Showing 98140 items
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Clunes Museum
Photograph
PHOTO TAKEN AT THE CLUNES MUSEUM OF D. RODGERS, M. HARRIS, MR. LAYlocal history, photography, photographs, museum, clunes -
Clunes Museum
Photograph, 1998
VISIT TO "KERRIE DANCER" GARDENS BY THE MUSEUM MEMBERS FOR THEIR CHRISTMAS BREAK-UP 1998.local history, photography, photographs, christmas break-up -
Stawell Historical Society Inc
Photograph, Dorothy Brumby, Liz Driscoll, Wendy Melbourne, 20/04/2006
6971-2 Dorothy Brumby, Liz Driscoll, Wendy Melbourne. in the Interior of museumstawell historical society, museum -
Whitehorse Historical Society Inc.
Document, Visit our treasured heritage site!, 2007
Advertisement for Heritage Day at Schwerkolt Cottage & Museum Complex on 9 September 2007.Advertisement for Heritage Day at Schwerkolt Cottage & Museum Complex on 9 September 2007.Advertisement for Heritage Day at Schwerkolt Cottage & Museum Complex on 9 September 2007.schwerkolt cottage & museum complex, heritage festivals, city of whitehorse, whitehorse historical society inc -
Whitehorse Historical Society Inc.
Article, Delve into the past at Open Day, 2007
WHS Open Day at Schwerkolt Cottage & Museum Complex.WHS Open Day at Schwerkolt Cottage & Museum Complex (Photo Niel Brain)WHS Open Day at Schwerkolt Cottage & Museum Complex.brain, niel, gardiner, barbara, heritage festivals, schwerkolt cottage & museum complex, whitehorse historical society inc. -
Whitehorse Historical Society Inc.
Document, Heritage Day, 2005
Flyer for Heritage day in Schwerkolt Cottage and Museum Complex, 12 Oct 2005.Flyer for Heritage day in Schwerkolt Cottage and Museum Complex, 12 Oct 2005.Flyer for Heritage day in Schwerkolt Cottage and Museum Complex, 12 Oct 2005.heritage festivals, whitehorse historical society inc., schwerkolt cottage & museum complex -
Whitehorse Historical Society Inc.
Pamphlet, Schwerkolt Cottage, 1/04/1996
Pamphlet by City of Whitehorse re history and facilities at Schwerkolt Cottage and the Historical Museum.schwerkolt cottage -
Whitehorse Historical Society Inc.
Photograph, Open Day 1997, 1/04/1997
Coloured photo of Lace Makers in Museum on Heritage Week Open Day 1997.heritage week 1997, nunawading and district historical society -
Whitehorse Historical Society Inc.
Photograph, Cellar - Schwerkolt Cottage, 31/03/2001 12:00:00 AM
Coloured photograph of Cellar which forms part of the Schwerkolt Cottage & Museum Complex.cellar, schwerkolt cottage, nunawading & district historical society -
Whitehorse Historical Society Inc.
