Before plastic became commonplace in the 1950's dolls were typically made of this material which comprised a "combination" of sawdust and wood dust and glue which was then moulded in the required shape then painted and varnished. The head, arms and legs are made of this material. The body is stuffing covered in a cotton fabric.This doll has eyes that open and close and her teeth are visible and has a crying mechanism in the back. Her hair is possibly mohair and shoes are a synthetic material with metal buckles. The main enemy of composite material is water.It was a common practice for a girl to be given a doll and numerous outfits would be home made by mothers and grandmothers. This doll came to us with the name "Shirley" so possibly a Shirley Temple doll which were popular at the time.Dolls were a common child's toy and as such has strong social significance. This is a composition doll from the 1940's. It has composite arms and legs and face. Facial features are painted on and the teeth are moulded and white. Eyes are blue and open and close on moving the doll. The hair is light brown with curls and she wears pink Mary Jane style shoes. A crying mechanism is inserted in the body of the doll. The face has multiple crazed markings. composition doll, shirley doll, warrnambool, 1940's doll

Two items relating to the Robb & West family. Part of a collection of photographs and documents donated by Mary Karney450-02: Robb Brothers Invoice for Rent of a Cottage by Mr H Bennett 30th September 1930? 450-03: Alexander Robb (left) and Harry West (right) at family graves at Phillip Island Cemetery - 1918robb bros, harry west, alexander robb, mary karney

A history of St Mary's Parish Greensborough compiled to celebrate the 50th anniversary of the founding of the Parish 1955-2005.History of this Parish and those who have contributed to its development.74 pages, colour illustrations, maps. Soft cover with photograph of interior of church.Inside cover in pencil 'Bonnie Dickson', a contributor to the publication.st marys catholic church, greensborough, churches

Photograph of Margaret Hassett and a friend at St Patrick's Day celebrations at St Mary's School Greensborough 1960.Digital copy of black and white photograph.margaret hassett, marg scott (nee hassett), st marys primary school

Bonnie Dixon [SIC Dickson] retired after forty years at St Mary's Primary School in Greensborough.News article, text and colour image.bonnie dickson, st marys parish primary school greensborough

A detailed critique of Kenzo Tange's St Mary's Cathedral, Tokyo and experience of visiting the site. (later published asPublished as "A Cruciform Window onto Heaven" in "Architectural Forum", vol. 123, no. 2, September 1965, pp. 50-55.Typewritten (c copy), foolscap, 4 pages. (Three copies)st mary's cathedral, tokyo, kenzo tange, hiroshima, tokyo olympic games, hyperbolic paraboloid, japan, robin boyd, manuscript

L-R: Nrs Mavis Orr, Mary Crawford, Muriel Nicholls, 1940s, Ballarat & District Hospitalorr, crawford, nicholls, prendergast, 1940s, ballarat, hospital, nurses

Worn by Mary Jane Schroder for her marriage to Ralph Pardy Rudd on 24th Nov 1886 in Ceylon.1886 cream kid with ribbon bow on front with apple blossom. Two beaded bows on elastic bands to hold shoe on foot. See also Wedding bodice NA3580, fan NA3582 and bridal headdress NA3489.costume, female footwear

Walter Jack is the grandson of August Schwerkolt and son of his daughter Mary, born 25/9/1919.Two photographs of Walter Jack taken ten years apartwalter jack, schwerkolt family

This photograph was taken in Clunes at 'Glendaruel'. Seated is Esther Coombs nee Whitehand and standing is Mary Martha Whitehand.coombes, daisy coombes, glendaruel, clunes, costume, persons, private dwelling, mary martha whitehand, esther coombes

1 William St - rearview Mary Griffith occupied this house between 1970’s to 1990’sColoured photograph of the backyard of 1 William Street1 william street, house, building, cottage

This statue of Mary was used throughout Ballarat from the 1950s to the 1980s for a focus at home rosaries in the homes of the faithful.statue, mary, rosary.

Included in the 'crowd' is Mary and Annie McPherson, Annette Jongebloed, Dick Riddell, Jack Tolhurst and Margaret Mearle.Held at Mechanic Institute. The backdrop banner says "Welcome st Vincent's Ball". local architecture, local identities

The Photo Lithographed Maps belonged to George and Mary A'Vard. They are early maps of Emerald Township in 1955 and 1922.VEMU1659.1 Township of Emerald, Parish of Gembrook, Counties of Evelyn and Mornington; September 1955 VEMU1659.2 Township of Emerald, Parish of Gembrook, Counties of Evelyn and Mornington: Drafted 12 Sep 1892, Examined 30 Sep 1892, Additions 17 Jun 1922

Group of Polychrome matte glazed stoneware nativity figures - Group of 8 (Incomplete)nativity, mary, joseph, shepherds, kings, animals, jesus, angel, sheep, christmas

This is a black and white photograph of a group of women who were members of the Country Women's Association. The original photograph was taken in the Sunbury Memorial Hall.A black and white copy of a group of women.country women's association, sewing, craft, women's organizations, collett, margaret, duggan, mary, sunbury memorial hall, george evans collection

