The President in 1984 was John Dean. The document is dated 10 March 1985 as the presidential year ran from March to the following February. Was in a binder of documents that is passed from an outgoing President to the incoming President. It is primarily from the 1930s to 1990s. Most documents are being catalogued separately.A record of the ideas of the President in the 1980s.White foolscap paper x 1 page with black type of the President's comments in 1984.Signed in black pen 'John Crieghton Dean'.presidents, john dean

A document dated February 1985 was written by Legatee Kemsley about the President's Fund that was established in 1933 with funds donated from the estate of Walter Berry in the name of his Company. The Henry Berry Fund was to be used by the President to assist a legatee in financial difficulties. Legatee Kemsley was almost 90 and was passing on his knowledge of the history of the fund and its uses. He had served with Walter Berry in France when he was a personal assistant to General Monash. Was in a binder of documents that is passed from an outgoing President to the incoming President. It is primarily from the 1930s to 1990s. Most documents are being catalogued separately.A record of the inception of the President's Fund.White foolscap paper x 2 pages with black type about President's Fund in 1985.Signed in blue pen on second page, 'AN Kemsley'.presidents fund, kem kemsley, walter berry

The President in 1986 was Dick Wheeler. He included observations based on his year as President. The document is dated 25 April 1987 as the presidential year ran from March to the following February. Was in a binder of documents that is passed from an outgoing President to the incoming President. It is primarily from the 1930s to 1990s. Most documents are being catalogued separately.A record of the ideas of the President in the 1980s.White foolscap paper x 2 pages with black type of the President's comments in 1986.Signed in black pen 'RN Wheeler 25.4.1987'.presidents, dick wheeler

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culturePortrait of a man local Beaufort farmer Joe LambSigned: M Dannatt '94 (lower right)

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture oil painting of school building and treesSigned: ROD READ 09 (lower right)

Maude Glover-Fleay studied under Frederick McCubbin, Glover was regarded for her natural history subject matter. She was also a writer and music teacher, and in the 1930s she established a reputation for painting Australian marsupialssignificant as a work of art by a modern era woman artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture watercolour painting of a landscape with large tree at centresigned: Glover Fleay 30 (lower right)

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture Swagman (with puppy) and historical buildings of BeaufortSigned: M. VINCENT-RORI (lower centre)

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a view of a railway crossing signed (verso): DAVID MELLOWS 11/17

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture Painting of a woman holding a flower signed: CM Pattenden 2006 (lower left)

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of building a sheep yardsSigned: R READ 03 (lower right)

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a old house on the streetSigned: R READ 2000 (lower left)

Australai 1913 - 1986Lithograph AP s.24Title, edition, signed and inscribed To Beverly and Bob

Australia 1913 - 1986Linocut s.54 44/50Signed and dated , edition . Inscribed 'To Bob and Bev'

Australia 1913 - 1986Screenprint 35/35Titled and inscribed ' For Bob', edition signed and dated

Australia 1913 -1986Linocut 2/10 s.102Title, edition, signed and inscribed "For Bob, in Appreciation"

American 1897 - 1977Lithograph in coloursSigned l.r in image and under image in pencil

A letter to President Simonson dated 12 June 1970 enclosing a photograph recording his visit to morning tea with the Army Officers' Wives Association on 14 April 1970 (photograph missing). His handwritten response would have been the draft of a typed letter.Records a typical activity undertaken by the President of the day.01361.1 Letter on the letterhead of the Army Officers' Wives Association, with black typing 01361.2 Note handwritten blue biro, white folded paper, could be the draft of a formal reply.01361.1 Signed 'Annette Lineham' in black birocorrespondence, widows

Two letters dated 5th July 1959 from W.B.Russell to The Secretary of the Biography Committee. 00915 informs the committee that the Governor-General has declined to write the foreword of 'There Goes a Man' and then goes on to offer his opinion that a foreword is not essential. 00915(2) and 00915(3) are a two page letter discussing the type of dust cover Russell would prefer, strongly objecting to a military portrait.Part of the story of how the book 'There goes a Man' came to be created.White paper with black type x 3 pages of letters about the book being written about Stan Savige.Signed W.B. Russell and annotated in blue inksavige book, committee

The bookplate design incorporates the motif of Rückenfigur (a figure viewed from behind) that is central to much of my imagery and draws from a decades-long accumulation of personal iconography, including hair ornaments, decorative collars and stylised Arts and Crafts-inspired crimson roses. After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.Image of the head and shoulders of a woman from the rear holding up book open at page bearing DK monogram as text capitalisation. Printed in red and black on A4 sheet of buff paper.Signed Deborah Klein in pencil beneath image

After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.Coffee Cup with label of E JEN W to top of cup and a heading of EX LIBRISSigned in pencil lower right beneath image.keith wingrove trust, ed jewell, bookplate, , australian bookplate design awards

The extensive formal landscaped gardens of Rockingham had been created in the 1860s, and by the 1950s remained bordered to the south by the Barkers Road cutting, and to the north by Blytheswood, the neighbouring Syme family property, By 1940, the Syme family were no longer the occupiers of Rockingham. John Herbert Syme had died in October 1939, and by August the following year, his wife had made the house and garden available, rent free to the Red Cross as a convalescent home for Australian soldiers injured in the Second World War. At the time, the house was described as containing twenty rooms, including a ballroom and a billiards room, with a garden of eight acres overlooking the Yarra. The task of renovating the house to conform to its new function as a convalescent home took a year, finally opening in August 1941. Community support for Rockingham was widespread and included the decision by the National Gallery of Victoria to loan pictures from its collection to decorate the walls. Calls were made for women around Victoria to donate fruit and vegetables from their gardens, which the railways agreed to freight for free. Other local support included the work by a team of boys to establish a three-acre vegetable garden within the formal terraced gardens. From the beginning, occupational therapy formed a key component of the rehabilitation of psychologically injured soldiers. This is confirmed by contemporary newspaper accounts of weaving, ironwork, leatherwork, basketry and gardening by patients. Numerous photographs, held by the Australian War Memorial (AWM) and the State Library of Victoria (SLV), record the importance of these rehabilitation activities. The painting of the view across the river to Abbotsford may have been painted in one of these occupational therapy sessions. For many decades it hung in the occupational therapy room. It must have been on view following the sale of Rockingham by the Syme family to the Red Cross in 1955, and subsequently, until the house was demolished and its grounds finally subdivided in 1977.View of Abbotsford from the garden of Rockingham (1952) was created by V Maloney. The vantage point of the artist was the garden of Rockingham, one of two mansions overlooking the Yarra owned by the Syme family. The artwork depicts a number of sites - especially factories - that have since been demolished.Signed by the artist, lower right "V Maloney"rockingham red cross convalescent home, hospitals - kew (vic), rosemary lade, art therapy

After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for International bookplate designers and graphic artists.Goanna on pole forming left border of plate with graving tools lower right framed in loose black border on three sides with MK in block.Signed in pencil beneath block Mary Keep.goanna, gravure

After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for International bookplate designers and graphic artists.Pelican readingSigned Mary Keep in pencil beneath plate.pelican, book, ed jewell, australian bookplate design awards