'Set to give enjoyment'; article from Nunawading Gazette, 6 May 1992 on official opening of Wurundjeri Walk.wurundjeri walk, parks and reserves

An invitation to the opening of the Doncaster Philatelic Sales Centre featuring a pen & ink sketch of the Doncaster Post Office C1905.An invitation to the opening of the Doncaster Philatelic Sales Centre featuring a pen & ink sketch of the Doncaster Post Office C1905.post offices, symons, e. j.

Photograph of the decorated interior of the Rutherglen Memorial Hall full of people in Ball dress for the opening of the Memorial Hall in 1927.memorial hall, ball, dances

The Nunawading Arts Centre was officially opened on 25 May 1986. It is now called the Whitehorse CentreColoured photo of Geoff Oscar, Chief Commissioner of Whitehorse at the 10th Anniversary of the Opening of the Nunawading Arts Centre in 1996nunawading arts centre, oscar, geoff, whitehorse centre

This Box Hill Town Hall was officially opened in April 1935 by the then governor of Victoria, Lord Huntingfield. An administrative wing was added in 1982. Following the proclamation of the City of Whitehorse in 1994, the administrative functions were transferred to the Civic Centre in Nunawading. The Box Hill Town Hall, which is a National Trust building now houses the Art Centre and community rooms for use by historical societies and volunteer groups.Coloured photograph of the front of Box Hill Town Hall taken in November 2006 on the re-opening after refurbishmentbox hill town hall, city of whitehorse

Bendigo Olympic Swimming Pool opening 1958. Competitors starting to dive into the pool, crowd is gathered around to watch.event, official, opening bendigo olympic pool, bendigo olympic swimming pool opening 1958. starting to dive into the pool, crowd gathered

Valued Customer Certificate for the Big W & Safeway supermarket at the Bendigo Marketplace on the Centre opening 31st October 1995

Flyer for the opening of the Bendigo Marketplace on Tuesday 31st October 1995 - Safeway Store Directory - Listing of Section Managers

Flyer for the Grand Opening of the Bendigo Marketplace Tuesday 31st October 1995 Single A4 flyer with black print

The Free Kindergarten Union of Victoria commenced teacher training in 1909. A two year course was run in cooperation with the Education Department in 1910-14, but from 1917 the Union trained its students independently. In 1922 the Kindergarten Training College was established in Mooroolbeek, Kew. In 1965, the institution, as the Melbourne Kindergarten Teachers' College, became an entity separate from the Union, and in 1973 joined the State College of Victoria as the Institute of Early Childhood Development. It subsequently amalgamated with the University of Melbourne to become the Department of Early Childhood Studies and moved from Madden Grove, Kew, to 234 Queensberry St, Carlton, early in July 1997.Metal plaque commemorating the opening of Mooroolbeek Hall in the Diamond Jubilee Year of the Institute of Early Childhood Development in KewMooroolbeek Hall was opened by Dr Wm C. Radford, AO, MBE, Director of the Australian Council for Educational Research on March 25th 1976 in the Diamond Jubilee Year of the Institute for Early Childhood Developmentinstitute of early childhood development - kew (vic), dr william c. radford, memorial plaques - kew (vic), mooroolbeek hall

The Free Kindergarten Union of Victoria commenced teacher training in 1909. A two year course was run in cooperation with the Education Department in 1910-14, but from 1917 the Union trained its students independently. In 1922 the Kindergarten Training College was established in Mooroolbeek, Kew. In 1965, the institution, as the Melbourne Kindergarten Teachers' College, became an entity separate from the Union, and in 1973 joined the State College of Victoria as the Institute of Early Childhood Development. It subsequently amalgamated with the University of Melbourne to become the Department of Early Childhood Studies and moved from Madden Grove, Kew, to 234 Queensberry St, Carlton, early in July 1997.Metal alloy plaque commemorating the opening of a building by the Premier of Victoria, Sir Henry Bolte, on 10th December 1969This building was opened by the Honorable Sir Henry Bolte KCMG MLA, Premier of Victoria, on the 10th December 1969sir henry bolte, commemorative plaques - kew (vic), institute of early childhood development

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.An undated photograph, one of two copies, of WHS Dickinson and Alma Figuerola at the opening of an exhibition in Kew in 1964/5."Artists of Kew Exhibition. Founder of KHS Cr Dickinson in dark suit. Miss Alma Figuerola to his left."arists - kew (vic), exhibitions -- kew (vic.), gordon greer

