McColl Rankin & Stanistreet, North Virginia Gold Mining Co NL. a/ John Shaw Ltd, Wire Rope Manufacturers, Sheffield England. Certificate that 2 lengths of 2-1/2 cir. 6/7 construction Best Black Plough Steel Wire Rope, Quality, Acid Material. 100/110 ton each 1250 feet long supplied. Breaking strain of not less then 24.8 actual tons. Stamped: For Hardware of Australia Propriety Limited. Signed: ?? (attached by pin to b) b/ Hardware Co. Of Australia, Iron & Steel Merchants, South Melbourne. Descriptions per (a) 109.7.3 Signed: Hunt. Dated 15/11/1939. c/ Test Certificate For Wire Ropes Issued to J R Reid & Sons. Rope dispatched per S.S.''Mildura'' to Melbourne on 3.12.1946.Tested in the presence of A Boots, Abbott Supply Coy. Pty. Ltd. For the Australian Wire Rope Works Pty Ltd. Signed: J Humphy. Dated: 6/12/1946. Includes picture.organization, business, gold mine, mccoll rankin & stanistreet, north virginia gold mining co nl. a/ john shaw ltd, wire rope manufacturers, sheffield england 6/7 construction best black plough steel wire rope quality acid material 100/110 ton each 1250 feet long supplied reid & son

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia..1) black and white photograph of six men dressed in formal attire - one standing beside a double bass, one holding a violin, one holding a trumpet, one seated in front of a piano, one holding a clarinet, and one standing behind a xylophone. They are situated in the Ballarat Town Hall's A Hall. Frank Wright (cornet), Roy Ogilvey (piano), E.L. Bentley (violin), C. Mills (clarionet), William Morris (Bass), T. McManamny (drums). .2) sepia photograph of six men dressed in formal attire - one standing beside a double bass, one holding a violin, one holding a trumpet, one seated in front of a piano, one holding a clarinet, and one standing behind a xylophone. They are situated in the Ballarat Town Hall's A Hall. .3) sepia photograph of seven men dressed in formal attire - one holding a flute, two holding cornets, one holding a violin, one seated in front of a piano, one holding a clarinet and one holding drum sticks. They are situated in front of a backdrop of a large painting and curtains at the Coliseum, Ballarat. .4) black and white photograph of six men dressed in formal attire - one is steated holding a clarinet, with two banjos and other clarinets on the floor in front, another is seated holding a violin. Both have saxophones on their knees. Another man is standing holding a trombone, one is seated in front of a piano, one is holding a cornet, and one is standing behind a xylophone with drum kit beside. They are situated in the Ballarat Town Hall's A Hall. .1) on back - Richards & Co, Photo, Ballarat, Post Card, Kodak Australia; handwritten - "Frank Wright and his Coliseum Orchestra", Left to Right - W. Morris Bass, E. Bentley Violin, Frank Wright Trumpet - MD, Roy Ogilvie Piano, C. Mills Clarinet, T. McMannamy Drums, Taken City Hall Nov 25th 1926 .2) on front - City Hall-Ballarat,1926 .3) on front - Coliseum-Ballarat, October 1925, on back - Richards & Co, Photo, Ballarat .4) on back - Richards & Co., Photographers, Ballarat, Proofs not returned charged for; handwritten - Ballarat Town Hall, probably Coliseum Orchestra?frank wright, coliseum orchestra, city hall ballarat, cornet, piano, clarinet, banjo, violin, xylophone, trombone, drums, w. morris, e. bentley, roy ogilvie, c. mills, t. mcmannamy, ballarat town hall, ballarat town hall interior, "a" hall

