The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Born digital photograph of the fireplace in the third bedroom of Villa Alba. The original 1880s black stone mantel, obliquely positioned in the southwest corner of the room (one of two examples in the house) is painted with a central group of three white roses. These are surrounded by flowers and foliage of jasmine that extend along the upper panel and down the sides of the mantel. It is believed that the addition of the painted flowers was completed by a freelance artist working for the Paterson Brothers; probably Ulysses Rizzi. The mantel is inset with two-tone surround tiles and decorative polychrome hearth tiles that incorporate a green ivy pattern which climbs up pieces of bamboo. Each tile is separated by a white and black border. All of the tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- third bedroom

Black and white photograph of a Bendigo Single Truck straight sill tramcar (were numbers 1 to 12) prior to fitting windscreens (Destination Eaglehawk page 30 - says this occurred in 1920). Tram has "Dewar's imperial whisky" roof advertisement, "Bendigo Tramways" on the letterboard, on the front dash, advertisements for "O-T+ drink additive on either side of the headlight and "Silverline Soap" on the panel either side of the bumper bar. See Reg Item 1712 for side on view of this tram. Photograph appears to be a photo of another print, with black ink "18" in the bottom left hand corner on the newer print on copy 1 of the item only. Two copies held. See page 30 of Destination Eaglehawk trams, tramways, bendigo, esco

Agfa plastic mount (blue base, white cover) of a photograph of No. 26 at City terminus, inbound. Tram is in the process of being fitted with dash canopy lights and tiger strips and White Horse Whiskey advertisement on the back dash panel. Tram has destination of Sturt St. West on rear of tram which is probably where it came from. Has a crewman talking to two ladies standing between the seats at the City Terminus and the tram. Has Post Office and ANZ bank in the background. Photo taken early 1961. Slide rescanned at 3200 dpi 24-10-2020, jpg replaced, tiff file retained. This file was scanned in 2003 and may show colour changes. "BAS 16" in penciltramways, trams, city terminus, sturt st, post office, tram 26

Agfa plastic mount (blue base, white cover) of a photograph of No. 27 turning from Sturt St into Drummond St Nth Tram has been fitted with dash canopy lights and tiger strips. Tram has destination of Haddon St, has a "Cook with Electricity" roof advertisement and an advertisements for White Horse Whiskey and The Age on the front dash panel. Photo taken between 1961 and 1964. Note the SEC electrical section control box on the corner by No. 27. Has Southern Cross Hotel and Rimmington Bros. Butchers in the background. Slide rescanned at 3200 dpi 24-10-2020, jpg replaced, tiff file retained. This file was scanned in 2003 and may show colour changes. "BAS 21" in penciltramways, trams, hospital corner, sturt st, drummond st, tram 27

Black and white postcard printed photograph of the front of a Melbourne Tramway and Omnibus Co. cable car with the photograph of an employee in uniform against a black background merged into the front of the cable tram between the roof uprights and the decorative front apron. "M. T & O Coy" have been printed on the destination panel. At base of card is "Darge Photo copyright No. 1136". On rear is printed Postcard, /Correspondence/Address Only. On side of card vertically is "DARGE, Photographer, 175 Collins St. Melbourne Vic." In position where stamp would go, in a square box repeated twice, are the words "KODAK AUSTRALIA", along with decorative scrolls. See btm632doc.pdf for historical note re print.Niltrams, tramways, melbourne, cable trams, darge photographer's, mtoco , tram cable car

Colour photograph of tram 33 terminating at the north end of Gardens Loop, Wendouree Parade, the first service tram to do so on Sat. 15 March 2003. The service was terminated at this point for some 6 weeks while Wendouree Parade was resurfaced and other track work done. Shows the temporary terminal arrangements, and the earth cable installed to protect the work site on the section insulator and earth stake alongside the pole. Tram 33 has the Eureka roofing tiles and SEC Briquettes roof advertisements and Twin Lakes sign on the drivers dash panel. The destination shown is Gardens via Sturt St. West. Photo taken by Austin Brehaut and printed on Kodak paper.In black ink on the rear of the photo "1st car to use short-working during track and road repairs 15.3.03 / APB"btm, road works, gardens loop, wendouree parade, tram 33

