.1 Pamphlet, DL size, three folded titled "The Colonial Tramcar Restaurant", marketing the service, has photos and details of the service, what it can be used for, where to pick it up, seating layout and contact numbers. .2 - Postcard - full colour - side on view of a "The Colonial Tramcar Restaurant" wide bodied W fitted with a trolley pole. Has the company logo on the bottom of the card. Two copies of the card, but they have been stuck together by water damage. Has the logo on the rear, contact details, and address lines. Custom prints by www.visitgallery.com.au .3 - as for .1 - but slightly different information. Not scanned.trams, tramways, restaurant tram, marketing, melbourne

Set of four hand written notes on off white paper. .1 - "Car 1041"All electric" Destination Indicators - giving a list of the destination blind fitted to prototype tramcar 1041 - dated 13-7-73. .2 - "Tail light modifications to W2's - gives a list of W2's yet to be fitted and notes on dates. .3 - "W2 Overhauls" - giving a list of W2's and dates of overhauls. - 1973? .4 - "Able bodies W2 trams (1973) - list of W2's in use?, depot, dates of overhaul and some comments in red ink.trams, tramways, 1041, destination roll, lights, w2 class, preston workshops, overhauls, tram 1041

Manuscript - 8 quarto sheets carbon copy - assumed for a newspaper article - has "Sydney Sun 5/11/48" on top of the sheet. Has notes on the MMTB, the Trusts, its powers, borrowings, capital reserves and finances, Special Schemes, administration, Preston Workshops, Uniform manufacture, numbers of trams and buses, buses, age of fleet, vehicle maintenance costs, bus body building, fares, community obligations, licensing fund discontinued as it had too much money, reserve funds, Bourke St conversion and followed by other cable tram routes that at the time were buses.On top of page 1 - in pencil "Sydney Sun 5/11/48" On base of page 3, hand written notes about the number of trams in 1938 and 1939 and discontinuation of cable tramstrams, tramways, mmtb, workshops, cable trams, st kilda rd, finances, buses, bourke st

Set of two Negatives (120) of a wide body car crossing the Wallen St Road Bridge Hawthorn possibly after the construction of The Boulevard. Taken from either side of the river. Hi Res image filed in the dbtext/hawthtramcoll/Large Images/htd3595aLarge.jpg and htd3595bLarge A low resolution A4 laminated was received with the negatives. Image i2 - taken from Glan Avon Rd in Hawthorn of Wallen Rd bridge – the tram is one of three SW2 class trams (not the first one due to the door sizes, but one of 426, 432 or 478, most probably 478 as that was a Camberwell car)trams, tramways, wallen rd, bridges, sw2 class

Heubach German porcelain doll. Head badly cracked and taped together. The face is OK. Doll’s eyes are loose. Eyes need to be reset. All parts are separate. Composition body in need of repair. Open mouth. One tooth. Pierced nostrils. Clothed in red cotton drawers with long legs. Not original. Knitted singlet – badly moth eaten. White lawn dress with lace. Tied together with mourning ribbon. Crocheted bonnet lined with silk. Ernst Heubach was a company in Köppelsdorf, Thuringia, Germany, that manufactured porcelain-headed bisque dolls from 1885 onwardsHeubach

Art collection Previously located in History HouseThe painting depicts a large body of water surrounded by tree-covered riverbank. Depicted in shades of blue and grey, the water features patches of brown and blue which illustrate the reflections of riverbank trees. In the foreground to the left of the water is a large tree which extends up to cover the top left skyline of the work. Featured in the background is a dense patch of trees completed in shades of blue. To the right of the water is a dense patch of trees completed in shades of brown and black. These trees reach into a purple and blue cloud-filled sky. The work has a gilded ornate frame with cardboard and gold mount and exposed canvas.Front: A.S. Murray Plaque attached to frame: SCENE on the RIVER MURRAY Back: (no inscriptions)

Newspaper Clipping from "The Post", 13 October,1993, page 1. "Bash witness appeaL"'.Police are appealing for help from anyone who may have seen the baffling attack on a 16 year old Croydon girl near Mullum Mullum Creek. Kate Stammers was assaulted with a baseball bat. She was knocked to the ground and hit repeatedly around the head before being thrown in the creek. She was taken to Maroondah Hospital with a 30 cm gash on the back of her head, before being transferred to the Austin Hospital for treatment for a fractured skull; and bruising to the face and the upper body.