Shaving cream is a cream applied to the face, or wherever else hair grows, to facilitate shaving. The use of cream achieves three effects: lubricates the cutting process; swells keratin; and de-sensitizes skin. Shaving creams commonly consist of an emulsion of oils, soaps or surfactants, and water. James Baker Williams was born in 1818 in Lebanon, Connecticut USA and, in 1834, began employment with F. and H.C. Woodbridge, a general store located in Manchester. Williams was offered half-interest in the store in 1838, after which its name was changed to Keeny and Williams. Two years later, Williams sold his interest in the store, but retained his share in the drug department. He began experimenting with various soaps to determine which were best for shaving, and eventually developed Williams' Genuine Yankee Soap, the first manufactured soap for use in shaving mugs. In 1847, Williams moved his enterprise to a rented gristmill on William Street in Glastonbury, Connecticut, and his brother, William S. Williams, joined the firm around 1848, when the firm's name was changed to the James B. Williams and Company. William's shaving soaps were sold throughout the United States and Canada and James Williams supervised many aspects of the company until shortly before his death in 1907 at the age of eighty-eight. The Williams family continued to manage the company until it was sold in 1957. By the early 1900s, the company was known throughout the world. In addition to its line of shaving creams, the firm produced talcum powder, toilet soaps, and other toilet preparations. The original 1847 factory is still standing in Glastonbury and, in 1979, was converted into a condominium complex. I In 1983 it was placed on the National Register of Historic Places. 1927 - 1990 Salmond and Spraggon (Australia) Limited , Sydney , New South Wales, was registered as a company on 10 June 1927 following the liquidation of Salmond and Spraggon (Australia) Limited known as the Old Company. The company distributed household cleaning and mineral, metal and chemical wholesaling, pharmaceutical wholesaling throughout Australia on behalf of manufacturers. In 1990 the company was taken over by Alberto Culver, a manufacturer of hair and skin products. A clear glass jar with a screw lid containing 'Williams Shaving Cream' Front Label : J.B WILLIAMS / LUXURY / SHAVING CREAM Back Label : The contents of this jar are guaranteed to be / The J.B.WILLIAMS Luxury Shaving Cream Jar has been changed to meet the Wartime conditions but / the cream is of the same high quality / made in Australia for / J.B. WILLIAMS COMPANY / Glastonbury, Conn. U.S.A. / Vendors / SALMOND & SPRAGGON (AUST.) PTY.LTD. / All Statesshaving equipment, razors, safety razors, cutthroat razors, soap, world war 11 1939-1945, moorabbin, bentleigh, cheltenham, early settlers, shaving cream, williams j.b. company ltd, connecticut usa, glastonbury connecticut usa, salmond & spraggon pty ltd, sydney, new south wales, toiletries, shaving soap,

A large yellow paperback book titled: The Shire of Lilydale and its Military heritage - Volume Three - The Second World War: The war in Europe & the Middle East. It has English and Australian crossed flags underneath the title at the top, with a black and white photograph of a soldier embracing his mother. Inside are black and white photographs of significant people, advertisements, militia facts and stories as well as a bibliography and index at the back. Pp. 339.non-fictionThis collection of Lilydale's military heritage covers The Second World War: The war in Europe and the Middle East. It has sections on - Between the wars: The Spanish Civil War (1936 - 1939, Local Militia Forces (1918 - 1939), The Coming of the War. It details The Homefront, Patriotic Welfare, Our Service Personnel, V.E. Day, and Locals in Australian Military History.second world war, lilydale history, lilydale military history, military heritage

Presented by Lieutenant-General Sir JJ Talbot Hobbs, KCB, KCMG, VD, LLD at a parade held on the Esplanade, Perth, 22 October 1927. With the re-activation of the Citizen Military Forces (CMF) following the Second World War, the 11th/44th Infantry Battalion (The City of Perth Regiment) was raised as a linked battalion in 1948 to carry on the identity and traditions of the pre-war 11th and 44th Battalions respectively. The King's and Regimental Colours formerly held by these two battalions were passed on to the new battalion who paraded them in rotation on ceremonial occasions. Under major reorganisation of the CMF in 1960, all individual infantry battalions that existed at the time within each State were amalgamated to form State regiments, taking effect from 1 July 1960. Thus from that date the 11/44th, 16th and 28th Infantry Battalions were amalgamated to form The Royal Western Australia Regiment. In September 1960, at a ceremonial parade held at Northam Camp, the Colours carried by all former battalions were handed over for safe keeping by the new regiment. These former colours were subsequently laid up in the undercroft at the State War Memorial, King's Park on 29 November 1964. These were transferred to the Army Museum of WA in 1988 as part of the Bicentenary Colours Project. Dark green with gold fringes. In the centre the battalion colour patch of a white over blue oval within a circle inscribed "FORTY FOURTH INFANTRY", the whole within a wreath of Australian wattle and surmounted by the Imperial Crown. In the upper canton the Arabic numeral "44". The following battle honours are emblazoned on the Colour: SOUTH AFRICA 1899-1902, MESSINES 1917, YPRES 1917, BROODSEINDE, PASSCHENDAELE, SOMME 1918, ANCRE 1918, HAMEL, AMIENS, MONT ST QUENTIN, HINDENBURG LINE