Photograph, Schwerkolt Car Park, 7/07/2003 12:00:00 AM
Coloured - Car park at Schwerkolt Cottage and Museum complex in process of being updatedschwerkolt cottage and museum complex, arrowsmith, ted -
Rutherglen Historical Society
Image, 29/08/2000
Colour photograph of teacher and pupil at the front of the school room of the Common School Museum.rutherglen primary school, school pupils, reenactment, rutherglen common school -
Ballarat Heritage Services
Image, Eureka Stockade Gardens Playground, 2008, 03/07/2019
An image of the Museum of Australian Democracy (later Eureka Centre) in the Eureka Stockade Reserve.eureka gardens, eureka stockade memorial gardens, eureka stockade, eureka stockade reserve, eureka centre, playground -
Ballarat Heritage Services
Image, Eureka Stockade Gardens Playground, 2008, 03/07/2019
An image of the Museum of Australian Democracy (later Eureka Centre) in the Eureka Stockade Reserve.eureka gardens, eureka stockade memorial gardens, eureka stockade, eureka stockade reserve, eureka centre, playground -
Robin Boyd Foundation
Slide, Robin Boyd, 1969
Robin Boyd travelled to the USA and Britain for several weeks. He attended the opening of the new Australian Chancery in Washington DC, where he had designed an innovative exhibition with cylindrical display cases and sound recordings.Colour slide in a mount. Sculpture garden Museum of Modern Art, New YorkMade in Australia / 19 / JUL 69M2slide, robin boyd -
Robin Boyd Foundation
Slide, Robin Boyd, 1969
Robin Boyd travelled to the USA and Britain for several weeks. He attended the opening of the new Australian Chancery in Washington DC, where he had designed an innovative exhibition with cylindrical display cases and sound recordings.Colour slide in a mount. Sculpture garden Museum of Modern Art, New YorkMade in Australia / 18 / JUL 69M2slide, robin boyd -
Ballarat Tramway Museum
Photograph - Digital image, Murray Views, Title Postcard Murray Views No. 40 Lydiard St Ballarat, 1948
Digital image from the Wal Jack Ballarat Album of No. 25 at the intersection of Sturt and Lydiard St, c 1948, and of motorcars and other users in Lydiard St North. Looking south. Murray Views No. 40 Postcard. Has Post Office and the Commonwealth Bank in the view. See image i2 for rear of photograph and 8974 for the actual postcard.Yields information about the appearance of Lydiard St and Sturt St intersection from the north-eastern corner and the nature of the vehicular traffic using the street, c1948.Digital image of a postcard from an album compiled by Wal Jack, loaned to the Museum.Printed on rear - Real Photograph Produced in Australia by Murray Views, Gympie Q" and places for stamp, dividing line and word "postcard"trams, tramways, lydiard st, sturt st, tram 25 -
Ballarat Tramway Museum
Photograph - Digital image, Murray Views, Murray Views No. 26 city Hall and Sturt St Ballarat Vic, 1948c
Digital image from the Wal Jack Ballarat Album of No 22, 28, 34 and another tram at Tramway Centre, late 1940's. Murray Views No. 26 city Hall and Sturt St Ballarat Vic.. Has Town Hall, Penfolds', Reeds and Berry Anderson shops in the view between the National Mutual building and the Town Hall. See image i2 for rear of photograph and 8973 for the actual postcard.Yields information about the appearance of Sturt St looking towards the Town Hall and the trams used - late 1940's view.Digital image of a postcard from an album compiled by Wal Jack, loaned to the Museum.Printed on rear - Real Photograph Produced in Australia by Murray Views, Gympie Q" and places for stamp, dividing line and word "postcard"trams, tramways, lydiard st, sturt st, tram 22, tram 28, tram 34 -
Ballarat Tramway Museum
Photograph - Digital image, Murray Views, Murray Views No. 29 - Sturt Street Looking West, Ballarat Vic.", 1948
Digital image from the Wal Jack Ballarat Album of Photo of Sturt St. looking North East from Town Hall with tram 32 westbound. Tunbridge store (now demolished in photo), Murray Views Photo No. 29. See image i2 for rear of photograph, and 8971 for the actual postcard. See also Reg Item 189 for a larger wider version of this card.Yields information about the appearance of Sturt St looking towards the Post Office c1948.Digital image of a postcard from an album compiled by Wal Jack, loaned to the Museum.On rear of postcard in ink "No. 32 1948"trams, tramways, sturt st, tram 32 -
Ballarat Tramway Museum
Photograph - Digital Image of a Museum tram crew and tram No. 40, 15-1-1978