A spokeshave is a hand tool used to shape and smooth woods in woodworking jobs such as making cart wheel spokes, chair legs, paddles, bows, and arrows. The tool consists of a blade fixed into the body of the tool, which has a handle for each hand. Historically, a spokeshave was made with a wooden body and metal cutting blade. With industrialization metal bodies displaced wood in mass-produced tools. Being a small tool, spokeshaves are not suited to working large surfaces. The name spokeshave dates back to at least the 16th century, though the early history of the tool is not well documented. The name spokeshave reflects the early use of the tool by wheel wrights. The first spokeshaves were made of wood usually beech with steel blades, before being largely superseded by the development of metal-bodied spokeshaves in the latter half of the 19th century, though many woodworkers still use wooden spokeshaves. Due to their widespread use and versatility vintage wooden spokeshaves remain commonly available and relatively low in price. Spokeshaves consist of a blade or iron secured to the body or stock of the tool, which has two handles – one for each hand. The bottom surface of the tool is called the sole. The blade can be removed for sharpening, and adjusted to vary the depth of the cut. An early design consisted of a metal blade with a pair of tangs to which the wooden handles were attached, as with a draw knife. Unlike a draw knife, but like a plane, spokeshaves typically have a sole plate that fixes the angle of the blade relative to the surface being worked. There are a wide variety of different types of spokeshave, suited to different trades and applications. Company History: The firm of Alexander Mathieson & Sons was one of the leading makers of hand tools in Scotland. Its success went hand in hand with the growth of the shipbuilding industries on the Firth of Clyde in the nineteenth century and the emergence of Glasgow regarded as the "second city of the Empire". It also reflected the firm's skill in responding to an unprecedented demand for quality tools by shipyards, cooperage's and other industries, both locally and far and wide. The year 1792 was deemed by the firm to be that of its foundation it was in all likelihood the year in which John Manners had set up his plane-making workshop on Saracen Lane off the Gallowgate in the heart of Glasgow, not far from the Saracen's Head Inn, where Dr Johnson and James Boswell had stayed on their tour of Scotland in 1773. Alexander Mathieson (1797–1851) is recorded in 1822 as a plane-maker at 25 Gallowgate, but in the following year at 14 Saracen's Lane, presumably having taken over the premises of John Manners. The 1841 national census described Alexander Mathieson as a master plane-maker at 38 Saracen Lane with his son Thomas Adam working as a journeyman plane-maker. In 1849 the firm of James & William Stewart at 65 Nicolson Street, Edinburgh was taken over and Thomas was put in charge of the business, trading under the name Thomas A. Mathieson & Co. as plane and edge-tool makers. Thomas's company acquired the Edinburgh edge-tool makers Charles & Hugh McPherson and took over their premises in Gilmore Street. The Edinburgh directory of 1856/7 the business is recorded as being Alexander Mathieson & Son, plane and edge-tool makers at 48 Nicolson Street and Paul's Work, Gilmore Street. The 1851 census records indicate that Alexander was working as a tool and plane-maker employing eight men. Later that year Alexander died and his son Thomas took over the business. Under the heading of an edge-tool maker in the 1852/3 (Post-Office Glasgow Annual Directory) the firm is now listed as Alexander Mathieson & Son. By the early 1850s, the business had moved to 24 Saracen Lane. The directory for 1857/8 records that the firm had moved again only a few years later to East Campbell Street, also off the Gallowgate, and that through further diversification was also manufacturing coopers' and tin men's tools. The ten-yearly censuses log the firm's growth and in 1861 Thomas was a tool manufacturer employing 95 men and 30 boys; in 1871 he had 200 men working for him and in 1881 300 men. By 1899 the firm had been incorporated as Alexander Mathieson & Sons Ltd, even though only Alexander's son Thomas appears ever to have joined the firm.A vintage tool made by a well-known firm made for other firms and individuals that worked in wood. The tool was used to shape various items mainly in use by wheel wrights. A significant vintage item from the mid to late 19th century that today is quite sought after by collectors. It gives us a snapshot of how trade people predominately worked materials such as wood by hand and with tools that were themselves hand made shows the craftsman's art of the time. Spokeshave with blade 4 inches wide.Mathieson and Son Glasgow. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, spokeshave, mathieson and son, carpentry tools, wheel wright tools

