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Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Digital image, Barry Sutton, c.1930
In 1930 the Society were pioneers in opening an Ante-Natal Clinic at the Melbourne District Nursing Society (MDNS) After-Care Home, setting a high standard with equipment, keeping records and providing leaflets with instructions in how to keep healthy during pregnancy, what complications to look for, and what to do when labour commenced. This image was taken in the Ante-Natal Clinic and shows some of the equipment used at that time and the uniforms worn by Trained nurses (Sisters) in the 1930s. Melbourne District Nursing Society (MDNS) was founded in 1885 and only nurses who had trained in a Hospital Training School and were fully qualified were employed by the Society. It commenced with one Trained nurse (Nurse), and another employed six months later; both walking amid the slums of inner Melbourne administering nursing care to the sick poor. The Society decided to commence a Midwifery Service and Nurse Fowler, who had previously worked for the Society, was re-employed as their first Trained Midwife. She began home births in August 1893 giving some Ante Natal care, taking midwifery bundles and providing clothes for the babe and mother as needed. Following birth, she gave Post-natal care to the mother and babe twice a day for three days and then daily for a week, and longer if required. She resigned after twelve months and Nurse Wilkie was appointed to the position. As well as walking, the Nurses used Public transport in the limited areas it ran, though a taxi was used by the Nurses and Midwife in emergencies and at night. As the Society expanded it rented premises until it was able to purchase it's own Nurses Home at 39 Victoria Parade, Collingwood in 1914. The Society were pioneers in recognizing the need for premises where patients too ill to be in their own home, but not ill enough to go to hospital, was needed. Land was procured next to No. 39, and the Society built the After-Care Home at 45 Victoria Parade, for these patients, and for patients from Hospitals. It was opened in July 1926 and the name of the Society then became ‘Melbourne District Nursing Society and After-Care Home’ (‘Hospital’ from 1934) The Ante-Natal Clinic at the Melbourne District Nursing Society After-Care Home was opened on the 23rd of September 1930 and MDNS Midwifery patients were encouraged to attend. Prior to the opening of the clinic Ante-natal care was not considered important, but within a short time 100 percent of MDNS Midwifery patients were attending. During 1934 the Women’s Welfare Clinic, including at the time a very controversial Family Planning Clinic, the first of its kind in Australia, was opened to support women at risk following multiple and difficult pregnancies. The Clinic gave advice on birth-control and was attended by their own patients at first, but then accepted patients from Melbourne public hospitals until their own clinics were opened.Digital image showing a Doctor and three Melbourne District Nursing Society (MDNS) Sisters attending a patient in the Ante-Natal Clinic at the After Care Hospital. In the forefront is a set of scales standing on the floor, behind which is the lady lying on a wooden framed bed with the base slightly raised at the top end supporting a white pillow and the lady's head. The lady has short dark hair and her frock can be seen to her waist; the rest of her body is covered by a white sheet and dark coloured blanket. Behind her and to the right of the image, are two Sisters wearing dark coloured long sleeved uniforms which have a belt and white collar; they are both wearing white veils over their short dart hair. To their left is a Doctor who has short dart wavy hair and is looking down at the lady. He is wearing a long white gown and has a stethoscope in his ears with the other end held in his right hand. To his left is another Sister who is wearing a white veil over her dark curled hair, and is wearing a long white gown. In the rear between the Doctor and Sister a hand basin can be seen. On the far left of the picture a trolley with two cloth covered shelves can be seen; a basin and squat bottle sits on the top shelf and kidney dish on the lower one. Behind this, part of a window can be seen.after- care hospital, 45 victoria parade collingwood, melbourne district nursing society (1885-1957), ante-natal clinic, after-care home, mdns midwifery, rdns, royal district nursing service -
Forests Commission Retired Personnel Association (FCRPA)
Broad Axe, double bevelled edge
