The Kew Historical Society's Fashion & Design collection includes a small and representative collection of reticules, purses and handbags, purchased, inherited or collected by members of the Society. These items date from the Nineteenth and Twentieth centuries, and conform to fashions and styles popular during the period of their use. Some of the items are handmade, while others are mass-produced commercial products.Brown crocodile skin handbag manufactured by Hollywood Handbags of New South Walesbags - handbags, fashion accessories

The Kew Historical Society's Fashion & Design collection includes a small and representative collection of reticules, purses and handbags, purchased, inherited or collected by members of the Society. These items date from the Nineteenth and Twentieth centuries, and conform to fashions and styles popular during the period of their use. Some of the items are handmade, while others are mass-produced commercial products.Beaded reticule with a fringe and handle of blue class beads. The internal prose has a blue silk lining and a pink silk outer encased in beaded net. Based on an examination of the fabric, the reticule has been dated to the 1880s.women's clothing -- accessories, bags -- handbags, bags -- reticules, bags -- purses, fashion accessories

The Kew Historical Society's Fashion & Design collection includes a small and representative collection of reticules, purses and handbags, purchased, inherited or collected by members of the Society. These items date from the Nineteenth and Twentieth centuries, and conform to fashions and styles popular during the period of their use. Some of the items are handmade, while others are mass-produced commercial products.Black evening bag with fabric covered metal frame. Flat black strap. Same colour cornelli embroidered exterior decoration.handbags, evening bags, fashion accessories, grace james collection

The Kew Historical Society's Fashion & Design collection includes a small and representative collection of reticules, purses and handbags, purchased, inherited or collected by members of the Society. These items date from the Nineteenth and Twentieth centuries, and conform to fashions and styles popular during the period of their use. Some of the items are handmade, while others are mass-produced commercial products. Gold brocade evening bag with metal chainevening bags, women's clothing -- accessories, bags -- handbags, bags -- purses, fashion accessories

The Kew Historical Society's Fashion & Design collection includes a small and representative collection of reticules, purses and handbags, purchased, inherited or collected by members of the Society. These items date from the Nineteenth and Twentieth centuries, and conform to fashions and styles popular during the period of their use. Some of the items are handmade, while others are mass-produced commercial products.White enamel mesh evening bag by Oroton.evening bags, fashion accessories, oroton, yvonne knight

The Kew Historical Society's Fashion & Design collection includes a small and representative collection of reticules, purses and handbags, purchased, inherited or collected by members of the Society. These items date from the Nineteenth and Twentieth centuries, and conform to fashions and styles popular during the period of their use. Some of the items are handmade, while others are mass-produced commercial products. Beaded purse with butterscotch bakelite frame and chain.The purse contains an internal mirrorcostume accessories, purses, handbags, reticules

The Kew Historical Society's Fashion & Design collection includes a small and representative collection of reticules, purses and handbags, purchased, inherited or collected by members of the Society. These items date from the Nineteenth and Twentieth centuries, and conform to fashions and styles popular during the period of their use. Some of the items are handmade, while others are mass-produced commercial products.Beaded purse with metal frame and beaded chain.handbags, bags, fashion accessories, women's clothing, purses, evening bags

