The two women may be sisters (Kidd family) Duplicate image in Album 3 (05665) William Hall operated at 114 Brunswick St., Fitzroy, Victoria, between 1875-1886 (SLV and Sands directory) CABINET 1866-1905 The Cabinet photo was introduced in 1866 in answer to a demand for a larger format photograph which could be mounted for a cabinet or on the wall. They were 4.5 inches by 6.5 inches (11.5 x 16.5 cm), more than twice the size of the cdv. They cost about twice as much as a cdv but eventually displaced them. They were not extensively produced until 1880 and had ceased by 1905. Coloured mounts, especially maroon or green, indicate a date between 1880 and 1890. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 2, cabinet photo, 1875-1886, 1885, caroline fairlie stewart (nee kidd), female shillinglaw 2, house, kidd family, unknown, william hall photographer 114 brunswick street

Elizabeth is not wearing a ring so date is before marriage in 1894 F.B. Mendelssohn & Co operated from Queen's Walk Studios, Victoria Buildings at 80 Swantson Street, Melbourne from 1888-1915 according to Sands McDougall directories CABINET 1866-1905 The Cabinet photo was introduced in 1866 in answer to a demand for a larger format photograph which could be mounted for a cabinet or on the wall. They were 4.5 inches by 6.5 inches (11.5 x 16.5 cm), more than twice the size of the cdv. They cost about twice as much as a cdv but eventually displaced them. They were not extensively produced until 1880 and had ceased by 1905. Coloured mounts, especially maroon or green, indicate a date between 1880 and 1890. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991cabinet photo, marg ball collection, shillinglaw family photo album 3, 1888-1915, 1890, elizabeth docherty (nee shillinglaw 1861-1942), john docherty, mendelssohn f.b. & co photographer queens walk melbourne, salvation army

Photographer T. Wood, St George's Studios operated frpm 238 Bourke St East, Melbourne from about 1891 through to 1897 at which point the premises was taken over by Yeoman & Co in 1898 CABINET 1866-1905 The Cabinet photo was introduced in 1866 in answer to a demand for a larger format photograph which could be mounted for a cabinet or on the wall. They were 4.5 inches by 6.5 inches (11.5 x 16.5 cm), more than twice the size of the cdv. They cost about twice as much as a cdv but eventually displaced them. They were not extensively produced until 1880 and had ceased by 1905. Coloured mounts, especially maroon or green, indicate a date between 1880 and 1890. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991cabinet photo, marg ball collection, 1892-1897, 1895, house, male shillinglaw 11, t. wood photographer 238 bourke st east melbourne, unknown

Councilor John Pollock Spiers was elected to council in 1878 until 1880,1880 until 1892,1893 until 1902,1904 until 1910 and 1915 until 1918.He served two terms as President,1889-90 and 1899-1900.Councilor Spiers was a resident of Learmonth.Part of original collection of photos showing all councilors for 1883-84. This photo of Councilor John Pollock Spiers is in sepia tones and oval in shape,set in a "light tan"mount with gold edging around the cut out.Surounding the photo is a fine line and decorative features which link it to the next photo. It is on the right side second from bottom of the circle of photos showing all councilors for 1883-84. PRESENTED by the PRESIDENT J.DALGLIESH ESQ. to the BALLAARAT SHIRE COUNCIL 1883-84.ballarat shire council, john pollock spiers 1883 84

John Arnold Seitz (1883-1963) was the Director of Education from 1936-1948. Prior to joining the State Education system he was a senior master at Scotch College, Melbourne, from 1910-1914. He then became Headmaster of Hamilton College, 1915-1921.Certificate printed on beige paper. Name and signature added Certificate number - 25646 Signature of Director: A J Seitz Certificate made out to Geoffrey L Allen

John Arnold Seitz (1883-1963) was the Director of Education from 1936-1948. Prior to joining the State Education system he was a senior master at Scotch College, Melbourne, from 1910-1914. He then became Headmaster of Hamilton College, 1915-1921.Beige coloured paper with ink printing.Certificate presented to Rodney W Gilbert Signed by Director of Education: J A Seitz Dated: December 1948 Certificate number: 38295

John Arnold Seitz (1883-1963) was the Director of Education from 1936-1948. Prior to joining the State Education system he was a senior master at Scotch College, Melbourne, from 1910-1914. He then became Headmaster of Hamilton College, 1915-1921.Beige coloured paper with ink printing.Certificate presented to William B Nunn Signed by Director of Education: J A Seitz Dated: December 1948 Certificate number: 38282

