Document. Connelly, Tatchell & Dunlop - Legal Papers. 1 - 1886 - Post Office Telegraph from Dunlop A Geo re Sharpe. 2 - 1886 - Letter from Symonds E, Treasury, Melbourne re Baird J O compensation. To Quick J? Dr. 3 - 1886 - Post Office Telegraph from Mendell W re Affidavit. 4 - 1886 - Letter from Mills B, 181 Swanston Street, Melbourne re Meade Jas insolvency. 5 - 1886 - Letter from Bennett & Co re Cameron James deceased. 6 - 1886 - Letter from Mendell W, Melbourne re Lazarus B deceased. 7 - 1886 - Letter from Bennett & Co re Sterry v Trestrail. 8 - 1886 - Letter from Bennett & Co re Irving & Hughes. 9 - 1886 - Letter from Motteram & Hyett, Solicitors, McCrae Street, Sandhurst re Brown & Sharpe.cottage, miners, connelly, tatchell & dunlop, dunlop a geo, sharpe, symonds e, baird j o, quick j? dr, mendell w, mills b, meade jas, bennett & co, cameron james, lazarus b, sterry, trestrail, irving, hughes, motteram & hyett, brown

Documents. Connelly, Tatchell & Dunlop - Legal Papers. 1 - 1886 - Letter from J W? Stranger?, Kerang re Cormack Alexr v Bush David. 2 - 1886 - Letter from Bennett, Attenborough, Wilks & Nunn, Melbourne re Webb, re Holmes White & Coy. 3 - 1886 - Letter from Nicholl, Gray & Tamlyn, Railway Contractors. Echuca & Tatura. 4 - 1886 - Letter from Hornbuckle A B. Sandhurst re McNeil v McNeil. 5 - 1886 - Letter from De Gares E C. 6 - 1886 - Letter from Bennett, Attenborough, Wilks & Nunn, Melbourne. 7 - 1886 - Letter from Horrell R F & Meudell C D, 10 Market Buildings, William Street, Melbourne re Holloway's loan. 8 - 1886 - Letter from Thomas S Harrison & Co, 24 Little Collins St East, Melbourne re McClean.cottage, miners, connelly, tatchell & dunlop, stranger? j w?, cormack a, bush d, bennett, attenborough, wilks & nunn, webb, holmes white & coy, nicholl gray & tamlyn, hornbuckle a b, mcneil, de gares e c, horrell r f, meudell c d, holloway, t s harrison & co, mcclean

Documents. Connelly, Tatchell & Dunlop - Legal Papers. 1 - 1886 - Letter from Bennett, Attenborough, Wilks & Nunn, Solicitors, Melbourne to Bennett H, Sandhurst re Lazarus v Lazarus. 2 - 1886 - Letter from Bennett H re Edwards v Budd. 3 - 1886 - Letter to Bennett & Co, Sandhurst re Tolhurst to Scott. 4 - 1886 - Letter to Bennett H, Sandhurat re Hawthorne & Brady. 5 - 1886 - Letter from Bennett & Co re Sterry v Trestrail. 6 - 1886 - Letter from Motteram & Hyett, Solicitors, Sandhurst to Connelly, Solicitor re Masonic Hall & McClean E. 7 - 1886 - Letter from Bennett & Co re Sterry v Trestrail. 8 - 1886 - Letter from Watson Wm Junr., Kangaroo Flat.cottage, miners, connelly, tatchell & dunlop, bennett attenborough wiks & nunn, bennett h, lazarus, edwards, budd, bennett & co, tolhurst, scott, hawthorne, trestrail, motteram & hyett, connelly, masonic hall, mcclean e, sterry, trestrail, watson wm junr