Yields information about Ballarat's trams in the early 1970's and the Drummond St streetscape near the Mill St loop, Yields information about Ballarat's trams in the early 1970's and the Drummond St streetscape near the Mill St loopBlack and white print of Ballarat 33, in turning from Lydiard St Nth into Sturt St, with the Commonwealth Bank and buildings on the south side of Sturt St.. Two copies. Photo by Doug Colquhoun, 15/5/1971. Trams has the destination of Sebastopol and has a "Twin Lakes" sign on the dash panel. In the photograph is signage for Dickins, Neptune, Commonwealth Bank and Patersons. Has two young ladies walking across the street and the ESCo electrical cabinet. Photo print courtesy of Port Dock Railway Museum, now the National Railway Museum. See worksheet 4311 for letter and details of prints sent to Bill Scott, 19/10/2001. Any photo credit to mention NRM Collection.On rear of copy 1 "SEC Ballarat / 33 / 15/5/71 4164 / Lydiard St @ Sturt St / D.A. Colquhoun" . Copy 2 "DAC" in ink, bottom right hand corner.trams, tramways, sturt st, fashions, lydiard st nth, tram 33

Colour postcard divided back, serrated edge, with a view from the Melbourne Town Hall portico, looking south along Swanston St towards the intersection of Bourke St. shows the city square, Wales Corner, trams and traffic in both streets. Has a W2 crossing Swanston St - W2 586? - the crossing is one of the type which composed of panels that allowed for maintenance. City Square completed to Flinders Lane early 1970, Bourke St Mall opened 1983 - photo mid 1970's Back has space for name and address, stamp and a message and title of postcard. Produced by Nu-Color-Vue. Card Number ML 209, NCV 2940.trams, tramways, postcards, swanston st, bourke st, tram 586?

Black and white negative, by Wal Jack, of SW6 915 decorated for the Golden Jubilee of Australia, on a route 20, Coburg service in Elizabeth St, just before crossing Collins St. Has in the background Muraltune and Andrews stores and adverts for Nestle's and Dulux. Mal Rowe advised 23/8/2020 by e-mail: From the draft text of "The W book": "The first SW6 tram to be decorated was No. 915, which was painted and fitted with panels and aprons promoting fifty years of the Federation of Australia, 1901 to 1951. No. 915 ran on all lines from November, 1950 until May, 1951. In November 1951 No. 915 was fitted with roof illuminations for a six week Christmas promotion. "trams, tramways, decorated trams, elizabeth st, sw6 class, route 20, tram 915

Clothing. Cream polished cotton, full length half slip petticoat. Plackett at the back, fastens with two metal hooks, and hand-stitched loops. The back features a 'crinolette', where two rows of tapes are gathered in to give volume to the back of the garment. As the crinoline started to subside at the end of the 1860's. The centre front panel features 6 angled bands of lace 4.5 cm wide and angled to form a V shape. (1) A 9.5 cm band of pleated linen gauze-like fabric, edged with a 5 cm band of linen lace. (2) A 15 cm double layered frill-top layer 2 cm wide silk like pleats, lined with linen muslin type fabric, and an under frill of polished cotton, pleated in one cm wide knife pleats. The top frill is of fine cream cotton lace. At the top edge is a 3.5 cm wide band of floral cotton lace, and adjoined at the lower edge with a 9 cm deep pleated trim of exquisite cotton "floral and swirls" lace. The top frill is 42 cm wide, and extends over the centre front panel only. A cotton covered " stiffening- possibly bamboo or whale bone, extends 31.5 cm ;long at the crinolette. An unusual 'pocket like bag' is sewn into the right side seam 14 cm below the waist. This has rounded corners, and is 8 cm wide at the top, 17.5 cm wide at the lower edge, which is then rounded slightly. Overall length of the 'pocket' is 38 cms.costume, female, crinolette full length half slip