Digital image of a Ballarat Tramway Preservation Society crew, Mary and Paul Nicholson standing along side tram No. 40 at Gardens Loop in Wendouree Parade.Yields information about the operation of Museum trams in Wendouree Parade and their crews.Digital Image of a Museum tram crew and tram No. 40 15-1-1978trams, tramways, btm, btps, tram 40, paul nicholson, mary nicholson, gardens loop, wendouree parade -
Glenelg Shire Council Cultural Collection
Book, Gordon Browne ' illustrator et al, 'In the King's Name', c. 1885
Children's book, hard cover. Front cover burgundy with green print and maritime and military illustrations. Gold section with 2 sailors in green. Back cover green. Spine green with gold print; burgundy with green and gold sailor carrying a barrel.henty -
Flagstaff Hill Maritime Museum and Village
Book, Chambers Concise Gazetteer of The World
... maritime-museum ...This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. Chambers Concise Gazetteer of The World Topographical, Statistical, Historical Publisher: W & R Chambers Date: 1895Label on spine cover with typed text PAT ? ? Pastedown front endpaper has sticker from Warrnambool Mechanics Institute and Free Library covered by a sticker from Corangamite Regional Library Service Fly paper has stamps from both Warrnambool Public Museum and Corangamite Regional Library Servicewarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road, chambers concise gazetteer of the world -
Glenelg Shire Council Cultural Collection
Book, The Panmure Papers. Vol: II, 1908
The Panmure Papers being a selection from the correspondence of Fox Maule, second Baron Panmure, afterwards eleventh Earl of Dalhousie, K.T., G.C.B. vol II, Hodder & Stoughton, 1908.Maroon cloth-covered spine and cardboard covers. Graphics and text in gold on spine and front cover.The Panmure Papers being a selection from the correspondence of Fox Maule, second Baron Panmure, afterwards eleventh Earl of Dalhousie, K.T., G.C.B. vol II, Hodder & Stoughton, 1908.history, military history, crimean war, florence nightingale -
Victorian Interpretive Projects Inc.
photograph - Colour, Viewing the National Wool Museum's auction room
This photograph on an iPhone 4 during the Museums Australia (Vic) Conference at the National Wool Museum, Geelong. Since the arrival of sheep with the First Fleet in 1788, the wool industry has dominated our economy, our agriculture and our reputation as a quality wool-growing nation throughout the world. Geelong is a city synonymous with wool and the wool industry – sheep farming began here in 1835 and the first of many woollen mills opened here in 1868. For many years the city was known as the 'wool centre of the world'. Two hundred years later, in 1988, the National Wool Museum was established as Australia’s only comprehensive museum of wool. (Since the arrival of sheep with the First Fleet in 1788, the wool industry has dominated our economy, our agriculture and our reputation as a quality wool-growing nation throughout the world. Geelong is a city synonymous with wool and the wool industry – sheep farming began here in 1835 and the first of many woollen mills opened here in 1868. For many years the city was known as the 'wool centre of the world'. Two hundred years later, in 1988, the National Wool Museum was established as Australia’s only comprehensive museum of wool. (Since the arrival of sheep with the First Fleet in 1788, the wool industry has dominated our economy, our agriculture and our reputation as a quality wool-growing nation throughout the world. Geelong is a city synonymous with wool and the wool industry – sheep farming began here in 1835 and the first of many woollen mills opened here in 1868. For many years the city was known as the 'wool centre of the world'. Two hundred years later, in 1988, the National Wool Museum was established as Australia’s only comprehensive museum of wool. (http://www.geelongaustralia.com.au/nwm/about/article/item/8cbcc313afa77a5.aspx)display of wool ales at the National Wool Museum. Steel girders holding up the roof were made by Dorman Long & Co. Middlesborough, England. In the foreground is a timber counter with brass kick rail and upper edge. Names on wool bales include Austop, Arcadian Wool, Buln Gherin, Mt Hesse, Melrose, Avondale Hills, Kerrsville, Kooringa, Merryville Yass, Sherra Park, Wurrock, Hazeldean, Buanogor Parkwool, geelong, wool bail, auction room, national wool museum -
Ballarat Tramway Museum
Document - Report, Colin Seymour, "Proceedings of the Eighth COTMA", 1988