There are two categories of cutting edge on broad axes and both are used for shaping logs by hewing. 1. Single bevel axe - one side is flat and the other side bevelled, also called a side axe. The handle may curve away from the flat side to allow an optimal stance. The flat blade but can only be worked from one direction and is right-handed or left-handed. 2. Double bevel axe - both sides are bevelled and produces a scalloped cut. The axe has a straight handle and can be swung with either side against the wood. A double-bevelled broad axe can be used for chopping or notching as well as hewing. Broad Axe - Double bevelled edge Straight wooden handlesmall lettering and government crows foot -
Flagstaff Hill Maritime Museum and Village
Container - Ink Jug, Second half of 19th Century or first half of the 20th Century
This metal ink jug or can, was used to dispense portions of ink to individual inkwells contained on the top of each pupil's desk. The jug is not unlike a small indoor watering can. The ink would be supplied to schools in large glass or stoneware bottles, and these would have been too unwieldy and difficult to use to pour ink into the small inkwells. Therefore it was decanted into the metal ink jugs and then poured into the inkwells. After a child was deemed old enough to progress from just using slate and board, he/she would have been supplied with a pen shaft made of wood and with a very basic metal nib. The ink jug would be used to fill up the individual inkwells. This operation would have been conducted by the teacher him/herself, or by an older pupil under the close eye of the teacher.Ink jug, metal, black, with long spout & metal handleNone.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ink, jug -
Flagstaff Hill Maritime Museum and Village
Container - Ink Jug, Second half of 19th Century or first half of the 20th Century
This metal ink jug or can, was used to dispense portions of ink to individual inkwells contained on the top of each pupil's desk. The jug is not unlike a small indoor watering can. The ink would be supplied to schools in large glass or stoneware bottles, and these would have been too unwieldy and difficult to use to pour ink into the small inkwells. Therefore it was decanted into the metal ink jugs and then poured into the inkwells.After a child was deemed old enough to progress from just using slate and board, he/she would have been supplied with a pen shaft made of wood and with a very basic metal nib. The ink jug would be used to fill up the individual inkwells. This operation would have been conducted by the teacher him/herself, or by an older pupil under the close eye of the teacher.Ink jug metal black with long spout & metal handle.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ink, jug -
Melbourne Tram Museum
Photograph - Cable tram - Northcote terminus, 1930s
Photo of a cable tram set that has arrived at the Northcote line terminus in High St, prior to shunting. Another two cable sets are in the background. The gripman and conductor can be seen to be preparing to shunt the tram. The photo caption says the trailer is No. 235. A Bundy clock can been seen on the pavement on the left side of the photograph. A hairdresser and tobacconist shop are in the view. Photographer and date unknown.Yields information about Northcote cable tram terminus in High St at Dundas St.Black and white print with a hand written note on rear.In pencil "Car 235 at Dundas St"trams, tramways, northcote, high st, cable trams, tram 235, bundy clock -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Photograph, postcard "Boiling the Billy" c1900, Early 1900's "Boiling the Billy", c1900
Early 1900's. "Boiling the billy". The term billy or billycan is particularly associated with Australian usage, but is also used in the UK and Ireland. It is widely accepted that the term "billycan" is derived from the large cans used for transporting bouilli or bully beef on Australia-bound ships or during exploration of the outback, which after use were modified for boiling water over a camp fire. Postcards developed out of the complex tradition of nineteenth-century printed calling cards, beginning with the advent of the Cartes-de-Visite in France. In the 1850s, Parisian photographer Andre Adolphe Eugene Disderi invented a photographic process involving egg white, albumen, and silver nitrate to create inexpensive portraits on paper cards. These photographic Cartes-de-Visites were 2 1/2 (75mm) by 4 inches (98mm) and became a popular, collectable form of "visiting cards" world-wide. Photographers would reprint portraits of famous individuals they had taken at their studios or during travel and sell them as collectable cards. Postcards as we know them now first began in 1861 as cards mailed by private post. In the 1870s picture postcards grew in popularity throughout the United States, Britain, Europe, and Japan. Cards were first permitted to have a "Divided Back," with text written on the left half of a dividing line and the address on the right half, beginning in England in 1902. Around 1900 the first postcards made of "Real Photos" rather than artwork began to circulate, aided in by advances in amateur