Yields information about Sturt St Ballarat during the late 1940's and the appearance of the trams at the time of the photograph.Photo of Sturt St. looking North East from Town Hall with tram 32 westbound. Tunbridge store (now demolished in photo), Murray Views Photo No. 29, noted on rear with handwritten note on rear. Has two punch holes on top margin. Assumed from notes, taken between late 1947 and 1948. Notes on Photograph of tram 32 passing Town Hall, in Sturt St., westbound Tramcar - has one colour side panels, which were applied to the trams between 1946 and 5/1950. (Car history cards may define the date 32 was painted - see record 5543/ ) Between 1935 and 1946, trams were painted with cream rocker panels and green under the windows as tram 27 is currently painted. From discussions with Kevin Monkhouse (MFBB) on 27.11.95, the car crossing Armstrong St from North to South is a Ford Roadster, of the 1935 era. Other cars in the street are also pre-war cars. No Holdens' are easily apparent. From this, the date of the photograph taken is assumed to be post 1946, but before 1948. Reg Item 5543, gives the date of painting of the tram to all green as September 1947. Warren Doubleday 27.11.95 and updated on 14/9/2013. See also Reg Item 5313 for a narrower view of this photo. Wal Jack in item 5313 has dated it as 1948 - note added 23/3/2012. see attached notes. On rear in ink "29 - Sturt St. Looking East from Doveton St. (WJ)"trams, tramways, ballarat, sturt st., trams, town hall , tram 32

A bodice belonging to the family of George Ward Cole in the late 1800s. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor The Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished. A hand sewn cream silk satin evening bodice from c.1865. This bodice features a very low, wide scooped neckline with a set in sleeve and four small pleats across the head of the shoulder. The elbow length, straight fitted sleeves are trimmed with a pleated ruffle that extends around the arm finishing at the elbow crease at the inside arm and tapering to mid forearm length at the back. The fitted bodice, lined with waxed linen, fastens down the centre front with eight covered buttons of the bodice fabric. The front two panels wrap around the sides of the bodice to meet another series of panels creating a princess line with a delineated central spine. The waist position is just below the natural waist at the sides, tapering to an elongated front covering the belly. From the sides towards the back it curves up to the natural waistline and then down again to a central point. The bodice is decorated with strips of the same fabric, which has been tucked, pleated and padded to create ruching. The ruching edge has a multi coloured thread, suggestive of rosettes, on both sides. In the front of the bodice, a strip runs down the centre front, concealing the buttonholes, and finishing at the elongated point. It then goes up the bodice over the bust line where it meets the neckline. It follows the neckline around the nape of the neck and back down the front over the bust line to the centre front. More strips run around the base of the fitted sleeve near the elbow above the ruffle. The rosette like coloured thread finishes the base of the ruffle. st ninians, george ward cole, bodice, late 1800s, brighton, margaret morrison ward cole

