An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in a mansion, originally named Illapa, at 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937), his wife Edith Mary Weir (1867-1948) and their children. George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is part of a collection of women’s clothing, owned and worn by Edith Mary Weir (nee Betteridge) - born in Clare, South Australia 1867, died Kew 1948 - and also by her daughter. The garments date from the 1880s to the 1930s. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife and daughter of a mine manager, the collection includes representative examples of clothing worn by upper middle class Australian women in domestic circumstances, and at social and civic events. A number of the costumes from the 1920s to the 1930s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by a granddaughter of Edith Weir in 2017.Very fine, silk short-sleeved evening dress, comprised of a shift of silk crepe de chine covered by a layer of chiffon, heavily embroidered with pink sequins. While one or two strands of sequins have come adrift, the overall structure is intact and in excellent condition. flapper dresses, evening wear, dance frocks, weir collection

One of five group and individual portraits of the Noble family of Kew, two in the rear garden of what is presumed to be ‘Charnwood’, in Station Street, Coburg. The photographs date from the period c.1890-1914. One of the larger framed photographs is a portrait of the entire family group, while another is of two of the children, Frederick and Winifred. The father, Frederick William Noble was a businessman, and, at one period Secretary of the Victorian Creamery & Butter Company in South Melbourne. Later he was to manage J. Bartram & Co., Ice & Cold Storage Department in Flinders Lane. By 1906, the Noble family had moved to Kew, living for almost 20 years at 100 Walpole Street before relocating to 26 Molesworth Street in the mid 1920s. The five photographs in the collection reveal details of family life and social values as expressed through attire. The family is formally costumed in a manner indicative of their social status. Mrs Noble, in one of the large framed portraits, is dressed in a sombre manner in a long, dark-coloured long-sleeved, high-necked gown. It is difficult to know whether she is dressed in mourning wear in this black and white photograph. It was not uncommon for a woman to regularly wear mourning attire due to the high mortality rate in the Victorian era. This situation was compounded for women due to the size of extended families. A woman might rarely be out of mourning due to the death of a parent, a sibling, a husband, a child or a near relative. The portraits of the Noble family children, particularly Frederick and Winifred, show the elaborateness of formal attire worn by the children of wealthy families during the late Victorian era. Winifred is dressed in a long cotton dress and a broad-rimmed hat; both liberally covered in lace. Winifred and Frederick’s lace collars extend to their shoulders. Winifred’s diaries, covering the period 1908-50, are now in the collection of the State Library of Victoria. The most detailed of the diaries is from 1914, just before the outbreak of World War 1, and includes ‘Accounts of my Dancing Evenings - Season 1914’. The diaries were the inspiration for an art exhibition by Jim Pavlidis in 2014. One of the family’s two sons, Frederick, was to work at The Age newspaper for 50 years. His obituary records that “He was regarded as the epitome of accuracy and a fount of knowledge on many subjects, but especially cricket, the Royal Melbourne Show and Gilbert & Sullivan”. With Robert Morgan he compiled Speed the Plough, a history of the Royal Agricultural Society of Victoria and its role in developing agriculture in Victoria.Framed photographic half portrait of Winifred Noble in the original carved wooden frame. Winifred lived at 'Avalon' in Molesworth Street, Kew.Handwritten label on rear "Winifred Noble c 1910-12"noble family, winifred noble, photographic portrait, kew

[Sydney] Angus and Robertson [1966] xxi, 262 p. illus., maps, ports. (part col.) 24 cm. non-fictionThis diary tells the Australian story as it has never been told before and can never be told again. The journal consists mainly of entries in her diary made by Georgiana day by day as events took place. p.91; Brief mention of natives, fear of comet; p.100; Custom of exchanging names; plate facing p. 201 : portraits of Aboriginal people from Arthur's seat; p.204; Account of formation of Port Phillip Bay; p.213; Burial described; p.243; Words of songs of Goulburn blacks tribe; p.245; Description of a corroboree of men, and one of children; Place of women; p.247-253 is An Essay hostorical, geographical, anthropological and zoological taken from Georges Cahier dEcriture 1846; P.250; Description of the natives of New Holland - physical appearance, way of life, dances, shelters, food, weapons, method of stretching opossum skins; Vic. (S) - 6/9, 5/7, 5/5, 5/6, 4/7, 8/1.mcrae, georgiana, georgiana mccrae, woman on victorian goldfields