When he died in February 1883, Wombeetch Puyuun was the last member of the Liwura Gundidj clan still living on Country at Camperdown. The Wombeetch Puyuun Grave Monument was erected by his friend and Guardian, James Dawson in 1885, largely at his own expense. At the top is engraved 1840, which marked the beginning of the demise of the local First Nations people. Below are a boomerang, a club, and a message stick. At the bottom is the year 1883 which saw the last of the local First Nations people on Country with the death of Wombeetch Puyuun. On the base are the words: "In memory of the Aborigines of this district. Here lies the body of the chief, Wombeetch Puyuun, and the last of the local tribes". Standing facing the monument is Kaawirn Kuunawarn (Hissing Swan), Elder of the Kirroe Wuurong tribe.Kaawirn Kuunawarn (Hissing Swan at the Wombeetch Puyuun Grave Monument in the Camperdown Cemeterycdhs, djargurd wurrung, djargurdwurrung, cdhsfirstnations, first nations people

This image brings together two major events in International House history in 1972, the opening of the Scheps Wing, and the admittance of women. Female students were initially accommodated on separate floors, and the Council has since attempted to maintain between 25% and 50% female students. The Scheps Wing was opened in May that year, named in honour of donors Theodor and Ida Scheps, its 92 rooms accomodating the growth of IH's diverse student body. John Howie was IH Student Club President from 1971-1972, the first permitted to regularly attend IH Council Meetings after years of petitioning for Council representation by the Student Club. Felicity Ho and John Howie, pictured ironing together here, later married."Photographed for publicity" inscribed in pen on reverse with names of subjects and datelaundry, scheps wing, students

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. The V&A's history of fashion describes 1930s dresses as characterised by '... a slinky femininity... Parisian couturiers introduced the bias-cut into their designs, which caused the fabric to skim over the body's curves. Long, simple and clinging evening gowns, made of satin were popular. Often the dresses had low scooping backs'. This dress was made for an aunt of the donor, who was the daughter and sister of well-known male Melbourne architects in the Smart family. Long floral green crepe georgette dress.women's clothing, dresses, australian fashion - 1930s

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.The V&A's history of fashion describes 1930s dresses as characterised by '... a slinky femininity... Parisian couturiers introduced the bias-cut into their designs, which caused the fabric to skim over the body's curves. Long, simple and clinging evening gowns, made of satin were popular. Often the dresses had low scooping backs'. This dress was made for an aunt of the donor, who was the daughter and sister of well-known male Melbourne architects in the Smart family.Long cream and orange floral crepe georgette evening dresswomen's clothing, australian fashion - 1930s, fashion and textiles collection, rosemary smart

Dorethy Rabinov’s Melbourne-based brand Ricki Reed "became an international success story. Her brand catered to “the petite and young, people who like smart simple dress” and popular with the women lib groups due to her comfortable smart pantsuits. The Ricki Reed’s brand often favored synthetic fabrics designed to keep up with the life of an active, busy woman. Through out the decades, Miss Rabinov dabbled in prairie gowns, tailored pant suits, bold colours and floral prints. Spanning over three decades Miss Rabinov kept Ricki Reed at the front of fashion, keeping ahead of trends and on the bodies of fashionistas." (Source: 'House of Darlington' website). This dress was owned, worn and donated by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Sleeveless embossed white cotton high waisted cocktail dress designed by Ricki Reed of Melbourne.Nilricki reed, women's clothing, evening wear, australian fashion - 1960s, mcintyre collection

The first race meetings took place in Wodonga as early as 1859, when there was an annual three-day race meeting known as the Belvoir annual races. More regular racing in Wodonga dates back to 1870. The first formal race club, the Wodonga Racing Club, was founded in 1873. In 1901 it was renamed as the Wodonga Federal Racing Club. In May 1901, the Wodonga Amateur Turf Club was formed. Also in 1901, on 3rd July, another body, the Wodonga Citizens’ Race Club was formed with a view to satisfying a demand for winter racing. At a meeting at the Wodonga Council Chambers in October 1901, it was decided, seemingly by an unanimous vote, that the three Wodonga race clubs then in existence would amalgamate to form the Wodonga Turf Club. A small oval badge showing member details. The front has been enamelled, primarily in green and golf. It bears the Wodonga Turf Club logo and the date in gold paint. It has been attached to a cord through the metal eyelet at the top.On front: Wodonga Turf Club/ 86 87 On back: Member 23 / NOT TRANSFERABLE / PERFECTION SYDNEY 770775wodonga turf club, sport and leisure wodonga, wodonga turf club membership