Yields information about Australian transport history, transport at the time of publication and the development of buses and the Ansett organisation.Large format 208 page , July 1948 issue of Truck and Bus Transportation with colour cover, fold out and advertisements, colour printing, articles on buses, trucks, cable trams, Australian Transport, personnel in industry, Ansett, executives - special 12 the anniversary issue. See photocopy of title and contents pages with item notes. Notes on Truck & Bus Transportation - Special Anniversary Issue - July 1948, with particular relevance to BTM Archives Advertisements: White Bus Co - similarity to the US PCC Tram - inside front cover Ansett's and Ansair - p131 AC buses - p162 Articles: Has Australia's Railways Reach the Doldrums? - p38 Modem Street Transit Authorities Announce Development Policy - p42 (includes photos of Sydney, Adelaide Glenelg H class, Bourke St, trams etc, being replaced by buses) These were the Events that made our Headlines (war years - photos included - p61 Riding the Rattlers behind Horses, Ropes and Billies - cable trams, horse and steam trams p66. - demise of Melbourne cable cars. Tracing the development of the Motor Bus in Aust. - p73. Australian Transport Administrations - whose , photos, responsibilities, liquid fuel control (petrol rationing), Australian Road Transport Associations, executives etc. - pl16 onwards Ansett organisation - p 1 72 onwards trams, tramways, trucks, buses, cable trams, road transport

Ash KEATING Among fifteen finalists this artwork won the 2012 Guirguis New Art Prize, a prestigious national acquisitive biennial art prize administered by Federation University Australia. The Guirguis New Art Prize (GNAP) is a national acquisitive $20,000 contemporary art prize which presents a selection of Australia's most exciting contemporary artists with works that explore and embrace new ways of artistic expression, utilising existing mediums and new technologies in innovative ways. Initiated and generously supported by local Ballarat surgeon Mr Mark Guirguis, this prestigious art prize is administered by the Federation University Australia (FedUni). As a local philanthropist and art collector, in developing the Prize, Mark Guirguis' aims were to celebrate the significance of the arts to communities and to Ballarat, emphasising contemporary art and 'living' culture, and to highlight FedUni's Arts Academy. Artist Ash Keating works across a conceptual, site-responsive and often collaborative art practice that incorporates painting, sculpture, installation, video, performance and public interventions, and has referenced a wide range of social and environmental issues within his art. Frequently working beyond the gallery, and often harnessing community narrative and energy, his work also draws upon myth, ritual and ceremony. 'West Park Proposition', 2012, is a three channel and screen video installation, utilising multiple camera video documentation of an endurance painting intervention undertaken on the morning of 01 September 2012 on the east facing wall of a newly built tilt-slab industrial building, situated on the direct edge of the current urban and rural boundary in Truganina, Victoria. The multi-screen work documents an endurance guerilla-style action painting intervention and ritualised painting performance in which a symbolic violence is enacted against a storehouse of commodity production and consumption. Upon winning the award artists Ash Keating said; “The work was made near Ballarat on the Deer Park bypass. It is an aesthetic comment about the way these new tilt-slab industrial buildings spring up without caring for the environment." The work, which took eight hours to create, was about reclaiming the space from “cost-effective architecture” without any aesthetics. The inaugural judge for the Prize, Jason Smith, Director, Heide Museum of Modern Art (MoMA) said, "Selecting the winner of this inaugural GNAP was exhilarating and excruciating: exhilarating because the seriousness of each artist's enterprise, and their uncompromising resolution of concepts, has created an inaugural exhibition of exceptional power. This first GNAP is a survey of some of the most poetic and provocative imaginations working in Australia today. Selecting one winner from such a show in which each of these artists has in some way transformed my thinking about the world was the excruciating part. Ash Keating's work West Park Proposition, 2012 kept drawing me back in the several hours I spent viewing the works. It simultaneously affirms the political and critical role of the artist as a key agent of change and action, and someone who reminds us of the beauty and resilience of humanity and nature in the face of unrelenting change. As a work combining performance, collaboration and hope, Keating's West Park Proposition is a work of immense and compelling poetry."artist, artwork, keating, ash keating, guirguis, guirguis new art prize, gnap, gnap13

