Carlisle and its cathedral. This cathedral church, which has stood on this site for over 800 years has a great story to tell. It is a story that can be traced back further still, to an even earlier church of the 7th century AD. Archaeological excavations on this site have taken the story back to Roman times. Today the dean and canons and other cathedral staff ensure that the worship of God remains the main work of this cathedral, while long-standing traditions of music, hospitality and education are also maintained. The story of this place is not so much about buildings, but about people. The buildings remain as evidence of the lives of people who lived and worked here and of what they believed and achieved. Until 1540 a community of Augustinian canons served the cathedral. They lived highly organized lives in monastic buildings suited to their needs. As canons rather than monks, they were freer to undertake pastoral and educational work. carlisle, cathedral, stonemasons, mason's marks

Carlisle and its cathedral. This cathedral church, which has stood on this site for over 800 years has a great story to tell. It is a story that can be traced back further still, to an even earlier church of the 7th century AD. Archaeological excavations on this site have taken the story back to Roman times. Today the dean and canons and other cathedral staff ensure that the worship of God remains the main work of this cathedral, while long-standing traditions of music, hospitality and education are also maintained. The story of this place is not so much about buildings, but about people. The buildings remain as evidence of the lives of people who lived and worked here and of what they believed and achieved. Until 1540 a community of Augustinian canons served the cathedral. They lived highly organized lives in monastic buildings suited to their needs. As canons rather than monks, they were freer to undertake pastoral and educational work. Colour photograph of graffiti in a church.carlisle, cathedral, stonemasons, mason's marks, graffiti

Carlisle and its cathedral. This cathedral church, which has stood on this site for over 800 years has a great story to tell. It is a story that can be traced back further still, to an even earlier church of the 7th century AD. Archaeological excavations on this site have taken the story back to Roman times. Today the dean and canons and other cathedral staff ensure that the worship of God remains the main work of this cathedral, while long-standing traditions of music, hospitality and education are also maintained. The story of this place is not so much about buildings, but about people. The buildings remain as evidence of the lives of people who lived and worked here and of what they believed and achieved. Until 1540 a community of Augustinian canons served the cathedral. They lived highly organized lives in monastic buildings suited to their needs. As canons rather than monks, they were freer to undertake pastoral and educational work. carlisle, cathedral, stonemasons, mason's marks

Carlisle and its cathedral. This cathedral church, which has stood on this site for over 800 years has a great story to tell. It is a story that can be traced back further still, to an even earlier church of the 7th century AD. Archaeological excavations on this site have taken the story back to Roman times. Today the dean and canons and other cathedral staff ensure that the worship of God remains the main work of this cathedral, while long-standing traditions of music, hospitality and education are also maintained. The story of this place is not so much about buildings, but about people. The buildings remain as evidence of the lives of people who lived and worked here and of what they believed and achieved. Until 1540 a community of Augustinian canons served the cathedral. They lived highly organized lives in monastic buildings suited to their needs. As canons rather than monks, they were freer to undertake pastoral and educational work. carlisle, cathedral, stonemasons, mason's marks

Carlisle and its cathedral. This cathedral church, which has stood on this site for over 800 years has a great story to tell. It is a story that can be traced back further still, to an even earlier church of the 7th century AD. Archaeological excavations on this site have taken the story back to Roman times. Today the dean and canons and other cathedral staff ensure that the worship of God remains the main work of this cathedral, while long-standing traditions of music, hospitality and education are also maintained. The story of this place is not so much about buildings, but about people. The buildings remain as evidence of the lives of people who lived and worked here and of what they believed and achieved. Until 1540 a community of Augustinian canons served the cathedral. They lived highly organized lives in monastic buildings suited to their needs. As canons rather than monks, they were freer to undertake pastoral and educational work. carlisle, cathedral, stonemasons, mason's marks

Carlisle and its cathedral. This cathedral church, which has stood on this site for over 800 years has a great story to tell. It is a story that can be traced back further still, to an even earlier church of the 7th century AD. Archaeological excavations on this site have taken the story back to Roman times. Today the dean and canons and other cathedral staff ensure that the worship of God remains the main work of this cathedral, while long-standing traditions of music, hospitality and education are also maintained. The story of this place is not so much about buildings, but about people. The buildings remain as evidence of the lives of people who lived and worked here and of what they believed and achieved. Until 1540 a community of Augustinian canons served the cathedral. They lived highly organized lives in monastic buildings suited to their needs. As canons rather than monks, they were freer to undertake pastoral and educational work. carlisle, cathedral, stonemasons, mason's marks