Rev. T. Watt-Leggatt came from Dunolly and had been a missionary in the New Hebrides before coming to St. Andrew's in Sunbury on 17 February 1910. He divided his time conducting morning services in Sunbury and afternoon services in Sydenham.A black and white photograph of the Rev. J. Watt-Leggatt in clerical gown and holding a book in his RH.POSTCARD / CORRESPONDENCE ADDRESS / KODAKst andrew's church, sunbury, churches, clergymen, postcards, watt-leggatt, t. (rev.), george evans collection

Badge was almost certainly produced as part of the Federation celebrations in 1901. The couple pictured are identified as George and Mary, the Duke and Duchess of Cornwall and York (later King George V and Queen Mary, 1910-36). They visited Australia in 1901 for the innauguration of Federal Parliament.royal visits

This handmade green glass bottle was made using the turn-moulded or rotated-moulded method, a variation of the mould-blown process. The bottle has the remnants of a cork seal in its mouth. It possibly contained ginger beer, soda or mineral water, flavoured drinks, liquor or wine. TURN-MOULDED BOTTLE production method This bottle was handmade using the ‘turn-moulded’ process, one of a variety of mould-blown processes that followed the earlier mouth-blown method. The maker would add a portion of hot soft glass to the end of his blowpipe then blow air through the pipe while placing the end inside a bottle mould. The mould was then turned and twisted, giving the bottle a round, seamless body, and usually a round indented base. The cooled body of the bottle would then be finished with the addition of an applied top. A small amount of soft glass would be applied to the top of the bottle and a lip would be formed using a tooling implement. A concentric ring would also form below the lip, caused by the rotated lipping tool. The bases of bottles made with the turn-moulded method were generally not embossed but would commonly have a mamelon or ‘dot’ in the centre of the base. SEALING THE BOTTLE After filling this type of bottle with its contents it is then sealed with a straight, cylindrical cork with the aid of a hand operated tool called a bottle corker. The bottle corker compresses the cork as it is driven into the bottle. Once inside the bottle the cork expands evenly into the opening to tightly seal the contents – the denser the cork the better the seal. This turn-moulded glass bottle is made distinctive due to its round seamless body and indented base.Bottle, dark green glass. Handmade turn-moulded bottle with seamless body and tooled lip. Deeply indented base has push-up mark with a ‘mamelon’ bump in the centre. Bottle is straight from base to half height, then tapers to a shoulder over the next quarter, than almost straight up to the mouth. There is a portion of cork in the bottle’s mouth and dry remnants in the bottle’s base. Possibly used for ginger beer. Produced in 1880s to 1910’s. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, green glass bottle, handmade glass bottle, bottle with indented base, turn-moulded bottle, rotate-moulded bottle, tooled lip on bottle mouth, applied lip bottle, bottle corker

This handmade green glass bottle was made using the turn-moulded or rotated-moulded method, a variation of the mould-blown process. The bottle has the remnants of a cork seal in its mouth. It possibly contained ginger beer, soda or mineral water, flavoured drinks, liquor or wine. TURN-MOULDED BOTTLE production method This bottle was handmade using the ‘turn-moulded’ process, one of a variety of mould-blown processes that followed the earlier mouth-blown method. The maker would add a portion of hot soft glass to the end of his blowpipe then blow air through the pipe while placing the end inside a bottle mould. The mould was then turned and twisted, giving the bottle a round, seamless body, and usually a round indented base. The cooled body of the bottle would then be finished with the addition of an applied top. A small amount of soft glass would be applied to the top of the bottle and a lip would be formed using a tooling implement. A concentric ring would also form below the lip, caused by the rotated lipping tool. The bases of bottles made with the turn-moulded method were generally not embossed but would commonly have a mamelon or ‘dot’ in the centre of the base. SEALING THE BOTTLE After filling this type of bottle with its contents it is then sealed with a straight, cylindrical cork with the aid of a hand operated tool called a bottle corker. The bottle corker compresses the cork as it is driven into the bottle. Once inside the bottle the cork expands evenly into the opening to tightly seal the contents – the denser the cork the better the seal. This hand made, green glass bottle is representative of bottle making before mass production and is made distinctive due to its round seamless body and indented base.Bottle, dark green glass. Handmade turn-moulded bottle with seamless body and tooled lip. Deeply indented base has push-up mark with a ‘mamelon’ bump in the centre. Bottle is straight from base to half height, then tapers to a shoulder over the next quarter, than almost straight up to the mouth. There is a portion of cork in the bottle’s mouth and dry remnants in the bottle’s base. Possibly used for ginger beer. Produced in 1880s to 1910’s. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, green glass bottle, handmade glass bottle, bottle with indented base, turn-moulded bottle, rotate-moulded bottle, tooled lip on bottle mouth, applied lip bottle, bottle corker