Documents. Connelly, Tatchell & Dunlop. 1 - 1896 - Letter from Office of Titles regarding Commonwealth Bank to Conley, Delaney to Bell, McNeil James? 2 - 1896 - Letter from Kirwan Andrew. 3 - 1896 - Letter from Eagle Edwd B, Cochrane Creek, via Deniliquin. 4 - 1895 - Letter from Office of Titles regarding McMillan Frances May to Stewart James. 5 - 1896 - Letter to Blanchen John, Farmer, South Elmore re Blanchen to Lodge James Roe. 6 - 1896 - Letter from McKenna C J, Constable, Malmsbury Station regarding Gillen, Timberlake, and Hoopell. 7 - 1896 - Letter from Hoyland, Chas H, Barrister & Solicitor, Boort.cottage, miners, connelly, tatchell & dunlop, office of titles, commonwealth bank, conley, delaney, bell, mcneil j, kirwan a, eagle e b, mcmillan f m, stewart j, blanchen j, lodge j r, mckenna c j, gillen, timberlake, hoopell, hoyland c h

Collection of photographs of Bendigo homes with Cornish connections: a. ''Helston'' - home of Richard Jennsion at Long Gully (with separate Obit. Attached - faded (over-exposed?) photo of front/side of house; b. ''Reawla'' - front of wooden house with very prominent palm trees behind picket fence - annotation in writing: '' named after Cornish village (now gone)'' (meaning??); c. front/side photo of ''Fentongrove'' California Gully - former home of Richard Williams - has separate portrait of bearded gent - no name but presumably Richard Williams? D. front/side photo of former home of John Harvey, Golden Square on un-named street corner (accompanied by copy of head & shoulders portrait of Mr John Harvey (poor quality); e. ''Cambourne'', brick home of Ambrose Dunstan, Long Gully with heavily treed garden. Accompanied by a copy of poor quality (newspaper) photo of ''The late Mr A Dunstan (taken when he was Mayor)''; f. front of brick home ''St Leonards'', Don Street, home of Charles Perry; g. copy of photograph of David Lanyon and wife Augusta in front of their miners cottage, Ophir Street. Some printed detail re the couple attached to photo copy.bendigo, history, historical homes

A4 page with handwritten letter to Mr J Hattam of Bendigo from a son of John Ayre of Morwell. He has enclosed a wages book with the daily rate of pay. He says this is the last entry in the book of his father, John Ayre, as he was killed in the mine the next day. He wants to know if this is of interest to the society. Also typed copy: Inq. 636 Ayre, John 43 years - 28 November, 1914. 'M' + 'B' Echuca, 1871 Johnson's Reef No 2; explosion. Ayre was shift boss working in the intermediate level above the 1730 ft level, 300 ft from the crosscut, in the 'Paddy's Gully Mine', Dr Caulfield attended him. Inquest held at the Rose of Denmark Hotel, it appears that he had bored into a charged hole. Workers Compensation Act' was just coming into force. Also mentioned is Lily Ann Harrison, the mother of 7 children, who lived in Buckley Street. Her Father was John and her Mother Helen Plenty Caldwell. Coats Burial: Bendigo, '11' Headstone, C of E. '22624, no further burials. Ref: Bendigo Advertiser - Monday 30/11/1914. Written at the bottom Fm Bendigo's Lost Miners 1852 - 2001.person, individual, john ayre, mr j hattam, john ayre, wages book, johnson's reef no 2, paddy's gully mine, dr caulfield, rose of denmark hotel, lily ann harrison, helen plenty caldwell, coats burial, bendigo advertiser

a B. A. 16081985 Gillies shares the spoils and the pies b B.A. 12051982 Gillies Famous Pies advertisement c B.A. GB The Pies to Buy advertisement d Newspaper article Four'n'Twenty take on the US market e Newspaper article Gillies pies fuelled the great Empire Climb f B.A.Bendigo stalwart (Alan Gillies) dies g Second Board launches Bendigo firm into big league h The Gazette Wed 26081981 Humble Beginnings i B.A. Sat. 27091980 GB Pies Keys to the door j B.A. Thur 17061980 The glorious Aussie pie k B.A. thur 17061976 tons of Meat - 1000s of Pies l The Age Mon 29071985 Going Public to make a big crust m The Bendigo Miner Thur 17012008 serving up an iconic pie n B.A. Tues 15092015 Fond Farwell planned for Gillies Pies founder o The Gazette Wed 26081981 Humble Beginnings p The Gazette Wed 26081981 Millions and Millions of pies is the Gillies Bros. Story q Out and About Narrewillock no. 2204 r-s-t-u-v Buy Goodness....It's GilliesVarious