Carlisle and its cathedral. This cathedral church, which has stood on this site for over 800 years has a great story to tell. It is a story that can be traced back further still, to an even earlier church of the 7th century AD. Archaeological excavations on this site have taken the story back to Roman times. Today the dean and canons and other cathedral staff ensure that the worship of God remains the main work of this cathedral, while long-standing traditions of music, hospitality and education are also maintained. The story of this place is not so much about buildings, but about people. The buildings remain as evidence of the lives of people who lived and worked here and of what they believed and achieved. Until 1540 a community of Augustinian canons served the cathedral. They lived highly organized lives in monastic buildings suited to their needs. As canons rather than monks, they were freer to undertake pastoral and educational work. carlisle, cathedral, stonemasons, mason's marks

When Thomas Bent, politician and land speculator, was appointed Speaker of the Victorian Legislative Assembly in 1892, a number of local Brighton constituents and supporters raised money to present him with an oil portrait. Bent had been a member for Brighton for 21 years, and the painting was seen as a way of showing their appreciation of his services to the Brighton constituency, as well as congratulating him to his new position as Speaker. In June 1892, British/Australian landscape and portrait artist Charles E. Gordon-Frazer was given the commission to paint the portrait. Thomas Bent is depicted as standing in his Speaker's robe on the dais beneath the canopy in the Legislative Assembly Chamber in the act of addressing the House. He wears the traditional Speaker’s dress of a black silk and gold laced robe over a three-piece black suit, lace jabot and cuffs, buckled shoes and a ceremonial long wig. The top of the gold parliamentary mace sits on the right of the work near the frame's edge.sir thomas bent, thomas bent, speaker, mayor, premier, brighton, moorabbin, land speculator, local government, councillor, official, member of lower house, portrait, parliament, ceremonial robes, legislative assembly, jabot, wig, mace

The Kew Historical Society's map collection includes a substantial number of real estate subdivision plans, mainly of Kew but also of surrounding suburbs in Melbourne. Most of the subdivision plans date from the 1920s and 1930s when the districts old homes and local farmland were being split up to accommodate residential growth in the postwar period. These early plans were assembled by a local firm, Jas R Mather & McMillan, which had an office in Cotham Road. Many of the plans, and sometimes photos, were annotated by the agents. The ‘new’ Balwyn Picture Theatre was built and owned by Balwyn Theatres Pty Ltd in ca. 1928. By 1930, this first Balwyn Theatre was destroyed by fire after a break-in. Following the fire, a new cinema was constructed. This plan for a Cinema and eleven shops presumably dates from 1927/28 when the Company announced that this location in Whitehorse Road ‘was the most central and best suited [area] for their Theatre and shops’.Subdivision plans are historically important documents used as evidence for the growth of suburbs in Australia. They frequently provide information about when the land was sold as well as evidence relating to surveyors and real estate and financial agents. The numerous subdivision plans in the Kew Historical Society's collection represent working documents, ranging from the initial sketches made in planning a subdivision to printed plans on which auctioneers or agents listed the prices for which individual lots were sold. In a number of cases, the reverse of a subdivision plan in the collection includes a photograph of a house that was also for sale by the agent. These photographs provide significant heritage information relating house design and decoration, fencing and household gardens.The photograph may also be aesthetically significant depending on the importance of the photographic atelier.Subdivision plan showing the Balwyn Theatre and its adjoining shop sites in Whitehorse Road Balwyn. The 11 shop sites were noted for their depth (133 ft - 145 ft. [Map.0041]balwyn theatre -- balwyn (vic.), subdivisions -- balwyn (vic), subdivision plans

This is the earliest known photo of an Australian Rules football team in the Bacchus Marsh area. The photo is of 27 men and two boys standing in front of the Evans Pavilion at Maddingley Park Bacchus Marsh. The image shows players, officials and trainers, the players wearing early twentieth century playing guernseys featuring front fastenings. Some are wearing knickerbockers, some long trousers. Trainers have their towels slung over their shoulders. Men in civilian clothes, possibly club officials, are wearing suits and hats. The boys and two of the players are wearing caps, one player wearing a hat. The central figure, possibly the captain, is holding a football which has the initials B M I F C. These initials stand for "Bacchus Marsh Imperial Football Club". At this time, many football clubs used the word "imperial" in their title. This team may possibly have had the nick-name of "Imperials".This item has historic and social significance as the earliest image of one of the early sporting teams of Bacchus Marsh and district. It is evidence of the growth of importance of sport, in this case Australian Rules football, as a cultural and social activity central to the Australian ethos. It is also evidence of the dominance of the masculine ethos in the Australian culture of this time. The image has strong research value for the information it conveys about this particular club and its early participants.Photographic reproduction of earlier photographHand written below photograph "Bacchus Marsh Football Club 1901." The names Fred Pearce and Jack Bence with arrows indicating the players identified.bacchus marsh imperial football club, australian rules football