photography equipment by companies such as Kodak. Kodak also introduced postcard paper for photographic development and photography studios began to offer portraits printed as postcards Many local town, countryside, and architectural images were captured during this period by local photographers, then printed and sold as postcards . Advances in amateur photography all contributed to a postcard craze that lasted from 1900 to the First World War. Postcards were the preferred means to send a quick note, whether across town or across a continent.Postcard with a black and white Photograph on the front and a 'Divided Back ' for the message and address. There are seven men surrounding the billy suspended over a camp fire. The ground has a lot of dead branches around. One man is bending down towards the billy. Two men on either side of the camp fire are carrying either a white bag across their shoulders or the fish in their hands. You can see, that there is some steam also coming out of the billy, which means that its hot. Court Post Card. / this space may be used for correspondence. / The address only to be written here.1900's, boiling the billy , postcards, photographers, england, hungary, america, cartes-de-visite, visiting cards, moorabbin, cheltenham, bentleigh, market gardeners, early settlers, pioneers, -
Kiewa Valley Historical Society
Bottle - Poison
Fly killer liquid was used in manually operated sprays to kill insects in the home. This was used prior to aerosol cans being available.Common household item used before availability of aerosol cans.Insecticide. Brown straight sided glass bottle with tin screw lid. Base is rectangular in shape. Two thirds of the way up the sides taper to a round opening. The front and two sides are covered with a yellow paper label which is covered with mostly black writing. The title of the label is Rawleigh's Pyrethro Fly Killer Back of bottle at base - embossed: '2' Base - embossed: 5/F1837/Minsecticide; bottle; household item -
Eltham District Historical Society Inc
Photograph - Colour Print, Lewis Tulk, Eltham District Scout Camp, Eltham Town Park, c.1982
A Tait 'Red Rattler' train can be seen in the background. Donated by Lewis Tulk, former Scout Area Training Commisioner for Leaders.scouts victoria, scout leader training, lewis tulk collection, yarra batman area, alistair knox park, eltham district scout camp, eltham town park, red rattler, tait train -
Greensborough Historical Society
Domestic object - Rolling Pin, Glass rolling pin, 1930c
Glass rolling pin can be filled with warm or ice water, cork stoppers missing. Used in baking for rolling out pastry.Glass rolling pin, molded lass, cork stoppers missingrolling pins, cooking, baking utensils -
Greensborough Historical Society
Photograph - Digital image, View from Greensborough Lower Oval, 1935c
Photograph of the Greensborough Lower Oval in Main Street Greensborough opposite St Helena Road. The village of Greensborough can be seen In the background.An early view of Greensborough.Digital copy of black and white photograph.greensborough, lower oval greensborough -
Greensborough Historical Society
Photograph - Digital image, Eddie Smith at Sutherland Homes, 1956c
Black and white photograph or Eddie (Edmond) Smith at Sutherland Homes in Diamond Creek. Eddie's story can be read in "The Silver Poplar".Black and white digital photographedmond smith, sutherland homes for children -
Greensborough Historical Society
Newspaper Clipping, Diamond Valley Leader, Programs give families a 'toolbox' to cope with drug addiction, 27/07/2016
Families struggling with a loved-one's drug addiction can get help through "Family Drug Help" at Banyule Community Health. News clipping, black text and colour image.banyule community health, drug addiction, family drug help -
Flagstaff Hill Maritime Museum and Village
Tool - Inside Shave Plane, Prior to 1950
A plane used by a cooper to smooth the inside of barrels can also be used for smoothing other curved surfaces like chairs etc.A tool of the cooper and other woodworking tradesmen that has been in use since the making of barrels and wooden buckets for hundreds of years without much change to the design or how the tool is used. The subject item at this time cannot be associated with an historical event, person or place, provenance is unknown, item assessed as a collection asset as it is believed to have been produced before 1950.Inside Shave Plane for curved surfacesNoneflagstaff hill, warrnambool, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, curved smoothing plane, coopers tools -
Moorabbin Air Museum
Booklet (item) - Handbook of advice for civilians in war time
A handbook, most likely from the Second World War that outlines what civilians should expect and how they can be ready for war.second world war, ww2, civilians, home front -
Clunes Museum
Photograph