This particular specimen was recovered from two hundred feet down in the Golden Mile in Kalgoorlie, Western Australia. The Golden Mile, named after the estimated sixty million ounces of gold worth around one hundred billion dollars, was the birthplace of the largest gold rush in Australia almost one hundred and thirty years ago when William Brookman and Samuel Pearce leased the Great Boulder mine. The Golden Mile is also the home of the Super Pit, Australia's most well-known mine.The majority of gold deposits will form as a native metal, however, on occasion, it can form a compound with another element, in this case, sulphur. Therefore, this specimen is a rare example of gold naturally forming into a compound mineral with sulphur. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A small gold-sulphide ore mineral specimen in shades of silver and grey with flecks of gold. Precious metals are often found in Sulphide Ores, as sulphides usually bind to these metals. They are also extremely symmetrical in crystaline form. Gold-Sulphide Ore occurs when gold forms a natural compound with other elements. In this form, gold can be present in one of two ways. It can be fully immersed in the sulphide, or a portion may be partially free. This specimen has minimal gold visible, with only a few flecks being partially visible.burke museum, beechworth, indigo shire, beechworth museum, geological, geological specimen, mineralogy, gold-sulphide ore

Distributed for Troops during WW1.1. Newspaper - paper, cream, black print. 2. Newspaper - paper, cream, black print, sketches.1. "The Digger" published weekly with authority Australian Base Depots, France. Vol.2. No.7, Sunday 16 March 1919. Price One Penny. 2. "The Digger" published weekly with authority Australian Base Depots,. Vol.2. No.13, Sunday 17 April 1919. Price One Penny.ww1, newspaper, the digger

This jar was used by the Hunt family on their dairy farm at Cudgee.Stoneware jar with stopper and wire handle. The cream body has instructions for use. From where the bottle slopes to the stopper is glazed brown. The stopper is rubber and the handle coiled wire.Stopper: 'Sharpe Bros Australia and New Zealand'. Body: Keep the Stopper Tight. This Jar is the absolute property and must be returned to Sharpe Bros. Australia & New Zealand Original and Largest Hygenic Brewer CAUTION. Persons Damaging Wilfully Retaining, Trading with or Misappropriating the use of this jar WILL BE PROSECUTED Sharpe Bros Trademarkallansford, cudgee, mervyn hunt, sharpe bros, stoneware jars, dairy farming, bottles, china ware

A framed replica photograph commerating 100 years of RAN. There are two postage stamps which were issued on the 4th June 2011. Between the stamsp there is a Navy EmblemOn June 14th 2011 Australia Post issued 2 postage stamps to commerate 100 years of the Royal Australian Navy. this framed replica has been donated by R.I. May (R 53204), R.J.May (R 94067), tony May and their families in loving memory of their brother W.A. May (R 57334)hmas sydney, photograph, cerberus collection

"To the Women of Australia" badge RAN Old ID No = 1251 "To the Women of Australia" badge Old ID No = 659 Buckles x 2 Miniature Medal - 1939-45 Star ANZAC Day 1994 Medallion Old ID No = 869 Service Wounded Stripe Bar Old ID No = 660 ANZAC Badge - 'uniforms, ballarat rsl, ballarat

Yields information about the appearance and the use of Horse Tram No. 1 by the BTPS/BTM in Wendouree Parade.Colour photograph of horse tram No. 1 in Wendouree Parade on its launch day, 7.11.1992, photograph by William F Scott, printed on Fujicolor crystal archive paper. Photo used in Ballarat Tramway Museum book - "Ballarat's Heritage Tramway" On rear in ink "5" Ballarat Australia / Return to W.F.Scott / PO Box 2550 Cheltenham Vic 3192 Australia / Ballarat Tramway Museum restored horse car no. 1 / first day out after restoration. William F. Scott photo" and in bottom right hand corner "28A/1(7.11.1992).trams, tramways, wendouree parade, horse tram, tram 1