This photograph shows a Melbourne District Nursing Society (MDNS) Trained nurse, 'Nurse' in the 1890s who is giving care to a patient who has collapsed in the street. It depicts the type of conditions the Nurses faced in that era and the uniform she wore It shows the help the Nurses received from the Police in that era and also the style of uniform worn by the police. In 1885 it was recognized that nursing care was needed for the sick poor in inner Melbourne. The Melbourne District Nursing Society (MDNS) was founded in February of that year, the first District Nursing Society in Australia, and it was decided only Nurses who had attended a Hospital Nurses Training School and were fully qualified would be employed by the Society. In those days even though they were trained they were called 'Nurse'. The Society began with one Nurse, and a second employed six months later, working in the now CBD, ie from Spencer Street to Spring Street and from Victoria Parade to Flinders Street. From its inception the Society was at the forefront of health care and liaised with Doctors. They provided high quality nursing care; educated their patients in the curing and prevention of disease; teaching the importance of cleanliness and good nutrition, both by verbal instruction and demonstration, even supplying soup and milk when needed. At that time they walked the streets and lane ways amid the slums of inner Melbourne carrying their nursing bag containing lotion, ointments, powders, liniment, bandages, dressings, a case of spirits, and the Nurse's own clean apron, soap and small towel. They supplied equipment on loan, such as earthenware hot water bottles, splints, urinals, bed pans, bed cradles, feeding mugs, and air-cushions as well as providing blankets and clean bed linen, and nightdresses as necessary. They provided nursing care to a range of people, often in destitute situations, some lying on rags on the floor as they had no bed, others with just a bed and maybe a thin blanket, a chair and nothing else. Their ages ranged from babes, children, adults to the elderly. The Nurses gave medications as ordered by a Doctor, dressed wounds e.g. to the injured, and surgical cases, and to those with leg ulcers; attended to patients with ‘surgical ailments’ such as ‘hip disease’; gave care to those with acute illnesses such as bronchitis, pleurisy, pneumonia, measles, and scarlet fever, as well as those with chronic illnesses such as consumption (tuberculosis), heart disease, arthritis, cancer, debility, neuritis and paralysis. They educated their patients, and their Carers, in the curing and prevention of disease; teaching the importance of hygiene, cleanliness, ventilation and good nutrition. They taught them, by verbal instruction and demonstration, how to make poultices, to make and apply bandages, apply medical appliances such as splints; and the Nurses supplied milk, beef tea and cooked soup when needed. As the work increased a third Nurse was employed but this was arduous work, particularly in the heat of summer and many Nurses only remained with the Society for several months. Black and white photograph of a Melbourne District Nursing Society (MDNS) Trained nurse, known as 'Nurse' in those days, wearing a white apron over her full length grey uniform with white collar seen; she is wearing a white cap. She is sitting on a step at the front of a weatherboard house attending to a man, who is dressed in dark clothing and is wearing a brimmed hat. He is lying on his side on the pavement with his head close to the Nurse and his face turned towards the road . A policeman, wearing his dark uniform and helmet, is kneeling beside the man. mdns, melbourne district nursing society, mdns uniforms, rdns, royal district nursing service, nursing care

This photograph depicts the style of uniform worn by the Trained nurses of the Melbourne District Nursing Society (MDNS) at that time. It shows part of a Cable Tram being the type of Public transport used by the Trained nurses to visit their patients. This group of Trained nurses are about to board trams to commence their visits to MDNS patients who require nursing care in their homes.District Nursing has had various modes of transport over the last 130 years. At first, from 1885 as Melbourne District Nursing Society (MDNS), their Trained Nurses walked the streets and lane ways amid the slums of central Melbourne. As the Society expanded public transport was used, and bicycles were bought by the Society in 1903 and used in inner areas until 1955. During the Spanish flu epidemic, in 1919, MDNS appealed for assistance to procure Motor vehicles so the Nurses could visit an influx of cases. Through trusts, grants and donations four 'Ford 'T Model' cars were procured which enabled the nurses to triple their visits. Through constant use the cars were in such a poor state they were sold in 1927. A Motor Auxiliary was formed in 1929 to take Nurses to patients, and some nurses used their own cars; even a motorcycle was used by one nurse in 1933. All these forms of transport were intermingled until, having received Royal patronage; the now Royal District Nursing Service (RDNS) had its own full fleet of vehicles.A slightly fuzzy black and white photograph which shows six Melbourne District Nursing Society (MDNS) Sisters standing at a tram stop wearing uniforms of full length coats and grey brimmed hats bearing a Maltese cross insignia on the hat band. Each Sister is carrying a square nursing case with a thick handle on the top. Part of a Cable tram, with a 'Spencer Street' sign attached to the top, is on the right of the photograph. Two of the Sisters are about to board the tram. Four Sisters are standing by the 'tram stop' sign. A line of leafless tree are seen behind the Sisters, and white terraced houses are in the background.public transport, mdns, uniforms, melbourne district nursing society, royal district nursing service, rdns, rdns transport

