Pair of pin-tucked and cotton lace trimmed pillow cases. Cream linen fabric with a 3.5cm deep scalloped cotton lace on opening edge featuring a floral pattern. There is a ribbon insert of same pattern 6.5cm from the edge. There are four and five rows of pin-tucking either side of insert.favaloro, pin-tucks, cotton lace

Lady's hat made from cream coloured straw like synthetic fabric with a matching cream ribbon around the crown. The band is tied in a bow with a decorative faux pearl clasp stitched onto the band. Hand stitching presents as the hat being hand made. Black chin elastic attached.hat, millinery

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Three piece brown outfit comprising a long dress, a separate bodice and a belt of scarf. The outfit is made of a synthetic fabric. The long plain brown dress has been designed with a matching bodice that features a tan trim; the wide belt/scarf is striped. Brown silk purse with brass fittingsgrace james, women's clothing, australian fashion 1969-1988, dressmakers - surrey hills (vic), fashion -- 1970s, fashion design

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in a mansion, originally named Illapa, at 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937), his wife Edith Mary Weir (1867-1948) and their children. George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is part of a collection of women’s clothing, owned and worn by Edith Mary Weir (nee Betteridge) - born in Clare, South Australia 1867, died Kew 1948 - and also by her daughter. The garments date from the 1880s to the 1930s. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife and daughter of a mine manager, the collection includes representative examples of clothing worn by upper middle class Australian women in domestic circumstances, and at social and civic events. A number of the costumes from the 1920s to the 1930s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by a granddaughter of Edith Weir in 2017.Azure blue late Victorian silk bodice with an insert of ruched cream silk organza at the front. The bodice shows signs of alteration over time, and there are additional pieces of fabric that may once have formed part of a larger outfit. The silk of the bodice is extensively pleated while the sleeves are in the horseshoe style. edith mary weir (nee betteridge), illapa -- 84 princess street -- kew (vic.), women's clothing, weir collection, dresses, bodices, fashion -- 1910s

Shaw family collection. This outfit was Mrs Shaw's 'going away' outfit for her wedding in 1972. Ricki Reed was a Melbourne-based label founded by designer Dorothy Rabinov.Two-piece hot pants outfit made from cream synthetic 'Estacel' (Courtaulds acetate fibre) and rayon with red dots and plain red synthetic fabric. .1 - Blouse: fastens centre front with five red plastic buttons. .2 - Hot pants: fastens centre back with zip.Label woven, metallic gold on white acetate, centre back blouse and shorts: ricki reed / ALL RAYON Label printed, black on beige acetate, centre back blouse and shorts: Estacel and / RAYON / COURTAULDS ACETATE FIBREhot pants, 1970s fashion, going away outfit, dorothy rabinov, ricki reed, melbourne designers

An illustrated Journal combining practical information, instruction and amusement. Donated to Whitburgh Cottage museum by unknown person.Green cloth-bound hardcover book, decorative gilt motif surrounding title on front cover. Covers faded with loss of colour, fabric torn on both sides of spine. Cover separating from body. Pages gilt edged. Patterns included. 380 pp. Illustrated. Fair - poor condition.Nil.british ladies journal, whitburgh cottage collection

See Cat No. 5727.2 for service details.Jacket - Khaki colour cotton twill fabric. Buttons - black bakelite with metal shank. Emblazoned with King's Crown and Wedge tailed eagle in flight. With full belt with bakelite and metal buckle. Brown and cream chevrons on sleeves - Rank. Old Drycleaning labels - four - stapled inside right side.Maker's label - black colour embroidery on white cotton "CITY COSTUME"/COE/1940/ SIZE ..." Below collar - handwritten black ink '1243/GILL".uniforms, raaf, ww2