Purchased by Christian Ziebell on one of his two visits back to Germany.This object is of primary significance. Christian Ziebell brought it back from Germany on his return visit to Germany in 1856. It always hung where it is now and it is retractable to different heights. It hung on the lowest chain length over the table and was only raised when the family had festive events such as dances when Dorothea would accompany them on the piano. Great care had to be exercised when the lamp was raised because if it went up too high, and therefore became too close to the wooden ceiling, it could cause a fire. Francis Adams – son of Sylvia Adams (Ziebell) restored the lamp in the 1990’s.Original Miller hanging lamp, made of brass and opaque white glass. Lamp has chain-operated raising and lowering mechanism. Decorative brass trimming around widest edge of glass lampshade. Contains tubular wick.B & H Valpirfor written on lowering mechanism on top of the lamp. Rayo 24.98, PAT'D. NOV. 20.94, FEB 28.95, written on top of oil compartment.lighting, kerosene & oil, oil lamp, hanging lamp, original.

2005, 347, youth production, izzi mason, rose connors dance

1981, htc general memorabilia, heidelberg theatre company inc

1975, 166, city of heidelberg repertory group, heidelberg theatre company inc, directed by flip brudenell

2019, heidelberg theatre company inc, directed by chris mclean, 430, artspace artist - liz gridley, arts space coordinator teresa schipano, eddie carbone played by mark tregonning, beatrice played by catherine christensen, catherine played by ruby duncan, alfieri played by ian mcmaster, marco played by nick wright, rodolpho played by jack kenny, mr lipari/tony played by laurie jezard, mrs lipari played by lynne mcgregor, mike played by luke styles, louis played by anthony edward, officer 1 played by david peters, officer 2 played by siobhan larkin, submarine played by harry gravell, production coordinator karen wakeham, lighting design michael rowe, set design chris mclean, sound design john rowe, stage manager melanie belcher, ass. stage manager and rehearsal prompt bobby parish, costume design wendy drowley, costumes assistant catherine christensen, dance choreography christian del'olio, fight choreography robert shook, special props warren lane, props melanie belcher & chris mclean, scenic artists gaye billing and mal cother, set construction: owen evans & dough mcnaughton & brett hunt & des harris & norm munks & paddy moriarty & tim scott & bib dyers & nicholas gugel & ben chapman and htc members, sound and lighting operator john rowe, photographer david belton, program/poster design chris mclean, publicity jim thomson & toni tyers, box office toni tyers & june cherrey & jenni purdey & carol farr & brett hunt, front of house jenny gilbert and htc members, production review by beth klein

2019, heidelberg theatre company inc, youth production, 434, david peters as scrooge, robbie nicholson as fred, christina savopoulos as abigail, ewan cocking as bob cracrchit, caitlyn bull as emily cratchit, alys nicklin as martha cratchit, gryff nicklin as timothy cratchit, annelise menna as mrs paradiggle, georgina topp as mrs jellby, callum corbett as the urchin, fergus greene as young ebenezer, melanie jackson as fan, nick mcinnes as ebenezer's father, sara burnham as fezziwig, abigail williams as bellle, maddison hill as mrs charr, miles glaspole as gridley/mr stagg, zuzanna wiech as esther/mrs dibler, pablo aguila as old joe, geordie corbet as the ghost of christmas past, josh fernandez as the ghost of christmas present, erich fordham as the ghost of christmas future, carl michelangeli as the ghost of jacob marley, morgan thomas connor costumes/makeup, harry gravell lighting design/operation, tasmin mackie sound design/operation, kara jaeger-pound stage manager, max nicholson stage crew, support from htc committee, set building and ticketing teams, verity adams, david belton, mal cother, anthony nickin, christian orkibi, emma jaeger-pound, jenni & noel purdey, will burgin stevenson, sean tessari and dolly’s school of dance studio