Set of three Preston Workshops reports for April 1963; 1 - Preston Workshops Tram Summary - week ending 20 April 1963 - detailing the tramcars awaiting attention, lifting shop, body shop, paint shop, trams receiving attention, trams received and trams dispatched with their work done. Lists tram that are held out of service, including those sold. Has ink notes regarding cracked axles. 2 - Sheet reporting on cracked axles supplied by Thompsons in 1923 and Hadfields 3 - Axle survey - 19-4-1963 - in workshops availed for processing of in use - lists by type of gear - BTH, GE, Metro Vickers and by axle status. Has ink notes along bottom edge.Yields information about Preston Workshops reporting, axles and general management.Set of 3 typed documents - foolscap sheets.tramcars, tramways, preston workshops, tramcar maintenance, axles

Contents: • What happened in the Shire of Eltham in 1924 by Jim Connor • Next Meeting –7:30pm Wednesday 9th October 2024 • November Excursion - Saturday 2nd November – Killeavey Walk and Talk • Robert Hoddle – Chains and Grids in Terra Nullius by Anne Paul (Part 3) • A Heidelberg School Artist in Eltham by Marguerite Marshall • Eltham Council Officers; Tuesday 6th April 1937 • Our new sponsor • Percy Leason by Richard Pinn • Body in the Bush – Misadventure or Murder? By Terry Beaton • Shillinglaw Cottage – 60 years on by Jim Connor • Montsalvat People by Richard Pinn o Helen Lempriere (1907-1991) o Sigmund Jorgensen (1940-2019) • You Can Bank On That! by Jim Connor The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 newsletter distributed to members (Digital and A4 photocopy)newsletter, eltham district historical society

A sculpture unveiled on December 3rd 1999, the Anniversary of the Eureka Stockade Rebellion, in Ballarat, Victoria commemorates the Pikeman's Dog . The centerpiece of the sculpture is the bronze Irish Terrier. His stance, is a direct expression of his forlorn anguish, as he sits at the base of a symbolic bronze Pike, his head turned towards the place where once his master stood. The Pikeman's Dog statue was relocated from inside the Eureka Centre to a more prominent position within the Eureka Stockade Memorial Park. The new memorial was unveiled at a ceremony on December 3, 2014 - the 160th anniversary of the Eureka Stockade. The new memorial consists of 22 large golden stockade posts – representing the number of diggers killed in battle – erected in a triangle behind the statue of Wee Jock, on high ground outside the Museum of Australian Democracy at Eureka. The triangular shape of the monument is metaphorically symbolic. The V shape can be interpreted as symbolising victory, and the 22 golden posts represent the 22 diggers who were killed. The Pikeman`s Dog (known as Wee Jock), a little terrier, showed great devotion and bravery at the death of his master at the Eureka Stockade on 3 December 1854. As a result of the attack on the miners by Crown forces, five British soldiers and some thirty miners died. Among the miners lay a Pikeman, mortally wounded with some 15 wounds. Guarding his body throughout the hours it lay unclaimed at the battlefield, and later accompanying it on the death cart as the remaining bodies were transferred to the cemetery, was this small dog. According to reports the dog howled continuously and could not be separated from his master. The dog was awarded the RSPCA`s Purple Cross which Honours exceptional behaviour in serving humans in 1997.Colour photographs of the Pikeman's Dog statue in the Eureka Stockade Memorial Gardens. pikeman's dog, eureka stockade, statue, charles smith, joan walsh-smith

A press release from Melbourne Legacy in 1975 which relates a story of how Legacy works. The information was intended to be used by press and magazines etc. The title 'Finding some one who's better off . . . who had a better run' and discusses mateship being important to Australians. It starts with a quote from Sir Robert Menzies, former prime minister of Australia. 'Legacy is not an organisation designed to organise people into a body to pursue their rights or into a body to defend their mutual interests. If anybody were to trace out what's been done by Legacy since Stan Savige first had this great idea he would find himself going into most of the nooks and crannies of Australian life and finding somebody who is better off, who had a better run, who had done something because of the individual responsibility accepted by members of Legacy. They have contributed to the best elements in our national life and they have done it because it's all been based on active personal responsibility'. The article goes on to describe the origins of Legacy and the work done. "Each member of Legacy is responsible for helping about five families. He gives of his time unstintingly; his only reward is to see these families secure, receiving all the advantages to which they are entitled. He sees, with pride, the family grow and for the widow there are social activities organised so that she, too, feels herself to be a useful member of the community. As she grows older, her care is assured as Legacy maintains gradually increasing hostel and/or Nursing Home type accomodation for frail, aged widows in its care.'A record of how Legacy promoted their work in the 1970s.Blue foolscap page x 3 with black type of a press release in 1975.Title 'Finding some one who's better off . . . who had a better run'press release, promotion, robert menzies