Phillip George was inspired by his trip to the Middle East and the Cronulla riots in 2005 when Lebanese Australians where targeted on a beach in Sydney. The full series consists of 30 surfboards which are all adorned with intricate Islamic vegetal and geometric designs. The range was called Inshallah, or God willing and was made by George in the hope of bridging the cultural divides between Australian Muslims and other Australians.Fibreglass and carbon fire surfboards with digital decals x 3. The Inshallah surfboard series employ designs from famous mosques, showcasing the vegetal and geometric patterns of traditional Islamic design.phillip george, islamic design, australian culture, australian art, surfboard

Australian munitions is the largest supplier of explosive munitions to the Australian Defence Force. Australian Munitions can trace its ammunition heritage back to the late 19th century, through the establishment of the Colonial Ammunition Company in Victoria. Manufacturing is based at two main regional sites – Benalla in Victoria and Mulwala in New South Wales. The Benalla site produces ammunition, explosive ordnance and other munitions.This cartridge represents the first ammunition delivery from the site upon its opening in 1996.Single 5.56mm cartridge, encased in resin. Text and images on resin."INERT ROUND" "First Ammunition Deliveries from" "ADI'S Benalla Facility" "3 April 1996"cartridge, ammunition, round, adi, australian munitions, bullet

This is a set of 30 photographs of 4th Field Survey Squadron personnel undergoing regimental training in 1994, at Second Valley Conservation Park in South Australia. The aim of Exercise ‘Fuggy Hollow’ was typically to provide personnel a practical knowledge of infantry and minor tactics (IMT) at the section level, navigation and map reading, RATEL and survival in the Field.This is a set of 30 photographs of 4th Field Survey Squadron personnel undergoing regimental training in 1994, at Second Valley Conservation Park in South Australia. The colour photographs are on 35mm negative film and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 96 dpi. .1) - Photo, colour, 1994. Unidentified soldier. .2) - Photo, colour, 1994. CPL Phuc ‘Charlie’ Tran. .3 to .5) - Photo, colour, 1994. CAPT Chris Topovsek. .6) & .7) - Photo, colour, 1994. Unidentified soldiers. .8) - Photo, colour, 1994. L to R: SPR Fran Calvert, unidentified (x2), SPR Mark Linford, unidentified. .9) to .17) - Photo, colour, 1994. Unidentified soldiers. .18) & .19) - Photo, colour, 1994. L to R: LT Andrew Caudle, SSGT Brian Collings, OC Maj Peter Demaine. .20) - Photo, colour, 1994. WO2 Peter Hammer. .21) - Photo, colour, 1994. L to R: CAPT Chris Topovsek, SSGT Brian Collings, WO2 Peter Hammer .22) - Photo, colour, 1994. SSGT Brian Collings. .23) - Photo, colour, 1994. L to R: unidentified, SPR Fran Calvert. .24) - Photo, colour, 1994. L to R: SPR Mark Sinderberry, SGT Steve McGuiness, unidentified. .25) - Photo, colour, 1994. SPR Mark Linford. .26) - Photo, colour, 1994. L to R: unidentified (x2), SPR Fran Calvert, unidentified. .27 & .28) - Photo, colour, 1994. L to R: SSGT Brian Collings, WO2 Peter Hammer. .29) - Photo, colour, 1994. WO2 Simon ‘Andy’ Capp. .30) - Photo, colour, 1994. SGT H. Evertz..1P to .30P – There are no personnel identified. ‘1994 EX FUGGY HOLLOW (IMTs) Second Valley Conservation Park’ annotated on negatives sleeve.royal australian survey corps, rasvy, 4 fd svy sqn

By 1914, when Australia joined the war against Germany, there were 23 Light Horse regiments of militia volunteers. Many men from these units joined the Light Horse regiments of the Australian Imperial Force (AIF).This WW1 item is a reminder of the roles that men from Orbost played in that conflict.Large brown leather saddle used by the Light Horse Brigade in WW1. The saddle is built on a pair of felt-padded wooden "bars" which sat on either side of the horse's spine. These are joined by steel arches with a shaped leather seat laced between them. C G H F The saddle also has a few other numbers on it which are difficult to read with accuracy. saddle military-history army transport horse