Polish-born designer David Waters first began producing swimwear in 1952. His mother Halina had recently opened a stall at Melbourne Queen Victoria Markets and was looking for swimsuits to sell; unable to find any she liked, she asked David to design something. He began making swimming costumes using his mother's sewing machine, in between his shifts working at a knitting factory. He had soon set up a small business in his parents' home, cutting patterns in one room while a machinist sewed them together in the next. His company, which he named Watersun, would become an iconic Australian swimwear label. During the early 1960s, Watersun developed its "Unquestionable Bra", an inbuilt moulded bra which was marketed as giving wearers a more natural bustline than other labels. The company was also known for its matching swimwear and beachwear, producing dresses, kaftans, tops and skirts in identical colours and prints to those used for many of its swimsuits. By 1967, the company was reportedly one of Australia's two biggest swimwear manufacturers, with over one hundred employees. Watersun was sold to Ada Productions in 1984 and was later acquired by Trackerjack Australasia. This swimsuit is believed to be one of a large quantity of samples, seconds and unsold Ada Productions stock donated to Brighton Historical Society in late 1990 by Brian Samuel, who worked at the company between 1979 and 1990.Backless lamé one-piece swimsuit (.1) with pattern of silver, blue and bronze circles in various sizes. Waist ties knotted at front for cinched-in waist. Built-in underwire bra. Sleeveless A-line jacket (.2) in same fabric, falling past hips. Front zip and close-fitting hood.Label in bra, blue with yellow sunburst logo containing the word “Watersun” in red, above the text: “32 / Unquestionable Bra”.swimwear, watersun, david waters, ada productions, melbourne designers

They sphygmograph was devised as an improved device to measure blood pressure, and was a marked improvement on the first machine of its type. The sphygmomanometer was considered cumbersome and the Dudgeon sphygmograph was smaller, and once placed into its box, could be carried in a pocket. The Dudgeon sphygmograph was introduced in 1881. It was strapped tot he wrist with a metal strip that moved a stylus. This transmitted a record of the pulse onto smoked paper, creating a record of blood pressure.The sphygmograph is housed in a purple-lined, leather bound case with a metal hinge and clasp located halfway up the case. It is constructed from chrome and comprises several moving parts including wires, knobs and handles. A black fabric strap with a metal attachment is also present, used to attach to the patient's wrist.blood pressure, dudgeon, pocket-sized, portable

DPCU (Disruptive Pattern Camouflage Uniform) Back pack cover. Desert colours - light to dark purple through to beige and brown. Cotton/ polyester fabric bag shaped with four sides and base. Top closure - elastic drawstring with plastic lock clip. Manufacturers stamp inside top of cover.Manufacturers information - black ink stamp. "^/ TRADE PARTNERS/ 8465-66-148-9923/ NOV 2006". uniform, army, work dress, dpcu

This is made of a khaki coloured cotton fabric. On the sides are small flaps. In the centre is a cotton strip 32mm wide. It has been sewn every 5cms to allow insertion of gear. toothpaste, comb. At the bottom is a small pouch at the tapered top are two simple cotton tapes for the tying up the hold all ww2 toiletry, cotton bag

The case belonged to Jack Grinton No 1043, 38th Batt AIF. Part of the Grinton collection which contained hundreds of negatives and developed photos that he took during the War. Refer Cat No 1280 for service details. Refer 1317P, 1320P.Rectangular metal cigarette case with rounded edges. Inside has 2 small fabric straps to hold cigarettes. Outside has a Rising Sun epaulette badge fixed to lid. Underneath is an engraved flower arrangement. Lid is hinged on one side nd has metal clip closing device.personal effects-smoking accessories, metalcraft

"W.J. BERTUCH" for service details Refer Cat No. 1664.2.1. Shirt - Khaki colour cotton/polyester long sleeve with shoulder epaulettes and brown plastic buttons. Two front pockets with button down flaps. Gold colour metal badge "AUSTRALIA" - on right epaulette. Manufacturers white cotton fabric label inside back below collar and bottom of shirt. 2. Trousers - khaki colour wool/polyester fabric. Service dress style with fob pocket, two side pockets, one back pocket with concealed button down flap. Brown plastic buttons and metal fly zip. 3. Belt - light brown colour nylon webbing, service dress style with black colour metal slide buckle. Manufacturers information on labels in black ink print. 1. Top - "CLASS - 8405/ 66-017-2261/ REGIMENTAL NO./ NAME". Handwritten black ink pen "VS38". Bottom "MACHINE WASHABLE/ DO NOT BOIL/ DRIP DRY/ WARM IRON/ SALCO/ VICTORIA/ 1966. Handwritten black ink pen "VS38". 2. Rt side label 'REGIMENTAL NO./ NAME". Left side label "Dry Clean only/ Repress on original crease/ use damp cloth or medium/ TO HOT STEAM IRON/ Mending patch attached." Handwritten - black ink pen "VS38". 3. Black ink stamp - "CGCF D^D 1957? 0108/ 5499". uniform, army, service dress, wj bertuch

Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection..1) Black woollen trousers with a purple stripe down the outside of each leg. Zipper fly. Calico manufacturer's label sewn onto the inside of the waist band. .2) White elastic braces with leather attachments for securing to trousers. .3) Black woollen waistcoat with four gold coloured buttons, each bearing a Christian Chaplain's insignia. .4) Black woollen mess jacket with purple lapels, cuffs and epaulettes. Black nylon fabric lining. Gold crucifix on each lapel. Major's insignia on each epaulette. Gold coloured buttons each bearing a Christian Chaplain's insignia. .5) Black fabric bow tie with clear plastic clips for fastening to a collar.Handwritten on trousers' manufacturer's label in black ink: '556101'army chaplain, uniform, mess dress, major thomas b. williams

Cotton wall hanging made by Grade 3 & 4 students from Bendigo North Primary School. Quilt made of 28 panels (21 cm X 21 cm) each bordered with dark green strips (3 cms) bordering each panel. Backed with wadding. Across the top of the wall hanging are five hanging loops of dark green fabric (3.5 cm X 3.5 cm ). Hand stitched in place.Machine stitched except for top edged that has been hand sewn after padding inserted. Panels are decorated with textas and fabric paint. Children have drawn pictures and written dates of scenes and icons illustrating different icons and times in the history of Bendigo.handcrafts, tapestry, wall hanging

Clothing. Men's cream coloured long sleeved silk shirt. Stiffened stand up collar (2 cm) with button hole at centre back and centre front. Centre front opening with placket fastened with two X one cm white buttons plus double button hole on collar with cuff link. Fabric loop at centre back below collar. Long sleeves have 7 cm turned back cuff with double button holes and white plastic cuff links. Sleeves have 18 cm openings on under side seam fastened with 1 cm button and button holes. Silk fabric has glossy self pattern of flowers and leaves.Stamped inside collar, ''15 1/2''costume, male, men's cream coloured silk shirt

Clothing. Women's cream coloured long sleeved linen nightgown. High round neckline trimmed with 1.5 cm dark pink and white lace. Front has three vertical tab sections (6-7 cm wide0 of dark pink and cream ribbon and lace insert. Underneath the tabs is a diagonal pattern of ribbon and pin tucks. front opening (24 cm) left of centre is fastened with two 1 cm plastic buttons and cotton loops. Long straight sleeves gathered into a cuff of dark pink and white ribbon and lace inserts. Fabric yoke across shoulders at back with body of nightgown pleated at centre back below fabric yoke. ''A'' shaped garment widening to hem.costume, female, women's cream colored linen nightgown

World War Two Army uniform|Worn by Captain Noel WestWorld War two|Australian War Graves UnitOne khaki woolen army great coat, wide lapels wide cuffs, double breasted, four sets of medal buttons. Wide pocket cuffs on two external pockets. Epaulets on each shoulder with Australian badge and 3 pips and one button. Badge on right hand shoulder- blue with crown '' British Commonwealth Forces''. Collar with neck flaps with four bakelite buttons. Pleat on top of coat with belt with three metal buttons. Vent on skirt of coat with two bakelite buttons.Back of coat is lined to the vent, sides are fully lined with cotton fabric, sleeves are fully lined. One deep pocket on left side with one bakelite button. Fabric hook on back of collar''MTS'' N.WEST. British Commonwealth Forcescostume, male uniform, military

1. Trousers issued to "D.R. Harris".Trousers - part of the Winter Ceremonial Uniform worn by Recruit to Leading Seaman ranks RAN. Known as Bell Bottom trousers. 1. Navy blue colour wool fabric. Trousers with inset front pockets with button closer. Two layer front flap fly with numerous buttons. Buttons - black colour plastic buttons. Blue and white colour cotton ticking lining to Waistband and pockets. White colour cotton manufacturers label, back inside waistband. 2. Navy blue colour wool fabric with inset side pockets, fob pocket, back pocket with concealed button flap. Five button fly and metal hook closer. Beige colour cotton lining to waistband and pockets. Manufacturers information - black ink print. 1. "C.G.C.F./SIZE NI?/ R.A.N./ MADE IN AUSTRALIA". Also black ink stamp "D.R. HARRIS"uniforms, ran, d r harris

