Showing 6174 items
matching no. 100
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Bendigo Historical Society Inc.
Document - BARKLY REEF GOLD MINING COMPANY SHARE ACCOUNT, 1875
Document. Barkly Reef Gold Mining Company Share Account. To J Dolman, dated 23 Apr 1875 being for 100 shares for the above named company. Document is signed by Hay?, Manager. Document contains an embossed stamp reading: 'Barkly Reef Gold Mining Co. Registered, Elysian Flat'.cottage, miners, barkly reef gmc share account, j dolman, elysian flat -
Bendigo Historical Society Inc.
Document - KELLY AND ALLSOP COLLECTION: SHARE CERTIFICATE - CONSOLIDATED GOLD MINING COMPANY, 28/01/1897
Document. KELLY & ALLSOP COLLECTION. One share certificate issued by the Consolidated Gold Mining Company, Ellesmere, Bendigo, representing 100 shares at 10 shillings each. Capital raised was 17,500 Pounds from 35,000 shares. Certificate No. 313 issued to M.Kelly on 28 Jan 1897. Signed by J.H.Curnow, Manager.Consolidated Gold Mining Co.business, stockbroker, kelly & allsop, kelly & allsop collection, share certificate, ellesmere, consolidated gold mining co., m.kelly, j.h.curnow -
Whitehorse Historical Society Inc.
Article, Cattle round-up recall, 2005
Grace Ferguson, who turned 100 recently, comes from one of the Blackburn area's pioneering families (Photo).Grace Ferguson, who turned 100 recently, comes from one of the Blackburn area's pioneering families (Photo). Her grandfather was George Augustus Goodwin, who donated land for St Johns Anglican Church and Blackburn Primary School. Reverse side: talking newspaper volunteer Lewis Roper (photo)Grace Ferguson, who turned 100 recently, comes from one of the Blackburn area's pioneering families (Photo). goodwin, george augustus, ferguson, grace, st johns anglican church, blackburn, blackburn primary school, no. 2923, talking newspaper, roper, lewis, mitcham repertory group -
Federation University Art Collection
Work on paper - Bookplate, John Shirlow, "Ex Libris R.H. Croll Solvitur Ambulando" by John Shirlow
John Shirlow (1869-1936) John Shirlow was the first Australian to make etching the basis of his career. Schooled in Melbourne, he studied for a time with Artur Loureiro and attended design classes at the National Gallery School from 1890 to 1895. Specialising in renderings of old Melbourne buildings, which are now of great historical interest, he drew directly onto the plate in reverse. In 1929 he founded etching classes at the Working Men's Institute. Throughout his life a prominent figure on the Victorian art scene, he was involved in various choirs and bushwalked with R.H. Croll and C.J. Dennis. He was a Trustee of the National Gallery of Victoria from 1922 to 1936. (http://www.portrait.gov.au/people/john-shirlow-1869)Bookplate "Ex Libris R.H. Croll Solvitur Ambulando" by John Shirlow This Ex Libris Etching was released as Part of P. Neville Barnett`s ``Pictorial Book Plates`` Privately Published and Released as a Limited Edition ``de luxe`` Version, The Publication was Edition Number 95 of 100, Year of Publication: 1931Etched bookplate "Ex Libris R.H. Croll Solvitur Ambulando" showing a boy with swag and billy reading a book as he walks towards the rising sun. Shirlow with 1923 printed lower left beneath the image. r.h. croll, john shirlow -
Warrnambool and District Historical Society Inc.
