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Bendigo Historical Society Inc.
Document - COHN BROTHERS COLLECTION: 1888-1958 ANNUAL REPORTS
Cohn Bros Victoria Brewery Annual Reports commencing sequentially 1888 -1958. Years 1894- 1911-1912-1913 missing. Typically names of current directors, solicitors, bankers and secretaries are listed. First Yearly Balance sheets, Profit & Loss Accounts are included. Following years use Folded water marked high quality paper throughout except booklet style 1957-58 years.bendigo, industry, cohn bros brewery -
Bendigo Historical Society Inc.
Photograph - BABY PORTRAIT
Black and white image of young child - approx. 6 months, seated on rustic style chair. Baby is dressed in dark dress, white frill on bottom, crocheted apron ( strings of apron tied to chair to secure child in position ). On back of image ' Bendigo Portrait Rooms, F. De Kock & Co, Photographic artists, corner of Mitchell and King Streets. N.B. copies may be had and enlarged to size'F. De Kock & Coperson, individual, baby portrait, bendigo, sandhurst, f. de kock & co. -
Bendigo Historical Society Inc.
Document - BILL ASHMAN COLLECTION: SCALEBUOY BROCHURE
Brochure titled Instructions in Use and Fitting of Scalebuoy Tap Unit. Printed in blue. The front of the brochure has a photo of a different style of a tap and Scalebuoy Unit. Inside is a detailed Method of Fitting Tap Unit to Tap, Cleaning of the Unit, which includes Method of Removal and Assembling. Also included is some information on the Scalebuoy. On the back page are pictures of a Scalebuoy hand Unit and a Scalebuoy Vest Pocket Unit.sciences, instruments - general, scalebuoy, bill ashman collection - correspondence, scalebuoy tap unit, bendigo electronic coy, frank a stevenson, cambridge press -
Charlton Golden Grains Museum Inc
Photograph, East Charlton Hotel, High St Charlton c. 1987
East Charlton Hotel built in 1875 by John Flug to replace his original log and bark inn built 1863. The first inn was about 100 metres behind this building and it was Charlton's first commercial building. The hotel was rebuilt by C. Klug in 1891. It was rebuilt as a two storey building in 1925. Part of a streetscape series done for the Shire of Charlton in 1987.Colour photograph of Spanish mission style, two storey white building. Arched verandah on lower level. Signage above veranda reads EAST CHARLTON HOTEL. Tree in front of building. and several parked cars. Yellow panel van in lower RH corner. Single storey pale brick building across the drive way on LH side. Red and white sign for SUPERMARKET on RH side.east charlton hotel, john flug, c. klug -
Clunes Museum
Functional object - HAND SEWING MACHINE AND TOOL BOX
.1 Sewing machine 'WERTHEIM' Black with gold pattern and marking. Base is iron with gold printing on circular emblem. Base wooden, ruler 1 foot - marked in inches. Stand is iron with large grate style pedal with which to operate machine. Belt which connects pedal to machine missing .2 Tin containing , pins, needles,cotton. Would usually have attachments as well, but these are missing..1 Wertheim - Frankfort Trade Mark on both ends of stand. Wertheim also printed on base plate of machine .2 green with gold pattern and writing "Wertheim" "Sewing Machines" on top of lidsewing, craft, dress making -
Whitehorse Historical Society Inc.