The styling of the EJ was a radical departure from the previous model, the EK, with a lower roof line, a flatter boot and the absence of fins. This was the last car manufactured by GMH that utilised the "original" gray motor. Transmissions were a three speed manual, an automatic using the Hydra-matic. Auto was available in all models, including commercial vehicles for the first time.This is the last vehicle that was to be fitted with what was commonly referred to as the 132.5 cubic inch Grey motor4 Door blue with white roof sedanChrome strip along sides of car, Special badge on front Guards, Holden name across top of grill and across boot lid .Number plate Club permit 63455 Hej special sedan, manual, car

Dudley House brick building is one of the earliest and most intact 1850s buildings remaining in Bendigo CBD. Like all government buildings of this era, its exterior is fairly modest, unlike the opulent styles of later decades. It was originally built as a residence for the district surveyor, who designed the Bendigo street layout that we still use to this day. Strip of Photo Negatives of Dudley House in View Street Bendigo, Victoria Australia. 3 Images date unknown, but car parked out of front of property is from the 1960s. Looks like a wooden fence is enclosing the property can we date image from this?bendigo, buildings, dudley house

"Allwood", Hurstbridge, built about 1894 as the second home of the pioneer Hurst family. Frances Hurst married William Gray in 1897. The Grey family would later live in the house. Grey operated Allwood Nurseries. Allwood House, a Victorian-style dwelling is one of the oldest houses in Hurstbridge and now operates as Allwood Neighbourhood House.Colour photograph of Allwood House (now Allwood Neighbourhood House Inc. Community Centre), Hurstbridgeallwood house, hurstbridge, community centres, allwood neighbourhood house

Miss Eva Carmichael, the subject of the photograph, was one of only two survivors from the wreck of the Loch Ard, wrecked on Mutton Bird Island near Port Campbell, Victoria, on June 1st, 1878..The photograph holds great significance for its connection to Eva Carmichael, one of two survivors from the wreck of the Loch Ard. It is also significant for its connection to the Loch Ard, one of the most tragic shipwrecks in Victoria's coastline and listed on the Historic Shipwreck Register.Photographic portrait mounted on brown cardboard of Miss Eva Carmichael. Miss Carmichael is standing near an upholstered chair and rests wth both hands upon a masonry pillar. Behind her is a balustrade in the classic style common to that period. The background consists of a large tree giving the impression of a garden setting. It was produced at the studio of Arthur & Son, Mount Gambier, 1878. Inscriptions handwritten below the photograph. Handwritten in white "Miss Carmichael" Stamped "Arthur & Son / MOUNT GAMBIER"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, photograph, shipwreck loch ard, eva carmichael, portrait, arthur & son, mount gambier, loch ard, shipwreck, mutton bird island

Jacket, khaki colour, wool/polyester fabric. Service dress style. No belt or buttons. Collar, shoulder epaulettes, four front pockets - top two with buttonhole and two metal press studs on flap, lower with flap. Rank Insignia on top sleeve - crown and stripes for Staff Sergeant. Lining - khaki polyester fabric with manufacturers label inside left. Label white cotton fabric.Manufacturers information on label - black ink print. "E.W. P/LTD/ SOUTH AUSTRALIA/ 1971/ ^/ SIZE 39 SHORT/ CLASS 8405/ 66-019-8482/ ARMY NO./ NAME/.DRY CLEAN ONLY/.REPRESS USING IRON AND DAMP/ CLOTH OR MEDIUM TO HOT/ STEAM IRON/. CREASE UPPER HALF OF/ LAPELS ONLY"uniform, army, service dress