Jar of tacks, Early 20th century
These tacks, produced perhaps 100 years ago, could have been used by carpenters making furniture etc or by householders making or repairing household items. These tacks are retained as examples of building and household items used over 100 years ago. They have no known local provenance. This is a glass jar with a red plastic top. The jar contains metal tacks. All of them have the letter ‘N’ (or ‘Z’?) on the head of the tack. The tacks have a rounded head with a flattened body rounded at the end. Nvintage nails, history of warrnambool -
Greensborough Historical Society
Folder, Royal Australian Mint, Legends of the Anzacs: Medals of Honour, 2017_
Folder designed to hold a gold coin collection (folder only) commemorating the Medals of Honour awarded over the 100 years of Anzac. Includes examples of the recipients.Folder only. 6-fold heavy card folder with string tie, colour illustrations of medals of honour.anzac centenary, medals of honour -
Kiewa Valley Historical Society
Book of Journals - Agriculture 1949, The Journal of the Department of Agriculture Victoria, Australia
Each journal has eg January 50 pages and February 100 pages with advertisements, articles, etc updating farmers on current issues and the latest inventions.Farmers in the Kiewa Valley subscribed to these journals enabling them to keep up with the changes in farming in Victoria, Australia.Large, thick book box with monthly journals in 1949 enclosed. Each journal is held by string. Spine is black and cover is beige.department of agriculture in victoria, farmers of the kiewa valley, 1949 journals -
Port Melbourne Historical & Preservation Society
Photograph - 13th Field Artillery Brigade, Beach Street, Port Melbourne, 1915
Bill did not return from the war. More information in "World War One - a history in 100 stories" by Bruice Scates, Rebecca Wheatley and Laura James.Black and white photo of William Johnstone Knox (Bill), Lieutenant (later Captain) 13th Field Artillery Brigade, World War I. The Brigade is shown marching up Beach Street, Port Melbourne, probably 28.06.1915 (the date of sailing). Bill is at the front on the left hand side of the march. (RHS of photo) Photo shows Beach St commercial buildings.built environment - commercial, war - world war i, william johnstone (bill) knox, harper's starch factory, bayview hotel -
Port Melbourne Historical & Preservation Society
Photograph - William Johnstone KNOX leaving for WWI, 1915
Bill did not return from the war. More information in "World War One - a history in 100 stories" by Bruce SCATES, Rebecca WHEATLEY and Laura JAMES.Three black and white photos Of William Johnstone KNOX (Bill) and family members there to see his departure with the 13th Field Artillery Brigade, World War I. .02 shows KNOX with family members and in background are Town Pier sheds .03 shows KNOX with car and in background Pier Hotel and morley's Coal Depot .04 shows KNOX and family and streetscape of Pier Hotel and rear of buildings on Bay Stpier hotel, morleys coal depot, built environment - commercial, war - world war i, piers and wharves - town pier, william johnstone (bill) knox -
Moorabbin Air Museum
Document (Item) - RAAF Specification Engineering - Tractor Wheeled Aircraft Towing 80 000 N Draw Bar Pull. No.C530
Description: 100 pages. Published by RAAF. Published on unknown date. JAC Syllabus Junior Officer's Training, Point Cook OTS Level of Importance: World. -
Tatura Irrigation & Wartime Camps Museum
Audio Tape, 1989-1995
The choir, having sung for nearly 100 years, decided to record some of their work. church music|local choirs|St Andrews Presbyterian Church Choir1. 60 minute tape recorded locally of St Andrew's Presbyterian Choir, Tatura, singing a selection of anthems.|2. Ninety minute tape recorded locally, of St Andrews Presbyterian Choir reading an "Alexander" hymn service, 1989.St Andrews Choir Tatura Alexanders Hymn Service 1989; A Selection of anthems, St Andrews Presbyterian Choir, Taturamusical, instruments, accessory -
Ringwood and District Historical Society
Photograph, Ringwood Primary School- 100th Anniversary- 1989
Coloured photograph "Written on back of photograph" L to R Keith Falconer , Vera Wigley, Evelyn Goodwin, cutting 100 years cake -
Bendigo Military Museum
Newspaper - NEWSPAPER 1944, Guinea Gold, 26th February 1944
Newspaper with general information of the Second World War including stories of various campaigns and political articles. There is a racing guide for the Flemington races.Yellowing newspaper, four pages, small photo on front page"Special New Britain Edition" "Guinea Gold" "Vol.2. No. 100 In The Field, Saturday, Febuary 26, 1944" "NOT FOR SALE"newspaper, headlines, photo -
Ballarat Clarendon College
Medal
Ornate silver medal with crown detail at top; embossed school name and Head of MinervaEmbossed on face: BALLARAT COLLEGE / Head of Minerva Engraved on verso: H MORROW / 1st / 100 Yards Junior / 1899 -
Glenelg Shire Council Cultural Collection
Souvenir - Plastic Drink Bottle - Hi Fert High Analysis Fertilizers, Bottle of Australia, n.d
Hi Fert High Analysis Fertilizers green plastic drink bottle, white lid. Hi Fert logo front and back. Measurements 25cm high x top 4.5cm x bottom 7cmFront: Sid: metric scale 100-400mls, embossed Back: Base: Bottles of Australia - logo) Made in Australia ) embossed -