Domestic object - Wall Clock, 1945s
UnknownClock square with rounded corners cream bakelite electric wall clock with art deco style corners. Silver edged clock face with black numbers on silver edge with cream centre. Black filigree hands with a red minute hand. Black adjustment knob at bottom. Made in Great Britain by Smiths Sectric is marked on face. Back is black bakelite 'Smiths English Clocks' 200/250V 50SFC - Reg Trade Mark. Made in England. Instructions to set hands, press and turn knob. Made under one or moe Brit. Patents 366710 369 336 374 713 384441 484222. Back is cream with black book and white electric cord with black ring-grip plug 250V - 10amp. Made in Australiahorology, clocks, electrical technology, appliances & accessories -
Hume City Civic Collection
Directory, Shire of Bulla Directory, 1994 - 1995
The Directory was published by the former Shire of Bulla in 1994 - 1995 and was issued to residentsa living withing the Shire. It features details of public services which were available within the area at the time as well as maps of the settlements and some private advewrtisements.A 20 page booklet with an aerial photograph of the Greenvale Dam and surrounding area on the front cover. A green strip is along the spine of the booklet with the words 'Shire of Bulla' printed in white and 'Directory' printed in red. '1994 - 1995' is printed in red across the bottom of the front cover and the Shire of Bulla - 'City Living . Country Style' logo is in the bottom RH corner. The back cover features an advertisement for the Roxburgh housing development.shire of bulla, directory, sunbury, bulla, attwood hill, craigieburn, george evans collection -
Ballarat Tramway Museum
Ephemera - Ticket/s, Milldean Press, BTM Horse tram tickets, c2014
Two block of tickets for use on the horse tram produced c2014, by Milldean Press for the BTM. Printed on a light weight card, in an all universal date style, stapled in blocks of 20 with white paper on the front, card board back. Has a photo of the horse tram in Wendouree Parade on the rear. .1 - Adult - white paper numbered 401 to 420 .2 - Concession - yellow paper, numbered 401 to 420trams, tramways, btm, tickets, horse tram -
Ballarat Tramway Museum
Slide - 35mm slide/s, Peter Moses, Aug. 1971
Photo of SEC Ballarat Tram No. 31 at Grenville St. and Sturt St stop. Tram has destination of "Gardens via Sturt St. W". Photo shows the MMTB style shelter at this stop, with Thomas Jewellers shop in the background and other buildings along the south side of Sturt St. Note the two trams in the City Loop. Kodak cardboard mount slide, taken by Peter Moses August 1971.On back of slide in blue ink "N31 Ballarat / Lower Sturt St. " and in bottom left hand corner in black ink "P. Moses".tramways, trams, sturt st, grenville st, shelters, tram stops, tram 31 -
Ballarat Tramway Museum
Slide - 35mm slide/s, Travis Jeffrey, c1970
Plastic mount (black base, white cover) of a Bendigo tram, possibly No. 7 (Ballarat style doors and roof advertisements - no slides showing No. 6 with roof ads - see example of btm reg. item 2642), travelling in Pall Mall with the Shamrock Hotel, at Williamson St. Also the ANZ Savings bank in the background. Photo by Travis Jeffrey, c1970. Tram has two SEC roof advertisements.tramways, trams, bendigo, pall mall, tram 7? -
Ballarat Tramway Museum
Photograph - Black and White photograph/s - mounted, State Electricity Commission of Victoria (SECV), c1936
Demonstrates an aspect of the reconstruction phase by the SEC and yields information about the provision of new uniforms to the crew and the style of uniforms.Set of six black and white prints of a man wearing the SEC styled uniform mounted onto a grey light cardboard sheet. Each photo about 65 x 90. Marked as "Series D9" in ink. Produced by the SEC c1936. See Reg Items 1368 for larger prints of these photographs for further details of this photograph. See also Reg item 4634 for a set of photographs of later uniforms.Has in pencil around centre of photo "Alan McIvor"trams, tramways, uniforms, reconstruction, personnel -
Bendigo Historical Society Inc.