IconBrightly-coloured paper cut out of Nativity scene glued to a rectangular, varnished, wooden blockGreek script upper central quadrant: "η γέννηση του Χριστού"nativity, mary, jesus, star, kings, sheep, joseph, orthodox, artwork-paintings, nazareth

This book was presented to Master R. Goldsworthy June 7 1888, at an exhibition at Stawell School of the Art. This Book belonged to Mary Goldsmiths Fathe r-in-Law - R.M. Goldsworthy II. Mary's husband Norman received an award for his contribution to science teaching in Australia in 1962. At The Presentation ceremony, he said that this book had parked his interest in science. Red Cover in reasonable condition, first few pages missingInscription in front: Master R Goldsworthystawell education, stawell school of arts

Mary Elizabeth Yeoman was born in England and married Edwin Ball in 1861. They migrated to Victoria in 1866 and were living in Linton by 1868. In Linton Edwin Ball and his sons established a blacksmith's business. Mary and Edwin Ball's children were Barrington, Oscar, Agnes and Kate (all born in England), Ernest (born in Melbourne), and Sydney (born at Linton).Black and white copy of original photograph of woman in dark clothes and a hat tied with ribbon under her chin."Grandma Ball July 1881:Mrs Edwin Ball"edwin ball, mary elizabeth ball (nee yeoman), grandma ball

Pair of embroidered doyleys for cake or sandwich trays made by Mary Burke of Dooboobetic in the 1920s. After her marriage to Michael Taffe in 1940 Mary moved to Ballarat and many of her embroideries remain in the house. They range from duchess sets to doyleys such as these. simple embroidery was taught to young girls in schools up until post-World War II.dooboobetic, st arnaud, ballarat, doyley, sandwich tray

Mary Ann Craddock married David George Knott (1894-1948) in 1923. He was born at Lockwood. The following from the electoral rolls:- 1. 1925 David and Mary Ann were living at the Olive Branch Hotel in Mitchell Street and both are listed as furriers; 2. In 1931 Mary Ann is living in Eadie St. and David is listed at 121 Wattle Street, again both furriers. 3. 1937 both are living at 123 Wattle St. but Mary Ann is now listed as home duties. 4. 1942 Both are living in Spring Gully Road where David died in 1948 before he is buried at the Bendigo cemetery. NB. Both 121 and 123 Wattle St. are very big homes, possibly boarding houses at the time. In 1923 their shop was situated in the Lansell building on the corner of Mitchell and Hargreaves St. It was on the upper floor and all stock was destroyed in a fire. In 1931 the address for their business is listed as Mitchell Street. Earlier in 1915, in the NSW Police Gazette, David was listed as a deserter from the army but no army records have been found. Likewise no birth or death records have been found for Mary Ann.M. A. Knott Business Card: Cream card with black ink. M. A. Knott, Manufacturing Furrier. Allan's Walk, Bendigo. Renovations a Specialty. Box 625.business, retail, furrier, m.a. knott. allan's walk

Eltham District Historical Society with Mary Regan and Alan Butler Andrew Ross Museum with Warwick and Carol LeesonTomorrow's history documented todayeltham, jim connor collection, main road, eltham district historical society, eltham festival, alan butler, andrew ross museum, carol leeson, mary regan, warwick leeson

Eltham District Historical Society with Mary Regan and Alan Butler Andrew Ross Museum with Warwick and Carol LeesonTomorrow's history documented todayeltham, jim connor collection, main road, eltham district historical society, eltham festival, andrew ross museum

Photograph donated by W Evans - owner of the Quarry in the 1960's. Second, original photo from Mary Karney.Black & White photograph of the Cowes State School in 1911. Reproduction of original photograph. Also original photo on cardboard mount and names on rear. Names on back as per scanned copy.cowes state school pupils, w evans, mary karney, education, jenner family, west family, justice family, mclardy family, harris, robert forrest, alice richardson, leeson, cleeland

Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, PortlandFour piece manicure set with (tortoise shell?) handles. 1 x tweezers (3741.1) 1 x cuticle press (3741.2) 1 x nail file (3741.3) 1 x cuticle knife (3741.4)

Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, PortlandPorcelain sugar bowl with stamped relief pattern. Transfer image of violets and leaves. Gold highlights. Glazed with green glaze around base, white elsewhere. Made from two-piece mould. Sugar bowl: Base: 9.5 x 6 Height: 5.3 Lid: Base: 4.5 x 3.5 Height: 4.3

Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, Portland.Cream silk child's dress. Elbow-length gathered sleeves with smocking at wrists. 2-panels of hand crocheted lace forming a 3-panel yoke with central insert of cream embroidery. Full-length dress in silk with two rows of smocking on bodice. At base of dress are two panels of 6 rows of pin-tucking, separated panel of lace over silk backing. Lace at neck. Opening in centre back with 7 button holes and 5 mother-of-pearl buttons with striution carved design. Cream satin ribbon runs under smocking at back and sewn into side seams.clothing, costume, dress, 1900s