121 page A4 sized bound document - Proceedings of the Eighth Conference of Australasian Tramway Museums, Adelaide Sept. 26-29 1986. Has a clear plastic cover, heavy white rear cover, bound with the Gestetner Velobind binder - black. Edited by Colin Seymour, produced by the Australian Electric Traction Museum, Adelaide. Contents: Conference Participants, Programme, COTMA - a brief history, AETM - the Host Museum Papers: 1. Getting Mileage from a display - G. Spiers 2. Legal responsibilities to Members and the General Public - M. Mitchell 3. Opportunities for and within Membership -V. O'Neill 4. What Makes a Tramway Museum - W. Kingsley 5. What Brings Senior Citizens to Visit - A.E.Taylor 6. Adding Reality to a Social Studies Programme - M. Schneider 7. Why Promote a Museum - N. S. Smith 8. What have we at our Museums to bring in the People? - B. Smith. Forums: 1. How would these ideas work for our Museum? 2. What our Museum has done 3. What you asked for ... Open Discussion. Visits Reports. On Page 3 has a photo of Conference delegates assembled in front of tram F1 264 at the St. Kilda Museum.'B.T.P.S." on front cover, top left hand corner in penciltrams, tramways, cotma, adelaide, proceedings, conferences -
Bendigo Military Museum
Photograph - BENDIGO RSL ANNUAL DINNERS, C.1998 - 2000
The photos are of one of the last Annual Bendigo RSL Dinners held in the SMI, this is most likely 1998/2000. The Dinners moved to the Bendigo District RSL Sub Branch Inc at Havilah Road about 2001. There are a number of easily identifiable members in the photos. .1) Centre Table, Fred Addlem, Kevin Purdon, Kell Howard, Peter Ball. .2) LH table, Joe Boulton, Ernie Jackman, Jack Fay. Fred Addlem, Refer Cat No 8128P for Committee history, he was also a dedicated Museum guide from 1998 to 2003. Kevin Purdon, has been a Museum Guide since 2009 to current, Appeals for many years and delivery to and pick up from schools. Laurie schilling committee member 1992 to 2000, museum guide from 1998 tp 2015. Kell Howard committee member 1976 to 1981, 1985 to 1990. Peter Ball, refer Cat No 8071.3 Joe Boulton, committee member 1999 to 2000, Appeals Officer with his wife Lyn from 2004 to 2012. Ernie Jackman, committee member 1961 to 1962, 1973, Welfare Sub Committee 15 years, Welfare Officer 1997 to 1978, Appeals Officer 1960 to 1994, organised the distribution of parcels to homes and hospitals at Xmas, made a Life Member 1986. Jack Fay, refer Cat No 8129PTwo Colour photographs re Bendigo RSL Annual Dinners taken from different angles showing 3 lines of tables set up. These photos are one of the last Annual Dinners held in the Soldiers Memorial Institute. The photos show the Museum memorabilia around the walls.brsl, smirsl, annual dinner -
Bendigo Historical Society Inc.
Document - MERLE HALL COLLECTION: BENDIGO PERFORMANCE OF ''SERENADE TO SUN LOONG
Bendigo performance of Serenade to Sun Loong at the Golden Dragon Museum July 27th (no year date) - Flyer for ''Music of the Erhu; classical and folk dancer; classical music performance'' - Arts Bendigo in conjunction with The Golden Dragon Museum. -
Flagstaff Hill Maritime Museum and Village
Book, The Works of Alfred Lord Tennyson
... maritime-museum ...This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually, the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower areas of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave from 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However, he continued to take a very keen interest in the continual development of the Library until his death in 1969. WARRNAMBOOL MECHANICS’ INSTITUTE Warrnambool's Mechanics' Institute (or Institution as it was sometimes called) was one of the earliest in Victoria. On 17th October 1853, a meeting was held where it was resolved to request the Lieutenant Governor of the Colony to grant land for the erection of a Mechanics' Institutes building. A committee was formed at the meeting and Richard Osburne chaired the first meeting of this committee. The land on the North West corner of Banyan and Merri Streets was granted but there were no funds to erect the building. The Formal Rights of the Warrnambool Mechanics' Institute's encompassed its aims and these were officially adopted in1859; "This Institution has for its object the diffusion of literary, scientific, and other useful knowledge amongst its members, excluding all controversial subjects, religious or political. These objects are sought to be obtained by means of a circulating library, a reading room, the establishment of classes, debates, and the occasional delivery of lectures on natural and experimental philosophy, mechanics, astronomy, chemistry, natural history, literature, and the useful and ornamental arts, particularly those which have a more immediate reference to the colony." The Warrnambool Mechanics' Institute opened its first reading room in November 1884 in the