Textiles. Very fine linen, white in colour - (now a soft cream colour). A spoke-stitched hem stitched to join a decorative panel at the opening end. This panel forms two gracious curves, where the initials C F have been embroidered and decorated with a curvaceous three segment clover leaf. A 10 cm deep crochet frill finishes the curves. The initials C F may be those of Caterina Lamaro who married Giovanni Favaloro, or those of Caterina Lopes who married Salvatore Favaloro. A linen fabric ''envelope'' has been formed by folding the fabric and stitching one side seam. Lace frill has been machine stitched to curved edge.textiles, domestic, pair of embroidered lace pillow cases

In the 17th century young girls were taught embroidery as a necessary skill for marriage, this also helped them make very beautiful handbags. By the late 18th century, fashions in Europe were moving towards a slender shape and women wanted purses that would not be bulky or untidy in appearance, so reticules were designed. Reticules were made of fine fabrics like silk and velvet, with wrist strapA lady's beige, beaded, silk lined, evening bag with press stud fastenerevening wear, purses, personal effects, handbags, fashion, needlework, craftwork, dressmaking, moorabbin, brighton, early settlers, pioneers, cheltenham

Early in World War I local women's groups in Australia began working to provide provide tobacco, cakes, puddings, condensed milk, sugar, biscuits, newspapers and other 'luxury' items to supplement the Australian soldier's army rations. These fund-raising bodies were amalgamated in 1916 to form a national body, The Australian Comforts Fund (ACF), which undertook to provide 'comforts' to all Australians abroad. Sales of this book raised funds for The Australian Comforts Fund.A thin book with a brown fabric cover. On the cover is a black line drawing of a koala in a tree. It contains a summary of the work done by the Australian Comforts Funds at the front, Anzac and Mudros, at the camps in Egypt with a summary of gifts and statement of accounts.The book sold for 3/- or 15 P.T. in aid of the A.C.F. It was edited by William Beit.

This important booklet and record of service is first stamped and dated in 1913. It is unlikely to be the first booklet issued as the seafarer Arthur O. Dixon b. 1879 commenced maritime service in 1904 working for the Harrison Line between 1904 and 1914. He enlisted as an RNR officer during WW1. He is recorded as returning to Merchant vessel service with the New Zealand Shipping Co between 1916-1920. He subsequently was employed with Adelaide Steamship Co between 1920 and 1921. All documentation shows him to be regarded as an officer of good character and reliable. On leaving seafaring Mr Dixon eventually took up a smallholding in regional Victoria.Unusually for the early 20th C. era of Mr Dixon's service at sea two images of Mr Dixon survive on ID papers and were included in the gift of papers. Personal objects included an unusual small travel size New Testament (see VC record ) heavily annotated provide further insights into the experience of early 20th C. seafarers.Fabric reinforced and backed heavy card covers and service book with multiple pages pre printed for completion by either handwritten entries or ink stamps. Records service record, dates, status, vessel names, ports, master names, character assessment. A thin pink ribbon is affixed by a staple to Page 26.Various - see images licensing, registration, certificate of discharge, mariner papers, seafarer certification, identity cards, identification, arthur oswald dixon, seamanship, seamen, sailors, officers, seafarers, wwi, merchant navy, ran, rnr

This brown wool felt hat with a broad brim was, by its style, used by a adolescent child for church services. This was worn in a period where church services on Sunday was an important weekly ritual by the whole family. Special (church only) dresses and hats were worn not only to show respect to the church but also part of expected community mores relating to religious beliefs. This behavioural pattern was more entrench in the rural communities than within larger cities. The closeness of smaller rural communities is the main factor regarding social norms. The visible standing within the community was uppermost. The period pre 2000 was a more coheasive family environment ( due to greater intra family activities) which provided better communication and family activities.This "church styled" hat is very significant to the rural lifestyle and its mores. It clearly demonstrates the coheasive force that religion has on the Valley population. The closeness that the semi isolation (at this time) brought about by the Valley's physical land formation and the poor roads within the valley brought families closer together. Not turning up for important social functionsw was duely noted by all (and frowned upon). Mrs E. Fisher lived at Mongan's Bridge in the Kiewa Valley.Brown child's all felt hat size 6 1/4. A broad brim with a lighter brown velvet ribbon head band. Head band has a crossover to the left front with 100 mm extension flowing over the brim. The top of the inside of the head pocket is lined with a soft silk fabric.6 and one quarter (size tag). Unreadable crest / monogramchildren's head wear, social head dress, church hats