This dress was donated as having belonged to Annie Elizabeth McLean, who worked as a maid to the daughters of Samuel Renwick of Caulfield. Annie was born in Argyllshire, Scotland in 1853. This dress appears to have been originally made circa 1855 and then modified circa 1872. As Annie would only have been two years old in 1855, this indicates that the dress would most probably have been originally made for someone else and later acquired by Annie. Annie Elizabeth McLean arrived in the Colony of Victoria from Argyllshire, Scotland with her aunts and cousins in 1867, aged thirteen and a half. She had been educated in Scotland and eventually became a personal maid and then companion to the Renwick girl, daughters of Samuel Renwick of Caulfield, Victoria. The Renwicks' home, 'The Garrell' on Glen Eira Road, was one of Caulfield's earliest residences, having been built around 1854. Samuel was a business partner of William Kerr Thomson, a well-known Brighton resident and the original occupant of the North Road mansion 'Kamesburgh'. During her time with the Renwick family, Annie travelled with them to England, then to Scotland, then back to Victoria. She left the family upon the marriage of the youngest Renwick daughter, then went to the household of Sir William and Lady McCullough until she left to be married to Alfred John Ashfold in 1878.This c1872 grey and white silk pin stripe dress features a high round neckline with eleven decorative blue silk buttons and secured by a concealed line of fifteen hook and eyelet closure. The bodice (.1) has decorative blue and green braid over the shoulder and bust and across the base of the bodice. The dress features three darts shaping the dress to the body. The sleeve is cut high but relatively full and tapers to the elbow then flares again in Pagoda like style but ends at the wrist or hand. The skirt (.2) opens over the left hip and features a pocket over the right hip. The skirt at the front finishes at the ankle or just above the ground. At the back the bodice features panels shaping the dress into the body and pleated and flared from the waist. At the small of the back is a decorative bow with pinked edges and decorative braid. The skirt at the back is uncommon in shape most likely as the result of modification. It appears to have had panels removed reducing its original fullness. It has a tape inside the back of the skirt that would draw the skirt in creating a bustle like shape . It would appear that the dress had been modified in order to create a more fashionable silhouette most probably in circa 1872. There are three separate pieces of fabric. One is made up into a semi-circular over-skirt trimmed with blue braid and fringing (.3). Two pieces are unpicked skirt gores, one still has its cotton lining attached (.4 and .5).annie elizabeth mclean, samuel renwick, the garrell, caulfield

Inner Wheel was established in 1924, initially for the wives of Rotary Club members. The first Victorian club was established in Ballarat in 1931 closely followed by Bendigo in 1933. The South Bendigo Club formed in 1980 and is one of over 700 clubs in Australia.Wooden, tri-foldout honour roll of Inner Wheel Club, Bendigo South. . Names of Past Presidents inscribed in white. On centre panel: ' Inner Wheel Club of South Bendigo, Chartered 1980, Past Presidents, Donated by and in memory of P.P Eileen O'Shea' Names on board either side of centre panel: 1980-81 Elsie Twitt 1982-83 Judy Thomas 1982-83 Lorraine Foley 1983-84 Heather Bury 1984-85 Jenette Dawson 1985-86 Ruth Hill 1986-87 June Briggs 1987-88 Erma Hoare 1988-89 Kath O'Farrell 1989-90 Elizabeth Allen 1990-91 Patricia Johns 1991-92 Mary Johnson 1992-93 Anne Flood 1993-94 Eileen O'Shea 1994-95 Nancy Rashleigh 1995-96 Val Walton 1996-97 Beryl Adcock 1997-98 Tanya Lea 1998-99 Marta Birrell 1999-00 Elizaabeth Allen 2000-01 Thelma B eer 2002-02 lJenette Dawson 2002-03 Anne Flood 2003-04 Val Walton 2004-05 Erma Hoare 2005-06 Eileen O'Shea 2006-07 Joan Hellyer 2007-08 Verna Doak 2008-09 Anne Flood 2009-10 Eileen O'Shea and Val Walton 2020-11 Val Walton 2022-12 Juana Van Leeuwen Final Meeting 2nd July, 2013.organisation, community, inner wheel bendigo south

Display panel: Map of Coleman's house location; 1904 photograph of Coleman house with Tom Newton, Mary Coleman (later Dowes) Mary Ann Coleman (nee Burke, mother of Jack Coleman, George Coleman, Mary Coleman), George Coleman, John (Jock) Coleman (father of John Coleman junior married to Margaret Coleman nee Dare); 1971 photograph of part of Coleman house. Typed document, compiled by Dorothy Peatling, Objection to Application 980731 Proposal for 6 units at 1203 Main Road Eltham, stories from Mrs Thomas, Ken Gaston, Frank Martin, Vicky Weston (nee Coleman), Frank Burgoyne, Heather Bakos, Mrs Dansey, and other historical information. Typed document, by Margaret Jennings, Objection to Application 980731 Proposal for 6 units at 1203 Main Road Eltham, history of site. Typed document, by Eltham District Historical Society, history of site, summary of interviews from Dorothy Peatling objection.main road, eltham, property, houses, coleman house, coleman crescent, mary coleman, mary dowes, mary ann coleman, mary ann burke, jack coleman, george coleman, john coleman, jock coleman, margaret coleman, margaret dare, dorothy peatling, mrs thomas, ken gaston, frank martin, vicky weston, vicky coleman, frank burgoyne, heather bakos, mrs dansey, wattletree road, edendale farm, orchard avenue eltham north, diamond creek, christmas creek, cobb and co royal mail