Donated by the artist, 2015Monoprint and linocut print on papergippsland, artwork, permanent collection

Donated by Freestone Press, 2016Linocut print on papergippsland, artwork, permanent collection

gippsland art collection

Ill, p.623.fictionThis classic story of two nineteenth-century social climbers is the basis for countless films and TV series, and one of the UK's "Best-Loved Novels." Before the Real Housewives, there were Becky Sharp and Amelia Sedley. Ruthless and cunning, Becky may have been born in a lower class, but now that she's graduated from school, she's ready to climb up to a better life-and do whatever it takes to get there. Her friend Emmy, however, is the opposite. She may have mastered music, dancing, and embroidery like any young woman of her class, but she utterly lacks a backbone. Together these friends navigate the perils of Regency society as they search for love and happiness. Social battles are waged against the backdrop of the Napoleonic Wars, and when the smoke finally clears, there's no telling who will come out victorious.england - fiction, romantic fiction

Souvenir Football Optus Oval Farewell Game May 21 2005The Football was issued to commemorate Carlton Football Club's last game at Optus Oval/Princes Park in 2005. Farewell Princes Park Damn football! It’s just a game and it’s just an oval; dirt, grass and a few bumbling stands. Oh and there is the ghost of dad standing under the clock, smiling, dancing his jig, God love him, he loved his Bluebaggers. Oh and Pop's over there too, his scissors in his hand; he's rushed across from Lygon Street again to see the boys play. Both, like the ground now, gone for good - never to be seen again though their memories shine still. And then there's me as a lad, surrounded by men, the cans wobbling beneath my feet, my neck stretched up; I can see, I can see Ragsy!!!!!! and brave Gary Crane and Quirky on the wing and…. and it’s just a ground, just dirt and grass and the distant sound of trams. And there I am as a young man standing with my brothers, all of us singing wildly this GF evening as another flag is brought home! And there I am with Keith standing, always beer in hand, and watching Kouta and SOS and dear beloved Motley flying. But it’s only a ground just dirt and grass and late afternoon sun. There I am now, older, sitting beside me is my son, he holds the record and marks the goals, though these come far fewer nowadays. But it is only a ground and dirt and grass and memories that linger and the taste of shared drinks and the voices cheering in the outer. But it is only a ground, a ground whose moment has passed, who’s time in the sun is now time in shadow and no more balls to be bounced on that dirt nor football boots running across that grass, for there will be no more games played at Princes Park. Never again the tram down Royal Parade, never again a beer at The Rising Sun or the sound of the fans cheering madly in front of the Heatley Stand. But it is only a ground only dirt and grass and the memories, the sum total of all of us. I feel like a friend has passed...... Farewell Princes Park, time makes memories out all of us. Contributed by DannyboyNavy Blue & White Leather FootballOptus Farewell Game May 21 2005, Carlton Emblem,

Carlton's Cheerleaders sponsored by Dr Geoff EdelstenA short lived but significant episode in Carlton FC history, they formed a guard of honour for the players and performed a dance routine. It was Carlton's contribution to bring glitz & glam to the game experience.Black & White Photo

Melton Uniting Church event held at Melton Central Pre-Schoolchurches

A colour slide of a demonstration at the Melbourne Town Hall in 1958. Girls in marching outfits and Australian flags. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of a Annual Demonstration at the Melbourne Town Hall.Colour slide of girls in a Demonstration with Australian flags, in a cardboard mount.Handwritten on front 'Demo 1958' in blue pen and imprinted '5' in red ink.girls classes, dance, marching