The Forest Fire Danger Index (FFDI) was originally invented by the grandfather of Australian bushfire science, Alan Grant McArthur, during the 1950s and ‘60s. Alan published his landmark paper, “Controlled burning in eucalypt forests” in 1962. Leaflet No. 80, as it was known, proved a turning point for forest and fire managers across Australia. More importantly, Alan was very practical forester and wanted his work to be useful to people in the field, so after several iterations he came up with the now familiar circular slide rule called the Forest Fire Danger Meter (FFDM).  The Mk 4 version first appeared in operational use in 1967. Two Forests Commission staff, Athol Hodgson and Rus Ritchie, built on McArthur’s pioneering work and by applying their own practical experience, developed a modified version in the late 1960s called the Control Burning Meter which was better suited to Victorian forest conditions.Introduced to the FCV in 1970Control burning meterbushfire, forests commission victoria (fcv)

Part of yearly marketing and information material promoting the Falls Creek Ski School. This publication includes detailed information about the Falls Creek Snowsport School Program for 2010. An introduction Francis Jackson and the Snowsports team states "Falls Creek Snowsports School is committed to enhancing your skiing and snowboarding experience. Think of our Snowsports School instructors as personal trainers for your snow adventure... they're here ready to elevate you to the next level. With a great attitude, endless patience and always up for fun, our instructors take pride in offering you their very best. From beginner to advanced, whether skiing or boarding, Falls Creek Snowsports School has a program to suit you. Our expert instructors will have you skiing and snowboarding to the best of your ability in no time. Have a great holiday and see you on the slopes!" Corporate Partners in 2010 were Milo, Ten TV and the ANZ Bank.This item is important because it documents seasonal activities at Falls Creek Snowsport School in 2010.A glossy booklet featuring images and information about programs to be offered at Falls Creek in the 2010 winter season. The front cover features a group of downhill skiers and three smaller images. The back cover includes a map showing meeting places, lesson times and contact details.On front cover Snowsport School 2010 skifalls.com.aufalls creek marketing, falls creek snowsport school., francis jackson

Photograph shows a female uniformed employee sitting at the controls of a Y1 class tram with a male in a suit standing to her right with his left hand on the back of the small driver's seat. The leather curtain used to enclosed the driver is open and stowed to the right. The tram appears to be on a suburban street but is stationary as the closeup photograph is taken from outside the tram. As this class of tram was used to train drivers at the Hawthorn Depot driver training school, the location may be close to this depot. The sloping driver's windscreen and long upper side window identify it as Y1 class. The female employee's summer uniform dress and jacket were introduced in 1975. Caps were no longer required, replaced with employee number badges worn on the uniform. This undated photograph is significant because the first female driver, Joyce Barry, was finally approved as a driver in 1975 after years of strong resistance by the tramways union. The staff member pictured is not Driver Barry. Yields information about driver training and female drivers Black and white print with no note.y1 class, leather curtain, driver training school, hawthorn depot, sloping drivers windscreen, caps, 1975, summer uniform dress, joyce barry, tramways union

Photograph: black and white photo mounted on cream board. Group of men, women and children, standing and seated in four rows, standing in front of weatherboard building (Spring Gully School ? ). Five men are seated in front row, wearing three piece suits, ties. Women are dressed in long dresses, most wearing hats. Photo perhaps late 1800's ?. On bottom Left Hand side of photo written in black : Cyril white, Photo, Bendigo Written on back of photo in biro Mrs. J. Noble, 232 Carpenter Street, Spring Gully, BendigoCyril White, Bendigophoto, group, spring gully, family portrait, noble, j.