John Eric Wiles VX16067, refer Cat No 5410P for his service details..1) Medallion round, one side has a Greek style building depiction with date under, enscription around outside, opposite side depiction of Greece & Crete islands with flag depiction. .2) case with folding lid blue felt outer covering, inside white felt for medallion, lid has typed stuck on note. .3) Note folded over with hand writing on..1) On medallion, “Commemorate 50th anniversary of Battle of Mainland Greece & Crete 1941 - 1991” .3) Hand written, “Presented to J. E. Wiles 2/7th INF BTN, We were there”medallions, greece crete, wiles

Used by Australian Army circa 1960s.Used by Australian Army circa 1960sUnpainted US style aluminium canteen formed by two seam welded halves (front and back sides) with an aluminium threaded top for attaching a top to the water canteen. The water canteen has a black plastic screw top lid attached to the neck by a metal link chain. The front of the water canteen is bowed outwards with the back being flat with a curved top doorway shaped indentation.australian army, water canteen, aluminium

An historical visual record of some of the members of the Ladies Harbour Lights Guild, circa 1950. Many events run by the LHLG founded in 1906, were initially held in venues across Melbourne. In later years the main hall of the building opened in 1917 became a main venue for entertainment, meals and dancing. The LHLG organisation eventually amalgamated with the Flying Angels at the Mission circa 1962 and many LHLG members such as Dora Simpson, later elected as FA President went on to officiate.The Ladies Harbour Lights Guild (LHLG) a Melbourne and statewide network initially raised funds and held events for the Mission to Seafarers. Originally founded in 1906 the LHLG were responsible in 1917 for raising the funding for the Chapel and Dome at the Mission. The group and network developed a structure promoted to and adopted in one form or another by other similar auxiliary groups supporting Missions around the world. Black and white photograph. Image shows a number of women sitting in front of the stage in the main hall of the Mission to Seafarers Melbourne. In the background there is a three-piece band situated on the stage. Depicts the MtSV stage decorated with flowers, and lengths of material woven through an arch.The ladies seated in two rows in front of the stage all wearing summer dresses and have short hair styles typical of the 1950s Printed title and donor information printed across the top of the mount. See also historical informationpiano, drums, band, floorboards, stage, 1950s, dresses, main-hall, curtain, celebrations, lhlg, ladies harbour lights guild, mission to seafarers, seamen mission, mission to seamen, flying angel, melbourne, flinders street, prue leggoe, music, dance, entertainment, events, sailors, seafarers, seamen, lynette reynolds (nee madson), king george vi

This coffee pot was made for flat heating surfaces and not the open fire. The enamel coating was used as a thermal barrier to keep the contents hot. This could have been used as an all day coffee source for busy farm workers or breakfast and lunch times. When this pot was used at dinner time, it was a time period when dinner was more formal, with the whole family sitting at the dinner table. The white enamel would have been sufficient for the majority of households. When this pot was in use the dinner period was when the whole family was together and communication within the family was considered very important as a cohesive force. This was a time before television intruded into the atmosphere of relaying the day's activities to the whole family.In small rural communities within the Kiewa Valley a good cup of tea or coffee was a time for relaxation from the hard work of the day. This relaxation period was beneficial for not only the mind but also the body. This was particularly for the house bound mother with domestic chores that had, at this time in history not many "time saving" pieces of domestic equipment. A good pot of tea or coffee at "smoko" was a god sent. Although regarded by well groomed city folk that a coffee pot was for coffee only the less social etiquette standards of country folk permitted its use for tea. Versatility even within the household was of great benefit to the folk in the Kiewa Valley. This was even so for the immigrants that joined in and were warmly welcomed within this rural sector of Australia.This coffee pot is in the French style with a goose neck. It is fully coated in white enamel and has a concave bottom. It has a hinged lid and the main body has been rolled fastened to the bottom plate. The sandwiched steel body is approximately 1mm thick. The two piece neck has been welded together similarly the hinged lid and handle. Rivets are installed to the both bases of the handle. country kitchens, well heated coffee, coffee break in rural regions

