White cotton supper cloth with white embroidered with a wide band of drawthread with needle embroidery at corners. Embroidery has raise pattern,handcrafts, needlework, manchester, table linen

LADIES PONY GIG – circa early 1900’s) The gig was built by T Rose, North Melbourne. Australian coachbuilders adopted American designs and modified these to suit local conditions, eg mudguards added for muddy country roads. As roads improved, lighter and faster designs were made. These gigs were more comfortable than the normal farm cart / town cart (see nearby butcher’s cart), as they were often sprung for comfort rather than carrying heavy weights. (Donated by: Ivan & Gwen Russell, who purchased it from the Hogan Family, Tatura, in 1998) Ivan & Gwen Russell purchased this jinker from the Hogan Family at Tatura in 1998 "The only information we have is that it was built by T. Rose, North Melbourne. As it is in the original Condition we would like to donate it to the Numurkah Historical society to be displayed for others to enjoy. Black-painted ladies jinker (pony gig), with rubber tyred wheels, light hickory shafts, patterned black upholstery on seatT Rose Buildergig, jinker, horse-drawn vehicle, russell

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Hand-embroidered apron. Possibly a Semco pattern. The apron is edged in yellow fabric and has multi-coloured sprays of embroidered flowers.clothing - women's, aprons, protective wear, fashion -- 1950s, fashion design

A Geostar racquet; net strung in loose diamond pattern. Materials: Metal composite, Plastic, Adhesive tape, Adhesive label, Leathertennis

Grey White Marble Effect Patterned Box Containing One Gents Hair Brush and Comb. Inscribed J A and other itemsstawell

Brown leather cover with embossed pattern on covers Gold embossed inscription on the front cover 138 pages ; 19 cm ; IndexHandwritten inscription on front page 'M. Figgins'agriculture, kilmore mechanics institute library.

Faded brown cloth loose cover with embossed pattern and gold inscriptions Missing spine viii ; 480 pages ; 25cm ; IllusHandwritten inscription on front page '190' Stamp on various pages 'Kilmore Mechanics Institute'kilmore mechanics institute library., british magazine

Two sewing patterns. 1 x Simplicity (4913) - Toddler size 4. 1 x Butterick (2122) - Size 8patterns, sewing

Painted by Eliza Jane Quayle, mother of Gwen Sebire. Put back where it always was in Mind De Lancey.Oil painting of cottage on wood with gold painted frame. Hand-made frame has floral pattern carved on front edge. oil paintings

Implements with a hard smooth roundedend or surface used for smoothing and polishing.Set of four burnishing tools used to polish leather. 3 - Metal with wooden handles. 1 - All metal with patterned ends,L. Richter Northampton on wooden handle, double ended tool with round middle.burnishers, polishers, surface finishing tools

Square, white, rayon kitchen tablecloth with straight green line design and one inch border and a white floral embossed pattern.table linen., table ware

Former Kilmore Court House library.Watermark patterned cloth cover with leather spine & corners, worn at extremities. Discolouration to page edges, foxing throughout. Good condition. 'Clerk of Courts/Kilmore', 4th page.kilmore court house library.

Wedding gift to Mrs William Smith from Mr and rs W J Sebire 1933Silver patterned coffee pot with handle and hinged lid. Handle has two milk glass bands with a shell decoration on top.Makers mark - Trumpet EPBM 8487 Made in Englandcofeepots

Lace making equipment with blue velvet round board with a number of bobbins with beads and cotton. In blue/white patterned carry bag.lacemaking equipment, lacemaking bobbins

Cuff link owned and worn by Colin Kerr.Small, rectangular, brass cuff link with leaf pattern, inscribed with initials "GLS", two links of a chain attached to a ring at the back.colin kerr, cuff links, jewellery

Twenty four page colour knitting pattern book. The cover features a woman wearing a knitted blue vest with white stripes.front: [printed] THOROBRED / scheepjeswol / Eye Spy / MARINER / COLLECTIONthorobred scheepjeswol, fashion, design, knitwear, home made, wool, pattern book

Sixteen page knitting pattern book featuring black and white text and images. The cover shows a woman wearing a knitted cardigan.front: [printed] Patons / KNITTING BOOK / NO. 422 / No. 422 / P&B / WOOL / Page 8 / 1'3d.fashion, design, knitwear, home made, wool, pattern book, patons

Four page fold out knitting pattern booklet featuring a colour image on the cover of a woman reclining outdoors in a knitted jumper.front: [printed] Cleckheaton / NATURAL 8 PLY / MERION 8 PLY / Design 0039 / Sizes: 79 - 94 cmknitting, pattern, fashion, knitwear, cleckheaton

Predominately blue decoration on a white background. Scene of garden, lake and mansion with statuary in foreground. Leaf and flower pattern around edge.Ede & Robley (Rest undecipherable ?DN?Y)domestic items, crockery