Sepia photograph mounted on brown board. Seventeen adult males dressed in suits, ties and hats, arranged in three rows in front of trees. Male at R C row wearing clerical collar. Inscriptions: in image - handwritten at bottom 'Committee of School Picnic Excursion to Castlemaine Feb 8th 1928' At BR corner of mount 'of Arms, Under Royal and Vice Regal Patronage, Lorraine Pty Ltd, Castlemaine', at TR corner 'GP 72', On back TR 'GP 72', 'Royal Historical Society of Victoria, Bendigo Branch, circular stamp. Red ballpoint '12'.Bendigo Advertiserperson, group

Sepia photograph. Group photo on grey mount. 'Employees picnic Cohn Bros Victoria Brewery Co. Ltd. Male figures of various ages, dressed in three piece suits of the day. Various styles of head-wear and most figures with watch chains on their vests. Inscriptions: Printed on mount at front 'Cohn Bros Victoria Brewery Co. Ltd, Employees Picnic, held at 'Cherry Tree' opn Saturday 7th March, 1903. On back - 'Royal Historical society of Victoria, Bendigo Branch' - Circular stamp. History of photograph: previous Acc. No. GP 22, 'Committee' see 2001-202.01W H Robinson, Bendigoorganization, business, cohn bros. limited

Black and white photo with blue and yellow colouring. Rear; 8 men standing, Front; 5 men sitting. All dressed in black suits, white shirts, white bow tie and wearing the Free Masons Blue Apron (signifying the level of Free Mason. Each Free Mason is wearing a chain around the waist with an emblem which signifies the number of years service. The gentleman centre front is wearing a ribbon on front left side of jacket. Markings/Inscriptions: 'Kalma' Pall Mall, Bendigo. On rear written in pen, 'found at Eaglehawk MI' (Mechanics Institute)Kalmaorganization, church, free masons

Black and white photo, faded, pasted onto buff board. Possibly copy of original. Image shows 23 men standing and seated in front of corrugated iron mine shed. Men are dressed in suit coats and trousers, some wearing hats. Two men wearing collar and tie. On back of photo, written in pen : 'The photo of the New Chum Gold Fields Mine, Ddgiamond Hill, Bendigo, was taken about 1911, the Manager (Wilfred Rickards) seated in centre. There was a dozen or more mines in diamond Hill at that time. G.H. Furness, 116 High Street, Kangaroo Flat.'bendigo, mining, new chum goldfields mine

Yields information about the appearance and the use of ESCo tram 12 in Victoria St and has a strong association with those photographed on the steps of the tram.Digital Copy of a photograph purchased by David Critchley from E-bay, of ESCo No. 12 in Victoria St Ballarat, c1925, possibly at the King St loop. Tram has the destination of Orphanage, a Viceroy Tea advertisement, a Coliseum roof advert and an "Pay as You Leave" sign. Note the positioning of the tram number on the route footsteps. The tram still has track brakes and the footstep boards are yet to be cut back or shortened. Tram has four men in suits standing on the running board with the driver or motorman in the doorway of the tram as well. Image not to be formally published without owners permission or knowledge.On the rear of the print is a stamp of "Alpha Print Box Hill" with the number "88"trams, tramways, esco, victoria st, orphanage, motormen, tram 12

Black and white photo of four couples, the men dressed in suits with tails, wearing monkey masks and holding a frying pan. The women wearing sleeveless dresses with large white collars, a white cap and aprons with the Monkey Brand logos and carrying a Monkey Brand placard. The photo was taken at the Bendigo Town Hall in the 1920's. It represented an advertisement for 'Monkey Brand Soap'. The Monkey heads were loaned from Lever Bros for the occasion. The names are: Jean Dean, Joe Borrell, John Borell, F. Donaldson, A. Hurst, Kathleen Dixon (Mrs. Coglin) (third from the left).photo, group, mixed group, peter ellis collection, the monkey set, mrs coglin, mrs bourke, bendigo town hall, monkey brand soap, lever bros, jean dean, joe borrell, john borell, f. donaldson, a. hurst, kathleen dixon (mrs. coglin)

Portland Town CouncilPainting of a bluestone building. There are four columns to the front of the building. One either side of a green front door and the other two either side of each side window. Above the front door is a sign which reads ' Town Hall 1869' A footpath is in front of the building, with a man and woman walking together. The man wears a suit and hat and the woman wears a red shirt and blue skirt. At the other side of the building there is another figure - shadowy. A dirt road curves from foreground centre towards and past the building to the left. Two tall pines are behind the building on right.Front: Town Hall Portland '55 (brown paint, lower let). Travis Webber (brown paint, lower right). Back: Geelong Picture Framers, 211 Moorabool Street, GEELONG. Ph. 97805 (blue ink stamp, lower centre).portland town hall, bluestone building, bluestone, 1800s