Fan-tailed Cuckoos are found throughout eastern and south-western Australia. They are also sometimes found in nearby small island nations as far as New Caledonia. Their call is a distinct, descending trill, which they are known to make even outside their breeding season. The neck is thin compared to a typical Fan-tailed Cuckoo - potentially a taxidermy error or damage. Otherwise, the specimen is reasonably representative. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This fan-tailed cuckoo has a dark grey/brown back and a pale rufous (a yellowy brown) underside. The tail is also brown with white spots on some of the feather tips. The front of the face is pale rufous and blends into the black at the top of the head and neck. Some of the feathers around the neck are grey. There is a patch of white on halfway down the body on the left wing. The eyes are brown, the feet are yellow, and the beak, which is missing at the bottom, is yellow. The bird stands on a brown, wooden perch with a circular bar, curved stand, and circular base. It has an identification tag tied around its right leg. There is a swing-tag on the left leg.Swing-tag: 71a. / Fan-tailed Cuckoo / See Catalogue, Page 21 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, skin, reynell eveleigh johns, bird, fan-tailed cuckoo, cuckoo, australian bird, australian museum, australian animal

Uniform jacket, Black doublet style with silver braid around stand-up colar, fastened with 7 buttons (missing). Black braid around cuffs, and pocket and tail flaps. Black cord epaulettes on shoulders. 3 strieps of silver braid on sleeve cuffs, front pocket flaps (2), tail flaps (2). Button missing from front, epaulettes, pocket flats, cuffs,tail flaps (2). Black lining in body, white striped lining in sleeves, Padded shoulders, Label "David Lack Pty Ltd, uniform specialist Melbourne." Name tag has handwritten in pen "- 2 7" Label "David Lack Pty Ltd, uniform specialist Melbourne." Name tag has handwritten in pen "- 2 7" flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, uniform, made in melbourne, supplier of uniform, david lack pty ltd, scottish thistle button

This raker/jointer/guage set is a sharpening tool for cross cut logging saws. The logging saws used in the early 1900's for the clearing of forests required constant sharpening of their "cutting teeth". The logging of forested areas during these times was very much a "hands on" method of either one or two men by the use of saw or hand axe. Chain saws, chain and ball(clearing) and bulldozing methods came in the mid 1900's.This particular saw sharpening method was used by surveyors laying down boundaries for the S.E.C. Victoria Hydro Electricity Scheme (1920's). This item was given to a local Kiewa Valley lad who accompanied the initial surveyors. The lad was responsible for the tendering and feeding of the surveyors "pack horses". Surveys during this period and in the dense mountainous terrain of the Victorian Alps was both exhausting and hazardous. Overnight accommodation at various log cabins was not always possible and swag/tent alternative was the "fall back" This raker/jointer saw sharpener was made in the USA (DISSTON) from cast and flat iron. The main body has been painted in orange. It has three adjustment screws on the top horizontal bar and one bolt on(adjusting) leveling platform on the bottom. The small size and weight of this saw sharpener was ideal for the travelling/mobile logger or surveyor(as in this case). The main frame resembles two towers connected by two horizontal bars and the top of the towers has a horizontal bar with adjustment screws. See KVHS 0090 (B) for setting stake wedge adjusting the rake and cutting angle and KVHS 0090 (C) for a small spanner (for adjustments).On one inner supports is stamped "DISSTON" and on the other "U.S.A."hand tool, saw, sharpening method, tree felling.

LU 600 the first of the Small Town Units, designed and built by the Country Fire Authority. (CFA) The late Wally Titheridge, Chief Mechancal Officer of the Country Fire Brigades Board, CFBB, and its successor the CFA, stated in an interview in the early 1990's that the vehicle was designed by himself, and built by a body builder in Preston. This was the first of many hundreds of the Small Town Units, on maily Austin, but also Bedford, Leyland, and BMC Chassis. The early series trucks had a 200 gallon (900 Litre) tank, which was proving usefull, but "more is always better" , so the next series had 400 gallon (1000 litre) tanks.