Emlyn Williams as Charles Dickens. Giving a Solo Performance of Scenes from the Famous Novels and Stories. Tour of New Zealand and Australia, 1958. D D O'Conner Productions Ltd.., in association with the Australian Elizabethan Theatre Trust. 1 Moving in Society. 2 Paul. 3 Mr Bob Sawyer Gives a Bachelor Party. 4 The Signalman. 5 Mr Chops. 6 The Fancy Ball. The Adoptions . . . The Desk . . . The Nature of the Performance. During the fifties of the last century, Charles Dickens, at the Height of his fame as a novelist, ventured on something quite new; he gave, in Birmingham, a public 'reading' of one of his stories. This turned out to be an historic occasion, opening up an extraordinary career for the great writer. Each 'Reading' was more sensationally successful than the last. The word was put into inverted commas because nothing could have been less like reading than Dickens's dramatic performance. Something like a hundred years later at the Criterion Theatre, EMILYN WILLIAMS appeared before the London public 'as Charles Dicken's, giving a solo performance of scenes from the novels.' At this point the actor had been a star of . . . Personal Manager for Emlyn Williams: Alan Cambell. Stage Director: Tony Ward. Secretary and Accountant: Aubrey Thomas. Manager for the Australian Elizabethan Theatre Trust: Mary Rawdon. EMILYN WILLIAMS. Emlyn Williams, as actor, playwright of director (often in all three capacities simultaneously) has been in the theatre since he acquired the degree of M.A. and shook from his feet the dust of Oxford. Born in Flintshire, North Wales, in 1905, the son of a village inn-keeper, he spoke only Welsh as a child and learned English at school - a boyhood freely depicted in his comedy, 'The Druid's Rest.' At the age of ten he won a scholarship to the local Holywell County School, and at the age of seventeen another scholarship (in French) to Christ Church, Oxford. Once at the University hw discovered the theatre, by means of the Dramatic Society, and realized at once it was to dominate his life. While he . . . Includes photo of E Williams. Advertisement for DECCA Records, Emlyn Williams as Charles Dickens, Volume 1.Back cover photograph of Emlyn Williams. Second Programme in Australia: Emlyn Williams as 'A Boy Growing Up' An entertainment from the stories of Dylan Thomas. 'Gorgeously Funny' - The observer, London. Cover well decorated with sketches and photo of Emlyn WilliamsPeerless Press Pty. Ltd.cottage, miners, emlyn williams as charles dickens. giving a solo performance of scenes from the famous novels and stories. tour of new zealand and australia, 1958. d d o'conner productions ltd.., in association with the australian elizabethan theatre trust. 1 moving in society. 2 paul. 3 mr bob sawyer gives a bachelor party. 4 the signalman. 5 mr chops. 6 the fancy ball. the adoptions . . . the desk . . . the nature of the performance. during the fifties of the last century, novelist, ventured on something quite new, in birmingham, a public 'reading'. an historic occasion, opening up a career 'reading' criterion theatre solo performance novels.' actor had been a star of . . . personal manager for emlyn williams: alan cambell. stage director: tony ward. secretary and accountant: aubrey thomas. manager for the australian elizabethan theatre trust: mary rawdon. actor, playwright of director (often in all three capacities simultaneously) degree of m.a. oxford. born in flintshire, north wales, in 1905, village inn-keeper, spoke welsh learned english at school. comedy, 'the druid's rest.' won a scholarship to the local holywell county school, and at the age of seventeen another scholarship (in french) to christ church, oxford. university he discovered the theatre, dramatic society. photo of e williams. advertisement for decca records, as charles dickens, volume 1.back cover photograph of emlyn williams. second programme in australia: emlyn williams as 'a boy growing up' stories of dylan thomas. 'gorgeously funny' - the observer, london.