Series of Black & White Photos Total 6 Hill Family & Friends During the First World War and after. Rita, wearing a dark dress with white collar and holding a dark coloured hat, background is large brick structure with windows to right and small section of veranda, pal tree, Railway Reserve Kyneton 1918. Man and two women wearing white dresses and dark hats, man wears dark suit white shirt and dark tie with his back against a large wheel, white sheet on ground between them and indistinguishable articles on sheet, Hibernian Picnic Axedale November 13th 1918. Group of young girls and boys all dressed in light coloured clothing gathering Botanical gardens January 1917, Miss N. Linnane reclining on cane lounge chair on verandah, weatherboard wall of house, verandah post, rock garden edging in foreground, May 1918. Monte Video Property Queensland Jeff, dressed in dark trousers and white shirt, holding a skinned rabbit, water tank in background, wire fence, July 1924. Father & Mother, Father wears a grey suit with white shirt and dark tie, Mother seated is wearing a dark dress with striped collar and white blouse, 'The Ranche' Mollison Street Eppalock.Hilda Hill Personal Collectionaustralia, history, post war life

Mission to Seafarers regularly held social events as both a means of fundraising for the continuation of the organisation's work and providing social activities for visiting seafarers. On many Saturday nights there would be dances, concerts or other social events. This photograph depicts one such event.The Mission to Seafarers as an organisation is dedicated to not only providing spiritual and practical support to seafarers, but has long found it important to provide social opportunities as well. In the past there have been many dances, concerts and other social events that have been designed to cater for visiting seafarersSmall black and white photograph of a group of people in the main hall (Flying Angel Club) of the Mission to Seafarers Melbourne. Some are dancing and some are standing together. The photograph is taken from an angle that has the bar (canteen) in the background.Pen on reverse of photograph: "5" enclosed in a circle.canteen, clock, ladies, floorboards, women, dance, couples, seafarers, suits, bar, flying-angel-club, mission-to-seafarers-melbourne, arched-doorways, lhlg, flying angel club, central club, plaque, jukebox, mission to seafarers, seamen's mission, seamen, sailors, dancing, events, social, asian, flinders street, melbourne

Jean Watson born 1906 was the only child of Christopher and Carrie Watson (nee Shillinglaw). She died at age 14 in 1920 as a result of an accident, cause as yet unknown. POSTCARD 1905-1940s Like the carte-de-visite, postcards enjoyed a collecting craze by large numbers of people, and were often kept in albums through which the interested visitor could browse. Postcards were posted or exchanged in huge numbers. Postal authorities in Australia only allowed the private printing of postcards from 1898. At this time the back of the card was reserved for the address and postage stamp, and the front was used for the message and a picture. In 1902 British authorities allowed a "divided back", so that the left side could be used for the message, the right side for the address and stamp, and the whole of the front was devoted to the picture. France followed suit in 1904, Germany and Australia in 1905, and the United States in 1907. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991cabinet photo, marg ball collection, shillinglaw family photo album 3, 1910, jean watson (1906-1920), postcard

Standing: Florence May Shillinglaw (1886-1969), Elizabeth (Lizzie) Ann Shillinglaw (1879-1972), Mary Ann Shillinglaw (1880-1963), Ada Maria Shillinglaw (1889-1974), Caroline (Carrie) Shillinglaw (1876-1956), Ernest Samuel Shillinglaw (1888-1958) Seated: Jean Shillinglaw (nee Blemner 1819-1906), Phillip Shillinglaw (1842-1914) Nicholes Photographer, Alphington According to the Sands McDougall Melbourne Directory, George. Nicholes, Photographer was first listed on the north side of Heidelberg Road, Alphington in 1904 and again in 1905. By 1906 he was still listed but with no profession. From 1907 on he was listed as a bicycle agent. PANEL 1875-1920 Panels began to be produced around 1875, and were particularly suited, because of their larger size, for capturing family, or even larger, groups. They measured 8.5 by 6.5 inches (22 cm x 16.5 cm). - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, 1905, 1904-1905, ada maria chrisfield (nee shillinglaw) 1889-1974, ada maria shillinglaw (1889-1974), caroline (carrie) watson (nee shillinglaw) 1876-1956, elizabeth (lizzie) ann shillinglaw (1879-1972), ernest samuel shillinglaw (1888-1958), florence may bunker (nee shillinglaw) (1886-1969), jean shillinglaw (nee blemner 1819-1906), mary ann shillinglaw (1880-1963), nicholes photographer alphington, phillip shillinglaw (1842-1914)