Photograph - GOLDEN SQUARE P.S. LAUREL ST. 1189 COLLECTION: MARY OXNAM
Copy of photo on brown board. Image shows Mary Oxnam, her husband and two children. Family are in portrait style setting, leaning on table. Written on bottom in biro: Mary Oxnam a teacher at Golden Square from 1905 - 10 with her husband and children. ** Note: Oxnam descendant sent letter 25 October 2002, stating that they enclosed two photograph albums. These have not been located 9.5.2019.education, primary, golden square laurel st p.s. -
Ararat Gallery TAMA
Functional object, Miniature rice bale, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981Miniature copies of old-style rice bales are fashioned of reed (and tied with the same material) to serve as packages for sweets from the city of Saidaiji, near Okayama City. The material is appropriate, for Okayama is famous as a source of reed for making the floor mats called tatami. The handsome label, made of dyed paper, is fastened to the package with mizuhiki, the cords traditionally tied around ceremonial gifts. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving -
Tennis Australia
Cards, Circa 1975
A framed set of four reproduction cards of paintings by (appears to be) Hubert Schmidt. Each card mount with (purportedly) artist's signature below. Artist's signatures difficult to decipher and handwritten signatures appear questionable. Each painting reproduction depicts a post-Cubist style composition with a tennis racquet (or tennis net)and ball. Framed under UV glass. Materials: Ink, Wood, Metal, Cardboard, Glass, Painttennis -
Kew Historical Society Inc
Photograph - Gable, 'Tara Hall', Studley Park Road, Marc Strizic, c.1960
'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author.A detailed photograph of the main gable on the front of Tara Hall (previously named Byram, Goathland and Lowan). The façade included detailed terra cotta mouldings. The Kew Historical Society was gifted a remnant of this façade (ie. ‘East or West’) in 2013. The use of applied terra cotta decoration by the architect Edward George Kilburn, of Ellerker & Kilburn, is typical of his style of the period. Mark Strizic (1928-2012), photographer. byram, goathland, tara hall, lowan, studley park (kew), george ramsden, sir malcolm mceacharn, edward george kilburn (architect), studley park road (kew) -
Kew Historical Society Inc
Photograph, The Vestibule, 'Goathland', 1901-1911
'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author.The Vestibule, Goathland', 1901-11. The vestibule of Tara Hall (originally Byram, and later Goathland and Lowan). The vestibule was entered through a porte-cochère on the east side of the house. Visitors entered the mansion through the vestibule before progressing to the main hallway. The main rooms of the house were accessed through the latter on the ground and first floor. The photograph gives some idea of the decorative style of furnishings during this era. The Vestibule - "Goathland"byram, goathland, tara hall, lowan, studley park (kew), george ramsden, sir malcolm mceacharn, edward george kilburn (architect), studley park road (kew) -
Kew Historical Society Inc
Slide - Kew Post Office, 1980
A civic campaign for new public offices developed in Kew in the 1880s. After much deliberation, the location chosen was the junction of Bulleen and Cotham Roads. The buildings were designed by George Watson and John Henry Harvey, architects within the Department of Public Works (Victoria). Building was commenced in 1887, and after one year, the buildings were opened. The Post Office was transferred to the new Commonwealth Government in 1901. The Police Station and Court House, sold by the Victorian Government to the City of Boroondara in 2007, are now a community cultural centre and performing arts venue.The buildings were listed on the Victorian Heritage Register Register (HO885) in 1991. They are historically and architecturally significant to the State of Victoria because Watson and Harvey's designs exhibit diversity in integrating civil offices, they accommodate the apex of road junctions, and they demonstrate a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings. 35mm colour transparency of the facade of the Kew Post Office on the corner of High Street and Cotham Road. The [former] post office is a significant example of the English Queen Anne Revival style. The photograph was taken as part of a series by Ralph Andrews (Department of Building, RMIT) in April 1980. The colour of the slide has degraded over time but is still valuable as a record of the architectural treatment of the building and accompanying planting in the 1970s. kew post office, khs - slides, new public offices -- kew (vic.), architectural styles -- english queen anne revival -