MORGAN WILLIAMS' WIFE WAS SUSIE WHO WAS A MIDWIFE. THEY LIVED AT THE END OF FRASER ST. SOUTH. THE GARAGE AND SHED CAN STILL BE SEEN.PHOTOCOPY OF MORGAN WILLIAMS AND BETTY HAY OF COLAC . TAKEN IN 1946local history, photography, photographs -
City of Ballarat Libraries
Photograph - Card Box Photographs, Ballarat Town Hall & Sturt Street circa 1936
You can see the Town Hall and both sides of Sturt Street looking east. Some of the business include Crockers and Tunbridges.ballarat town hall, sturt street, streetscape, electric tram, garden, crockers, tunbridges, vehicle, building, public building, commerical -
Kew Historical Society Inc
Clothing - Fur Collars, Two Full Body Marten Fur Collars, 1920-1930
The collars can be dated to the 1920s, evidenced by a photograph of Gwen Steele (nee Kelly) wearing them on a trip in New Zealand in 1930. Items of fur clothing with provenance allowing a creation date of the 1920sTwo fur collars made of European marten fur. One collar is of Stone (Beech) Marten fur; the other of Baum (Pine) Marten.Handwritten Note on reverse of photo Photo taken in 1930 in NZ. Mrs Gwen Kelly, now Gwen Steele, wearing Stone Marten fur. Also Baum Marten fur about same date. (Weasel type animal with valuable fur - Oxford Dic.)fur collars, full body furs, stone marten fur collar, baum marten fur collar, furs - 1920s -
Stawell Historical Society Inc
Photograph, St. Patrick’s Church Interior before the marble altar presented by Mr Angus McLennan
St. Patrick’s Church Interior before the marble altar presented by Mr Angus McLennan. The Stations of the Cross can be seen on the walls.stawell religion -
Stawell Historical Society Inc
Photograph, Sloane's & Scotchman United Quartz Mining Co Looking East up upper Main Street c1916
Sloane's & Scotchman Mining Co Looking East up upper Main Street The back view of the Ore Bin can be seen. Street view looking uphill towards mine site. Cows grazing at right.stawell mining -
Vision Australia
Leisure object - Object, Black playing card holder, 19
A black curved plastic card holder to assist people holding their cards. It can be placed on either the table or fits into your hand. 1 black plastic playing card holderrecreation, games -
Port Fairy Historical Society Museum and Archives
Photograph, Light Horse- Procession
Light Horse Procession. Corner of Cox and Sackville, you can see old Post Office and Eastside of Sackville Street shops.Black and white Photographdefence, light horse, procession, sackville street -
Port Melbourne Historical & Preservation Society
Audio - Oral History, Sylvia Gleeson, 29 May 1991
Interviewed by Pat Grainger at Sylvia's home at 98 Princes Street. Interview used in contributions to the book "They Can Carry Me Out" .Sylvia Gleeson discussing her life in Port Melbourne, particularly in relation to the operation of the kiosk on the East Wing Pier of Station PierDuration 01:03:07families, domestic life, piers and wharves - station pier, business and traders - kiosk, sylvia gleeson -
Bendigo Military Museum
Administrative record - DRIVERS LICENCE, ARMY, Aust Army (AMF), Army Driving Licence
See Cat 4867.2 for dataA Brown buckram document. It is folded 3 ways to make a pocket sized document. Inside is white paper with both printed and written words. It is Army Form AAF G11 No. 111458.It was issued to VX119118 Pte Robert Charles Letts. It states he can drive cars and vans (synchronised gear box) Vans (Plain gear Box) All dated at 8 Dec 1943. Trucks 15 Cut and over.ww2, drivers licence -
Phillip Island and District Historical Society Inc.
Photograph - Post Card, Valentine Postcard
Donated by S Serpell fo Serpell & Reid families, SandringhamSepia Postcard of The Isle of Wight - England. Postcard shows six areas around the Isle of Wight.Six Wonders of The Isle of Wight. Needles - you cannot thread. Ryde - where you walk. Cowes - you cannot milk. Freshwater - you cannot drink. Lake - you can motor in. Newport - you cannot bottle.isle of wight england, s serpell -
Ringwood and District Historical Society
Photograph, Two images of view from Pinemont Estate, Loughnans Hill, looking east, c1930
Black and white photograph of view. Trees and bushes in foreground, orchards and mountains towards background. (2 copies)Typed on photograph, "Pinemont Estate, Ringwood. View Dandenong Ranges, from estate". Typed below photograph, "View from Loughnans Hill, looking east, c1930. Club Hotel can just be seen top right corner". -
Lakes Entrance Historical Society
Photograph - Lakes Entrance State School, 1954
Scanned and printed by LERHS.Copy of page from The Lakes Post showing children of grades 3 and 4 at Lakes Entrance State School. Lakes Entrance VictoriaThis picture was taken of a grade 3-4 class at Lakes Entrance State (Primary) School 2672 back in 1954. If you can pick out a face or know somebody that attended the school around this time let the 'Post' know.schools, students -
Warrnambool and District Historical Society Inc.
