This item and its use and design spans the 1800's to early 1900's both in its fashion and application requirements. The genteel factor must be made when applying it to the Kiewa Valley. The evolution of general clothing and apparel has moved from solid(long lasting) and sometimes expensive material and fasteners to a cheaper and more "throw away" fashion of sometimes monthly change in the later 1900's to 2000's.The significance of this item to a rural setting such as the Kiewa Valley not only points to an integration of "modern" fashion in semi remote rural Australian environments but also the limited connections to "high" fashion through magazines and audible (radio) and visual (cinema) advertising. It also "spotlights" the differences between the European and British social networking and lack of interaction between towns and counties to the "Australian" levels of interactions between rural and city environments. Although physical distances in Australia, during this period (1800's to early 1900's) was a retarding factor in the diffusion of the latest fashion apparel it was not as noticeable as when the global communication and the physical travel abilities were "exploded" in the latter 1900's. This shift towards "the smaller" globe scenario has overcome the physical distances that were so apparent in the previous century.This silver button/glove hook was based on late 1800's designs when buttons became more integrated and fashionable than "tie up" laces. This was more so in genteel fashion. The main hook extension from the "pronged" hand piece has been constructed in a way that allows for easy replacement by either longer or shorter hooks.costume accessories, footwear, shoes and boots with buttons, gloves, costume

Lady's black bonnet made of silk. Edges (sides) tilt upwards and the front is peaked. Black flowers, ribbon and feathers are displayed at the back and plastic and wire black flowers with white stamens at the front Two long pieces of ribbon fall at sides to tie under chin. Sequins at the R.H. sand. Whole hat is a wire structure.hat costume-female headwear

Department of Fisheries Additions to The Fish-Fauna of New South Wales Author: David G Stead, Naturalist to the Board of fisheries of New South Wales Publisher: Government Printer Sydney Date: August 1907 One of 9 booklets in a homemade brown cardboard folder that has a cotton tape ties and a typed sticker with RAS 597.09944 STEFront endpaper has a sticker from Warrnambool Mechanics Institutewarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, warrnambool mechanics’ institute, department of fisheries additions to the fish-fauna of new south wales, david g stead

Department of Fisheries New Fishes From New South Wales One of 9 booklets in a homemade brown cardboard folder that has a cotton tape ties and a typed sticker with RAS 597.09944 STE Author: David G Stead, Naturalist to the Board of fisheries of New South Wales Publisher: Government Printer Sydney Date: September 1908 Front endpaper has a sticker from Warrnambool Mechanics Institutewarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, warrnambool mechanics’ institute, department of fisheries new fishes from new south wales, david g stead

Department of Fisheries A Brief Review of The Fisheries of New South Wales One of 9 booklets in a homemade brown cardboard folder that has a cotton tape ties and a typed sticker with RAS 597.09944 STE Author: David G Stead, Naturalist to the Board of fisheries of New South Wales Publisher: Government Printer Sydney Date: 1910Front endpaper has a sticker from Warrnambool Mechanics Institutewarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, warrnambool mechanics’ institute, department of fisheries a brief review of the fisheries of new south wales, david g stead

Frank Wright was a renoun resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. He died on 16 November 1970.Black and white photograph of the torso of a young man dressed in a dark suit and tie. The camera is pointing upward so the background is of the underside of a verandah roof and part of the brickwork of the chimney a house upon with have been placed a couple of objects including a can. The man is Frank Wright and the place could be the family home, Laura Villa at Smeaton.frank wright, laura villa, musician

This uniform was made for the students of the Ballarat College of Advanced Education, School of Nursing. It was probably used in about 1986, then put on display in the School of Nursing until 2005..1) White princess style uniform with central front zipper and set in side pockets. It has machine embroidery around the collar and short sleeves. It has a back yoke with side pleats. .2) The apron is junior navy in colour with green binding and an orange emblem on the front left breast. It has a full back and front with ties at the side. Apron is printed in orange with - Ballarat C.A.E. Nursingnursing, ballarat college of advanced education, school of nursing, student nurse uniform, nurse uniform, nurse apron, apron, costume, textiles

Cream coloured hand crocheted woollen baby jacket. All over fan pattern. Front opening with cream coloured satin ribbon at neck. Long sleeves with satin ribbon ties at cuff. Crocheted shell pattern edging.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby jacket

Black and white photograph on cardboard, of eighteen men, twenty three young ladies, one chaperone. Men wearing evening suits and bow ties. Young ladies wearing high necked, long white gowns with two length sleeves. All are wearing a ribbon over their left breasts. Portrait. Inscriptions: on back - '------Stephen Huddle ------'.person, group, choir?