Document. Connelly, Tatchell & Dunlop. 1 - 1880's - Document dealing with the Loddon Shire Trust and Serpentine Estate concerning damages done by Water Trust in constructing drain works, channels, weir building etc on Serpentine Estate. Contains statements by:- Raleigh Joseph - Sheep Farmer 'Tandarra'; Coutts George - Farmer & Grazier Fernihurst; Coutts David - Grazier; Stewart James Symes - Arbitrator and Auctioneer at Talbot; Moylan Mr W - Water Bailiff; Southern George Bell - Inspector of Works; McIvor John - Grazier & Farmer; Bryant Henry - Farmer & Contractor; Fleming George - Farmer & Grazier; Carter Samuel - Sheep Breeder & Squatter; Roberts Edmund Jas - Hay & Corn Merchant South Melbourne; Young George - Stock & Station Agent Ballarat; De Caris Elisha Clement - Wesleyan Minister; Starr John Gardner - Engineer to Water Trust; McKay Robert - Clerk in Office Mining Engineer; Manning James - Actuary.cottage, miners, connelly, tatchell & dunlop, loddon shire trust, serpentine estate, raleigh j, coutts geo, coutts d, stewart j s, moylan mr w, southern g b, mcivor j, bryant h, fleming geo, carter s, roberts e j, young g, de caris e c, starr j g, mckay r, manning j

Wallace v Burke Jere. Costs. 9 - 1889 - Watson v Benjeroop Trust. Letter dated 26 Aug 1889. 10 - 1910 - Note written by Smith Clara, Durham Ox, dated 134 Apr 1910 re payment. 11 - 1910 - Twigg E A W, Grazier, Mitiamo re payment. Letter dated 13 Apr 1910.cottage, miners, connelly, tatchell & dunlop, read j, hannaford miss, randall a d, stephens a w, corke & dunlop, roberts john, beard, darrigan, lewis george, roberts, ors, hatch. wallis a e, wallace, burke jere, watson, benjeroop trust, smith clara, twigg e a w

Document. Various legal papers. 1 - 1919 - East Loddon Shire (Serpentine) costs re Illicit slaughtering by law, re Clift & Vogele, Clift re Lakey. 2 - 1919 - Potter John (Fernihurst) and Potter W A (Langville) (W A Potter is son of John Potter) re costs. 3 - 1920 - Potter John (Fernihurst) re costs Land. 4 - 1920 - Pryor Joseph (Ultima) re costs Cowling & Broomhead. Application for Agricultural Lease. 5 - 1919 - Murphy Mrs A T(Bendigo) re costs Bickle. 6 - 1919 - McLoughlin J R (Campbell's Forest) re costs Thompson. 7 - 1917 - 1919 McNamara John (Farmer Toolleen) re costs. Re Osterfield, O'Donnell, Loan, Heard, Middlecoat & Others.cottage, miners, connelly, tatchell & dunlop, east loddon shire, clift & vogele, clift, lakey, potter john, potter w a, pryor john, cowling & broomhead, murphy mrs a t, bickle, mcloughlin j r, thompson, mcnamara john, osterfield, o'donnell, loan, heard, middlecoat

Documents. Various legal documents. 1 - 1920 - Sloan John Esq (Bul-A-Bul) Re costs owed Federal Land Tax. 2 - 1920 - Scholten G J. deceased (::Bendigo) RE costs Income Tax. 3 - 1919 - Connell J D & Bailey A D (clo Mr F Lapsley Bendigo) re costs Bogie. 4 - 1920 - Chambers John Jr. (Leichardt) re costs Chambers. 5 - 1920 - Cowling W (Bendigo) re costs Burke. 6 - 1919 - 1920 - Bailey A W Farmer (South Calivil) re costs Mathoura Land and Will. 7 - 1919 - 1920 - Bell Albert J (Leichardt) re costs A D A insurance and Will. 8 - 1919 - Bell S (Chemist Inglewood) re costs Libel. 9 - 1920 - Bagnell L Sr (Mologa) re costs Income Tax Returns. 10 - 1920 Bell James & Co. (:Melbourne) re costs Hogan. 11 - 1919 Butcher W H (Raywood) re costs Shadbolt, McNamara. 12 - 1920 - Bell John (Farmer Leichardt) re costs you from Cocks. Additional names:- McNamara, Bell John, Cocks.cottage, miners, connelly, tatchell & dunlop, sloan john, scholten g j, connell j d, bailey a d, lapsley mr f, bogie, chambers john jr, cowling w, burke, bailey a w, bell albert j, a d a insurance, bell a, bagnell l sr, bell james & co, hogan, butcher w h, shadbolt