Used by Colin Sach during his employment as Manager of the Chemistry Dept. at the University of Melbourne over a period of forty years.Manufacturing History Museum Victoria Commentary: Australian manufacturing history Philip Wollen Many years ago, when I was an ambition young man, I took over a company called Hecla.|This business was formed in 1872, long before Federation was even contemplated. The company established a rich tradition in the Australian manufacturing industry. The prodigious product range included kettles, mixers, toasters, hairdryers, urns, pie warmers, bain maries, and electric blankets for the domestic and commercial market. During the war it even manufactured parts for aircraft. It was one of Melbourne's largest employers.|Hecla was one of the pioneers in TV advertising, led by icons like Bert Newton, Bobby Limb, Evie Hayes and Graham Kennedy who ad Jibbed his way through irreverent and unscripted naughtiness about Hecla electric blankets and foot warmers. The slogan was 'By Hecla, its good1'. One can imagine the fun Bert and Graham had with their double entendres.|In the 60's Hecla entered into a partnership with General Electric and expanded rapidly. The massive factory, on the corner of Alexandra Parade and Chapel Street overlooking the Yarra River was a Melbourne landmark.|The business was formed by one of the scions of Melbourne industry. Mr Marriott was a metal worker of some repute, building the lights in front of Melbourne's Parliament House, the first steam car, the sideboard at the RACY Club, and the first factory to run on electricity.|By the time I acquired the company it was a shadow of its former self, incapable of competing with cheap Chinese imports. Wandering around the warehouse late one night I discovered a large, boarded up storeroom which appeared not to have been opened in decades.|Over several months I combed through the room, unearthing a treasure trove of products from a bygone era. Dusty files, engineering drawings, wooden prototypes, patent records, and correspondence from distributors on every continent.|I decided to track down an old man, Ray, long retired after 50 years with Hecla. He was not well off financially and welcomed the paid work. It turned out that he had done his apprenticeship with the company and there wasn't much he didn't know about it. He had been personally involved in the manufacture of almost every type of product on the Hecla smorgasbord's of products.|So for over 2 years he methodically assembled a mini museum of Hecla products, painstakingly polishing them and ensuring they were in working order. He attached the original brochure of each product and their respective warranty cards. For him it was ,a labour of love. For me it was a fascinating, if vicarious journey, into Australia's manufacturing past.|My colleagues complained that I was wasting money on his salary, our time and factory space on stuff that should have been dumped years ago. I tried to explain that I was merely a steward of the Hecla tradition, not merely an owner. Besides, the look on Ray's face convinced me that there was another dynamic at work. One I could see, but didn't really understand.|After he Passed away I faced a dilemma. What to do with this 'museum' of Hecla history. Nobody was interested.|So I kept the 'stuff' in private storage, hoping that same day someone would be interested in it. And the years passed.|Finally, I had a brainwave. Perhaps the Melbourne Museum would be interested. It was a long shot but I made the call. I had a nagging suspicion that they would think I was simply trying to get them to relieve me of paying for this huge collection to be taken to the tip.|To my surprise they said they would be willing to take a look, I secretly hoped that they would take the whole collection and not leave me with an incomplete jumble of appliances that I would indeed have to take to the tip.|On the appointed day, four serious looking young people showed up. Armed with digital cameras, note books and poker faces they spent four hours analysing the goods and the supporting materials. I asked them if they had any interest and their response was decidedly non-committal. It depends on the acquisitions committee, I was told. I was disheartened and packed up the exhibits to go back into storage.|Imagine my surprise when months later they telephoned to say that they had researched the history of the company, and yes, they would like to take the whole collection. And a truck with 'handlers' would arrive the following day to pick it up. Two years ago all Hecla's archives left me forever and went to the Museum's warehouse.|Well, to my delight I received a call yesterday inviting me to a private viewing of the exhibition at the Melbourne Museum. These young historians had meticulously assembled an impressive display of Melbourne's industry and technology going back to the 1800's. They thanked me like a significant benefactor when it is I who should have thanked them.|I saw the excitement in the eyes of these young people who had somehow managed to dig out and assemble memories from Australia's past. If this is the standard of care that the curators of the Melbourne Museum show all their exhibits, our history is in safe hands.|Their meticulous work took me back to those years long ago when I saw an old man lovingly assembling and cataloging a lifetime of his work.|It took me back to the day when Australians actually made things. Long before we became a nation of quarrymen. Before we became animal-factory 'farmers'. Of a time when products didn't break down, or dumped and replaced before the warranty expired. When men like Mr Marriott cared deeply about what their hands produced.|It reminded me of the call I received from an elderly lady in Tasmania asking for the electrical element for a Hecla K7 kettle. I searched the archives and called her back. The K7 was produced decades earlier and we no longer carried that spare part. She was quite disheartened and told me her kettle had finally 'given up the ghost' and she couldn't bear to part with it. It was a present from her husband on their wedding day 45 years ago. Her final words were 'they don't make them like that, do they? By Hecla they were good1'|I'm glad I followed my instinct and put Ray back on the payroll all those years ago..|I like to think Mr Marriott would have been pleased.Square metal box with electrical elements inside. Used to stand on or to put feet on when sitting. Elaborate pattern in centre with inscription.Hecla Foot Warmerdomestic items, heating

The lady in the photograph is Kalypso Sofianos nee Raftopoulos. It was taken before she migrated to Australia in 1936. Kalypso was a staunch member of the IPS and in 1995 was made an Honorary Life Member. A faded photograph of a lady sitting on the edge of a bed with a patterned iron bedhead. It has a partial white border around two sides.