This portable lock up is not original to the site. The date of construction is unknown. It is a pre-fabricated design and each of the timber panels are individually numbered on the inside surfaces. It is amongst a large group of portable locks up, categorised as 'Portable Lock Up - Timber - Later' and also known as the "Casterton style", based on the only known plan for portable lock ups, built for the Casterton Police Station, in 1907. The later portables have been in use since the 1880s. It is not known how many lock ups of this type have been constructed in Victoria. At least 50 examples have been documented around the state. Of these, 42 are known to be extant. This lockup used to be located at the Police Station in Pryor Street and was then stored in Youth Road before being acquired for the Local History Centre in 2001. Lock-up No. 17 taken on the ocassion of the opening of the newly refurbished Eltham Local History Centre Open Day, 4 March 2017, Celebrating 50 years of the Society 1967-2017.Born Digitalactivities, eltham district historical society, local history centre, main road, eltham, 50th anniversary, open day, lock up, lock-up, gaol, jail

The Church of St Michael and All Angels dates from the 15th century and is the Parish Church for Ashton under Lyne. It is believed there was a church on this site before the Norman Conquest as the Domesday Book mentions a St Michael's Church in the east of the ancient parish of Manchester. Much of the structure was re-constructed in Victorian times. The church with large windows in Perpendicular style. Buttresses were required with this type of building as the large window area reduced the strength of the walls. The church boasts boasts some of the best examples of fifteenth century stained glass left in Britain. There are eighteen panels illustrating the life of St. Helena. The church tower is 145 feet high and has a peel of thirteen bells. (From ashton-under-lyne.com) Holy Trinity Church, Bardsley was consecrated on the 10th October 1844 by the Bishop of Chester. The church was only the third church in the Borough of Ashton-under-Lyne to be carved out of the parish of St. Michael & All Angels, Ashton. The church was built on land donated by the Hulme Trustees..1) Sepia photograph mounted onto card showing Holy Trinity, Bardsley, Ashton-under-Lyne. Snow is evident in the foreground and the church is surrounded by a graveyard. .2) Sepia photograph mounted onto card showing St Michael's and All Angels church, alongside a graveyard.Signed lower LHS "J.W. Mellor" Lower RHS "Ashton-under-Lyne"cemetery, st michael s and all angels, ashton under lyne, j w mellor, tombstone, tomb stone, headstone, head stone, holy trinity church, bardsley