Black and white photo of the Bendigo Mouth Organ Band, 1931. Twenty five men and boys in four rows. All wearing white shirts and bow ties. Photo mounted on board. Inscriptions/markings: 'P Pinder, Bendigo lower RH corner', 'Mouth Organ Band, 1931', 'S Arnott, lower RH corner back'.person, group, bendigo mouth organ band

This photo album was collated by Ray Pearson, a tramways history enthusiast and collector. It was donated to the museum in 2012 along with one other photo album, by his grandson.This photo ablum is significant for containing a large volume of historic photographs of vehicles, personnel and events related to the the Victorian tramways - particularly Victorian Railways, Ballarat, Bendigo and Geelong tramways - from c1920's to c1994.Brown rectangular photo album (landscape format) containing photographs, newsclippings, postcards and other paper documents. The album contains 25 separate leaves plus a front and back cover. The album is bound on the left edge with brown cord, tied in a knot at the front. The spine and page edges are tattered and many of the photographs and documents within are loose.The front cover has a printed decorative border, rectangular in shape with a geometric pattern. The corners of the border also have decorative geometric shapes. Printed inscription within the border: PHOTOGRAPHS Hand written inscription in white-out or white pen: TRAMS of VICTORIAN RLYS. / BALLARAT. BENDIGO. GEELONG. Hand written inscription in black biro pen: RAY PEARSON collection Hand written inscriptions in biro and white-out or white pen for photographs and documents within. Sticker on inside left of back cover. Printed fine rectangular border with logo (depicting a lion holding a flag within a shield shape) and text within. On left: DICKINSON / LION BRAND / PHOTO ALBUMS On right: When ordering ask for / THE LUCETTA / ALBUM / Size of Leaf / No. 3011 10 X 8 / Also Stocked in / No. 3010 8 X 6 / No. 3012 12 X 10 Bottom edge outside of border: BRITISH MADE.victorian railways, photo album, victorian tramways, ray pearson, melbourne tramway museum, ballarat tramways, bendigo tramways, geelong tramways, melbourne tramways, vintage trams, historic tramways, cable tram, steam tram, dickinson, lion brand, lucetta album

Clothing. Child's cream coloured sleeveless linen petticoat. Round neckline with casing. Arm holes edged with embroidered stitches. Hem trimmed with two rows of 2.5 cm lace with scalloped edge. Centre back opening (20 cm) fastened at neck with cotton tape tie through casing. Garment matches 11408.56 (Underpants).costume, children's, child's cream sleeveless petticoat

Clothing. Child's cream coloured sleeveless linen petticoat. Round neckline with casing. Arm holes edged with embroidered stitches. Lace trim above hem with 2.5 cm eyelet lace around hem. Centre back opening (19cm) fastened at neck with cotton tape tie through casing. Garment matches 11408.57, (Underpants).costume, children's, child's cream sleeveless petticoat

Cream coloured lace baby bonnet lined with silk. Made up of concentric strips of lace, net and eyetted lace. Front edge has double frill of gathered lace with fold back section (5cms) of two rows of lace with gathered lace edge. Lower edge has crocheted trim with eyelets for ribbon tie.costume, children's, baby bonnet

A small black and white photograph of Arthur Northover. A relative of Elma Winslade Wells. Arthur is showing looking right, in a white shirt, tie, breast jacket and an overcoat. Arthur is a middle age man, with receding hair line and moustache. At the bottom Henry Wayland, Blackheath. On the back the logo of Henry Wayland photographer Rembrandt House, Blackheath.person, individual, arthur northover