National School building at the corner of Banyan and Timor Streets. The Institute was funded by member subscription, payable on a quarterly, half-yearly or yearly basis. Samuel Hannaford, the Manager of the Warrnambool Bank of Australasia, was the first Honorary Secretary of the Mechanics' Institutes, and an early President and Vice-President. He also gave several of the early lectures in the Reading Room. Another early Secretary, Librarian and lecturer was Marmaduke Fisher, the teacher at the National School. Lecture topics included The Poets and Poetry of Ireland', 'The Birth and Development of the Earth', 'The Vertebrae - with Remarks on the pleasures resulting from the study of Natural History' and 'Architecture'. In 1856 the Reading Room was moved to James Hider's shop in Timor Street, and by 1864 it was located in the bookshop of Davies and Read. In the 1860's the Mechanics' Institute struggled as membership waned but in 1866, after a series of fundraising efforts, the committee was able to purchase land in Liebig Street, on a site then called Market Square, between the weighbridge and the fire station. A Mechanics' Institute building was opened at this site in August 1871. The following year four more rooms were added to the main Reading Room and in 1873 the Artisan School of Design was incorporated into the Institute. The same year Joseph Archibald established a Museum; however, it deteriorated when he was transferred to Bendigo in 1877. In 1880, with Archibald's return to Warrnambool, the Museum was re-established, and in 1885 a new building was built at the back of the Institute to accommodate the re-created School of Design, the Art Gallery and the Museum. In 1887 the Museum section was moved to the former courthouse in Timor Street (for some time the walls of the building formed part of the TAFE cafeteria but all is now demolished)). In 1911 the Museum was transferred back to the original building and the management of the Mechanics' Institute was handed over to the Warrnambool City Council. The Museum and Art Gallery became one and housed many fine works of art, and the Library continued to grow. The building was well patronised, with records showing that at the beginning of the 20th century there were between 500 and 800 visitors. During World War One the monthly figures were in the thousands, with 3,400 people visiting in January 1915. The Museum was a much-loved Institution in Warrnambool until the contents of the Museum and Art Gallery were removed to make room for the Warrnambool City Council Engineers' Department. The contents were stored but many of the items were scattered or lost. When the original building was demolished the site became occupied by the Civic Centre, which included the new City Library. (The library was temporarily located in the old Palais building in Koroit Street.) In the process of reorganisation the Collection was distributed amongst the community groups: -The new City Library took some of the historical books and some important documents, historic photographs and newspapers. -The Art Gallery kept the 19th Century art collection and some of the artefacts from the museum. -The Historical Society has some items -The State Museum has some items -Some items were destroyed -Flagstaff Hill Maritime Village has old newspapers, Government Gazettes, most of the Mechanics' Institute Library, ledgers and documents connected to the Mechanics' Institute Library, some framed and unframed artworks and some photographs. The Warrnambool Mechanics' Institute Library book collection is deemed to be of great importance because it is one of the few collections in an almost intact state, and many of the books are now very rare and of great value. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. The Works of Alfred Lord Tennyson Author: Alfred, Lord Tennyson - Poet Laureate Publisher: Macmillan And Co Date: 1892The label on spine cover has typed text PAT 821 TEN Pastedown front endpaper has a sticker from Warrnambool Mechanics Institute and Free Library Front loose endpaper has a sticker from Corangamite Regional Library Service Front loose endpaper has a stamp from Corangamite Regional Library Service Flyleaf has a stamp from Warrnambool Public Museumshipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, warrnambool, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, the works of alfred lord tennyson, alfred, lord tennyson, poet laureate, alfred tennyson -
Port Melbourne Historical & Preservation Society
Photograph - Pental/Symex Museum, Woodruff Street, Port Melbourne, Oct 2011