Black and white photograph mounted on grey frame. 24 men posing for photograph in 4row structure - on the background, arena style sitting area. On extreme left and right, 2 Police officers stand on their uniforms. On the middle and sitting, middle age man in suit. The other, are younger men (police officers?) in sporting outfits. [information of event on newspaper cutting stuck on the back - as described on Inscriptions]Handwritten in the front of the frame, bellow photograph: back row W.Parker. J.Power. B.Barker. A.Condie A. // P.V.Callahan (see)E.Brewis T.Robertson. E.White V.Burns R.Farrell S.Cannon // W.Brady J.Purdon R.Boyle E.Denham.Pres. W.Hudd. R.Priestley. J.Brody // W.Poulter F. F.Elliott J.Thompson // Premiers V.P.F.A. 1934 Stamp: H.M. WALKER // PHOTOGRAPHER // 117 COLLINS ST. // MELBOURNEvictoria police museum, police officers, police academy, police force, football, sports, vpfa, poulter, william arthur; h. m. walker parker; w. power; j. barker; b. condie; a. callahan; p. v. brewis; e. robertson; t. white; e. burns; v. farrell; r. cannon; s. brady; w. purdon; j. boyle; r. denham; e. hudd; w. priestley; r. brody; j. poulter; w. elliott; f. thompson;

Monsieur Charles Auguste Albert Racinet was born in Paris on July 20th, 1825. His job was representative of a group of 19th-century industrial draughtsmen, teachers of technical drawing and factory studio manager. He helped in spreading the most significant design of the decorative arts of the time. Racinet learned his trade from his father. He was trained by neo-classical artists in the ambit of Percier and Fontaine. August Racinet was influenced by the Schinkel tendency and supported by architects such as Hittorf and Voillet-le-Duc.Book. Large red leather cover. Title written in gold on spine. Illustrations (black & white), 100 of chromolithographic plates in gold, silver and colours. Various styles of ancient, oriental and medieval art including the Renaissance, the 17th, and the 18th centuries. Subjects are arranged in historical order. Text translated from the original French. The book includes a table of contents, a list of plates, a classified index and an introduction.A book plate inside front cover with a heading "Ballarat School of Art Library No. R/171. Stamped with "Reference","Education Department" and "Ballarat School of Art Library"art, paintings, textile, designs, decoration and craft, ornaments, ballarat technical art school library, bookplate

These hat pins represents women's fashion in the late 19thC and early 20thC. As the material used in the construction is not of a high monetary value it can be assumed it was everyday woman's apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important and many women used their craftwork skills to create their own hat pins. This item is a reflection of the fashion mode of the late 19thC and early 20thC when long hair needed to be controlled by hair pins It is also an example of society's mores of tidiness 14 lady's steel hat pins in various styles numbered A -i A) 6x pearl tear-drop ; B) 1x pink metal beads;C) gold ball in 'oyster shell'; D) gold ball; E) pink plastic weave; F) silver metal ball; g) black bead; h) white ball; i) pale blue glass set in brassmoorabbin, brighton, early settlers, pioneers, cheltenham, craftwork, clothing

Gents fawn trousers ''Seftow permanent press - new.Made in Australia six 3, style K3299A fawn in colour. Label still in place, indicating trousers have never been worn. Single pleat front, side pockets, rear bound and buttoned pocket, coin pocket at waistband.65% polyester, 35% viscose. Internal label ''Seftow Production for Men and Young men.Internal Label: Seftow Producxtion for Men and Younger Men size 3, 65% polyester; 35% viscose; KORATRON Trade mark of the Koratron Company.costume, male, sports trousers

Replica figurine. Muttergottheit, loosely translated, means 'Mother Goddess'. Inscribed underneath in Frank Forster's hand.Early Christian style figurine depicting Muttergottes (Virgin Mary - German) figure wearing toga and veil, holding a swaddled infant. Plaster with ochre over-painting, most likely modern replica. Sticker attached to base is printed with German text that reads 'Muttergottheit/Trier, Altbachtal/2. Jh. n. Chr.' The numbers '1974' and '0216' have been handwritten on the base of the figurine.