Glen Eira Historical Society
Album - Album page, Kambrook Road, Circa 1972
This page of photographs is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. First 2 images: milkbar and residence corner Kambrook and Balaclava Roads ie south west corner - building named Airdrie 3rd image: https://vhd.heritagecouncil.vic.gov.au/places/43737 - re 26 Kambrook Road and 345 Balaclava Road corner building ie south east corner: A prominently situated two-storeyed complex of late Victorian buildings consisting of "Wybar's Buildings" occupying the Balaclava Road/ Kambrook Road corner and the "Caulfield Bakery" facing Kambrook Road, separated by a driveway from a single storeyed shop. The main building has a comer splay and balustraded parapet with curved pediments, the words "Wybar's Buildings 1887" having been obliterated but "Caulfield Bakery 1887" with the characteristic wheatsheaf surviving in raised cement work. The walls are stuccoed and richly ornamented with bracketed cornices and keystones with masks extending to the Bakery. The main building is further distinguished by the Masonic symbol of the mason's dividers in the pediment whilst the upper level of the bakery is in overpainted brickwork. The single storeyed shop incorporates the bracketed cornice and consoles characteristic of the main buildings and is in other respects a utilitarian structure. 4th image: https://vhd.heritagecouncil.vic.gov.au/places/42415 (on 24/01/2021) - 196 Kambrook Road An imposing late Victorian poly-chrome brick asymmetrical villa with corner verandah and projecting west facing wing with faceted window bay to the facade. Body bricks are red and relieved by cream and black brick banding and by cream bricks to the bracketed eaves. The fretted barge with king post treatment and timber posted verandah are unique in the Municipality and unusual in the metropolitan area and demonstrate an understated appreciation of the emerging Queen Anne mode.345 Balaclava and 26 Kambrook Roads HO91 - City of Glen Eira https://vhd.heritagecouncil.vic.gov.au/places/43737 (on 24/01/2021) "Wybar's Buildings" at the corner of Balaclava Road and Kambrook Road are important as a prominent late Victorian commercial development incorporating a variety of activities including a bakery and possibly a coffee palace, the latter understood to be unique within the municipality, but characteristic of the period. It is a rare complex of its type in Caulfield and is important also as evocative evidence of the late Victorian Land Boom and the creation of a small now defunct commercial centre at this location by the George Wybrow. 196 Kambrook Road HO122 - City of Glen Eira https://vhd.heritagecouncil.vic.gov.au/places/42415 "Glencoe" is situated at no. 196 Kambrook Road, Caulfield North and was built for the boot manufacturer, Robert Bruce Mair, in 1888. It is of historic and aesthetic significance. It is historically significant (Criterion A) as the home of an inner suburban industrialist, notable a boot manufacturer, demonstrating the attraction of Caulfield as a residential location for the manufacturers of the metropolis during the late Victorian Boom period. It is aesthetically significant (Criterion E) as a very early example of a Queen Anne influenced late Victorian villa, comparing at the State level with ''Woodlands'' (1888), North Essendon, generally acknowledged to be one of Australia's earliest houses to fully exploit this emerging style. The ornamental timberwork is especially expressive of the new architectural fashion and compares with the house at 33 Clarence Street, Elsternwick (1888-89).Page 105 of Photograph Album with two photographs of a milk bar and attached residence, one older photograph of Wybar's Building and another photograph of a house on Kambrook Road (all are landscape).Handwritten: 196 KAMBROOK ROAD / 1970 - GAFFNEY MRS S.M. [under bottom right photo] / 100 [bottom left]trevor hart, kambrook road, victorian style, caulfield north, parapets, wybar's buildings 1887, caulfield bakery 1887, architectural features, painted bricks, balaclava road, george wybrow, shops, milk bars, airdrie, polychrome bricks, verandahs, queen anne architectural style, houses, glencoe, robert mair -
Bendigo Historical Society Inc.
Clothing - HANRO COLLECTION: PURE WOOL JACKET AND SKIRT
Pure wool black and dark green check pattern suit jacket. Single-breasted fastened with three buttons (2.4cm diameter) and two press studs. Buttonholes on a placket, of fabric cut diagonally. Classic collar. Top button at throat. Back of jacket made from four pieces. Front of jacket made of three pieces on each side to form shaping. Pockets inserted to seams at waist level on both sides of the jacket. Long sleeves tapering to wrist. Pure wool. Black and green, woven in a check design A-line skirt, with a long stitched down ''plackett'' effect of fabric cut diagonally, opening to a pleat, just left of centre front.Label inside back neck, ''Hanro tailored by franchise from Handschin and Ronus Ltd Switzerland. 100% wool. 18.costume, female, hanro pure wool jacket -
Bendigo Historical Society Inc.