Journal of the Tramway Museum Society of Victoria. Ltd. Volume 8, No. 3, June 1971. Thirty five cents. Sixteen pages. Front cover picture (right) from Victorian Railways, shows tram no. 304 which was one of 100 W class tramcars. 60 of them, including this one, were built by Holden's Body Builders of Adelaide. They were transported by rail to Melbourne then lifted onto horse-drawn vehicles for the final stage of their journey. On back cover (left) photo by R. Prentice. Picture of Bylands where the society is building a tramway museum for Victoria. History of document: Part of 'Basil Miller Tramways Collection'document

The Norman Oliver collection. Norman Oliver was three times Mayor of Bendigo - 1950-51, 1964-65, 1970-71. Twenty-one pages of typed notes. On left-hand margin of front page is written in green ink - To be broadcast as Mayors Report on evening of May 2 1951. Corrections in body of speech written in a dark blue ink. Topics included: Rotary, Anzac Day, the Northern District Municipal Conference, the Featherstone Memorial lecture, garbage tips, garbage collector, the Health Report, the Centenary Road Race, building regulations, the Migrants Exhibition, the Recruiting Convoy, the outlet from the city along Hargreaves St.bendigo, council, speech notes, norman joseph oliver , councillor norman oliver. mayor of bendigo. 3bo 'the mayor speaks'. bendigo centenary 1951.

Cohns 32 Ounce, Green Soft-Drink Bottle. Includes a coloured metal “screw-on” cap. The Bottle has a painted red and white label on the neck as well as on the body. The neck label says 'Drink Cohns 32 Cold'. The main label has the words '32 Fl. Ozs'. It also has a Logo with a Kangaroo head under a crown. The slogan “Quick to Quench” wavers across a red shield containing the words Cohns, Since 1857. The glass bottle has the code “ISQ 432” with a circular smiling face stamped into the glass. Housed in wooden Cohns Soft-Drink Crate Item # 7322Cohnsfood technology, bottles

Black cover book, wire binding, 13 pages of text and maps. On front: Fosterville Gold Project' Map of ore body on cover - Central North, Central Ellesmere, Harringtons Hill. Contents include: open pits, heap leaching, waste dumps, estimated project life, changes from previously approved project, estimated project life, main project components, expanded open pits and underground mines, processing sulphide ore, tailings storages, waste rock dumps. Principles of rehabilitation, site preparation, rehabilitation activities during operation and decommissioning activities. Environmental issues, and summary of proposed new operating conditions.bendigo, mining, fosterville gold mine

Textiles. Navy blue and red leather handbag. Body of handbag of navy leather with 2 cm diagonal strips of red leather across each corner front and bag. Side seams have red leather cord trim. Metal frame for opening covered in red leather with gold coloured metal trim on front with push clasp (5 cm x 1 cm) with blue leather trim. Opening tab on front. Inside lined with brown cotton fabric.Central swinging hinged coin purse and one gathered side pocket.Insde purse is a 9.5 cm lead pencil and a pen nib. Manufactured by MILADI HANDBAGS.Cloth label inside bag 'Miladi Handbags'textiles, domestic, ladies navy blue and red leather handbag

a.Cream envelope addressed to Miss E Goetze, Civic Buildings, Bendigo. Inside pale blue, b. gold edged card 'Centenary Physical Education Display by Bendigo and District Schools Upper Reserve Friday, October 5th, 1951, at 1.45 p.m 'The beauty of the body and the goodness of the soul are the harmony we seek' Complimentary. Grandstand Reserve. Written on back in ' Miss E. Goetze' c. Slip of paper 'If unable to be present kindly advise me so that there will be no unoccupied reserved seats while others are standing. Signed: R.L. Harrowfield. Stamp 'Golden Square Training School, No 1189. Dated 28.9.51education, primary, school no 1189

Hand written note in the box: "I am Chaplain of Wesley College"Brown leather case with handle and metal locks at front. Blue fabric lining. Three copies of "Order for the Administration of the Lord's Supper", a Wesley College New Testament and Psalms (1947) in fitted slot. Silver salver (12cm diameter) and silver wafer tin (7.5cm diameter) in fitted slots in lid. In body of box: two plain glass bottles with plastic screw tops and two plain corks, a silver goblet (13.5cm high and 7.5cm diameter) and four glass communion tumblers. Small brown bottle with a plastic lid. Includes large white linen communion cloth. Gold lettering on front of set.On case: "The "CHAPLAIN V.T.L. ROBERTS" Inside lid on leather: "THE GIFT OF THE METHODIST PADRE'S AUXILIARY OF VICTORIA"methodist padre's auxiliary of victoria, wesley college