The forty-two navigational flags appear to be a complete set. Their purpose-built, grey painted wooden locker is divided into forty-two pigeonholes, each holding one of the rolled up flags. It is simply built and stands on short legs and was originally open-fronted, but has since been covered with a protective clear Perspex panel. The set of alphabetic and numeric visual signalling flags (including substitute and answering pennants) are made of wool in various colour combination designs, with canvas sewn to one end that is threaded with hemp rope. Some of the flags have metal clips attached to the rope. The flags were used for communicating messages to passing ships. Knowledge of visual signalling was mandatory for all lightkeepers and all stations maintained a set of flags. Although used for centuries, visual flag signalling formally developed in the nineteenth century and was published internationally as a system in 1857. By the early twentieth century it had developed into an effective means of conveying all kinds of short range visual messages. Most flags are in good condition and their first level significance is enhanced by their completeness and integrity as a set still housed in their original locker, and by the signal charts that remain in the museum collection which offer further insights into visual signalling.1 - 42. Navigational flag set of 42 individual flags. Coloured linen with canvas sewn to one end which has hemp rope threaded through it. Some flags have metal clips attached to the ends of the hemp rope. 43. Wooden cupboard divided into sections with wooden divides. Used to house the 42 flags. • 1. navy & white. 2. navy & yellow. 3. navy & white. 4. white. 5. red & yellow. 6. yellow & navy. 7. yellow & navy. 8.red. 9.red & white. 10. white & navy. 11. red & navy & white. 12.yellow & navy & & red. 13.navy & white. 14. navy & white. 14. navy & white. 15.navy & white. 16. navy & yellow. 17. yellow & white. 18. white & red. 19. white & red. 20. yellow & red. 21. white & navy. 22. yellow & navy. 23. navy & white. 24. white & navy. 25.red & white. 26. navy & white. 27.red & white. 28.red & white. 29. red & navy. 30. white & navy. 31. yellow. 32.red 7 navy. 33. red. 34 navy,white,red & yellow.35. red & blue. 36. white & red. 37. navy & yellow. 38.red, yellow & white. 39. white. 40. white & red. 41. yellow & red. 42.navy. 43.custom built wooden open cupboard divided into sections to house flags.Yes

The FB was promoted as being longer, lower, more spacious and more powerful than the FC model, but in reality it was only slightly so on each count overerall length was 5.5 inches (140 mm) greater, although the wheelbase remained the same. The engine bore was still 3 inches (76 mm), the last model with that specification. Engine capacity was 138 cubic inches (2.16 L) but the compression ratio was raised. However, the resulting extra 4 brake horsepower (3 kW) of power did not compensate for the greater weight of the FB, so performance was inferior to that of its predecessor. Changes were also made to the brakes, front coil springs, air cleaner and clutch. Obvious styling differences were the lower bonnet, finned rear mudguards with new taillights (on the sedans and wagons only) and a wrap-around windscreen. Seating was improved, as was the instrument panel. A refinement of the FC model but appearance significantly changed with a wraparound windscreen, lower bonnet and finned rear guards.. This vehicle was purchased in NSW The interior was in excellent condition bur required extensive exterior work to bring it back to its original condition, It had a mileage of 8500. A refinement of the FC model but appearance significantly changed with a wraparound windscreen, lower bonnet and finned rear guards. It was the first Holden with acrylic paintwork.Two tone grey body , four door FB Holden sedan. Finned rear mudguard,. Holden Special Registered number 63452-Hholden, automobile, 1960, car