This photograph dates to 1899, towards the end of the gold rush in the Mopoke Gully area. A slurry of rocks after they have been broken up is depicted, and this is part of the hydraulic sluicing mining process. Four men are relaxing under a wooden structure, with a fifth bearded man standing near a stone wall. This photograph interestingly contains dogs alongside the miners. While dogs have been recorded as deterrents to thieves in the Victorian goldfields, these dogs appear as companions to these men. Mopoke Gully mines came under the 'Fryer's Creek' division of the Castlemaine District during the Gold Rush. After the Gold Rush began in Victoria with the discovery of gold at Ballarat in 1851, Gold was found in Castlemaine by December of that year. 20,000 diggers were spread across the Castlemaine region, and the area was yielding about 23,000 ounces of gold per week. Mopoke Gully was the site of the Mopoke Gully Water Wheel, operating under the Bendigo and Fryers Goldmining Company from 1887 until 1900. This Water Wheel was used in the gold mining technique of 'sluicing'. Hydraulic sluicing uses high pressure water jets to blast away the earth, which runs through a sluice box, catching the gold with all remaining slurry washing away. Hydraulicking is the process of breaking up the rocks and suspending it in a slurry. This Water Wheel was built the same year as the more famous 'Chewton Water Wheel', but was smaller in diameter (60ft as opposed to Chewton's 72ft). The Mopoke Water Wheel ruins are quite intact today, and are a registered archaeological site.The search for gold is ingrained into the history of Victoria and therefore, images like this one which portray a sluicing site can reveal important information for society and technology for the date when the photograph was taken. This image is of important historical significance for its ability to convey information about sluicing and the methods used to find gold in 1899. It also shows a location where sluicing was undertook which provides insight into the impact of sluicing on the environment at a time when it was done. This photograph reveals important information on the use of dogs on Victorian goldfields in 1899. Dogs were used both as companions, such as this photograph depicts, as well as deterrents to thieves. Sepia coloured rectangular photograph printed on gloss photographic paper mounted on card.Obverse: Reverse: A02497/ 1997.2497/ 'Good/ Luck/ Mine'/ Morepork/ Gully/ Mrs Joyce/ Bright/ Tunnel/ 800 ft/ 1899. beechworth, burke museum, gold, gold mining, 1899, castlemaine, mopoke gully, good luck mine, fryer's creek, gold rush, victorian gold rush, water wheel, sluicing, chewton, slurry

This photograph was captured sometime between an estimated 1940s-1950s. It depicts the Beechworth Benevolent Asylum (later the Ovens and Murray Hospital for the Aged) which was built in 1862. It is located on an elevated site in Beechworth, Victoria because it was believed the height was beneficial to the health of the patients at the Benevolent. Later wings were added to the original building between 1867 and 1890. The building was constructed in an unusual Flemish Gothic Revival style which contrasts with the classical style of the Mayday Hills Hospital in close proximity to the Benevolent. The Hospital was designed in Italianate Revival architecture. The appearance of buildings like the Mayday Hills Hospital and the Ovens Benevolent Asylum are representative of the importance of Beechworth as a town shortly after the goldrush. During the 1850s and 1860s, administration buildings were erected alongside churches, shops and structures of justice. This marks a movement away from the "chaotic" structure of life on the goldfields and towards a more civilised and cultural lifestyle. This social phenomenon is also witnessed in Melbourne with the creation of buildings like the State Library and the University of Melbourne. The Beechworth Benevolent Asylum was renamed the Ovens Benevolent Home in 1935. The Asylum had been set up to provide accommodation and care for permanently injured gold miners, and for women and children who were penniless, homeless, or whose parents were guests of the state. In 1954 it was renamed as The Ovens and Murray Home (as pictured in this photograph). The purpose of this building was to provide a refuge for the poor and destitute, homeless older men, deserted women and children along with providing care for the mentally ill. These buildings were built at the government's expense and are of great historical and architectural significance.This photograph depicts the Ovens and Murray Home (previously the Ovens Benevolent Home) during the 1940s or 1950s. Since this building is of great historic and architectural significance, photographs like this are especially valuable in reconstructing the use history and any changes/additions to the building over a period of time. This building is important for what it can reveal about society in Beechworth and also architectural styles. This building is made in the Flemish Gothic Revival style which is quite unusual for the 1860s. It is important as an early example of a building constructed for a specific purpose, in the case of this particular building: caring for the aged/destitute. This building is important for research into the civic development of Beechworth as an early Gold Rush town located in Victoria's North-East. During this period, Beechworth was developing as the main center of administration in this region which made it a very influential and quickly developed town. Photographs like this one which depict a building during one period in history can reveal important information for the use and alterations of a building and for preferences in architectural style. It can also be studied for what it reveals about society in Beechworth and compared and contrasted to similar institutions across Australia and with additional photographs in the Burke Museum collection.Black and white rectangular photograph printed on gloss photographic paperObverse: OVENS & MURRAY HOME / Reverse: KODAK PAPER / 727 / J. Collins BMM 8689.1 /mayday hills, beechworth benevolent asylum, ovens benevolent home, asylum, refuge, poor and destitute, goldrush, flemish gothic revival, architecture