Poster - Jordan Studios, 1906
This is a 1906 advertising poster for the photographic business, Jordan Studios, Liebig Street, Warrnambool. This business was established in 1890 by Joseph Jordan, an Englishman who had been in the British Army in India. He erected the Jordan Studios building (94 Liebig Street) in 1901. Joseph’s son, Arthur, was also a photographer and artist. He photographed and sketched Wilmot (Abraham) several times and used one of these sketches as a basis for this advertising poster. It was well-known at the time that Wilmot was always willing to pose for photographs or drawings. Wilmot (Corwhorong), called ‘the last of his tribe’, was a member of the Tooram group associated with the Kirrae tribe. He spent the early part of his life at the Allan ‘Tooram’ property and was later at the Murray Warrnambool home, ‘Waikato’. He died in 1916 and is buried in the Warrnambool CemeteryThis advertising poster is of considerable importance as it is an interesting example of advertising by a photographer at the beginning of the 20th century. It is also important because it advertises Jordan Studios, one of the most significant photographic businesses in Warrnambool’s history. It also is an example of Arthur Jordan’s artistic abilityThis is large advertising sheet of paper featuring a black and white sketch of the aborigine, Wilmot and Arthur Jordan, the artist/photographer. Jordan is seated and is sketching Wilmot who is sitting cross-legged. The sketch includes a mug, a billy can, a fire and a humorous caption. The edges of the sheet are somewhat tattered. ‘Notice. Visitors to Warrnambool, go to Jordan’s Studio, Liebig St, next Bank of Victoria, for your Portraits, Groups, Views and Postcards’ ‘Hurry up, old feller, I want to go to Jordan’s before I go to the races. A lady wants my photo very pertickler’ ‘Jordan ‘06’ jordan studios, arthur jordan, wilmot, warrnambool, corwhorong, advertising, liebig street -
Port of Echuca
Black and white photograph, Approx. 1980
Information of construction of Pride of the Murray. Construction: Composite Tonnage: 71 gross 36 net Dimensions: L 82.4 ft B 15.5 ft D 4.4 Date of Registration: Melbourne 1870 no.88, 918 Built: Echuca, Vic. 1865 Owners: Permewan, Wights & co.This photo has Social and historical significance,depicting some of the boats and the wharf in the 1980's. It gives a very clear visual of the Port of Echuca wharf and the Echuca banks of the Murray with some of the beach visible. Black and white satin photograph of the starboard side of the P. S. Canberra sailing upstream on Murray river between the Port of Echuca wharf and the Echuca bridge. The Pride of the Murray (front on) can be seen further behind , on the left, with the Pevensey, which appears to be moored in front of the wharf in the background. On front of photo paddlesteamers are marked Canberra & Pride of the Murray. On back of the photo is marked in pencil: please return to Mrs H.Coulson, Port of Echuca, Box 35, Echuca.echuca wharf, p.s. canberra -
Bendigo Military Museum
Postcard - POSTCARDS OF HMAS AUSTRALIA IN 1920, Royal Australian Navy, c1920's
1. B & W postcard shows scene of foredeck taken from the bridge. One twin gun turret can be observed. The ship is tied up at a wharf. 2. Side view of HMAS AUSTRALIA. The photo shows one gun turret, two funnels and wireless mast.1. On front bottom is handwritten "View from bridge of HMAS AUSTRALIA". 2. On front bottom is written "HMAS AUSTRALIA during Navy days in the 1920's" .photographs, ran, hmas australia -
Bendigo Military Museum
Postcard - POSTCARDS SET OF THREE OF TEL AVIV, PALESTINE, TMLINA JERUSALEM
See Cat 4575P.Set of 3 Black and white postcards printed in Palestine, WW2. 1. A scene of the Shephardic Synagogue, Tel Aviv. 2. A street scene of Allenby Street, Tel Aviv. 3. A scene of Moepabi Opera House, Tel Aviv. In the foreground can be seen horse drawn taxis.Nilww2, tel aviv, palestine