An early colour tinted photograph of the Taggerty River in Marysville in Victoria.An early colour tinted photograph of the Taggerty River in Marysville in Victoria.Australian Enamellers. Country Series No. 3. Produced in Australia To Ms Marlene./ To wish you/ well; & To assist in/ making you as comfy/ as possible. I hope you/ are keeping well & fit/ & that it wont be long/ before you are on your/ way back to Aust. I/ suppose you have heard/ that Jack is on his/ way home, we are/ looking forward to/ the day when he arrives./ My best wishes to you/ & kind regards/ Sincerely yr/ friend/ Raell Dennistaggerty river, marysville, victoria, postcard, souvenir

Metal cased drive in speakersThese were common speakers around Australia and were often replacement speakers for those that were lost, broken or stolen. In later years (1980s) they could be found in Village, Hoyts, Greater Union and independent drive-ins.

Czech Philharmonic Orchestra, Melbourne Town Hall. Australian Tour 1959. The first overseas symphony orchestra to visit this country. The Czech Philharmonic is one of the world's leading orchestras. It has s 60-year-old history which is backed by the rich musical traditions of its country. The Australian Broadcasting Commission in conjunction with the Musica Viva Society of Australia proudly presents the Czech Philharmonic Orchestra. Conductor: Ladislav Slovak Concertmaster: Bretislav Ludvik. Saturday, October 3, Monday, October 5. Czech Philharmonic Orchestra, article giving history of Orchestra from 1896 in Prague, photo of orchestra included. Ladislav Slovak, small article describing his work history, includes photograph. Programme. Analytical Notes. Musica Viva Society of Australia. Registered Office: 26 Paling's Building, Ash St., Sydney. President: Hon. Mr. Justice B P Macfarlan, Hon. Secretary: C J Berg, Hon. Treasurer: J B Elder, Manager: Regina Ridge. Victoria Branch: Registered Office: 5th Floor, 300 Lt. Collins St., Melbourne, C.1. President: F G Nicholls, Hon. Secretary: I G Spira, Hon. Treasurer: A Teague. Australian Broadcasting Commission. Chairman: Sir Richard Boyer, K.B.E., M.A. Vice-Chairman: E R Dawes, ESQ., C.M.G. Sir John Medley, KT., D.C.L., M.A. The Hon. Dame Enid Lyons, G.B.E. Mrs. G L Byth, O.B.E., B.A. A G Lowndes, M.Sc. H B Halvorsen, F.C.A., F.C.I.S. General Manager: Charles Moses, C.B.E. Manager for Victoria: Ewart Chapple. Concert Manager for Victoria: Ray Humphrey. Advertisements: AWA - Amalgamated Wireless (Australasia) Limited. Stereophonic Radiolagram. Philips Electrical Industries Pty Ltd. Fontana - Karel Ancerl recordings. The Ace of Clubs, 12'' LP Beethoven etc. Alfred Nott Pty. Ltd. H S Harvey, E Goetz, Opticians. Georges, shoes. Ernest Hiller, tailored suits. Philips Magnalux Television. TAA the nation's jet line. Cyclax, make-up and beauty preparations. Grutzner & Cartly Pty. Ltd. Furs. BNS Nylon - British Nylon Spinners (Australia) Pty. Ltd. Carinia Records - Czech Philharmonic Orchestra with World Famous Soloists now for the first time in Australia on High Fidelity Recordings. Suttons Pty. Ltd. 'The House of Music', you are cordially invited to inspect the fine Petrof pianos. RCA Records - recordings of Jan Peerce. Scala Record Import Co. Czech recordings. Boosey & Hawks (Australia) Pty. Ltd., Music and Books on Music. GMH - General Motors - Holden's Limited. Country Club Tailored by Buckwalter - Quiet Tone Sports Shirts. Allan's, Fine Pianos.entertainment, music, classical