The pictures were taken in October 2011 by PMHPS members and in February 2013 the contents of the museum were given to PMHPS for safekeeping prior to the closure of the site.Pictures taken inside the Pental/Symex museum in Woodruff St building. Displaying historical items and photos of interest in relation to the activities of J Kitchen & Sons on this site. (.01) some of the display boards within the museum (.02) a framed aerial photographic view of the site (.03) Ledgers, photographs, trophies (.04) bench with books, photos, candlesticks (.05) framed aerial view of the site plus other photos and ledgers (.06) full wall and bench of display (.07) Horse drwan cart of Velvet soap - one of the display boards mentioned in .01 (.08) Open truck loaded with Velvet soap - one of the display boards mentioned in .01 (.09) Framed photo of Candle Room - one of the display boards mentioned in .01 (.10) Velvet Soap truck, enclsed van - one of the display boards mentioned in .01built environment - industrial, business and traders - soaps/candles, j kitchen & sons pty ltd, pental products pty ltd, symex holdings ltd -
Bendigo Military Museum
Print - PRINT, FRAMED WW1, Reader's Digest (Australia) Pty Limited, 2015
From information Book - "Readers Digest/Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300. Framed print. Print - colour print on paper. Copy of an oil painting, depicting colour, the dawn landing of Australian and New Zealand troops at Anzac Cove. Frame - black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink. "CHARLES EDWARD DIXON (1872-1934). The Landing at Anzac. April 25th 1915". 1915. Successful British Maritime Painter.framed accessories, prints, ww1, gallipoli, centenary -
Flagstaff Hill Maritime Museum and Village
Letter
This original letter was handwritten and dated 21 January 1884. The author is Eveline V. Carmichael, of 29 Montpellier Villa, Cheltenham. Eva Carmichael was the only woman survivor of the iron clipper LOCH ARD, which was wrecked on 1 June 1878, at the subsequently named Loch Ard Gorge near Port Campbell. The letter was written to Mr J Archibald, first curator of the Warrnambool Mechanics Institute Museum, and was in response to a letter he wrote to Miss Carmichael on 1 December 1883. A complete transcript of Eva’s letter is attached as a Hard Copy Supplementary File. The letter first addressed the subject of her reply. She writes, “Thank you very much for thinking of me with regard to the volume of Longfellows Poems that have been found by Mr HW Davis [at Loch Ard Gorge], the book is not mine, nor did it belong to any members of my family. We had a ‘Longfellows’, but our book had a green cover.” The rescued book is on display at Flagstaff Hill (541) and has a blue cover. Another interesting aspect to her letter is its reference to the only other survivor from the LOCH ARD. As a postscript she writes, “You will be glad to hear that Tom Pearce is now on board the HMS Solvent. I heard from him last month he wrote from the West-Indies and seemed well and in good spirits. I have not seen him since we parted in Melbourne. I believe he is to be married next year, or perhaps this, but I do not know the young lady.” Tom Pearce was the young, male, able seaman who had risked his life to save her. In the months after the shipwreck, an excited public press speculated of a romantic connection between the two survivors, but this was clearly not the case. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. The LOCH ARD shipwreck is of State significance – Victorian Heritage Number S417 Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. A photocopy of a letter, handwritten in ink on both sides of 4 small sheets of thick, light blue paper. The letter is in neat cursive script. The writing originally covered 7 sides of the note paper and has been reproduced as 7 separate pages. It is dated 21 January 1884, five and a half years after the LOCH ARD shipwreck. The letter is from Eva Carmichael, one of only 2 survivors from that disaster, and is addressed to J. Archibald, first curator of the Warrnambool Mechanics Institute Museum. The copies include the reproduction of a typed index card which accompanies the original letter. The card states: “Photographic copy of the letter written by Eva Carmichael to Mr J Archibald, first Curator of the Warrnambool Museum. The original letter is kept with other documents, but the writing being on both sides of the note-paper it was not possible to read in its entireity when on display”.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, loch ard, survivor’s letter, eva carmichael, longfellow’s poems, warrnambool mechanics institute museum, joseph archibald, henry davis