The Opportunity Shop – Established 1975 by Edna Barrie 1992 In 1985 the need for more shop space became apparent. Les [Bone] had plans drawn up (Surv 12/8/84) and approved by the Melton shire Council for a storeroom extension (17.800 x 9500) 1986 the small ancillary rooms at the rear of the timber church were demolished allowing the concrete slab to be laid. The building was completed in 1987. By the early 1900s the old timber Church had deteriorated, this lead to it being demolished in 2/11/1993. It was replaced with a new building containing a Pastoral Office, a meeting room and a furniture and homeware section. It was dedicated by Rev Ian Hickingbotham at 11am Sunday 5th June 1994. Invites to the service of conclusion of the original Uniting Church Opportunity Centre and official opening to the new shop in Melton Southchurches, local identities

Left to right: ?, Jock, Albert Mullett (Standing) and Barry Murphy (hand on right) at the opening of the Koori Studies Centregippsland campus collection, churchill, gippsland institute of advanced education, koori education unit, aboriginal, aboriginal education centre

Black and white photograph President Roy Rawlings bowling at season opening Bowls Club. Lakes Entrance Victoriabowls club, sports

number in album 03582.02Black and white photograph Metung Bowls Club member George Fail at season opening. Lakes Entrance Victoriabowls club, sports

Cream came in bottles bought at the local store or at a large city store on a shopping expedition. The shape of the bottles changed as did the stopper used to seal it - the cardboard one predating the aluminium seals. Liquids were measured in pints pre 1966.Historical: Change of bottles - shape, size, stopper, embossing Aesthetic: Display showing embossing, size and shape Clear glass cream bottle with straight edges half way up tapering to the top where there is a thick lip on the outside. Opening is wide. There is an inner rim inside the opening which held a cardboard disc which fitted on to seal it. Heavy embossing on the side and base printed in capital letters.On side near the base: "One Imperial Pint" On base: At top - Common seal A with G at top and M below in side the A. F1297 across middle and M underneath it.cream, dairy, bottle, household

Cream coloured cotton baby's dress. Cut in one piece. No shoulder seams. Two side seams. Back opening with 6cm split. Fastened with one button and loop. Cap sleeves. Scoop neckline. Hand crocheted trim on neckline, arm openings and around hemline. Hand made.costume accessories, children's, baby's dress

Knee length black mayoral ceremonial robe with centre front opening. Black wool with dark brown faux fur edging on centre front opening and cuffs. Blue silk lining in sleeves. Gathered/puckered at back and fur collar connected to back with black plastic button and loop.city of brighton, mayoral robe, robe, ceremonial wear, r.w. bredin & son, raymond w. bredin, brighton, mayor, bayside, mayoral regalia

Cream lace sleeveless wedding dress, V neck. Bodice lined with satin in four pieces. Upper piece forms part of neckline. Full length unlined skirt - slightly gathered. Piping around waistline. Train at back. Back opening with six fabric covered buttons and loops. (top half of bodice). Four unmatched press studs on back of bodice. Lining torn away from back opening. Opening at back of skirt has torn edges. Hem is edged with lace.costume, female, wedding dress

BHS CollectionWhite cotton full length ladies petticoat. Made of five pieces - two at the back, three at the front. Back opening. Very tightly gathered onto a waistband (4cm). Back section of waistband has horizontal stitching to form casings for four narrow cotton ties. Ties extend from hips on either side across the back opening to be used for tightening and closing the opening. Lower edge finished with cotton cord. Two small frills above hemline.costume, female, cotton full length petticoat.

THE SKIRT The skirt has a gentle, soft, feminine design which keeps it in good shape and condition, preserving it from soiling and prolonging its life: - the satin fabric is softly pleated at the waist and falls gently to almost floor length - the opening is concealed at the back within one of the folds and closes with hooks and eyes underneath the bow at the back of the jacket - the horizontal stitching at the base of the skirt joins the lining to the skirt, and the firmness it creates allows it to gently flare out at the base without the need of hooped petticoats - a removable fabric lining at the hem protects the front and back of the skirt from friction and soiling from the wearer’s footwear THE SKIRT This evening outfit is significant for its connection with colonial Australia, Victoria and Warrnambool. It is a fine example of female fashion of the mid to late 1900s. The outfit is significant for its connection with a wedding uniting two colonial families from Northern Ireland who immigrated to Australia in the mid-1850s. The families had a significant role in the history of Warrnambool and district. The outfit is significant too for connecting the colonial families to the indigenous culture of the district and the contact between the native and European people. The lined, floor-length, amber satin skirt has gentle folds that gather into a fitted waistband. One of the folds at the back conceals the opening of the skirt that fastens using metal hooks and eyes. The bow at the back of the jacket covers the top of the closure. There are metal hooks distributed around the top of the waistband. The skirt is stitched horizontally around the hem in several rows. There is a removable fabric lining at the base of the skirt.evening skirt, ladies 1h century skirt, satin skirt, antique satin skirt