Clothing - FAY BRYANT COLLECTION: HANRO NIGHTGOWN AND NEGLIGEE, 1960s
Sheer bri-nylon, over a heavier weight bri-nylon lining. Sleeveless and with a scoop neckline. A braid of padded flowers and leaves outlines the neckline and forms the straps that pass over the shoulders. This braid also forms a “yoke” from which the main body of the nightgown falls in soft gathers. Outer bri-nylon layer is edged with a one cm wide lace edging. Price on swing tag: 65 shillings. Negligee with double layer of soft pink bri-nylon. Scooped neckline with a 6cm wide yoke. Yoke has a braid of padded flowers and leaves that outlines the neckline that is appliquéd as is the matching nightgown. Two pearl buttons fasten the yoke at the centre front. Full length front opening. Double layer short “puff” sleeves are gathered at the shoulder and have an elastic casing at lower edge. Outer layer of sleeve is longer than lining, giving a soft “puff” effect. Hemline has a stitched “shell” finish.Hanro SW (Small Women’s) 100% bri-nylon On swing tag: Created by Hanro, Quality lingerie. Swiss Inspired.costume, female underwear, nightgown -
National Wool Museum
Textile - Blanket, Godfrey Hirst, 1950s
Note from collector: Godfrey Hirst Diamond blankets from the mid-1950s are always delight to find. Some of these were found in the Geelong area but one came back with me from an op shop road trip around Tasmania, another from the St Pauls op shop in Romsey. I love this pattern and find the lemon and grey colourway particularly special.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." King-sized, pink and mint diamond blanket, ribbon edgedName tag 'O'Malley' sewn above label/"An All Wool Blanket" /By Godfrey Hirst of Geelong/100% Virgin Woolwool, blanket, blanket fever, diamond blanket, godfrey hirst, geelong -
National Wool Museum
Archive - Advertisement, Laconia Woollen Mills, 1963
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." 'Laconia Makes a Bed' blanket range across two pages Laconia Makes a Bed/Softer, warmer, lovelier for years and years to come/Laconia 100% Pure Lambs' Wool Blankets blanket, blanket fever, wool, laconia, advertisement, the australian women's weekly -
National Wool Museum
Archive - Advertisement, Onkaparinga Woollen Mill Company
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Gay as a highland gathering (lamb playing bagpipes)Gay as a highland gathering….good for a lifetime of comfort/Onkaparinga/100% Pure Wool Rugs/Buy Well-Buy Wool blanket, blanket fever, wool, onkaparinga, advertisement -
Whitehorse Historical Society Inc.
Instrument - Medical Thermometer, 1950s
Thermometer from Betty Geddes née Harrison of Carlton. Betty Harrison was married to Don Harrison who lived in Blackburn. After marriage they lived in Williams Road, Blackburn. Betty's brother owned the pharmacy in Carlton.Medical (Mercury) Thermometer in silver case.Geddes Pharmacy Carlton 1/2 Minute GHZEAL English Made Guaranteed|Q810 95 100 5 110medicine, nursing -
Whitehorse Historical Society Inc.