Early stages - no display panels installed. OPENING OF THE VIEWING PLATFORM AT KANGAROO GROUND Nillumbik Council has advised that the viewing platform at Kangaroo Ground 27km NE of Melbourne is to be opened to the public on Wednesday, March 26th 2008 (Melway 271 , G10). The function of the platform is to provide shelter adjacent to the War Memorial Tower whilst allowing all people to enjoy the stunning panoramic views. From the platform you. can see the Dandenongs, the city of Melbourne, the You Yangs, Mount Macedon, the Kinglake Ranges and the Mt Baw-Baw Ranges where the Yarra River starts. This landscape covers all the ancestral lands of the Wurundjeri and some of the wider Kulin nation land. The platform has been given the name Moor-rut, a name which described the fertile soils of the Kangaroo Ground area in contrast to the poorer (Silurian) country of its surrounds, which the Wurundjeri knew as 'Nillumbik' or less rich country. The full 360 degree view can be seen from the adjacent Tower of Remembrance which has 53 stairs. The viewing platform however can be accessed by wheelchair. Inside the viewing platform there are eight double sided interpretive panels giving the history and information regarding this special area. The viewing platform's interpretive panels set out the Aboriginal and European history of the area and also the geology and the local flora and fauna, so that the casual visitor comes away understanding more about this significant part of Victoria. The concept of the viewing platform is part of the refurbishment project for the Kangaroo Ground War Memorial Park which has taken place since 1997 with the active approval and financial assistance of the Nillumbik Shire Council. This project has been guided by an Advisory Committee with volunteer community representatives from the local Historical Societies, the Country Fire Authority, the Returned Services League and the Wurundjeri people. Other allied groups such as the Nillumbik Reconciliation Group have been called upon for their expertise. The initial idea for the viewing platform came from Dean Stewart when he was the caretaker while living at the park. He discussed this idea with local author Mick Woiwod and Harry Gilham of Eltham District Historical Society when they were planning the refurbishment of the War Memorial Park in 1996. When the committee was formalised by the Nillumbik Council in 1997, Nicholas Pelling, representing the CFA and RSL, joined the group. Dennis Ward, local architect, then volunteered to develop the concept plan for the refurbishment of the park and later drew up the plans for the viewing platform. The Kangaroo Ground War Memorial Park and its Tower of Remembrance is located on one of the highest locations in the Yarra Valley. The Tower of Remembrance is a unique war memorial constructed from local stone standing 14 metres high. It was built in the style of a Scottish watchtower reflecting the strong Scottish influence of the first European settlers of the district from the 1840s onward. The park was opened in 1921 and the Tower of Remembrance was dedicated in 1926 recognising the local people who served in the First World War. Those who served in the Second World War were recognised by plaques dedicated in 1951 and more recently those who served in Korea, Borneo, Malaya and Vietnam by plaques unveiled in 2001. Harry Gilham, Advisory Committee Convenor - Eltham District Historical Society Newsletter N0 179 March 2008 Black and white inkjet print on paper 14 x 21 cmmoor-rul viewing platform, garden hill, kangaroo ground, memorial park

Black and white photograph of a room at Fortuna Villa. This room is highly decorated with framed photographs, small figurines, tall ornate lamp with bulbous glass, glass fuel container, left is a small carved table with small figurine, tray and container, next is another table covered with a decorated cloth, in the corner is a taller cabinet style cupboard with glass panels in the door, and a number of small items with a framed photo at the rear, next is a short standard light with artistically decorated shade, to the right is very decorative shelving unit, with small figurines on the shelves, large decorated cylinder with lid, smaller jar with painted decoration and deep lid, foreground has a table made up of 4 triangular pieces and a glass vase and flowersindustries

Clothing. Infant's cream silk dress. High round neckline edged with one cm lace, and casing. Yoke front and back extending to kimono style long sleeves. Front yoke has four vertical strips of lace and centre embroidered panel with pale pink flowers and pale green leaves. Two strips of inserted lace extend along the top of each sleeve from neckline to wrist. Sleeves edged with three cm lace at hem. Centre back opening (22 cm) fastened at neckline with.6 cm pink silk ribbon and two one cm buttons and button holes in centre and lower edge of yoke. Skirt has five cm lace border at hem.costume, children's, infant's cream silk dress

Clothing. Navy blue velvet, on a brass frame, with a 34 cm long brass chain. A ''push-button'' 1.2 cm diameter, fastens the bag. A decorative, oval brass loop is attached to the centre of the frame. The velvet fabric is tightly gathered onto the frame. One side panel of the bag is exquisitely embroidered in a ''corded'' floral design, in pink, blue and greens. The bag is lined with a smokey blue watermark silk, with a flat pocket on one side. The bag contains a smokey blue pouch 7.5 cm square, holding a bevelled edge mirror on one side, and a pouch on the other, a blue nylon comb, two metal hair pins and a 5.5 cm long hat pin. with a pearl bead at one end.costume accessories, female, navy blue velvet embroidered bag