Clothing, a pair of Brown leather WW2 officer's leggings. Side opening. Metal hook and eye attachment at lower end. Leather strap and buckle tie at top end. Cap belonged to John Kenneth Martin, padre in 2nd Australian Corps AIF. Served overseas as a Chaplain from 1940-1945. Old box 314Y.costume, male, brown leather leggings ww2

Photograph. Cohn Bros. Collection. Black & white photo of a man operating a bottle filling machine. The bottles travel on a conveyor to the filling point. They travel past a large container with a gauge on the top. There are other various pipes and pieces behind the man. He is wearing a bag apron tied up with string. ML45/3 (written on the back).organization, business, cohn bros, cohn bros. collection, bottle filling machine, brewers, cordial & aerated water manufacturers

Photograph - black and white in a heavy glass frame. The photo is a postcard, looks like mother sitting on a cane (unusual) shape chair, daughter sitting on a stool with elbow rests. Both women tied their hair up in a bun, high neck frilled blouse. Frame is heavy, glass and maybe 'mother of pearl' on the 4 corners of frame.Kalina, 578 69, Pall Mall, Bendigo.person, family, mother and daughter, portrait 2 women. kalina bendigo.

The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time.Paper mache head of man with large nose, pointed chin and moustache. Hand painted blue eyes. Moustache and eye brows made with cotton thread. Magenta tie stitched to neck. Bottle green felt jacket with magenta trim. Leather hands attached to sleeves. Light brown skirt attached to jacket. leather ears on head. pow puppets, pow handcrafts, hand puppets

Henry Henty (b.1833-d.1912) was a successful businessman, and briefly a MLA for the seat of Grenville, Victoria in 1866. He was one of three sons of James Henty, and nephew of Edward Henty who is considered to be the first permanent European colonist to take up residence in Victoria. Henry Henty and his wife Marion Ann Henty (nee McKellar) had ‘Tarring’, Kew built for their family in 1872. The Henty family resided at ‘Tarring’ until the death of Marion Henty in 1919. ‘Tarring’ was then sold to Ruyton Girls’ School, and the School moved to the site, (now 12 Selbourne Rd, Kew) in 1920. ‘Tarring’ was renamed ‘Henty House’ in honour of its original owners. Half-length, sepia-toned studio portrait of Mr Henry Henty (b.1833-d.1912). Mr Henty wears a dark suit and tie. His body is one quarter turned to his left, while he looks straight towards the camera. The background behind him is plain and dark. Photograph is mounted on cream card.henry henty, tarring, marion henty, selbourne road, kew (vic), ruyton girls' school, businessman, politician, 1890s

not knownCalico hand embroidered apron with two patch pockets. Blue bias binding neck loop, ties and edging on apron and pockets. Embroidery - young woman in full length blue gown with red trim at neckline, hem and cuffs of short sleeves. 1940's hair style. Flowers in hair and at waistline. Standing on a flower decorated balcony.costume, female working, handcrafts, embroidery

1958 Cotton short sleeved full length housecoat. Background in white with black lined check with pink full blown roses and buds with green leaves. Full circle skirt with square pocket on right side of skirt. Pocket has frill around three sides. There is a tie belt. It has a large revers with narrow frill around.A JONIVIC GOWN SSWcostume, female underwear

One piece swimsuit with cross over bodice, structured bust cups, straps to tie in a halterneck or connect with the back. Centre back metal zipper topped with a clear glass button and metal adjusters to the straps. Condition: Very good - a couple of small marks that did not come out with a launder and a small hole in the lining, not seen when worn.Labelled "Sea Nymph"

Sepia Kodak Print. In foreground, one woman in dark dress standing between two children; on her left a small boy wearing a jersey and short trousers. On her right a female child wearing a white dress. In the background, leaning on a wooden verandah, a male with a full head of hair, wearing a suit and tie while smoking a pipe.maggs family, till family

B&W photo of Dave and Peg Johns of Menzies Creek, with their children: Lynette (held by Dave), Geoff, Barry, Dorothy, and Malcolm. Mrs Johns and her daughters are in summer dresses. Mr Johns is in shirtsleeves and has a striped tie. The boys are in shirts and shorts. The group is standing near the corner of a building and there are trees in the background. Dated c.1950.