The certificate was presented to Nina Mills by the Immigration Museum in recognition of her parents Dimitrios and Kalypso Sofianos whose migration and settlement story has been recorded in the museum Share a Story files. Their names are also featured in the Immigration Museum's Tribute Garden. The Honourable Sir James Gobbo, who was the Governor of Victoria and a Patron of the Immigration Museum, presented the certificate. An A4 scanned copy of a certificate issued from the Immigration Museum. It is printed in blue and black with a marbled pattern down the LHS of the document. immigration., immigration museum, sofianos, kalypso, sofianos, dimitri, tribute garden, nina, mills

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for mens garments. It was published during the war and contains a pattern for an ARP Warden's cap. The illustration on the back cover shows a man wearing an ARP armband with a steel helmet slung over his shoulder.Knitting Book (front cover) - Patons and Baldwins' Specialty Knitting Book no. 157, WWII. Knitting Book (back cover) - Patons and Baldwins' Specialty Knitting Book no. 157, WWII.Patons Knitting Book / (Specialty) / No. 157 / A Patons & Baldwins' Publication - 7D.knitting handicrafts - history world war ii, patons and baldwins (australia) ltd, knitting, handicrafts - history, world war ii

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by the Australian Women's Weekly and contains knitting patterns. A date of c.1946 is given for this book as although it contains no military references, the first knitting pattern in the book is called 'The Rose of England' and is dedicated to 'the women who have watched and waited'.The Australian / WOMEN'S WEEKLY / Knitting Book / FOR / ADULTS and CHILDREN / Registered in Australia / for transmission by post / as a book. / 1'6knitting handicrafts - history world war ii, australian women's weekly, knitting, handicrafts - history, world war ii

Made by Ethol Reynolds, mother of Bruce Reynolds, in 1927. Bruce was a member of Whitehorse Historical Society. Pattern believed to have come from a woman's magazine pattern for 'Steamboat Willie', Disney's first Mickey Mouse cartoon. Photo of Bruce Reynolds taken in Dec 1927 was donated at same time as toy mouse. See: NP2935 Album 4ASoft toy depicting Mickey Mouse. Made from cotton fabric embroidered by hand with embroidery cotton in red, blue, black and brown.toys, soft toys

This is a book of 508 pages. The cover is black with embossed patterns on the spine and gold lettering on the front cover and spine. The front cover has an embossed gold image of a woman. The pages are edged with a mottled pattern and contain printed text and black and white illustrations. There are four loose sheets; one is a flyer from the publisher and the others are advertisements.non-fictionA compendium for assisting mothers with children's ailmentsnursing, children's ailments

This ledger is a record of the sales of John Stewart from 1890 to 1905 in the districts of Warrnambool, Garvoc, Hamilton and Horsham. John Stewart was a printer and store keeper in Warrnambool from 1890 to 1895. He was also connected to several hotels in the district- the Pieter Both Hotel in Warrnambool in Raglan Parade, ( his wife was the Licensee in 1897), the Yallock Inn in Garvoc ( his wife was the licensee 1899), and hotels in Hamilton and Horsham.The Ledger is of some interest as it contains the names of many local people at the end of the 19th Century. It is a handy research tool. This ledger has 542 pages. It has a hard cover with a dark green cloth cover with leather binding on the spine and corners of the cover. There is a red label on the spine with gold printing and patterning. The inside of the cover has a mottled pattern. There is an alphabetical index at the front. The pages have red ruled lines and hand written entries in ink. John Stewart the original Owner of this book was beside being Printer & Storekeeper in Warrnambool 1890-1895 was Licensee of Peter (sic) Both Hotel -Warrnambool 1895 Garvoc Hotel Garvoc 1899 Caledonian Hotel Hamilton 1902 Criterion Hotel Horsham 1904 Farmers Union Hotel Horsham 1905 Presented to The City of Warrnambool April 1969 by his Son Roy A Stewart Written by J. Stewart's Grandson Bryce A Carter 13th April 1969john stewart printer and store keeper, pieter both hotel, garvoc hotel

Tea has always been a common drink in Australia and before the introduction of tea bags a teapot such as this was used to infuse the tea leaves. This item is a decorative piece and would have been used for special occasions. The use of tea bags in both teapots and cups became widespread in the 1960s in Australia. Tea bags are the popular choice today for tea drinkers.This item has no known local provenance but is retained as a fine example of a vintage tea pot. This is a white china teapot with a lid which contains a steam hole and a handle. The spout has gold patterning. The handle is painted yellow with a gold strip. The lid has a yellow and blue decorative band and is decorated with flowers and gold pattern. The body of the teapot has the same decoration as the lid. The name of the country of origin and a number are on the base. Made in Japan tea pot, vintage domestic item, tea making in australia