INFORMATION RE QUERY ON HOWARD AND ERIC MORRIS AND AVIATION supplied to Kevin O'Reilly by BHS 2011. Information re family tree of brothers. Reference to sons of Howard Morris - Eric Ainslie and Howard Russell. Approx 30 newspaper articles copied (1920s - 1950s) to provide information re the aviation aspects of the families. Extract from Annals Of Bendigo 1910-1920 re passenger flights from Epsom - temporary aerodrome near the Turf Tavern Hotel.Annals of Bendigo, The Bendigo Advertiser,person, individual, morris family, morris air service, howard morris, eric morris, aviation.

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This digital image was produced from one of the glass negatives that form part of the collection, probably taken by Louis Haeusler (b.1887) with the photographic equipment in the Wodonga Historical Society Haeusler Collection. This item is unique and has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Digital image created from the Haeusler Glass negative collection. A group of children and their teacher outside Wodonga West Primary School No. 1058. C.1910. The school was located near the current intersection of McKoy Street and the Hume Freeway in West Wodonga on land donated by J.W. Klinge, replacing an older school north of the railway line. It operated from January 1870 to May 1950 when the nine remaining students transferred to Wodonga Primary School. wodonga pioneers, haeusler family, glass negatives, dry plate photography, wodonga west primary school, schools wodonga

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This digital image was produced from one of the glass negatives that form part of the collection, probably taken by Louis Haeusler (b.1887) with the photographic equipment in the Wodonga Historical Society Haeusler Collection. This item is unique and has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Digital image created from the Haeusler Glass negative collection. A group of students and their teacher standing outside Wodonga West Primary School No. 1058. C.1910. The school was located near the current intersection of McKoy Street and the Hume Freeway in West Wodonga on land donated by J.W. Klinge, replacing an older school north of the railway line. It operated from January 1870 to May 1950 when the nine remaining students transferred to Wodonga Primary School.wodonga pioneers, haeusler family, glass negatives, dry plate photography, wodonga west school

Glass Tankard or Beer glass - tapered, large circular and indented base and provided with a handle. Has the "Prahran and Malvern Tramways Trust" logo in gold on the side of the glass and the words "Celebrating 100 years 1910 - 2010" also in gold on the other. The letter "h" has been imprinted into the base. Made to celebrate the 100th Anniversary of Malvern Depot - 2010. Manufacturer unknown at the time of cataloguing. 2nd copy ex Mike Ryan added 10-1-2018.trams, tramways, crockery, pmtt, centenary

Black and white photo taken in Mitcham Scout Hall about 1910 of Edgar Edwardes Walker's family. Back row: N. Bedson, Stan Walker, Edgar Walker, 2 unknown men, Edgar Walker Snr., unknown, Don Walker, unknown Seated: Mrs Edgar Walker Snr., Mrs Voight, unknown, Val Tonkin, Mrs Tonkin, Edith Walker, Ruby Barelli, Florence Barelli, unknown Front: Two unknown girlsbedson, n., walker, stanley, walker edgar, edgar edwardes, donald, mrs edgar edwardes, voight, mrs., tonkin, val, mrs, edith, barelli, ruby, florence, mitcham scout hall