Post Card printed on back with photographer's details: W. Mason & Co., 144 Bridge Road, Richmond. W. Mason & Co. operated from this adress from 1903-c.1932 POSTCARD 1905-1940s Like the carte-de-visite, postcards enjoyed a collecting craze by large numbers of people, and were often kept in albums through which the interested visitor could browse. Postcards were posted or exchanged in huge numbers. Postal authorities in Australia only allowed the private printing of postcards from 1898. At this time the back of the card was reserved for the address and postage stamp, and the front was used for the message and a picture. In 1902 British authorities allowed a "divided back", so that the left side could be used for the message, the right side for the address and stamp, and the whole of the front was devoted to the picture. France followed suit in 1904, Germany and Australia in 1905, and the United States in 1907. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, postcard, 1903-1932, 1915, mary ann shillinglaw (1880-1963), w. mason & co. photographer 144 bridge rd melbourne

Four black and white photos of Somers camp, in 1931. One show a corrugated iron building that had been built and what looks like a prank being played on a Legatee in suit and cap. Also one of junior legatee Graham Billett by some camp buildings. Another shows Gwen Smith. Plus a group of youths on the beach. All are from the same film. In the early years, Legacy organised outings to the property of Legacy founder, Legatee Stan Savige, who had a place in Balnarring close to the beach. Permanent camp buildings were built in 1930. In 1930 Lord Somers (Governor of Victoria) also started a camp at a nearby property and the area was renamed Somers. Legacy Somers Camps continued intermittently at Stan's property until it was decided in 1951 to make other arrangements for holidays. This photo was with a group of photos from around the 1930s from the early days of Legacy, including cricket team, football team, and camps at Balnarring/Somers (saved as 01915 to 01934).Legatee Savige's property at Balnarring became very important for Legacy providing outings and camps for junior legatees.Black and white photo x 4 of Somers Camp in 1931.Handwritten on 01931.1 'Left to right x x Ron Rimmer' in blue pen. Handwritten on 01931.2 'Graham Billett' in blue pen. Handwritten on 01931.3 'Gwen Smith' in blue pen. All four are stamped '4 38' in blue ink meaning they are from the same film and have '1931' in pencil on them. Also all have 'Printed by Harringtons' in purple ink. All on Velox paper.junior legatee outing, legacy somers camp, savige property, camp

Carol Porter’s artwork Don’t get mad, get elected! features a woman towering over Parliament House in Canberra. Below her, tiny suit-clad politicians run screaming as she holds one of their colleagues upside-down, and another tumbles from her grasp. The look on her face is cool and determined; it is a reversal of the more common horror poster trope of ‘damsel in distress’. Porter says of the work: ‘It was tapping into the fact that women should get into power and make a difference’. Porter is a contemporary political cartoonist and poster artist who has worked out of Melbourne since the 1970s. She uses humour in her social commentary on various Australian issues and is well known for the prints she produced at RedPlanet – the alternative poster press inspired by an anti-elitist mission to reconnect art with communities. The poster was commissioned by the Victorian Women’s Trust. It first appeared on Melbourne billboards in 1997, a year after the federal election that swept John Howard to power.Donated by the artist

Part of yearly marketing and information material promoting the Falls Creek Ski School. This publication includes detailed information about the Falls Creek Snowsport School Program for 2004. An introduction by the School Director, Benny Pregenzer states "Falls Creek Snowsports School is committed to enhancing your skiing and snowboarding experience. Think of our Snowsports School instructors as personal trainers for your snow adventure... they're here ready to elevate you to the next level. With a great attitude, endless patience and always up for fun, our instructors take pride in offering you their very best. From beginner to advanced, little tackers to adults and everyone in between, Falls Creek Snowsports School has a program to suit you. Our expert instructors will have you skiing, snowboarding, telemarking and cross-country skiing to the best of your ability in no time. Have a great holiday and see you on the slopes!" Corporate sponsors for 2004 were Milo, Nursing Australia and Ten TV. This item is important because it documents seasonal activities at Falls Creek Snowsport School in 2004A glossy booklet featuring images and information about programs to be offered at Falls Creek in the 2004 winter season. The front cover features a group of downhill skiers while the back cover includes lesson times and contact details. Coloured images are included throughout the booklet. On front cover Falls Creek and the resort Logo fallscreek.com.au Snowsport Schoolfalls creek marketing, falls creek snowsport school., benny pregenzer