Kew Historical Society Inc
Slide - Kew Post Office, 1980
A civic campaign for new public offices developed in Kew in the 1880s. After much deliberation, the location chosen was the junction of Bulleen and Cotham Roads. The buildings were designed by George Watson and John Henry Harvey, architects within the Department of Public Works (Victoria). Building was commenced in 1887, and after one year, the buildings were opened. The Post Office was transferred to the new Commonwealth Government in 1901. The Police Station and Court House, sold by the Victorian Government to the City of Boroondara in 2007, are now a community cultural centre and performing arts venue.The buildings were listed on the Victorian Heritage Register Register (HO885) in 1991. They are historically and architecturally significant to the State of Victoria because Watson and Harvey's designs exhibit diversity in integrating civil offices, they accommodate the apex of road junctions, and they demonstrate a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings. 35mm colour transparency of the first floor landing in the Kew Post Office at the corner of High Street and Cotham Road. The building is a significant example of the English Queen Anne Revival style. The photographs were taken by John Coghlan in May 1980 while it was still a functioning post office to support his written report: ‘The functional planning design, building materials and construction methods of the Kew Post Office.’ kew post office, khs - slides, new public offices -- kew (vic.), architectural styles -- english queen anne revival -
Kew Historical Society Inc
Slide - Kew Post Office, 1980
A civic campaign for new public offices developed in Kew in the 1880s. After much deliberation, the location chosen was the junction of Bulleen and Cotham Roads. The buildings were designed by George Watson and John Henry Harvey, architects within the Department of Public Works (Victoria). Building was commenced in 1887, and after one year, the buildings were opened. The Post Office was transferred to the new Commonwealth Government in 1901. The Police Station and Court House, sold by the Victorian Government to the City of Boroondara in 2007, are now a community cultural centre and performing arts venue.The buildings were listed on the Victorian Heritage Register Register (HO885) in 1991. They are historically and architecturally significant to the State of Victoria because Watson and Harvey's designs exhibit diversity in integrating civil offices, they accommodate the apex of road junctions, and they demonstrate a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings. 35mm colour transparency of the first floor landing and staircase in the Kew Post Office at the corner of High Street and Cotham Road. The building is a significant example of the English Queen Anne Revival style. The photographs were taken by John Coghlan in May 1980 while it was still a functioning post office to support his written report: ‘The functional planning design, building materials and construction methods of the Kew Post Office.’ kew post office, khs - slides, new public offices -- kew (vic.), architectural styles -- english queen anne revival -
Surrey Hills Historical Society Collection
Photograph, John Gray Memorial Rotunda in Surrey gardens, Union Road, Surrey Hills, c 1925, c 1925
The rotunda was built in 1912 by Clarence Montgomery for the Surrey Hills Progress Association and the local community and dedicated to John Gray, "a highly respected and revered citizen". Surrey Hills Brass Band regularly gave concerts in the rotunda, provided music for regular 'loyal' celebrations and also for silent films held in the gardens. The rotunda was quite elevated off the ground due to the slope of the gardens and the bioscope was stored in the room underneath. This was later used as the infant welfare centre until the Progress Association built a dedicated facility for these purposes. The rotunda was demolished in 1972. Clarence Montgomery, carpenter, was living in Sunbury Crescent in 1914. By 1916 he had moved to 83 Croydon Road where he lived for the rest of his life. Clarence was born in 1869 in Taradale, son of John Montgomery and Jane Ford. He married Sarah Ann Ingram in Echuca in 1894. Their children were: 1. Annie (Mrs P Paynter) born Echuca in 1895 2. William Henry born Echuca in 1897 3. Christina Mary (Mrs F Meyers) born Echuca in 1898 4. Violet (Mrs G Ewing) born Echuca in 1902 5. Clarence George