The Melbourne and Metropolitan Board of Works (MMBW) plans were produced from the 1890s to the 1950s. They were crucial to the design and development of Melbourne's sewerage and drainage system. The plans, at a scale of 40 feet to 1 inch (1:480), provide a detailed historical record of Melbourne streetscapes and environmental features. Each plan covers one or two street blocks (roughly six streets), showing details of buildings, including garden layouts and ownership boundaries, and features such as laneways, drains, bridges, parks, municipal boundaries and other prominent landmarks as they existed at the time each plan was produced. (Source: State Library of Victoria)This plan forms part of a large group of MMBW plans and maps that was donated to the Society by the Mr Poulter, City Engineer of the City of Kew in 1989. Within this collection, thirty-five hand-coloured plans, backed with linen, are of statewide significance as they include annotations that provide details of construction materials used in buildings in the first decade of the 20th century as well as additional information about land ownership and usage. The copies in the Public Record Office Victoria and the State Library of Victoria are monochrome versions which do not denote building materials so that the maps in this collection are invaluable and unique tools for researchers and heritage consultants. A number of the plans are not held in the collection of the State Library of Victoria so they have the additional attribute of rarity.Original survey plan, issued by the MMBW to a contractor with responsibility for constructing sewers in the area identified on the plan within the Borough of Kew. The plan was at some stage hand-coloured, possibly by the contractor, but more likely by officers working in the Engineering Department of the Borough and later Town, then City of Kew. The hand-coloured sections of buildings on the plan were used to denote masonry or brick constructions (pink), weatherboard constructions (yellow), and public buildings (grey). That area of Kew bordered by Cotham Road, Park Hill Road, Ermington Lane (now Ermington Place), and Belmont Avenue contained some of the significant homes owned by Kew pioneers. Chief among these was ‘Park Hill’ on an enormous lot facing Park Hill Road. The Jubilee History of 1910 noted, six years after this plan was drawn, that: ‘Park Hill Road, forming the southern boundary of the cemetery, takes its name from Park Hill, the residence of Mr. Thomas Judd, who has resided there since December, 1852.’ Other named houses on the plan include ‘Ferndale’ facing Cotham Road; ‘Ermington’ adjacent to Judd’s Park Hill, facing Park Hill Road; and ‘Gilden’ and ‘Mont Belmont’ facing Belmont Avenue. Mont Belmont was designed by the architectural firm of Reed, Henderson and Smart for William George Lilley in 1887 and was completed in 1888. Lilley was Mayor of Kew in 1887-88, a Justice of the Peace and a member of the first Board of Guardians of Kew’s St. Hilary’s Church of England.melbourne and metropolitan board of works, detail plans, survey plans - borough of kew, mmbw 1591, cartography

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Sarah spent six months in New Zealand in 1910. William and Sarah's family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Hand-coloured postcard in which the picture is framed by a border of a leaf and vine pattern. The picture is of the lower arms of a woman from the left hand side of the card and a man from the right hand side of the card shaking hands in the middle. Behind and below the hands is a small map of New Zealand in a golden circle. New Zealand fern is positioned from the circle up behind the arms to the top of the card on both sides and above the hands is a depiction of a ship sailing on the sea.The postcard contains a message to Frank Wright from his mother who is visiting New Zealand.frank wright, sarah wright, new zealand, postcard

The Royal Archer Hotel in Koroit Street between Kepler and Liebig Streets was opened in 1894 and closed in 1969. Frederick Viney was the licensee from 1894 to 1910. He had previously run a dyeing business in Timor Street in the 1870s and was a well known musician in town.These whisky bottle labels are from the Royal Archer Hotel, the second of that name in Warrnambool and are of some importance..1White rectangular label with red text and a gold border. .2 White rectangular label with blue text and a gold border adhered to a piece of white card .3 Identical to .2 but not adhered .4 Identical to .2 .5 Identical to .2 but adhered to a piece of white paper. The bottom right hand corner has been torn off..1,. F.VINEY'S Royal Archer Blend WHISKY .2,.3,.4,.5 Royal Archer BLEND WHISKY BOTTLED BY F. VINEY, ROYAL ARCHER HOTEL,WARRNAMBOOL ( Note .4 has a pencilled 'D' on the front.) royal archer hotel, frederick viney, whisky

Early photograph of Main Street bridge over the Plenty River, taken around 1910. Quirk's Tailor shop is seen in the background and a horse and cart coming down the road. The road appears unsealed. Rampant blackberries can be seen growing around the bridge abutments. Part of a collection of photographic enlargements of Greensborough sites.Black and white enlargement of photographic imagemain street bridge, main street greensborough, plenty river greensborough, quirk's tailor shop, blackberry, mckenzie bridge

Possible dates: b. 12/10/1868, d. 14/10/1947. Husband, Alfred Coates was Home Missionary in Diamond Creek from 1910 to 1913 and in Bacchus Marsh on 18/3/191, according to the Argus, p. 19, 18/3/1916.B & W studio portrait of Sister Bessie (Emma Elizabeth Dau - married Alfred Coates in 1888) as a young woman.dau, emma elizabeth, sister bessie, methodist central mission, home missionary, alfred coates

Possible dates: b. 12/10/1868, d. 14/10/1947. Husband, Alfred Coates was Home Missionary in Diamond Creek from 1910 to 1913 and in Bacchus Marsh on 18/3/191, according to the Argus, p. 19, 18/3/1916.B & W studio portrait of a seated Sister Bessie (Emma Elizabeth Coates, nee Dau) dressed in her Home Missionary uniform.dau, emma elizabeth, sister bessie