This photograph was captured sometime between an estimated 1940s-1950s. It depicts the Beechworth Benevolent Asylum (later the Ovens and Murray Hospital for the Aged) which was built in 1862. It is located on an elevated site in Beechworth, Victoria because it was believed the height was beneficial to the health of the patients at the Benevolent. Later wings were added to the original building between 1867 and 1890. The building was constructed in an unusual Flemish Gothic Revival style which contrasts with the classical style of the Mayday Hills Hospital in close proximity to the Benevolent. The Hospital was designed in Italianate Revival architecture. The appearance of buildings like the Mayday Hills Hospital and the Ovens Benevolent Asylum are representative of the importance of Beechworth as a town shortly after the goldrush. During the 1850s and 1860s, administration buildings were erected alongside churches, shops and structures of justice. This marks a movement away from the "chaotic" structure of life on the goldfields and towards a more civilised and cultural lifestyle. This social phenomenon is also witnessed in Melbourne with the creation of buildings like the State Library and the University of Melbourne. The Beechworth Benevolent Asylum was renamed the Ovens Benevolent Home in 1935. The Asylum had been set up to provide accommodation and care for permanently injured gold miners, and for women and children who were penniless, homeless, or whose parents were guests of the state. In 1954 it was renamed as The Ovens and Murray Home (as pictured in this photograph). The purpose of this building was to provide a refuge for the poor and destitute, homeless older men, deserted women and children along with providing care for the mentally ill. These buildings were built at the government's expense and are of great historical and architectural significance.This photograph depicts the Ovens and Murray Home (previously the Ovens Benevolent Home) during the 1940s or 1950s. Since this building is of great historic and architectural significance, photographs like this are especially valuable in reconstructing the use history and any changes/additions to the building over a period of time. This building is important for what it can reveal about society in Beechworth and also architectural styles. This building is made in the Flemish Gothic Revival style which is quite unusual for the 1860s. It is important as an early example of a building constructed for a specific purpose, in the case of this particular building: caring for the aged/destitute. This building is important for research into the civic development of Beechworth as an early Gold Rush town located in Victoria's North-East. During this period, Beechworth was developing as the main center of administration in this region which made it a very influential and quickly developed town. Photographs like this one which depict a building during one period in history can reveal important information for the use and alterations of a building and for preferences in architectural style. It can also be studied for what it reveals about society in Beechworth and compared and contrasted to similar institutions across Australia and with additional photographs in the Burke Museum collection.Black and white rectangular photograph printed on gloss photographic paperBack of photograph. Handwriting: "For John Beckingsale"mayday hills, beechworth benevolent asylum, ovens benevolent home, destitute, gold town, beechworth, victoria, north-east vic