Ingram born Echuca in 1906 and died aged 7 months. Violet became a tailoress and Christina a dressmaker. William became a carpenter like his father. Sarah Ann Montgomery died at their home in June 1932 aged 62 years. Clarence died in August 1946 aged 77 years. They are buried in Box Hill Cemetery (P-EB-0020). John Gray was "actively associated with all movements for the benefit of neighbours and fellow citizens". [Quote from the official tribute on his death in 1909.] He was very active in the Surrey Hills Progress Association in the early 1900's. The rotunda built in the Surrey Gardens by the Progress Association in 1912 was dedicated to him. John Gray was born in 1861 in Eldorado. He died on 7 December 1909 in Surrey Hills and is buried in Box Hill Cemetery (M0472). He married Emma Beckett in 1888 at 'Guildford Villa' in Essex Road, the Beckett home. They are listed in both the 1903 and 1906 electoral rolls in Arundel Crescent; his occupation is given as bootmaker. The Alan Holt property register identifies this as 24 Arundel Crescent, known as 'Tumberumba'. John and Emma had a large family: (Gunner) John Robert Gray (1888, Surrey Hills - 21 June 1917, France) Benjamin Walter Gray (1890, Surrey Hills - 1949, Heidelberg) Herbert Harry Gray (1892, Surrey Hills - 1959, Queensland) William Beckett Gray (1897, Surrey Hills - 1899, Surrey Hills) Norman Douglas Gray (1901, Surrey Hills - 1947, Sydney) Evelyn Lizzie Gray (1906, Surrey Hills - 1983) Evelyn married Reginald Roberts and donated a number of photos to the collection. The donor Violet Ewing (nee Montgomery) was Clarence's daughter. She married George Isaac Henry Ewing (blacksmith) in 1934. They inherited the family home at 83 Croydon Road. Although constructed 5 years after their opening, this rotunda was a central feature of the Surrey Gardens which was planted to a design adapted from one suggested by the renowned landscape gardener and botanist William Robert Guilfoyle (1840-1912). Rotundas were a key feature of many late nineteenth and early twentieth century public parks. This particular rotunda was notable for the Chinoiserie influence reflected in its roof. Surrey Gardens are now regarded as one of the City of Boroondara's heritage gardens and this image is significant as evidence of the design of the rotunda which is no longer extant. It is also significant as evidence of the extent of the role of the Surrey Hills Progress Association in the provision of public facilities. A black and white photo of an octagonal rotunda situated within Surrey Gardens taken from the perspective of the main entrance. It is a largely wooden structure with a domed chinoiserie-style roof. The rotunda is enclosed by established gardens. There are 4 people in the photo, with 2 women standing on the steps at the rotunda's entrance. A man and a young person are seated within the rotunda. It has 8 support pillars, which are open with balustrades to 7 sides.rotundas, surrey gardens, union road, surrey hills progress association, surrey hills brass band, parks and reserves, 1925, john gray, clarence montgomery, box hill cemetery, cinema, john gray memorial rotunda, bandstands -
City of Greater Bendigo - Civic Collection
Administrative record - Land Sales, Department of Lands and Survey et al, 1929
This type of album was created by agents auctioning and selling land.Large portfolio style album with green cloth cover bound with three large metal pins. One hundred and then pages with thirty three Department of Lands and Survey maps pasted in. Index page. Maps have handwritten notes and markings throughout in pencil and pen. Covers the Counties of Bendigo, Rodney, Talbot, Gunbower, Gladstone, Tatchera and Karkarooc, Shires of East Loddon and Huntly and Swan Hill District. -
Melbourne Tram Museum
Photograph - Four color slides - tram W2 412 and tour ticket, 9-8-1970
Set of four colour slides taken during the Monash Railway club tour on 9-8-1970 using W2 412. The route number and destinations are for show only. Photography by Warren Doubleday. Ticket - No. 0004, printed on yellow card detailing the event. Date stamped on the rear using and Edmondson ticket dater.Yields information on Monash Railway club tour, the trams used, the ticket and the locations.Set of four Anscochrome colour slides, of Melbourne tram W2 412 on a Monash Railway Club tour - 9-8-1970 .1 - Shuntiing at Leura Grove Crossover in Burke Road .2 - Shunting at the crossover in Riversdale Road, near Glenferrie Road .3 - at the Burwood terminus .4 - Outside 412 Toorak Road. Since changed to 1412 Toorak Road .5 - Edmondson style ticket for the tourHas photographers slide numbers on each slide.monash railway club, w2 class, tram 412, toorak road, burwood, burke road, riversdale road, trams, tramways, tickets, edmondson tickets -