Clothing - Cap, c1990
White cotton peaked cap with five panel and airholes. Padded front panel with red and black lettering and a black logo. Stitch detail on peak. Adjustable white velcro fastening. Padded headband. Inside front panel lined with interfacing. Nylon label.front of hat ; City of Nunawading.|Label 100% cotton; hand wash; cold water; drip dry; Made in China.costume, male headware, female headwear -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s - set of 2, The Courier Ballarat, 18/09/1971 12:00:00 AM
Yields information about the nature of the day on the last full day of operation in Sturt St and how passengers boarded the tram from the median strip.Black and White copy photographs of a newspaper photograph taken by The Courier - photo taken 18/9/1971, one published 20/9/1971 of No. 40 picks up shoppers, Sturt & Dawson Sts corner, last Saturday of service. 3772.1 - Shows two ladies boarding the tram from a crossover over the gutter. 3772.2 - shows the tram just after it left the stop. Has the Ritzy Cafe in the background. Also has a "Cars Stop Here" and a "End of Section sign in the photograph, that looks back along Sturt St. Tram has the destination of Sebastopol. One photo used in the Courier Supplement following the closure of the tramways. Collected by Alan Bradley from the Ballarat Courier early 1980's. See Excel file "Record of Ballarat Courier Photos SEC era" (Archive Documents) for source of details.On rear of 4772.2 stamped "Copyright, The Ballarat Courier Proprietary Limited." and "100%" in black ink, and "92A Rpt" in felt pen.tramways, trams, sturt st, closure, dawson st, signs, tram 40 -
Tarnagulla History Archive
Photograph - Photograph: Methodist Church, Tarnagulla, c. 1920-1960s
Williams Family Collection. Monochrome photograph depicting the Methodist Church in Tarnagulla Original photographic print. Handwritten on reverse: 'This Methodist Church was 100 years old Sept 14th 1958. Built at Tarnagulla in the gold days' and 'L.Williams'.tarnagulla -
Camberwell RSL Sub-Branch
Photo, Jack Bell, ex WW2 POW, Remembrance Day 2017
Photo, taken at the Shrine, Melbourne 11 November 2017Jack Bell, a 100 year old veteran of WW2, who survived three years in Italian and German POW camps. -
Melbourne Tram Museum
Newspaper, The Age, "Shake, rattle and roll, it'll be a fine tram party", 23/08/2000 12:00:00 AM
Newspaper clipping - titled "Shake, rattle and roll, it'll be a fine tram party", The Age 7/10/2006 about the family day to be celebrated by Yarra Trams the following day. Has a photo of a car painter painting the interior of NMETL 13. Written by Stephen Moynihan and Clay Lucas with photo cy Pat Scala. Notes the centenary of the VR Trams and NMETL.Handwritten note "Age 7 Oct. 2006 p8" and "Wed 11 Oct 2006, 100 yrs electric trams"trams, tramways, events, yarra trams, preston workshops, nmetl, centenary, 100 years of electric trams, essendon depot, vr trams -
Mission to Seafarers Victoria
Letter - Correspondence, Jim Hayes, 07/12/1950
The correspondent writes "'.... I am sending ........a little Xmas gift of 100 pounds Sterling that should be worth 125 pounds at the rate of exchange when it reaches Australia"Quinn CollectionThis letter is written on a single sheet of unlined buff-coloured paper. The paper has been folded in half, in book form (0852.a). It is headed The Meadows, Epsom and is dated 7/12/50. The off-white envelope (0852.b) is addressed to Kip Hayes, 14 Fitzroy Street, St Kilda, Victoria. There are two United Kingdom stamps in the upper right hand corner, an air mail sticker on the left and is post-marked Epsom, Surrey. The letter commences "Dear Kip..." and is signed "Jim". letters-from-abroad, jim hayes -
Mission to Seafarers Victoria
Photograph, Picnic at Orchard House, Cup Day 1909, 1909
The photograph depicts a large group (around 100) of merchant seamen, apprentices and officers at Malvern property, Orchard House, belonging to Mr George Higgins, in November 1019. Mr Higgins was a civil engineer, MCE, engineer in chief for the Victorian Railway, he also managed the contractors for the Princes Bridge.His sister Ina Higgins was first woman to graduate in Horticulture at Burnley and may have known another graduate there, Frederica Godfrey who established the Mission garden circa 1917-18. This image adds to the record of significant supporters and hosts across Melbourne that the Mission could call on to entertain seafarers in the early 20th C.Small monchrome photograph, fading to upper righthand quarter1909, cup day, malvern, george higgins, orchard house, beatrice elizabeth higgins (nee shuter), mrs shuter, charles shuter, ina higgins, picnics, social events, entertainments, sailors, goldsmith album -
Mission to Seafarers Victoria
Photograph - Photograph, Black and white, Handing lemon drinks - Boxing Day 1920, 26 December 1920
Around 100 men were welcomed on the grounds of Riversdale bu Mr and Mrs Edward Duckett for Boxing Day 1920. The party went to the house by boat on the Yarra.Small black and white photograph with thin white border depicting 3 ladies standing and handing over some glasses to men sitting on the ground.Handwritten on verson in pencil: Handing lemon drinks - Boxing Day 1920 and the number "893"picnic, wwi, first world war, great war, lhlg, picnics, social events, entertainments, boxing day, 1920, edward duckett, riversdale