Lithography is a method of printing, originally based on the immiscibility of oil and water. The printing is from a stone or a metal plate with a smooth surface. It was invented in 1796 by the German author and actor Alois Senefelder and was initially used for musical scores and maps. There were two sailing ships with the name Helen B Sterling a six masted vessel and an earlier four masted Helen B Stirling that is the subject of the lithograph depicting the rescue of the crew and passengers by the Australian light Cruiser Melbourne in a gale off three Kings islands 55 kilometres Northwest of Cape Reinga New Zealand. This Helen B Sterling was built as a four mast wooden auxiliary screw Schooner, known as a wind jammer of 1608 tons. The vessel was formally known as the “Tacoma” and owned by the Washington Shipping Corporation based in Seattle USA in 1917. This original Helen B Sterling was caught in this storm and eventually sunk after being abandoned by the crew. The second generation relatives of those who were passengers at the time of the foundering advise that the storm was more like a cyclone. The Zeehan and Dundas Herald reported on January 26th 1922 that the abandoned vessel was still afloat and drifting towards the New Zealand coast. The Kalgoorie Miner newspaper also had an article reporting that on the 7th Feb 1922 the crew, captain, first mate and their families after being heroically rescued by the crew of the Australian light Cruiser Melbourne were arriving in Sydney today aboard the steamer the “Maheno” from New Zealand.Lithograph appears to be by an unknown artist A M Duffield produced in 1924. It is significant in that it depicts the rescuing of the passengers and crew of the schooner “Helen B Stirling”. At the time this was a significant event that made most Australian and New Zealand papers because of the involvement of the Australian cruiser “Melbourne”.Lithograph framed of cruiser Melbourne rescuing crew from Helen B Stirling off New Zealand coast. By A.M. Duffield."Australian Cruiser Melbourne Rescuing crew of (undetermined text _ _) Schooner Helen B Sterling of (Halifax Nth Canada Tons 1343 in a gale in the Pacific Ocean" (this last potion of text is incorrect see note sec this document) Lithograph signed bottom right hand corner in black "A M Duffield Nov 19th 1924"warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, lithograph, a.m.duffield., helen b stirling, schooner, cape reinga new zealand, alois senefelder, cruiser melbourne, three kings islands

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. As Sarah is in her dressing gown and slippers these photos could refer to a note on an envelope left by Frank which says 'Mother taken on the first day up out of bed - at Lauls on 13th May 1928'. .1) black and white photograph of a man and a woman sitting on a wicker chair which is on a tessellated floor of the front porch of a brick building. The woman is wearing a dressing gown and slippers. The man is Frank Wright and the woman is Sarah Wright, his mother. .2) black and white photograph of a woman sitting on a wicker armchair with a pillow behind her back. The chair is on a tessellated floor on the front porch of a brick building. The woman is Sarah Wright. .3) black and white photograph of a man, two women and a child sitting on a wicker chair which is on a tessellated floor on the front porch of a brick building. The man is Frank Wright and the older woman is his mother Sarah Wright. The younger woman is his sister Laura and her son, Frank Ritchie is sitting on Frank's lap.On the left hand side of the porch are ornate columns and on the right hand side is a potted plant.frank wright, sarah wright, laura wright, tessilated floor, wicker chair, ornate column, child

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Alex was an accomplished opera and musical comedy singer. Maurice won the Tenor Championship in New Zealand. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Sepia photograph of a group of four men, three of which are seated. They are all dressed in 3-piece suits. The men are Frank Wright, William Wright (the father), Alex Wright (behind) and another brother (possibly Maurice).frank wright, william wright, alex wright, cornet, ballarat, conductor, "wendouree", smeaton

From the collection of Frank Wright. Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Six similar black and white photographs of a headstone. The headstone marks the graves of three people; Hilda, her mother Sarah and father William. It is the Wright family headstone and the place is Smeaton Cemetery.hilda wright, sarah wright, willaim wright, frank wright, headstone, smeaton cemetery, family history

Vernon Holt was a boyhood friend of Frank Wright. Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a young man dressed in a light coloured suit with long socks pulled over his trouser legs to the knee. He is carrying a cap and is standing in a clearing with trees and bush behind. The man is Vernon Holt.vernon holt, frank wright