Possible dates: b. 12/10/1868, d. 14/10/1947. Husband, Alfred Coates was Home Missionary in Diamond Creek from 1910 to 1913 and in Bacchus Marsh on 18/3/191, according to the Argus, p. 19, 18/3/1916.B & W studio portrait of a seated Sister Bessie (Emma Elizabeth Coates nee Dau) dressed in her Home Missionary uniform.dau, emma elizabeth, sister bessie, methodist central mission, alfred coates, home missionary

Possible dates: b. 12/10/1868, d. 14/10/1947. Husband, Alfred Coates was Home Missionary in Diamond Creek from 1910 to 1913 and in Bacchus Marsh on 18/3/191, according to the Argus, p. 19, 18/3/1916.B & W waist length studio portrait of Sister Bessie (Emma Elizabeth Coates nee Dau) dressed in her Home Missionary uniform.dau, emma elizabeth, sister bessie, methodist central mission, home missionary, alfred coates

Possible dates: b. 12/10/1868, d. 14/10/1947. Husband, Alfred Coates was Home Missionary in Diamond Creek from 1910 to 1913 and in Bacchus Marsh on 18/3/191, according to the Argus, p. 19, 18/3/1916.B & W waist length studio portrait of Sister Bessie (Emma Elizabeth Coates nee Dau) dressed in her Home Missionary uniform.Verso: "Presented to the Junior Department of the Carlton Methodist Mission by: Ruby Farrell, Marjorie P. Saynor, Ruth I. Lane, Daphne Blanthorne, Thelma Jessop, Margaret McCutcheon, Elva Taylor, Phylis McCrohan, Dulcie Bolton, Eileen Colk, Teacher Junior (Supt.) Eva Reed, Sister Louie, 2 Thessalonians 1. 11,12 1927dau, emma elizabeth, sister bessie, methodist central mission, home missionary, alfred coates

Guyetts and Sons is a family business that began providing funeral services in Warrnambool and South West Victoria in 1905. Today in 2019 the business is still in operation as Guyetts Funerals Warrnambool. This wooden coffin was used as a display model in the 1920s at Guyetts. Its simple six-sided design was an economical choice as it used less wood than the box-shaped coffins. This coffin is an example of coffin design in the 1920s in Warrnambool and South West Victoria. It is historically significant, representing a local business that began in the first decade of the 1900s and is still in operation today.Coffin made of polished wood with pressed, silver coloured metal decorations on top and along sides in several designs. Its shape is similar to the human body; wide at the shoulders and narrow at the feet. It has a six-sided base and a completely removable lid. The coffin was used as a display coffin by Guyett and Sons, funeral directors of Warrnambool, from the 1920s.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, coffin, display coffin, guyett funeral directors warrnambool, warrnambool 1920s, warrnambool 1905 business, funeral item, funeral service, funeral director warrnambool, funeral home, funeral arrangements, burial service, cemetery funeral, death, herse, cemetery supplies, funeral director supplies, mortuary equipment

The Salvation Army was founded in England in 1865 and bonnets were introduced in the 1880s for women officers. These bonnets were worn until the 1960s. The Salvation Army came to Warrnambool in 1887 and was initially based in Raglan Parade before opening a citadel in Lava Street in 1905. In the mid 1960s they purchased the old Congregational Church and Manse at the corner of Lava and Henna Streets.This bonnet is a fine example of the bonnets worn by Salvation Army Officers as part of their uniform. The bonnet is made of black raffia with a brim. It has black and maroon grosgrain ribbbons around the front, sides and back. The maroon ribbon has THE SALVATION ARMY machine printed in gold letters. A grosgrain black strap is attached to the head band to enable the bonnet to be worn securely. The bonnet is lined with black cotton. THE SALVATION ARMYsalvation army, bonnets, warrnambool salvation army

Dr J C V Kirkham operated from Koroit Street in Warrnambool from 1935 until 1974 in one of the oldest dental practices in the town, having been previously operated by his father W C Kirkham. from 1905. Dr J C V Kirkham took over the practice after the untimely death of his father.A link to one of Warrnambool's oldest dental practices.Rectangular brass plate with 8 screw holes around the edge . Name and details are stamped and infilled with black.Dr. J. C. V. Kirkham BDSC., D.D.S. Dental Surgeonwarrnambool, warrnambool dentist, dr j c v kirkham