Cream silk, woven in a jacquard style, featuring a floral design. Fully lined with cream silk satin. A 4cm deep, stand-up mandarin style collar. Eight metal hook and eyes fasten the front in a concealed way. Heavy cording, finished with pearl trimmed tassels,a double inverted pleat, 22cm long at the centre back hemline. Three darts at shoulders giving a 'sleeve-like' shape. Lower edges of which are elaborately corded. A 12cm'slit' at the lower edge seam with the front panel gives more flexibilty to the wearer. Tassel head and decorative 1.5cm ''ball'' are woven in a ''turks head'' style. A 2.5cm wide silk ribbon, attached at centre back, and possibly tied around the waist.A card with the cape is hand written - ''For Historical Soc.if wanted, From M.Bush's Collection. Could have been from Mrs. Mueller's. Gift from Mrs. E.G.JARRETT''costume, female, cream silk evening cape

Colour print of Bendigo SECV Bendigo tram 3 travelling High St Eaglehawk towards the Eaglehawk Terminus. Photo taken after the tram has passed the photographer. On Kodacolor paper with a Kodak red ink stamp on rear. Tram has dash canopy lights, but no large white strip under the drivers windows. Photo not dated but appears to be at about the same time as 977, 21.11.1962. Has Eaglehawk Town Hall and Post office in background and shops along the south side of High St. Tram showing destination of "Eaglehawk". Tram has White Horse Whiskey ad and another on front dash panel and two roof ads. In photo are advertisements for "Hutton's Bacon" and "Sennett's Ice Cream" on shop roof advertisements.On rear top left hand corner "3"eaglehawk, bendigo, town hall., high st, tram 3

Negatives No. 279 and colour print made by colour laser printer (stored in folder ) of the construction of the west bound track in Bourke St near Queen St. The eastbound track at this location has been completed. Photo shows the nature of construction, sleepers on a concrete foundation and then concrete in. Envelope containing the slide not dated, but assumed to be 26/5/1954 as for Reg. Item 1559. Photo by Geoff Grant. Hi res scan of negative and image updated 19/5/2020. Four prints or copies of the photograph, 101mm square, added 1/6/03. Photo used in the Melbourne Immigration Museum's "Trammies" Exhibition Feb to May 2003. Prints made by the Immigration Museum for use in the making of the display panels.trams, tramways, melbourne, bourke st, construction, queen st

Yields information about one of the first two maximum traction bogie trams in Ballarat in October 1945 after it had been repainted for use in Ballarat by the SEC and the Lake / depot area at the time.Black and white photograph of SEC No. 15 in Wendouree Parade just to the south of St. Aidans Drive. Photo taken looking south with the trolley pole to the camera in the raised position. Appears to be a new trolley rope. Tram has destination of "Gardens via Drummond Nth". Possibly taken soon after receipt and repainting in Ballarat in 1945. "The Ballarat Tramways" notes that No. 15 arrived in Ballarat October 1945 and was renumbered to No. 36 in 1953. Print made by John Phillips c1995. Print used in the interpretation panel at Gardens Loop - believed to be an SEC photo. 2135.1 - as above by wider to the left, shows more the lake. Added 13/4/2009. See The Ballarat Tramways. Additional large print added 21/3/2021.2135.1 - on rear "Delivered from Melbourne in 1945" "Car 15, renumbered 36 in 1953 in order to consolidate the bogie cars from car 34 onwards." and "William F Scott:" address label.tramways, trams, wendouree parade, bogie trams, tram 15

Black and White copy photograph of a newspaper photograph taken by The Courier of Transferring No. 27 to the BTPS depot, while parked at depot junction. Has the destination of "Mt Pleasant" and a "Twin Lakes" front dash panel advertisement. Photo taken 16/7/1972, published 18/7/1972. See Reg. Item 1790 for the photo used in the newspaper clipping. Collected by Alan Bradley from the Ballarat Courier early 1980's. See Excel file "Record of Ballarat Courier Photos BTM era" (Archive Documents) for source of details. .1 - actual cutting from The Courier, with the caption "A tram in Ballarat is an unusual sight these days. This tram, which ran to Mt Pleasant is being transferred to the trams preservation site."On rear stamped "Copyright, The Ballarat Courier Proprietary Limited."tramways, trams, btps, moving trams, depot junction, tram 27