St James Church, "Church of the Pioneers", was the first Church, first Anglican Church, and is the oldest building in Melbourne. The foundation stone was laid in 1839 by the Superintendent of the District of Bourke, Charles La Trobe, later Governor of the Colony of Victoria. The Church was opened in 1842 and the first Bishop Charles Perry was installed in the Cathedral in 1848 when its status changed to that of Cathedral. Its status changed back to that of a Parish church after 1891 when St Paul's Cathedral in Swanston Street was opened. St James is known as the "Church of the Pioneers" as it served as the place of worship, marriage, baptism and burial of many of the first families in the District of Bourke and the Colony of Victoria. St James Old Cathedral is of the most important historic value to the community of Victoria and to the Australian nation as the first Anglican Church founded within 4 years of the settlement of Melbourne. It represents and conserves the very earliest history of white settlement in Victoria and preserves the church associated history of the Pioneer families of Victoria in its collection of original records and artefacts. Late Neo-Georgian style stone church building with bluestone footings. Octagonal upper one storey bell tower housing eight bells supported by two storey square towers. Body of church has sloping roof and 4 stained glass ornamental windows on each of west and east sides with decorative sanctuary window to the north. Decorative Portico with columns on the north outside elevation. National Trust Commemorative plate on outside wall to right of east entry door.

Bendigo Advertiser "The way we were" from 1999. Australian natives association hall: the renaissance-style Australian natives association hall in View Street was next to the Masonic Hall and had a frontage of 75 feet. The public hall was capable of holding 500 people and the building designed by William Beebe, cost 4,500 pounds. Demolished in 1970, it was replaced with new ANA offices and a motelnewspaper, bendigo advertiser, the way we were

Cream linen fabric, rectangular in shape. One log edge is finished with a 16 cm wide band of lace. This lace has been.machine made, and attached to the linen with a zig-zag machine stitch. The woven pattern in the lace is geometric in style. The other three sides are edged with 1.5 cm wide, woven lace in a scalloped design. Long-edge lace is 15.5 cms wide.manchester, table linen, side-table cloth

1 copy of frist edition, 3 Copies held of 1999 edition, 1 of 2004.Blue folder with several sections including Introduction, Publications, Stationery, Advertising, Internet/Intranet, Signage published 2004. Earlier editions also held. The First edition published in 1997 is in bookelt form of 22 pages with a mauve cover and titled House style guide. Another 32 page booklet with blue cover with NMIT logo on cover is A5 size and was published February 1999.manuals, nmit

Worn by donor to her sister's wedding 25 February 1966 at Christ Church Hawthorn.Cream Crepe bridesmaids dress Sleeveless which has a taffeta lining. the dress is a princess line style and has stiffened cream fabric flowers, with pearl centres. The flowers are mounted on continuous wire thread, Dress has a round neckline with a zip down the back. Gloves - Elbow length coloured cream with 2 pearl buttons at wrist closing. (Left glove has stain on back.)costume, female ceremonial

1 x copy black and white 15.5 x 11|1 copy sepia 14.5 x 10Black and white photograph of the tramway on which the granite rock was transported from the Mississippi Creek quarry to the head of the North Arm. It shows portion of the 3 foot 6 inch, 105cm, track, which had a gentle gradient, achieved with cuttings where necessary, winding between thick natural vegetation. Two women standing on track dressed in 1930 style clothing. Lakes Entrance Victoriatransport, quarries, room display