastened with a zipper and button, and adjustable tabs around hip bones. camouflage, uniform, australian defence force, disruptive pattern

Donald Clark Collection.Three paper clippings, stapled together. One has printed text "Walks Around Historic Towns No.1 A Walk Around Tarnagulla 50 Cents". The other two are a photo of the Tarnagulla Wesleyan Church and a map of Tarnagulla marked with highlights.tourism

A letter about the Shrine that was sent by Legatee Donovan Joynt to the President. The date is unknown. He outlines concern that buildings that are proposed along St Kilda road will block the view of the Shrine from different perspectives. The original plans of the Shrine being at the Domain site emphasised that it would be visible on many axis, including from a ship passing through the heads of Port Phillip Bay. He accuses Legacy of being lax in fighting for the original plans being upheld and fighting inappropriate development. Was in a binder of documents that is passed from an outgoing President to the incoming President. It is primarily from the 1930s to 1990s. Most documents are being catalogued separately.A record of a concern by a Legatee about the sanctity of the Shrine being encroached upon by inappropriate buildings nearby.White A4 paper x 2 pages with black type of an undated letter from Legatee Donovan to the President.Signed in pencil 'Donovan Joynt'.shrine of remembrance, donovan joynt

A wide range of items have been created as souvenirs to represent the Hume Weir on the Murray River. Work on Hume Dam started in 1919 and took 17 years to complete. Souvenir items have included chinaware, ashtrays, placemats and small jewellery items such as this tie pin. This tie pin was created as a souvenir for the town of Tallangatta. In the 1950s, the height of the Hume Weir wall was increased, resulting in a nine metre rise in the level of the water in Lake Hume. This necessitated the moving of most of the town of Old Tallangatta due to flooding. The transfer of the township by the State Rivers and Waters Supply Commission to a new site approximately 8 kilometres to the west was completed on 29 June 1956.This item is representative of many items commemorating the Hume Weir and the township of Tallangatta.A small metal and enamelled oval tie pin. It features and image of the Hume Weir.Around top edge in white: TALLANGATTA Around bottom edge" HUME WEIR"hume weir australia, tallangatta, tallangatta - the town that moved

The Fred Rochow Railways Collection incorporates photos related to the operation of the Wodonga Railway Station including different types of trains and railways staff C. 1930 – 1990. It was donated to the Wodonga Historical Society by Fred Rochow, a railwayman who spent many years based in Wodonga. He joined the Victorian Railways on 17th June l947 and retired in 1988. For some time, he was a member of the Australian Federated Union of Locomotive Enginemen and served a term as a member of the Trades Hall Council. He had an extensive knowledge of the struggles that took place to achieve better conditions for railway workers. Fred worked for many years as a fireman and then worked his way up the ranks to driver, experiencing many changes from the days of steam locomotives through to diesel trains, locomotives and even the modern XPT train. He worked throughout Victoria at different stages of his career, with his final working years focused on the northeast of Victoria and the Albury to Melbourne line. After his retirement, Fred continued to share his love of steam miniature trains with the community.This collection has local and statewide significance as it captures images of trains, locomotives and personnel who operated the railway services in Wodonga and throughout Northeast Victoria. The railways played a critical role in opening up Victoria and connecting Australia for trade, business, social communication and transport.Geoff Williams started his railway career as a clerk at Maryborough on 27 August 1947. He became a cleaner in June1952. He passed his Driver qualification in March 1956. Geoff achieved is Fireman's ticket in 1959. He was appointed as Engineman's Instructor in 1972. After a successful career with Victorian Railways, Geoff retired on 1 September 1986.railways wodonga, fred rochow, wodonga railwaymen, geoff williams

These town photos are part of a collection donated by Elaine Mann and Olive Codling. Miss Olive Codling was a Foundation Member and a Life Member of the Wodonga Historical Society. Many of her prize-winning photos are held in the Society Collection. She also held a range of roles and committee positions in a wide range of Wodonga community organisations. These included the Horticultural Society, the Wodonga Arts Council, the Wodonga Camera Club and the Wodonga Lapidary Club.This photo collection is significant as it documents how the businesses and buildings in Wodonga have evolved and contributed to community throughout the 20th century.Wodonga Home Furnishers located beside the old railway crossing in High Street, Wodonga. Wodonga Home Furnishers was owned by Les Cheesely who was also a Councillor on Wodonga City Council from 1981 to 1994. The building was demolished in November 1998 to make way for the realignment of Elgin Street to join what was then Jack Hore Place. The railway crossing has since been removed as the railway line now bypasses the city centre.wodonga businesses, high st wodonga, wodonga home furnishers, les cheesely