Melbourne Tram Museum
Ephemera - Ticket/s, Robert Green?, V/Line and The Met "60 Plus", 1990's
Ticket - V/Line and The Met "60 Plus" - printed dark blue - both sides - paste board - Edmondson style, with both the V/Line and The Met (arrowhead) logos on the front of the ticket. Ticket number B50330, date stamped 25 June 1990? (the last digit is not complete). On rear are conditions of travel, issued in conjunction with a V/Line Off Peak ticket and available on all Met services.trams, tramways, tickets, v/line, melbourne, 60 plus -
Glen Eira Historical Society
Article - Glenfern
Photocopy of typed research, undated, from an unknown author, regarding the architectural style of Glenfern, the changing landscaping from 1860, an addition to the property in 1876 and extracts from Jeannie Watson’s diary (daughter of then owner) dated 1870. Includes references from rate books, sale notices, titles, local history, Boyd history and various other sources. Includes photographs, poorly reproduced.glenfern, st kilda east, balaclava station, boyd captain, inkerman road, inkerman street, balaclava, mcdonnell francis, laing charles, architects, architectural features, boyd john t. t., gothic revival, hotham street, watson jeannie, coldham edith lucy, swanson donald, à beckett minnie, ostberg sarah ann -
Eltham District Historical Society Inc
Slide, Adam Crescent, Montmorency, c. Feb. 1981
One of a series of images of road infrastructure focussed on Adam Crescent in Montmorency taken by Eltham Shire Council Planning and Engineering officers. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions. All images have been identified with GPS though house numbers have changed35 mm colour positive transparency (1 of 21) Mount - Kodak Kodachrome CardProcessed Feb 1981adam crescent, infrastructure, montmorency, roads -
Eltham District Historical Society Inc
Slide, Adam Crescent, Montmorency, c. Feb. 1981
One of a series of images of road infrastructure focussed on Adam Crescent in Montmorency taken by Eltham Shire Council Planning and Engineering officers. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions. All images have been identified with GPS though house numbers have changed35 mm colour positive transparency (1 of 21) Mount - Kodak Kodachrome CardProcessed Feb 1981adam crescent, infrastructure, montmorency, roads -
Eltham District Historical Society Inc
Slide, Adam Crescent, Montmorency, c. Feb. 1981
One of a series of images of road infrastructure focussed on Adam Crescent in Montmorency taken by Eltham Shire Council Planning and Engineering officers. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions. All images have been identified with GPS though house numbers have changed35 mm colour positive transparency (1 of 21) Mount - Kodak Kodachrome CardProcessed Feb 1981adam crescent, infrastructure, montmorency, roads, gordon grove -
Eltham District Historical Society Inc
Slide, Adam Crescent, Montmorency, c. Feb. 1981
One of a series of images of road infrastructure focussed on Adam Crescent in Montmorency taken by Eltham Shire Council Planning and Engineering officers. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions. All images have been identified with GPS though house numbers have changed35 mm colour positive transparency (1 of 21) Mount - Kodak Kodachrome CardProcessed Feb 1981adam crescent, infrastructure, montmorency, roads -
Eltham District Historical Society Inc
Slide, Adam Crescent, Montmorency, c. Feb. 1981
One of a series of images of road infrastructure focussed on Adam Crescent in Montmorency taken by Eltham Shire Council Planning and Engineering officers. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions. All images have been identified with GPS though house numbers have changed35 mm colour positive transparency (1 of 21) Mount - Kodak Kodachrome CardProcessed Feb 1981adam crescent, infrastructure, montmorency, roads, gordon grove -
Eltham District Historical Society Inc
Slide, Adam Crescent, Montmorency, c. Feb. 1981
One of a series of images of road infrastructure focussed on Adam Crescent in Montmorency taken by Eltham Shire Council Planning and Engineering officers. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions. All images have been identified with GPS though house numbers have changed35 mm colour positive transparency (1 of 21) Mount - Kodak Kodachrome CardProcessed Feb 1981adam crescent, infrastructure, montmorency, roads