Alun LEACH-JONES (1937- 24 December 2017) Born Maghull, Lancashire, United Kingdom Arrived Australia 1960 Alun Leach-Jones is recognised as one of Australia's leading abstract colour painters. He spent his childhood in the Welsh village of Glasfryn, Denbighshire. At the age of 14 he started a three year apprenticeship with the Solicitors Law Society, Liverpool illuminating manuscripts and hand copying legal documents. While working with the law society Leach-Jones studied painting and drawing in the evenings at the Liverpool College of Art between the years 1955-57. He immigrated to Australia in 1960, settling in Adelaide and attending the South Australian School of Art, after which he travelled and exhibited throughout Australia and abroad. In 1966 Leach-Jones celebrated Noumenon series was shown with Australian Galleries in Melbourne and he was immediately recognised as being part of what was then labelled as ‘the New Abstraction’ in Australian art. Later in 1968 his work was included in the influential exhibition "The Field" held at the National Gallery of Victoria. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, alun leach-jones, leach-jones, printmaking, screenprint

Alun LEACH-JONES (1937 - 24 December 2017) Born Maghull, Lancashire, United Kingdom Arrived Australia 1960 Alun Leach-Jones is recognised as one of Australia's leading abstract colour painters. He spent his childhood in the Welsh village of Glasfryn, Denbighshire. At the age of 14 he started a three year apprenticeship with the Solicitors Law Society, Liverpool illuminating manuscripts and hand copying legal documents. While working with the law society Leach-Jones studied painting and drawing in the evenings at the Liverpool College of Art between the years 1955-57. He immigrated to Australia in 1960, settling in Adelaide and attending the South Australian School of Art, after which he travelled and exhibited throughout Australia and abroad. In 1966 Leach-Jones celebrated Noumenon series was shown with Australian Galleries in Melbourne and he was immediately recognised as being part of what was then labelled as ‘the New Abstraction’ in Australian art. Later in 1968 his work was included in the influential exhibition "The Field" held at the National Gallery of Victoria. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed screenprint.art, artwork, printmaking, alun leach-jones, abstract colour, south australian school of art

Alun LEACH-JONES (1937- 24 December 2017) Born Maghull, Lancashire, United Kingdom Arrived Australia 1960 Alun Leach-Jones is recognised as one of Australia's leading abstract colour painters. He spent his childhood in the Welsh village of Glasfryn, Denbighshire. At the age of 14 he started a three year apprenticeship with the Solicitors Law Society, Liverpool illuminating manuscripts and hand copying legal documents. While working with the law society Leach-Jones studied painting and drawing in the evenings at the Liverpool College of Art between the years 1955-57. He immigrated to Australia in 1960, settling in Adelaide and attending the South Australian School of Art, after which he travelled and exhibited throughout Australia and abroad. In 1966 Leach-Jones celebrated Noumenon series was shown with Australian Galleries in Melbourne and he was immediately recognised as being part of what was then labelled as ‘the New Abstraction’ in Australian art. Later in 1968 his work was included in the influential exhibition "The Field" held at the National Gallery of Victoria. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Purchased by the Council of State College of Victoria, Ballarat, 1974art, artwork, leach-jones, alun leach-jones, abstract

Painted and used at Internment camp 3.Watercolour painting of "Cairo Courtyard" on wooden board, wide brown wooden frameC. Rippert. On back: "Numurkah Butter Factory, Victoria, Australia. 54 lbs nett. Produced in the district of Numurkah. "Pure Creamery Butter". G. Glockemann - Hornsby. On a sticker "Gemalde" Von Frau Rippert Ruckseite Des Bildes Von Historischem Interesse. Frau Charlotte Rippert, the artist, was a German Lutheran Missionary in Egypt in the 1930's. Interned by British in Cairo and transported to Australia on the Queen Elizabeth, arriving in Sydney, 31 August 1941.c. rippert, internment camp 3, internment camp artists, glockmann family, charlotte rippert

Part of the Kevin John Herdman, No. 397661, Collection. See Catalogue No. 5942P for details of his service record.RAASC officer's metal collar badge. The badge is bi-metal construction using silver and gold coloured metals. The silver metal background features a Queen's Crown and a seven-pointed star. Gold coloured metal is circular in shape with a royal cypher in the middle. Blue and red enameling in the centre. On the back are two loop fittings.Stamped on gold coloured metal: ' ROYAL AUSTRALIAN ARMY SERVICE CORPS'. Printed in gold on blue enamel garter: 'MONI SOIT QUI MAL Y PENSE'. Stamped on back: 'STOKES, MELB'.badge, uniform, royal australian army service corps, kevin john herdman