Laura Ritchie was the sister of Frank Wright who was a renown resident of Smeaton, She was a gifted viola player and won the Australian Violin Championship. They lived at Laura Villa, and attended Smeaton State School. Frank's father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of two women, one holding a child. They are standing in front of a side fence with a timber house behind. The women are Laura Wright-Ritchie and Mrs R.C Wright, The child is Beryl.Written in pen on back - Laura & Mrs R.C. Wright & Beryl (Baby), Taken by F.W. April 1922laura wright-ritchie, mrs r wright, frank wright,

Vernon Holt was a friend of Frank Wright. Frank was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white studio photograph of the torso of a young man dressed in a suit. The man is Vernon Holt.vernon holt, frank wright, brass band

Laura Ritchie was the sister of Frank Wright who was a renown resident of Smeaton, She was a gifted viola player and won the Australian Violin Championship. They lived at Laura Villa, and attended Smeaton State School. Frank's father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. Hand coloured photograph of a woman with a baby on her lap, seated on a path in front of a cottage with a picket fence. The woman is Laura Ritchie nee Wright.frank wright, cornet, conductor, ballarat, laura ritchie

Vernon Holt was a boyhood friend of Frank Wright. Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in AustraliaBlack and white photograph of a young man half turned as he is seated in front of a piano in a drawing room. His head is bowed as he studies a book of music, On the right side is a large plant on a plant stand and there are various jugs and ornaments on top of the piano. The young man is Vernon Holt. Written in pen on the back - Vernon Holt, (14) in Drawing room. 6 Pleasant St Nth, Ballarat, 23/5/22, F.W. (Au)frank wright, ballarat, cornet, conductor, smeaton, vernon holt

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council (the GLC or Greater London Council), where he organized many amazing concerts in most of the 150 parks, in and around the London district. He was also responsible for some of London’s major concerts at Kenwood, the Crystal Palace and Holland Park. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.1). Black and white photograph of an oval and spectators in the foreground and houses beyond the far fence, with mountains in the distance. On the oval are several bands in different areas. The place is Basin Reserve, Wellington and the occasion is the band contest. 2). Newspaper photograph and caption of an oval with spectators in the foreground and brass bands formed in a square around a raised platform on which is standing the conductor. The place is Wellington and the conductor is Frank Wright.1). Written in pencil on the back - Band contest at Basin Reserve Wellington, Feb 1940 2). Written in pencil on left side - Free Lance Feb 1940frank wright, conductor, brass band, basin reserve, wellington, adjudicator

Laura Wright was the sister of Frank Wright who was a renown resident of Smeaton, where they was born. They lived at Laura Villa, and attended Smeaton State School with their siblings. Their father William was a gold miner and their mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. Laura married Mr W.M. Ritchie and lived in BallaratBlack and white photograph of a woman standing beside a net curtained window. The sunlight illuminates the face and torso. There is a marked contrast between the light and the darkened room. The woman is Laura WrightWritten in pen on the back - Laura Wright, 2/1/24, F.W.laura wright, frank wright, cornet, conductor

Sarah Wright was the mother of Frank Wright and was born around 1858 and died in April 1932 aged 74 years. Frank Wright was a renown resident of Smeaton, where he was born. Frank Wright said that his mother had "a voice of purest gold, placidity and graciousness that were characteristic of Melba". The family lived at Laura Villa, and attended Smeaton State School. Frank's father William was a gold miner. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Frank Wright's mother sits at a table in a kitchen (probably her home - Laura Villa, Smeaton)On back - Post Card, Kodak Australiasarah wright, frank wright, brass band, smeaton, laura cottage

Alex Wright travelled to England in 1930 and was known as the Prince of Mimic. His stage name was Navarre. He died in an air-raid in the Hippodrome Birmingham in 1940. He was the brother of Frank Wright who was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.A black and white photograph of a man wearing work pants and a tie and jacket standing in a paddock near a fence and with timber lying on the ground. on back - Alex Wright 25, Taken at Smeaton, 19.9.23, F.W. (Au)alex wright, frank wright, smeaton, navarre

Mr R.C.Wright was a relative of Mr Frank Wright. Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man in a three piece suit holding a little girl in his right arm. They are standing in the garden of a timber house with wrought iron features. The man is Mr R.C.Wright.Written on the back - Mr R.C.Wright. Northcote, 9/4/1922, F.W.frank wright, r.c.wright, cornet, ballarat, timber house